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Diminishing Dumbara patterns call for revival

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The Anthropology Department of the Colombo National Museum is home to a striking repertoire of Dumbara designs. The collection which is open to the public only through temporary exhibitions, urges the revival of this fast diminishing traditional form of Lankan art which is described as a kind of ‘artistic meditation.’

by Randima Attygalle

The staff of the Anthropology Department of the Colombo National Museum treats me to a feast of painstakingly designed exotic dumbara mats, tapestries, cushion covers, purses and much more. I marvel at the skill of the traditional Lankan artisan which is often taken for granted, bargained over, driven to substitute with other means of income today.

Once the staple of the picturesque Dumbara valley (valley of the mist) or Dumbara mitiyawatha, the craft was even sought by royalty. Some of the descendants of the master weavers who enthralled Kandyan monarchs with their art, still labour to keep their family tradition alive in villages of the Dumbara valley such as Thalagune and Menikhinna. They work against many odds. The base for the craft is the hemp leaf (niyanda hana) botanically termed Sansevieria zeylanica which is hard to source today. This drives the weavers to find substitutes such as cotton.

“The difficulty in sourcing traditional inputs and the poor market price for this time consuming craft force many weavers to abandon it. In the olden days, low pit looms were used to weave hemp. Today these are replaced by cotton and standing looms. The natural dyes are today replaced with synthetics,” notes the Director General, Department of National Museums, Sanuja Kasthuriarchchi.

One of the chief keepers of the tangible history of ours, Kasthuriarachchi with her special interest in traditional local arts, moots public-private collaborations to revive this one-of-a-kind Sri Lankan craft. Unless the weavers are offered incentives and assisted to find markets, their art would soon be confined only to museums, she laments. “This environmental-friendly form of art deserves pride of place in homes, offices and hotels and a national boost is necessary.”

The Colombo National Museum’s collection of dumbara designs are a mix of donations and purchases. The entire collection, however, is not meant for public viewing, given the restrictions in exhibiting space. “We do our best to enable public access through our temporary exhibitions from time to time,” says the DG. The collection also facilitates research. They are important for the study of the use of colours, the distinct patterns of fauna and flora and other inherent weaving skills of master weavers.

An intense research on Dumbara craft by the Anthropology Department of the Colombo National Museum is underway. The community-based research in the traditional weaving villages of Dumbara which was to commence last year was suspended due to the pandemic. Museum officials hope to recommence the project once normalcy returns.

“Today the craft has been diversified and has added handbags, file covers, pencil holders etc. to its portfolio. Yet, unless the craftspeople are given a sense of security including assured markets locally and globally, this craft will not last up to the next generation,” remarks Manoj Hettiarachchi. The Museum’s anthropology curator. Museum officials encourage the public to add to their Dumbara collection.

‘An investment in the national interest, such donated exhibits from private collections will be conserved for posterity. They are treated against possible insect attacksand other hazards.’

The dumbara patterns were perfected by men and women of the kinnaraya caste, notes Ananda Coomaraswamy in his work,
Mediaeval Sinhalase Art. The historian also mentions ballads known as kinnara kavi sung by ancient dumbara weavers.

The labour-intensive fibre-production process is described by Coomaraswamy in his book. The rounded green leaves of the hana plant are gathered and scraped against a log known as the niyanda poruwa with a wooden tool (ge-valla) shaped like a spoke shave. ‘This scraping removes the fleshy part of the leaf, leaving the white fibre, which is oiled and brushed and then ready for use almost immediately. Part of the material is left white, the rest dyed red, yellow or black.’

As Coomsraswamy describes: ‘the red colour is obtained by boiling the fibre with patangi wood, korakaha leaves and gingelly oil or seeds; the yellow from a decoction of venivel; the black with the help of gall nuts, aralu and bulu.’ Added to these three traditionally used natural colours mentioned by Coomaraswamy are an assortment of others including green and blue sourced by artificial dyes.

The loom is described as a ‘low horizontal contrivance’ and the weaver squats on the mat itself, supported by a few flat logs between it and the ground. The pattern is picked up with the weaver’s lathe (vema); this lathe, having an eye at one end, serves as a bodkin called heda liya with which to draw the weft threads through the warp.’

Perfectly plain mats are called pannam kalala, Coomaraswamy documents. These are usually decorated with birds, as is usually are kurullu kalala. Those with a variety of patterns are veda kalala or veda peduru. Among the notable dumbara patterns are toran-petta, tarava,tani-vel iruwa, depota lanuwa, taraka petta, pannam petta, tunpota lanuwa, del geta lanuva and mal gaha. Animal patterns of birds, deer, cobra and elephants were also popular.

Pic credit: Department of National Museums



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The letter that revealed the man behind the legend

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As the world celebrates the 100th birthday of Sir David Attenborough, tributes continue to pour in from scientists, conservationists, filmmakers, and millions of admirers whose lives were shaped by the legendary natural historian’s work.

But among the many messages shared this week, one deeply personal reflection from renowned Sri Lankan-born scientist Dr. Ruchira Somaweera has captured the true essence of the man behind the iconic voice.

“We all have people we look up to and hope to be like one day,” Dr. Somaweera wrote in a moving tribute marking Attenborough’s centenary. “For me, one of those people has always been Sir David Attenborough.”

The story dates back to 2013, when a BBC⁠ documentary crew visited to explore Dr. Somaweera’s pioneering work on freshwater crocodiles for a potential wildlife series. Although his research ultimately did not make it into the final production, the encounter led to something far more meaningful.

Through members of the crew, Dr. Somaweera sent Attenborough a card expressing gratitude for the profound influence he had on three generations of his family.

“What I never expected,” he recalled, “was to receive a handwritten letter from him just two weeks later, thanking me for the kind words.”

For Dr. Somaweera, the gesture revealed something extraordinary about Attenborough — not merely the global icon known to billions, but a deeply gracious and humble human being who still took time to personally respond to admirers, despite decades of worldwide fame.

“It said so much about the man behind the legend,” he reflected.

That quiet act of kindness perhaps explains why Attenborough’s influence extends far beyond television screens. Across nearly eight decades, he has become not only the world’s most recognisable natural history broadcaster, but also one of the most trusted voices in science communication and conservation advocacy.

From Life on Earth to Planet Earth, Blue Planet and countless other landmark productions, Attenborough transformed the way humanity sees the natural world.

He brought remote rainforests, coral reefs, deserts, mountains, and deep oceans into living rooms around the globe, inspiring generations to care about ecosystems they might never physically encounter.

Few communicators have bridged science and emotion with such extraordinary power.

For Sri Lankan scientists and conservationists, Attenborough’s impact has been especially profound. Many grew up watching his documentaries, developing an early fascination with wildlife through his storytelling.

Dr. Somaweera’s own career reflects that inspiration. Widely respected for his work on crocodilians, reptiles, and conservation biology, he has become an internationally recognised scientist whose research has contributed significantly to understanding freshwater ecosystems and reptile conservation.

Yet even accomplished scientists, it seems, can remain awestruck by the people who first ignited their curiosity.

The timing of Dr. Somaweera’s tribute also resonates strongly, following recent screenings of Attenborough’s powerful documentary Ocean, including an exclusive showing hosted by Spa Ceylon⁠ at SCOPE Cinema.

In the film, Attenborough reflects on humanity’s relationship with the sea with a sense of urgency sharpened by a lifetime of observation.

“After living for nearly 100 years on this planet,” he says, “I now understand the most important place on Earth is not on land, but at sea.”

The documentary explores the astonishing biodiversity of oceans while warning against destructive practices, such as industrial bottom trawling, climate change, and marine habitat destruction. But even amid alarming realities, Attenborough continues to offer hope grounded in science and collective action.

That enduring optimism may be one reason why his influence spans generations.

“Happy 100th birthday to a true giant of science communication, storytelling and conservation advocacy,” Dr. Somaweera wrote in his tribute. “The impact you have had on the world, and on countless young minds, is immeasurable.”

Indeed, for millions around the world, Attenborough’s voice became synonymous with wonder itself.

He taught humanity that the planet is not merely scenery, but a living system of intricate relationships — forests breathing for oceans, coral reefs feeding fisheries, plankton generating oxygen, predators maintaining balance, and every species playing a role in the fragile architecture of life.

At 100, Sir David Attenborough remains more than a broadcaster.

He is a witness to a changing planet. A storyteller for the natural world. And for many scientists like Dr. Ruchira Somaweera, a lifelong inspiration whose greatest legacy may lie not only in the documentaries he created, but in the curiosity, compassion, and responsibility he awakened in others.

By Ifham Nizam

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Two hearts, one ocean

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At the press conference hosted by Manipal Hospitals at Kingsbury Hotel, where the historic Sri Lanka-India Ocean Water Swim was unveiled, spotlighting endurance and cross border unity

The first Lanka-India swim by a couple

Bengali couple,Vrushali Prasade and Danish Abdi, created history by undertaking the first ever Sri Lanka-India Ocean Water Swim, reflecting not only athlete excellence and endurance but also the deep rooted cultural and historical connection between India and Sri Lanka.

Sharing their thoughts, before the event, Vrushali Prasade and Danish Abdi expressed enthusiasm about their challenges. “We are excited to take this unique expedition and are proud to align it with a message of health and wellness. This expedition stands as a powerful symbol of unity.

The first even Sri Lanka-India Ocean Water Swim, presented by Manipal Hospitals, is not just another event, it is a bold endurance crossing of geography, grit and shared history between Sri Lanka and India.

This message was unfolded at a press conference held at the Kingsbury Hotel, before the event, by the officials of the giant Manipal Hospitals. The spotlight, however, firmly rested on the two swimmers, a couple, who brought this vision to life.

Vrushali Prasade and her husband Danish Abdi, in their 30s from Bengal are working in the IT industry. They learnt swimming only about four years ago, after first taking to waters during a holiday in the Maldives. The Island met them before their historic attempt.

Poised yet quietly determined, the swimmers embodied the spirit of the challenges ahead, At the press conference they spoke on true discipline, preparations and mental strength required to take on such a historic crossing.

Manipal Hospitals, India’s largest Pan Multi Speciality Hospital, are the main sponsors , symbolically connecting the two nations, India and Sri Lanka, through sport, healthcare and shared ambition.

The couple had previously swam the Indian Ocean as part of the rally but the recent Indian Ocean swim is their first solo couple effort and the longest. They were assisted by multiple boats, alongside paramedics and coast guards.

The Chief Operating Officer, Manipal Health Enterprise Karthik Rajagopal said this historic swim reflects not only athlete excellence and endurance, but also the deep rooted cultural and historical connection between the two countries, The swimmers Vrushali and Danish Abdi said, before the event: ” Swimming is for all ages whether you are a kid or a matured person, it is never too late to start for any age group. When asked about their challenges of undertaking such a historic feat, they said. “The Palk Strait is no gentle stretch of water, its currents are unpredictable, its tides restless . Unlike the the controlled calm of a swimming pool, the sea offers no guarantee, one moment they may bring a steady rhythm, the next, a surge that breaks it entirely. But we are excited to take on this unique expedition and proud to resonate the message of health and wellness to the world’

Fatigue, inevitably becomes a companion and also long hours in open water test not just muscle strength but mental resilience. Jellyfish often drift with currents making the calm swim into a painful endurance test.

“With limited visibility, we can suddenly brush against tentacles, turning a steady rhythm into a moment of sharp pain. In the vast unpredictability of the ocean, we have to chose whatever the sea offers.”

Vrushali Prasade and Danish Abdi: The young Bengali couple who conquered the ocean

They also said the route across the Palk Strait is deceptively complex. Though relatively shallow, those waters are known for shifting currents, strong tidal pulls and unpredictable winds. We cannot rely on a straight path, we move guided by pilots on escort boats who constantly adjust the direction based on the sea conditions. Then we have the unpredictability of the sea itself. Floating debris, sudden weather shifts and there is no wall to hold onto, no pause button only the rhythm of our stroke and breath. Vrushali and Danish expressed enthusiasm about these challenges . We are very excited to overcome all these challenges.’

‘Our decision, however, to take on the challenging stretch across the Palk strait is rooted in more than a personal achievement, said the couple. They spoke of the partnership aspect of the swim calling it both their biggest strength and unique challenge.

Behind the drama of the sea and the determination of the swimmers, lies a quieter crucial force,the medical backbone. As title sponsor, Manipal Hospitals was not merely lending its name to this event. They actively shaped the safety framework that make such a ambitious feat possible.

Manipal Hospitals is the largest Pan India Speciality Hospital network by bed capacity, boasting over 12,300. It is known for its expert medical expertise multi speciality care and commitment to patient centric care and also well connected to Sri Lanka’s medical and patient community especially for spine and oncology services.

Medical teams were stationed on escort boats equipped to respond instantly to issues ranging from hydration and hypothermia to jellyfish stings or muscle cramps. All in all the hospital’s participation underscores a broader message, promoting health, endurance sports and cross border collaboration.

In the end what the couple did places them in the same conversation as some of the world’s most daring open water swimmers, those who have conquered icy channels relentless tides and vast strong winds.

As the couple moved through the waters of the Palk Strait, their journey becomes a powerful metaphor for the relationship between Sri Lanka and India, two neighbours bound by history, culture and shared oceans. It is a quiet but powerful gesture of goodwill, reminding that while seas may separate lands, they can also bring them together.

By Zanita Careem

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Galle Face Hotel introduces “La Sérénité”

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Young invitees bringing new energy and elegance

Limited-Time Saturday Brunch at 1864 Limited Edition

The spirit of leisurely weekend dining came alive recently as La Sérénité Saturday Brunch unfolded in elegant style at 1864 Limited Edition at the iconic Galle Face Hotel.Set against the timeless charm of Colombo’s most historic seaside hotel. guests were treated to an indulgent culinary afternoon where sophistication, flavour and oceanfront glamour blended seamlessly.

The heritage charm of Galle Face Hotel, with its polished floors, high ceilings and whisper of history, created a backdrop that is both grand and intimate.Within this setting the brunch emerges not just as a culinary offering but as a carefully orchestrated experience. At the heart of this orchestration was the vision of the General Manager Suresh Abbas. A veteran in the hotel industry, under his leadership, the culinary team delivered a menu for selected invitees, a menu that balanced European finess with contemporary flair .

From gourmet seafood and international delicacies to locally inspired creations and decadent desserts, the spread offered a luxurious journey for discerning brunch lovers.

The GM’s influence is most visible in the intangible details, The curated menu, personalised service and elegant ambience all echoed the hotel’s dedication to offering memorable gastronic experience.The brunch remained international in character while still grounded in place.

La Sérénité, a thoughtfully conceived brunch experience, at 1864 Limited Edition, brings together a sense of calm, continuity, and culinary storytelling within one of the city’s most enduring landmarks.

Set against the pace of a restless world, La Sérénité is designed as a quiet counterpoint, an invitation to pause, to gather, and to ease into the weekend with intention. Since 1864, Galle Face Hotel has existed within this paradox, offering a sense of stillness and reassurance even as the world around it has continually evolved. This brunch extends that legacy, creating a space where time softens, conversation flows unhurriedly, and presence takes precedence.

At its core, La Sérénité is not only about the experience of slowing down, but also about the stories we return to through food. The menu is conceived as a subtle journey through culinary history, drawing from moments across continents and generations, where dishes have been shaped by instinct, refinement, and time.

There is a quiet familiarity in this approach. Classics are not reimagined for novelty, but carefully refined, preserving their essence while elevating their form. The experience moves between contrast and balance, simplicity and indulgence, tradition and gentle reinterpretation. In doing so, it offers something both recognised and rediscovered.

In this way, La Sérénité becomes more than a brunch. It is a curated timeline of taste, an experience that brings together memory, familiarity, and thoughtful refinement within a setting that invites calm.

Presented as a limited-time experience, La Sérénité commenced on 2nd May and takes place every Saturday at 1864 Limited Edition.

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