Features
Cactus growers in old Ceylon
By Hugh Karunanayake
It was in the mid 1950s that I first discovered the enchantment of cacti and succulents. I cannot exactly recall the inspiration for my interest in this most unusual group within the plant kingdom, but I do remember seeing the Giant Saguaro(Carnegia gigantea) in the western movies that we used to see in Colombo in those days. A good number of those movies were filmed in the deserts of Arizona or California with huge specimens of giant candelabra like cacti some reaching up to 30 meters in height, in the background.
Very impressive to a young mind not familiar with such awesome plant shapes and sizes. In Ceylon of the 1950s there were a few species of cacti growing wild but quite healthily in the arid zone of the country, places like Hambantota, Batticaloa, and in Puttalam and Mannar where the columnar cacti were used as fence plants.(Trichocereus marginata for example) There were also the opuntias – the flat round padded plants, some with sharp spines and one particular variety without spines. The diversity and their attractiveness was however rather limited. It is believed that there were no indigenous cacti in Ceylon and the few species that were there were introduced over the years notably during the Portuguese and Dutch colonial times.
An enterprising nurseryman Ian Oorloff who ran a very successful nursery called Trevine Gardens in Layards Road stepped into the scene in the early 1950s . Noting the quietly increasing interest in cacti he started importing fairly large stocks of seedling cacti from hothouses in Germany. Each year he would import his stock and a small advertisement would appear on page 3 of the Daily News informing everyone of the new arrivals. The first few shipments did not move out as quickly as he expected, but the word got around rapidly and all his imports in subsequent years were snapped up during the first few days after the appearance of the advertisement.
Ian used to visit Britain and the continent each year during those days of steamship travel and his enterprise stimulated the interest in growing cacti as a hobby. Sadly he passed away I think sometime around 1958 or so during a visit to the UK, the victim of a medical misadventure as I recall, where something went wrong with the anaesthesia used by his dentist for a tooth extraction I believe.
By 1954 there were a small band of cacti growers in Sri Lanka resident not only in Colombo but in places then called “outstations” such as Hatton (the collection of Fred Labrooy who lived in Poolbank Bungalow ), Kadugannawa ( Lynn Dassenaike’s collection) and even Godakawela where arguably the best collection of cacti in the country was located. That collection belonged to Sam Elapata who was better known as an expert on wild elephants and their habits among other things.
During this time there was a small but growing group of enthusiasts in the Colombo area as well . Outstanding among them was Vicki Atukorale who lived down Peterson Lane, Wellawate and was well known as a tropical fish breeder and wild life enthusiast and was a close friend of Sam Elapata. An eloquent eight page tribute to the memory of that extraordinary naturalist was published in Loris (the Jounal of the Wild Life and Nature Protection Society of Sri Lanka) of June 2000 nearly 30 years after his death.
Most of the serious cacti fanciers in Colombo knew each other and there was some swapping and exchange of information and introduction of new enthusiasts to the group. It all came to a peak with a small notice which appeared in the Sunday Observer of the time (the year was 1954) requesting persons wishing to form a society for cactus growers to meet at the YMCA in the Fort on a nominated day. The notice was inserted by Mansoor Ghouse who was then working as a sales executive at Cargills Ltd.
He was later to become an expert in management education. There were about 20 people who met at the YMCA on the appointed date and there was unanimous agreement that a body by the name Ceylon Cactus and Succulent Society be formed. The foundation members were deemed to be those who met at that first meeting and I, a student in my late teens was easily the youngest foundation member.
The other foundation members whose names I can recall were Lynn Dassenaike from Doolhena Estate Kadugannawa, Vicky Atukorale, Irwin Dassenaike, Mansoor Ghouse , Damascene Perera. EDW(Archer) Jayewardene (father of Jayantha Jayawardene), Dr VC de Silva, Mervyn Ondaatje ( the father of Michael Ondaatje, the Booker prize winner).The work of the Society must have had some impact on Michael because he devoted almost a chapter to it in his prize winning book “Running in the family”.
I cannot remember the presence of Sam Elapata at the foundation meeting but he did subsequently invite members of the Society to view his cactus garden in Godakawela. Mansoor Ghouse the Secretary/Treasurer was at the time living in Nawala and I recall visiting his home to see what was then a possible nucleus of a collection of cacti that he was nurturing.
The Cactus Society went off to a flying start and a few visits were organised by the Society to view the cactus and succulent collection in the Botanic Gardens at Peradeniya which had a very good assortment of plants grown in a glasshouse. I did not go on any of those tours but when a few friends decided to visit Sam Elapata’s collection I grasped the opportunity. By that time he had visited my parental home on a few occasions and was quite impressed with the conditions under which I grew my plants which were in a partially protected conservatory.
Our visit to Alpitiya, Godakawela where Sam lived was quite an event for me. Sam Elapata lived in a sprawling ancient bungalow standing in the middle of a garden full of exotic plants. He was a keen orchid fancier and was very knowledgeable on elephants and their behaviour and was associated with the last elephant kraal held in Sri Lanka in Panamure in 1950. .His cacti were growing in a large bed possibly about 10 metres in length and about two metres wide. The bed was raised about a metre above ground level so that the plants could be seen closer to eye level when standing beside .
It was quite impressive and the four of us who went that day were simply spellbound at the sight of the collection. Later that evening after dinner at the Walawwa he displayed his remarkable collection of precious stones including a massive cat’s eye the size of a pigeon’s egg, while relating with relish the story behind each one of them. Quite enthralling indeed as we listened to him as he related those fascinating stories interspersed with puffs at his pipe. It was also there that I saw the lovely 300 year old blue and white VOC plate which may have been the spark that kindled my own subsequent interest in 18 th Century porcelain. Interestingly enough the same plate is now at the home of an assiduous antique collector in Colombo where I last saw it a few years ago. Sam Elapata passed away over 40 years ago but I often wonder what became of the unique Sam Elapata collection of cacti.
As for the Society, it lasted for about two or three years and then wound up possibly due to lack of interest and enthusiasm. The country was heading into foreign exchange problems, imports were banned, and the interest in imported plants dwindled rapidly. On my visits to Sri Lanka (Karunanayake now lives in Australia) during the last four decades I have not observed any resurgence of interest in this most fascinating group within the plant kingdom. On the contrary in Australia there are several societies, regular plant exhibitions, and several quarterly publications devoted entirely to growing cacti and succulents.
They organise visits to the deserts of Baja California, Arizona, and Mexico for enthusiasts to view massive specimens growing in their natural habitat. The climate in Australia especially in areas which do not experience harsh winters is most conducive to growing cacti in outdoor locations. Consequently one finds large specimens growing luxuriantly in almost similar condition to those growing in their native habitat in the USA and Mexico. But the seasonal monsoonal wet weather in Sri Lanka is very inimical to successful growth of cacti in the open where a sheltered but sunny position is essential. From all accounts it appears that interest in growing cacti in Sri Lanka is well and truly dead and buried unless someone comes up with evidence to suggest a la Mark Twain that “rumours of its death have been greatly exaggerated”!
Features
Rethinking global order in the precincts of Nalanda
It has become fashionable to criticise the US for its recent conduct toward Iran. This is not an attempt to defend or rationalise the US’s actions. Rather, it seeks to inject perspective into an increasingly a historical debate. What is often missing is institutional memory: An understanding of how the present international order was constructed and the conditions under which it emerged.
The “rules-based order” was forged in the aftermath of two catastrophic wars. Earlier efforts had faltered. Woodrow Wilson’s proposal for a League of Nations after World War I was rejected by the US Senate. Yet, it introduced a lasting premise: International order could be consciously designed, not left solely to shifting power balances. That premise returned after World War II. The Dumbarton Oaks process laid the groundwork for the UN, while Bretton Woods established the global financial architecture.
These frameworks shaped modern norms of security, finance, trade, and governance. The US played the central role in this design, providing leadership even as it engaged selectively- remaining outside certain frameworks while shaping others. This underscored a central reality: Power and principle have always coexisted uneasily within it.
This order most be understood against the destruction that preceded it. Industrial warfare, aerial bombardment, and weapons capable of unprecedented devastation reshaped both the ethics and limits of conflict. The post-war system emerged from this trauma, anchored in a fragile consensus of “never again”, even as authority remained concentrated among five powers.
The rise of China, the re-emergence of India, and the growing assertiveness of Russia and regional powers are reshaping the global balance. Technological disruption and renewed competition over energy and resources are transforming the nature of power. In this environment, some American strategists argue that the US risks strategic drift Iran, in this view, becomes more than a regional issue; it serves as a platform for signalling resolve – not only to Tehran, but to Beijing and beyond. Actions taken in one theatre are intended to shape perceptions of credibility across multiple fronts.
Recent actions suggest that while the US retains unmatched military reach, it has exercised a level of restraint. The avoidance of escalation into the most extreme forms of warfare indicates that certain thresholds in great-power conflict remain intact. If current trends persist-where power increasingly substitutes for principle — this won’t remain a uniquely American dilemma.
Other major powers may face similar choices. As capabilities expand, the temptation to act outside established norms may grow. What begins as a context-specific deviation can harden into accepted practice. This is the paradox of great power transition: What begins as an exception risk becoming a precedent The question now is whether existing systems are capable of renewal. Ad hoc frameworks may stabilise the present, but risk orphaning the future. Without a broader framework, they risk managing disorder rather than designing order. The Dumbarton Oaks process was a structured diplomatic effort shaped by competing visions and compromise. A contemporary equivalent would be more complex, reflecting a more diffuse distribution of power and lower levels of trust Such an effort must include the US, China, India, the EU, Russia, and other key powers.
India could serve as a credible convenor capable of bridging divides. Its position -engaged with multiple powers yet not formally aligned – gives it a degree of convening legitimacy. Nalanda-the world’s first university – offers an appropriate symbolic setting for such dialogue, evoking knowledge exchange across civilisations rather than competition among them.
Milinda Moragoda is a former cabinet minister and diplomat from Sri Lanka and founder of the Pathfinder Foundation, a strategic affairs think tank could be contacted atemail@milinda.org. This article was published in Hindustan Times on 2026.04.19)
By Milinda Moragoda
Features
Father and daughter … and now Section 8
The combination of father and daughter, Shafi and Jana, as a duo, turned out to be a very rewarding experience, indeed, and now they have advanced to Section 8 – a high-energy, funk-driven, jazz-oriented live band, blending pop, rock, funk, country, and jazz.
Guitar wizard Shafi is a highly accomplished lead guitarist with extensive international experience, having performed across Germany, Australia, the Maldives, Canada, and multiple global destinations.
He is best known as a lead guitarist of Wildfire, one of Sri Lanka’s most recognised bands, while Jana is a dynamic and captivating lead vocalist with over a decade of professional performing experience.
Jana’s musical journey started early, through choir, laying the foundation for her strong vocal control and confident stage presence.
Having also performed with various local bands, and collaborated with seasoned musicians, Jana has developed a versatile style that blends energy, emotion, and audience connection.
The father and daughter combination performed in the Maldives for two years and then returned home and formed Section 8, combining international stage experience with a sharp understanding of what it takes to move a crowd.
In fact, Shafi and Jana performed together, as a duo, for over seven years, including long-term overseas contracts, building a strong musical partnership and a deep understanding of international audiences and live entertainment standards.
Section 8 is relatively new to the scene – just two years old – but the outfit has already built a strong reputation, performing at private events, weddings, bars, and concerts.
The band is known for its adaptability, professionalism, and engaging stage presence, and consistently delivers a premium live entertainment experience, focused on energy, groove, and audience connection.
Section 8 is also a popular name across Sri Lanka’s live music circuit, regularly performing at venues such as Gatz, Jazzabel, Honey Beach, and The Main Sports Bar, as well as across the southern coast, including Hikkaduwa, Ahangama, Mirissa, and Galle.
What’s more, they performed two consecutive years at Petti Mirissa for their New Year’s gala, captivating international audiences present with high-energy performance, specially designed for large-scale celebrations.
With a strong following among international visitors, the band has become a standout act within the tourist entertainment scene, as well.
Their performances are tailored to diverse audiences, blending international hits with dance-driven sets, while also incorporating strong jazz influences that add depth, musicianship, and versatility to their sound.
The rest of the members of Section 8 are also extremely talented and experienced musicians:
Suresh – Drummer, with over 20 years of international experience.
Dimantha – Keyboardist, with global exposure across multiple countries.
Dilhara – Bassist and multi-instrumentalist, also a composer and producer, with technical expertise.
Features
Celebrations … in a unique way
Rajiv Sebastian could be classified as an innovative performer.
Yes, he certainly has plenty of surprises up his sleeves and that’s what makes him extremely popular with his fans.
Rajiv & The Clan are now 35 years in the showbiz scene and Rajiv says he has plans to celebrate this special occasion … in a unique way!
According to Rajiv, the memories of Clarence, Neville, Baig, Rukmani, Wally and many more, in its original flavour, will be relived on 14th July.
“We will be celebrating our anniversary at the Grand Maitland (in front of the SSC playground) on 14th July, at 7.00pm, and you will feel the inspiration of an amazing night you’ve never seen before,” says Rajiv, adding that all the performers will be dressed up in the beautiful sixties attire, and use musical instruments never seen before.
In fact, Rajiv left for London, last week, and is scheduled to perform at four different venues, and at each venue his outfit is going to be different, he says, with the sarong being very much a part of the scene.
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