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Portrait of an old master

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by ECB Wijeyesinghe

Today (March 1980), on the eve of the Big Match, let us begin the week by raising a rousing cheer to the oldest Old Thomian alive who makes another big hit which brings him closer and closer to the Century of this Century.

You may not believe it when you see his sprightly walk and hear his witty talk, but the truth is that Gate Mudaliyar A. C. G. S. Amarasekara is 97 today, and by the Magic of his Art has contrived to keep the minions of Anno Domini at bay, while hundreds of his contemporaries have succumbed and gone the way of all flesh. He first saw the light of day at Dodanduwa, south of the Bentota River, and the Mudaliyar is possessed of many admirable qualities. One of them is his capacity for friendship. Like Michelangelo, he never forgets the face of an old acquaintance.

Hopes

When he was born on March 2, 1883, his father, the pious and scholarly padre, the Rev. A. S. Amarasekara, and his maternal uncle, Canon G. B. Ekanayake, M.A., D.D., the eminent Anglican theologian, had high hopes that one day he would follow in their footsteps. But Doctors of Divinity were not able to shape his ends in the way they wanted, and he drifted headlong into Art.

Young Abraham Christopher Gregory Suriarachchi preferred the roses and raptures of the paint-pot to the lilies and languors of the pulpit. When the family moved to Moratuwa from the South, little ACGS was admitted to the Prince of Wales College, then under the baton of J. G. C. Mendis. The Mudaliyar will tell you that one of his earliest recollections is drawing pictures with his fingers on the golden sands of the Moratuwa beach. At school, too, he filled his slate with sketches, but what fascinated him immensely was the calligraphy of the Sinhala script.

The story is also told that young ACGS who was fond of drawing on walls once accompanied his father while he was calling on one of his parishioners – a fat lady. The child, they say, is father of the man, and ACGS was mischievous even then and full of wholesome fun. In order to keep his son quiet, the kindly padre put him in a corner behind a tall chair. When it was time to leave, the chair was removed and, lo and behold!, on the wall was a drawing – of the fat lady.

The realistic quality of the lady’s picture on the wall has been the hall-mark of the Mudaliyar’s work. It is a realism that he has captured in the thousands of portraits he has since painted of men and women in every stratum of society in Ceylon. Two of India’s greatest sons, Mahatma Gandhi and Rabindranath Tagore, also sat for him and their portraits have won international acclaim.

Dr. Tagore is often described as the Serene Sage of Shantiniketan, but he used to become impatient and restless when he was asked to sit quietly for his portrait. It had happened in India. It happened in Ceylon, too, in 1934 when the Poet was a guest at the Kollupitiya residence of Mrs. Helena Wijewardene, the grandmother of President Jayewardene. The old mansion, Sri Ramya, is now the home of the American Embassy.

Though he was somewhat reluctant to pose at first, Tagore was gently persuaded by the Mudaliyar to sit, but the painting had to be done while the Poet was at work. And so the artist pitched his easel in a corner of the study while men, women and children filed past the Sage in veneration, giving the impression that they were in the presence of a deity. All the while, Tagore took no notice of his hero-worshipers, until one man, bolder than the rest, used a psychological gimmick to attract his attention.

“Sir, I saw your paintings at the Paris Exhibition”, said the admirer, and for the first time, Tagore looked up and straightened in his chair. According to the Mudaliyar that was just the posture he wanted for the portrait. A splendid likeness was the result and it was eventually acquired for the New York World’s Fair. The purchase was made on the recommendation of Sir William Rothenstein of the National Gallery to represent Ceylonese painting.

Immediately after that the fat was in the fire and there was the usual uproar. Some so-called Nationalists protested that representative Ceylon art should be done in the Sigiriya manner. The Mudaliyar referred to this incident at the historic felicitation dinner on his 84th birthday when he said: “Just imagine, Ladies and Gentlemen, my painting our lady-politicians like the Sigiriya pin-up girls. Why, none of them have even that shape like an hour-glass. Some of them look as if the sand in their hour-glass had run down to the bottom – to the bottom of the hourglass I mean!”

As a piece of post-prandial wit the Mudaliyar’s speech was a masterpiece and worthy of the occasion, because in the audience was everybody who was anybody in Ceylon, from the Governor-General downwards.

Pupils

It was at this dinner that the Mudaliyar revealed that Sir John Kotelawala was one of his earliest pupils. It somehow got bruited about that Art consisted in the Pursuit of the Beautiful, and young John Lionel Kotelawala promptly sought admission to the Mudaliyar’s school. Sir John, it may be added, did not take to Art as a profession, but he never ceased to pursue the Beautiful. And, according to reliable sources, the Beautiful have not ceased to pursue Sir John.

The list of the Mudaliyar’s pupils who have taken to Art as a profession is formidable. They include painters, commercial artists, Art teachers and inspectors, but there are also many competent amateurs who practice Art for Art’s sake’s and are emotionally moved by it, at least during the week-end.

Through the Atelier or Amarasekara School of Art have passed at various times, some of the finest painting talent in the country including Justin Deraniyagala, Harry Pieris, Reggie Candappa, Donald Ramanayake, G. S. Fernando, Paul Deraniyagala, A. J. Ranasinghe, Edmund Blacker, Russell Gonsal and Amarasekara’s brilliant son, the versatile Douglas.

Among the long list of women students who have made their mark not only in Art, but in other fields as well, are Mrs. Saraswathie Rockwood, Mrs. S. H. Moosajee, Lady Vaithianathan, Mrs. M.W. M. de Silva, Bertha Jansz and Lilian Amarasekara. Every picture of the Gate Mudaliyar, like the advertisement for a popular cure for rheumatism, tells a story. The one in connection with his portrait of Mahatma Gandhi has a flavour of its own.

The Mudaliyar once revealed it to my friend Neville Weeraratne, an old “Observer” galley-slave like myself. It all happened at a time of intense political activity in the late twenties when reforms were in the offing and the Mahatma had come here to promote his khaddar campaign. There was a public reception to Gandhi in Colombo at which S. W. R. D. Bandaranaike acted as Master of Ceremonies.

The Mahatma was seated cross-legged on a table, while the Donoughmore Commissioners, who were then in Ceylon, sat at his feet. The Mudaliyar meanwhile was stalking the great man, armed with his brush and box of many colours. Working under great stress he managed to secure a likeness of the Mahatma who was very pleased with it. But he agreed to autograph it only on condition that the Mudaliyar, too, got into khaddar, because the object of his visit to Ceylon was to do a bit of propaganda for his movement.

ACGS, whose sartorial tastes are well-known, managed to wriggle out of the difficulty by saying that, as Gate Mudaliyar, he had to wear specific insignia, but he promised to promote the khaddar campaign. This portrait, a water-colour, autographed by the Mahatma himself in English and Gujerati, was acquired for the British nation, and I believe was hung in the Horniman Gallery after it was exhibited in Paris.

Magic

Even if he did not paint a single picture, the Gate Mudaliyar will be remembered by posterity for his artistry as The Gay Deceiver. Age has not been able to wither nor custom stale the infinite variety of his bag of tricks. He has been the centre of the Sri Lanka Magic Circle for the past 50 years and some of the most enthusiastic members at the circumference have been R. Bodinagoda, Brigadier C. P. Jayawardana. Earle H. Nicholas and Linden de Alwis.

Bodinagoda was one of the prime movers along with Dr. M. V. P. Peiris and the late lamented L. P. Goonetilleke, in the production of the magnificent Felicitation Volume which was presented on his 84th birthday. On that occasion, N. K. Choksy QC one of his pupils sent this message to the doyen of Ceylon Painters. It aptly summarizes the sentiments that are surging today in the hearts of his friends and admirers.

If from life you take the best,

And in life you keep the jest,

And if love you hold,

No matter how the years go by

No matter how your birthdays fly,

You are not old

(Excerpted from The Good Among The Best first published in March 1980)



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Features

Cricket and the National Interest

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The appointment of former minister Eran Wickremaratne to chair the Sri Lanka Cricket Transformation Committee is significant for more than the future of cricket. It signals a possible shift in the culture of governance even as it offers Sri Lankan cricket a fighting possibility to get out of the doldrums of failure. There have been glorious patches for the national cricket team since the epochal 1996 World Cup triumph. But these patches of brightness have been few and far between and virtually non-existent over the past decade. At the centre of this disaster has been the failures of governance within Sri Lanka Cricket which are not unlike the larger failures of governance within the country itself. The appointment of a new reform oriented committee therefore carries significance beyond cricket. It reflects the wider challenge facing the country which is to restore trust in public institutions for better management.

The appointment of Eran Wickremaratne brings a professional administrator with a proven track record into the cricket arena. He has several strengths that many of his immediate predecessors lacked. Before the ascent of the present government leadership to positions of power, Eran Wickremaratne was among the handful of government ministers who did not have allegations of corruption attached to their names. His reputation for financial professionalism and integrity has remained intact over many years in public life. With him in the Cricket Transformation Committee are also respected former cricketers Kumar Sangakkara, Roshan Mahanama and Sidath Wettimuny together with professionals from legal and business backgrounds. They have been tasked with introducing structural reforms and improving transparency and accountability within cricket administration.

A second reason for this appointment to be significant is that this is possibly the first occasion on which the NPP government has reached out to someone associated with the opposition to obtain assistance in an area of national importance. The commitment to bipartisanship has been a constant demand from politically non-partisan civic groups and political analysts. They have voiced the opinion that the government needs to be more inclusive in its choice of appointments to decision making authorities. The NPP government’s practice so far has largely been to limit appointments to those within the ruling party or those considered loyalists even at the cost of proven expertise. The government’s decision in this case therefore marks a potentially important departure.

National Interest

There are areas of public life where national interest should transcend party divisions and cricket, beloved of the people, is one of them. Sri Lanka cannot afford to continue treating every institution as an arena for political competition when institutions themselves are in crisis and public confidence has become fragile. It is therefore unfortunate that when the government has moved positively in the direction of drawing on expertise from outside its own ranks there should be a negative response from sections of the opposition. This is indicative of the absence of a culture of bipartisanship even on issues that concern the national interest. The SJB, of which the newly appointed cricket committee chairman was a member objected on the grounds that politicians should not hold positions in sports administration and asked him to resign from the party. There is a need to recognise the distinction between partisan political control and the temporary use of experienced administrators to carry out reform and institutional restructuring. In other countries those in politics often join academia and civil society on a temporary basis and vice versa.

More disturbing has been the insidious campaign carried out against the new cricket committee and its chairman on the grounds of religious affiliation. This is an unacceptable denial of the reality that Sri Lanka is a plural, multi ethnic and multi religious society. The interim committee reflects this diversity to a reasonable extent. The country’s long history of ethnic conflict should have taught all political actors the dangers of mobilising communal prejudice for short term political gain. Sri Lanka paid a very heavy price for decades of mistrust and division. It would be tragic if even cricket administration became another arena for communal suspicion and hostility. The present government represents an important departure from the sectarian rhetoric that was employed by previous governments. They have repeatedly pledged to protect the equal rights of all citizens and not permit discrimination or extremism in any form.

The recent international peace march in Sri Lanka led by the Venerable Bhikkhu Thich Paññākāra from Vietnam with its message of loving kindness and mindfulness to all resonated strongly with the masses of people as seen by the crowds who thronged the roadsides to obtain blessings and show respect. This message stands in contrast to the sectarian resentment manifested by those who seek to use the cricket appointments as a weapon to attack the government at the present time. The challenges before the Sri Lanka Cricket Transformation Committee parallel the larger challenges before the government in developing the national economy and respecting ethnic and religious diversity. Plugging the leaks and restoring systems will take time and effort. It cannot be done overnight and it cannot succeed without public patience and support.

New Recognition

There is also a need for realism. The appointment of Eran Wickremaratne and the new committee does not guarantee success. Reforming deeply flawed institutions is always difficult. Besides, Sri Lanka is a small country with a relatively small population compared to many other cricket playing nations. It is also a country still recovering from the economic breakdown of 2022 which pushed the majority of people into hardship and severely weakened public institutions. The country continues to face unprecedented challenges including the damage caused by Cyclone Ditwah and the wider global economic uncertainties linked to conflict in the Middle East. Under these difficult circumstances Sri Lanka has fewer resources than many larger countries to devote to both cricket and economic development.

When resources are scarce they cannot be wasted through corruption or incompetence. Drawing upon the strengths of all those who are competent for the tasks at hand regardless of party affiliation or ethnic or religious identity is necessary if improvement is to come sooner rather than later. The burden of rebuilding the country cannot rest only on the government. The crisis facing the country is too deep for any single party or government to solve alone. National recovery requires capable individuals from across society and from different sectors such as business and civil society to work together in areas where the national interest transcends party politics. There is also a responsibility on opposition political parties to support initiatives that are politically neutral and genuinely in the national interest. Not every issue needs to become a partisan battle.

Sri Lanka cricket occupies a special place in the national consciousness. At its best it once united the country and gave Sri Lankans a sense of pride and international recognition. Restoring integrity and professionalism to cricket administration can therefore become part of the larger task of national renewal. The appointment of Eran Wickremaratne and the new committee, while it does not guarantee success, is a sign that the political leadership and people of the country may be beginning to mature in their approach to governance. In recognising the need for competence, integrity and bipartisan cooperation and extending it beyond cricket into other areas of national life, Sri Lanka may find the way towards more stable and successful governance..

by Jehan Perera

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From Dhaka to Sri Lanka, three wheels that drive our economies

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Court vacation this year came with an unexpected lesson, not from a courtroom but from the streets of Dhaka — a city that moves, quite literally, on three wheels.

Above the traffic, a modern metro line glides past concrete pillars and crowded rooftops. It is efficient, clean and frequently cited as a symbol of progress in Bangladesh. For a visitor from Sri Lanka, it inevitably brings to mind our own abandoned light rail plans — a project debated, politicised and ultimately set aside.

But Dhaka’s real story is not in the air. It is on the ground.

Beneath the elevated tracks, the streets belong to three-wheelers. Known locally as CNGs, they cluster at junctions, line the edges of markets and pour into narrow roads that larger vehicles avoid. Even with a functioning rail system, these three-wheelers remain the city’s most dependable form of everyday transport.

Within hours of arriving, their importance becomes obvious. The train may take you across the city, but the journey does not end there. The last mile — often the most complicated part — belongs entirely to the three-wheeler. It is the vehicle that gets you home, to a meeting or simply through streets that no bus route properly serves.

There is a rhythm to using them. A destination is mentioned, a price is suggested and a brief negotiation follows. Then the ride begins, edging into traffic that feels permanently compressed. Drivers move with instinct, adjusting routes and squeezing through gaps with a confidence built over years.

It is not polished. But it works.

And that is where the comparison with Sri Lanka becomes less about what we lack and more about what we already have.

Back home, the three-wheeler has long been part of daily life — so familiar that it is often discussed only in terms of its problems. There are frequent complaints about fares, refusals or the absence of meters. More recently, the industry itself has become entangled in politics — from fuel subsidies to regulatory debates, from election-time promises to periodic crackdowns.

In that process, the conversation has shifted. The three-wheeler is often treated as a problem to be managed, rather than a service to be strengthened.

Yet, seen through the experience of Dhaka, Sri Lanka’s system begins to look far more settled — and, in many ways, ahead.

There is a growing structure in place. Meters, while not perfect, are widely recognised. Ride-hailing apps have added transparency and reduced uncertainty for passengers. There are clearer expectations on both sides — driver and commuter alike. Even small details, such as designated parking areas in parts of Colombo or the increasing standard of vehicles, point to an industry slowly moving towards professionalism.

Just as importantly, there is a human element that remains intact.

In Sri Lanka, a three-wheeler ride is rarely just a transaction. Drivers talk. They offer directions, comment on the day’s news, or share local knowledge. The ride becomes part of the social fabric, not just a means of getting from one point to another.

In Dhaka, the scale of the city leaves less room for that. The interaction is quicker, more direct, shaped by urgency. The service is essential, but it is under constant pressure.

What stands out, across both countries, is that the three-wheeler is not a temporary or outdated mode of transport. It is a necessity in dense, fast-growing Asian cities — one that fills gaps no rail or bus system can fully address.

Large infrastructure projects, like light rail, are important. They bring efficiency and long-term capacity. But they cannot replace the flexibility of a three-wheeler. They cannot reach into narrow streets, respond instantly to demand or provide that crucial last-mile connection.

That is why, even in a city that has invested heavily in modern rail, Dhaka still runs on three wheels.

For Sri Lanka, the lesson is not simply about what could have been built, but about what should be better managed and valued.

The three-wheeler industry does not need to be politicised at every turn. It needs steady regulation — clear fare systems, proper licensing, safety standards — alongside encouragement and recognition. It needs to be seen as part of the solution to urban transport, not as a side issue.

Because for thousands of drivers, it is a livelihood. And for millions of passengers, it is the most immediate and reliable form of mobility.

The tuk-tuk may not feature in grand policy speeches or infrastructure blueprints. It does not run on elevated tracks or attract international attention. But on the ground, where daily life unfolds, it continues to do what larger systems often struggle to do — show up, adapt and keep moving.

And after watching Dhaka’s streets — crowded, relentless, yet functioning — that small, three-wheeled vehicle feels less like something to argue over and more like something to get right.

(The writer is an Attorney-at-Law with over a decade of experience specialising in civil law, a former Board Member of the Office of Missing Persons and a former Legal Director of the Central Cultural Fund. He holds an LLM in International Business Law)

 

by Sampath Perera recently in Dhaka, Bangladesh 

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Dubai scene … opening up

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Seven Notes: Operating in Dubai

According to reports coming my way, the entertainment scene, in Dubai, is very much opening up, and buzzing again!

After a quieter few months, May is packed with entertainment and the whole scene, they say, is shifting back into full swing.

The Seven Notes band, made up of Sri Lankans, based in Dubai, are back in the spotlight, after a short hiatus, due to the ongoing Middle East problems.

On 18th April they did Legends Night at Mercure Hotel Dubai Barsha Heights; on Thursday, 9th May, they will be at the Sports Bar of the Mercure Hotel for 70s/80s Retro Night; on 6th June, they will be at Al Jadaf Dubai to provide the music for Sandun Perera live in concert … and with more dates to follow.

These events are expected to showcase the band’s evolving sound, tighter stage coordination, and stronger audience engagement.

With each performance, the band aims to refine its identity and build a loyal following within Dubai’s vibrant nightlife and event scene.

Pasindu Umayanga: The group’s new vocalist

What makes Seven Notes standout is their versatility which has made the band a dynamic and promising act.

With a growing performance calendar, new talent integration, and international ambitions, the band is definitely entering a defining phase of its journey.

Dubai’s music industry, I’m told, thrives on diversity, energy, and audience connection, with live bands playing a crucial role in elevating events—from corporate shows to private concerts. Against this backdrop, Seven Notes is positioning itself not just as another band, but as a performance-driven musical unit focused on consistency and growth.

Adding fresh momentum to the group is Pasindu Umayanga who joins Seven Notes as their new vocalist. This move signals a strategic upgrade—not just filling a role, but strengthening the band’s front-line presence.

Looking beyond local stages, Seven Notes is preparing for an international tour, to Korea, in July.

Bassist Niluk Uswaththa: Spokesperson for Seven Notes

According to bassist Niluk Uswaththa, taking a band abroad means: Your sound must hold up against unfamiliar audiences, your performance must translate beyond language, and your discipline must be at a professional level.

“If executed well, this tour could redefine Seven Notes from a local band into an emerging international act,” added Niluk.

He went on to say that Dubai is not an easy market. It’s saturated with highly experienced, multi-genre bands that can adapt instantly to any crowd.

“To stand out consistently you need to have tight rehearsal discipline, unique sound identity (not just covers), strong stage chemistry, audience retention – not just applause.”

No doubt, Seven Notes is entering a critical growth phase—new member, multiple shows, and an international tour on the horizon. The opportunity is real, but so is the pressure.

However, there is talk that Seven Notes will soon be a recognised name in the regional music scene.

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