Connect with us

Features

Let’s understand what a masterpiece is and how it originated

Published

on

Text of a lecture conducted by Bhagya Rajapakse.

Venue: Sri Lanka Archive of Contemporary Art, Architecture and Design, Jaffna on November 2025

Tamil Interpreter: Jasmine Nilani Joseph

Special Thanks: Prof.T.Sanathanan and Prof.Sarath Chandrajeewa.

(First part of this article appeared in The Island yesterday)

What constitutes a piece of art, a masterpiece?

There are three common elements that act as crucial in elevating a piece of art to the level of a masterpiece.

1. A Work of Art That Did Not Exist Before.

2. A Work of Art that is Not Bound by Time.

3. A work of art that Establishes a Benchmark for future generations of artists.

Something new and unconventional always catches our attraction.

Exceptional creativity, craftsmanship, and innovativeness

provide impetus for an artist to create something new and unconventional.

This is how originality comes in.

How would we define exceptional creativity, craftsmanship, and innovativeness?

Let’s understand this with a few examples.

On one occasion someone inquired of Michelangelo about how his sculpting process goes.

And the immediate answer of Michelangelo was, “I saw the angel in the marble and carved until I set him free.”

In the subject of marble sculpting, the meaning of creativity for Michelangelo was to remove the unwanted chunks and pieces from the marble block and save the figure he imagined on it. In his words, it’s liberating the figure from the marble that imprisons it.

Any masterpiece by Michelangelo was a clear and prime example that demonstrates how exceptional creativity, craftsmanship, and innovativeness converge in a single piece of art.

Another example is the 1942 sculpture by Pablo Picasso, ‘Bull’s Head.’

It’s nothing more than a merger of a bicycle seat and a bicycle handlebar. In this sculpture., Picasso converts two ordinary, unrelated objects into a unique and evocative structure within which unrelated objects form a correlated entity. A BULL’S HEAD.

That’s all about Picasso’s exceptional creativity, craftsmanship, and innovativeness.

Let’s move to another example.

What can one do with a few discarded machinery parts found in a scrap metal store, an iron rod, some wood blocks, and some copper strips?

A creative as well as innovative mind could do a lot more.

By bringing all these components into one single unit, sculptor Sarath Chandrajeewa gave life to something extraordinary. That is the 2023 abstract monument titled ‘Motion and Stillness.’

In this monument the artist embodies one of the most profound concepts in the world.

Motion and stillness is a concept found in physics and philosophy as well as spiritual approaches.

The existence of the whole world depends on the dynamic interplay between motion and stillness.

Motion signifies change and transformation, while stillness symbolises ‘rest’ or ‘pause,’ which ensures the continuity of motion.

One hundred years ago, in 1925, English poet Fredegond Shove

wrote a poem bearing the same title, ‘Motion and Stillness,’ as well as the meaning.

“The seashells lie as cold

as death.

Under the sea,

The clouds move in a

wasted wreath.

Eternally;

The cows sleep on the

tranquil slopes.

Above the bay;

The ships are like

evanescent hopes.

Vanish away.”

This is a moment where the same concept is embodied in two different forms of art by two different artists of two different eras and of two different countries. It’s just about being creative and innovative.

The most important thing to be noted here is that Sarath Chandrajeewa was unaware that there is a poem written a hundred years ago that holds the same title and meaning as his abstract monument does.

Art is universal; it manifests in numerous forms, conveying the same meaning and message over the centuries and beyond.

That is the reason why some works of art are considered timeless. The inherent nature of a masterpiece is that it is not bound by time and space. Instead, it transcends the boundaries of time and space. Mediums can be changed, and styles can be changed, but the core essence of any great work of art remains constant.

Works of art that transcend spatial and temporal boundaries have set precedent for aspiring artists throughout history.

All artists follow in the footsteps of the previous masters in any field of art. The masters of early days and their masterpieces act as models of excellence for other artists.

For instance, Paul Cézanne was a monumental figure for Pablo Picasso.

Picasso was greatly influenced by Cézanne’s work.

Picasso deliberately turned human faces into mask-like forms in his paintings. This was quite evident in his 1907 masterpiece, ‘Les Demoiselles d’Avignon.’ He probably got this idea from Cezanne’s 1894-1905 masterpiece ‘Bathers.’ The faces of the human figures seen in ‘Bathers’ were seemingly carved from wood.

“Cezanne is my one and only master. He was like the father of us all.” That was how Picasso admired and respected Cezanne.

Cezanne’s approach of breaking down forms and restructuring them in an abstract manner provided the foundational inspiration for Pablo Picasso and George Braque when co-founding ‘Cubism.’

Revolutionary moves taken by artists by radically changing the existing styles are always recorded by history. And their fearless approaches to art elevate their work to the state of masterpiece.

‘Cubism’ was one such revolutionary move that radically changed the landscape of art by challenging traditional perspectives and representations.

‘Cubism’ at the beginning of the 20th century shook the foundation of visual art. It was initially faced with incomprehension and rejection by the public as well as art critics.

The fragmented appearance given to the then conventional depictions by ‘Cubism’ was not well received by many.

French art critic Louis Vauxcelles first ridiculed this new style by Picasso and Braque.

In 1908, after seeing Braque’s exhibition, Vauxcelles dismissed the work by saying, “This style has reduced everything to little cubes.”

This was how this revolutionary style got its name, ‘Cubism.’

Similarly, ‘Impressionism,’ which emerged in France in the second half of the 19th century, left the viewers indifferent towards the new approach.

The first ‘Impressionist’ exhibition was held in Paris in 1874.

Claude Monet is considered a pioneer and father of the Impressionist movement.

In the 1874 exhibition, Monet’s masterpiece ‘Impression, Sunrise’ was among the exhibits.

After visiting the exhibition, French art critic and journalist Louis Leroy referred to Monet’s ‘Impression, Sunrise’ as a mere IMPRESSION rather than a finished work.

Thereafter the entire approach was named ‘The Impressionism.’

At the end of 1940, American artist Jackson Pollock established an unusual and unique abstract art technique.

In this technique he laid a canvas on the floor. Then dripped, poured, and splashed paint onto it using sticks and cans. Sometimes he rode the bicycle on the canvas, which was covered with paint.

Pollock’s revolutionary idea was to get rid of the traditional use of the ‘PAINT BRUSH’ and the role of the ‘LINE.’ He was adamant that the ‘LINE’ should not dominate the canvas any more. So, he said goodbye to the Brush and the Line, and both were given freedom from the task of painting.

But Pollock’s works were not immediately appreciated.

Art critic Harold Rosenberg gave the name ‘The Action Painting’ to this new technique initiated by Jackson Pollock.

The term ‘Drip Painting’ was coined by Time Magazine in 1956, and the magazine gave Pollock the nickname ‘Jack the Dripper.’

However, through ‘Drip Painting,’ Pollock set a precedent that influenced artists for generations.

Masterpieces are not immediately accepted by the public, and in the first run, those were highly criticised by the ‘experts’ in the field.

Because masterpieces challenge the accepted norms in any field of art.

The public as well as the critics are initially shocked by the shapes, techniques, styles, or subject matters set by the radical artistic approaches.

It is common for many works of art to be appreciated after the artist died.

Their work stands as timeless and priceless masterpieces posthumously.

In some cases works of art gain much popularity and continue to last because of the concept they carry as well as the location they are being placed in.

One hundred and eight years ago French artist Marcel Duchamp challenged the established perception of art by bringing a signed urinal into an exhibition space as a work of art titled ‘Fountain.’

Duchamp argued that the artist’s intention, idea, and the context made something art.

The context within which a work of art is placed is capable of changing the value of the work and the way others look at it.

Duchamp’s intention was to challenge the then-existing traditions of art to reconsider the nature of originality, authorship, and the way of defining art.

‘Fountain’ is considered the founding piece, and Duchamp is considered the founder of conceptual art.

The urinal titled ‘Fountain’ was not just a mass-produced commodity but a medium carrying a concept.

A commodity was converted to a work of art just by changing its context.

‘Fountain’ was discarded soon after it was submitted to the Society of Independent Artists’ Exhibition in New York in 1917.

The work known today as ‘Fountain’ is a replica authorised by Duchamp.

But the concept it carried keeps revolutionizing modern art to this day.

Another work of art that faced much controversy, praise, rejection, and ridicule predominantly on social media platforms in the recent past was ‘Comedian,’ a work by Italian artist Maurizio Cattelan in 2019.

It was all about a fresh yellow banana affixed to a white wall with ash grey duct tape.

The ordinary banana we daily see on the racks of fruit stores became extraordinary after changing its context.

As soon as the banana was placed within a high-profile exhibition space, hundreds of people gathered at the gallery to see this awe-inspiring banana.

It was no longer the banana we see in the market or just a nutritious fruit, but a concept.

According to the artist, ‘Comedian’ was interpreted as a work of art that signifies commodification of contemporary art.

The satirical commentary passed through a banana by Cattelan, in a way, pushes the viewer to re-evaluate their preconceived notion about what constitutes art and how its value is being determined in a consumer society.

‘Comedian’ was sold to three buyers on three separate occasions, and four editions of this art piece have been exhibited in 4 different locations: Florida, South Korea, New York, and France.

In 2019 the first two editions were sold at a price of $120,000, and in 2024 another edition exhibited in Sotheby’s Collection in NY was sold at $6.2 million.

When a banana rots or when someone has eaten the banana while it’s being exhibited, the artist simply replaces it again and again, and then it continues to be an original piece of art. But the concept it carries goes on to last for ages.

Speaking about bananas, this ordinary fruit has been a medium of carrying concepts in many countries, in many contexts, by many artists.

In 1967 American visual artist Andy Warhol launches a banana design screen printed on laminated plastic. This was featured on the pop album cover ‘The Velvet Underground and Nico.

Reviews say that this famous banana design by Warhol reflects his fascination with consumer culture and showcases how a primary object, such as a banana, symbolizes the rise of mass production and distribution.

In 2004 English artist Agnus Fairhurst creates a massive installation of peeled bananas. This nine-foot-long bronze peeled banana carried the concept that “Bananas are sensual, but they quickly decay.”

In the same year, 2004, Sri Lankan artist Sanath Kalubadana, through his installation ‘Dinner Table,’ expresses his disagreement over the horrors and destruction of the war in the medium of a table of food with bananas burnt to cinders.

In 2008, Austrian graphic designer Stefan Sagmeister creates a gigantic installation, ‘Banana Wall,’ with the phrase ‘Self-Confidence Produces Fine Results’ spelled out in green bananas placed among yellow ones.

Nearly ten thousand bananas are said to have been used in this installation. I quote a fascinating Facebook post by content creator ‘Ivan’ here to read out what he has said about this Banana Wall.

“It wasn’t just about shock value; it was about time, change, and transformation. Over the days and weeks, the banana slowly ripened, turning from bright yellow to spotted brown, and eventually to deep black. The scent of the room shifted too, from sweet tropical to something far less pleasant. Visitors returned again and again to see how the wall evolved, turning the space into a breathing piece of art.

If a work of art is to last for ages, it must be received by the public constructively.

Any extraordinary piece of art or a masterpiece has its unique way of initiating a silent dialogue with the viewer.

The masterpiece transmits the message of who they are, using an iconic visual language enriched with artistic elements.

The rhythm of the visual language of a masterpiece is complex. But not complicated.

No masterpiece is easy to understand and is full of complexities. But it never confuses the viewer.

Complexity is intriguing, and complication leads to confusion.

If a work of art confuses the viewer, he or she will no longer be in favor of it. That’s exactly where the silent dialogue between the masterpiece and the viewer comes to an end.

One of the most complex masterpieces in the world is Pablo Picasso’s ‘Guernica.’

Its powerful symbolism is not everyone’s cup of tea.

So, there were many arguments among the public as well as experts about what some symbols really mean.

Responding to this discourse, Picasso said, “It isn’t up to the painter to define the symbols; otherwise, it would be better if he wrote them out in so many words. The public who look at the picture must interpret the symbols as they understand them.”

Despite all the underlying complexities, people from all over the world spend millions to go to faraway countries to see the great pieces of art with their bare eyes.

Why?

Because every extraordinary piece of art has its own charisma and aura, which no replica of the same work can possess. It is the charisma and aura of Mona Lisa, David, Girl with a Pearl Earring, Guernica, and many more that draw millions of people to their countries to see them firsthand.

They are not just paint patches on canvases or stone figures. They are living beings. They have their own rhythm of breathing, they never die, and they remain immortal, as do the extraordinary masters who made them.-



Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Features

Preventing grievances from becoming communal

Published

on

Police removing the Thileepan statue

by Jehan Perera

The death sentence on Sivarasa Anojan, a Sri Lankan citizen convicted of blasphemy in Saudi Arabia has taken a central place in national consciousness for the past several weeks. It has been in the headline news since it was first reported last month. There have been many initiatives taken locally to get a more lenient sentencing by the Saudi authorities. There is also an undercurrent that is critical of both the culture and religion from which this sentencing emanates. This also sustains the widespread publicity being given nationally to the issue. By way of contrast, the controversy caused by the forcible removal of the Thileepan statue in Jaffna has not significantly impacted upon the national consciousness. There was only passing mention of the incident in the national media which has been overtaken by other events.

However, in the north and east of the country, and in the diaspora, the removal of the Thileepan statue has become a major issue. It has led to protest marches led by university students and widespread condemnation by civil society and political groups. The issues underlying the Thileepan statue have deep undercurrents in the Tamil consciousness particularly in the north and east which time is unlikely to dispel. The real test of harmony in a multi-ethnic, multi-religious society like Sri Lanka is not whether communities coexist peacefully when nothing controversial is at stake. Rather, the test is how they respond when an event touches their identities and grievances. The death sentence imposed on Anojan in Saudi Arabia and the removal of the Thileepan statue in Jaffna carry the risk of becoming grievances to entire communities.

In the case of Anojan, a young Tamil migrant worker, he was first sentenced to five years imprisonment and a fine of three million Saudi riyals over a Facebook comment. Both he and the Saudi prosecution appealed, with the appeal court raising the sentence to death. This has led to public sympathy for him in Sri Lanka.

Appeals for clemency have come from the President, government and opposition leaders, clergy of all faiths and Muslim political leaders. At the same time there is a need to reject attempts to turn the case into a source of anti-Muslim sentiment or collective blame. Peacebuilding therefore has to be within Sri Lanka as well as diplomatic. Religious leaders and civil society in the country should be ready to quell rumour, even as Muslim, Buddhist, Hindu and Christian leaders stand together publicly.

Thileepan Statue

The Thileepan controversy has had a different trajectory. Many Tamils admire Thileepan, the LTTE name of Rasaiah Parthipan, who died on 26 September 1987 after a twelve-day fast. His demands were addressed to India but included matters pertaining to the Sri Lankan government including the release of detainees held under the Prevention of Terrorism Act. The statue put up during this year’s commemoration was removed by police in the early hours of 27 September, a day after the commemoration ended. The government’s legal concern, as articulated by its spokesperson, was the LTTE remains a proscribed organisation and before removing the statue, police had presented facts to the court. But law and memory answer different questions and the depth of Tamil anguish cannot be disregarded.

For many Tamils, remembrance of Thileepan is connected to their sense of loss and historical memory. The memorial has been destroyed and rebuilt more than once, and each destruction has added to the meaning it carries. Many who mourn Thileepan are grieving a young man who died without violence and by his own fast. They also grieve an era of loss of the struggle for Tamil rights and self-determination for which Thileepan has become a symbol. The Office for Reparations Act, No. 34 of 2018, provides for collective reparations and gives the Office for Reparations a role in policies on memorialisation. This does not automatically permit any particular statue, nor does it override laws on public places or proscribed organisations. But it shows that memorialisation is recognised within Sri Lanka’s framework for reparations and reconciliation. There is also a wider question of equality.

The JVP that now leads the NPP government was itself once proscribed when it took up arms against the state in which tens of thousands died, later entered democratic politics, and now for many years has publicly commemorated its own fallen. The opportunity to remember those who died should not belong to one community alone.

A commitment to peacebuilding requires that the same trust that has been given to former militants of one community needs to be given to members of other communities if equal citizenship and equal rights are to have meaning. Further, the Office for Reparations Act provides for reparations through livelihood. It is today a fact that those former LTTE members who went through the government’s rehabilitation process find it difficult to get jobs in the private sector.

Private sector employers are reluctant to come under surveillance for employing former LTTE members. There needs to be equal access to employment and removal of unjustified barriers to reintegration, with targeted public programmes where necessary. Until this situation is realized on the ground, the government needs to consider employing those who went through the government’s rehabilitation process and still unable to find suitable employment.

Continuing Peace

The challenge that post-war Sri Lanka faces, a full 17 years after the end of war, is to strengthen the foundations of trust between communities rather than deepen existing suspicions. Anojan is an individual Sri Lankan citizen facing a severe sentence in another country. His case should not become a reason to blame Sri Lankan Muslims. Thileepan is remembered differently by different communities, but the dispute over his memorial should not become a reason to revive the communal divisions of the past. The cases are also mirror images in an important respect. In the Anojan case, the state is an advocate pleading before another government. In the Thileepan case, the state is the actor whose decision is being judged. The first calls for quiet diplomacy and restraint in public language. The second calls for fairness and explanation, and the burden on the state is heavier.

The common roots of the two cases lie in mistrust that does not belong to one community alone. It has been produced by experiences of discrimination, violence, insecurity and loss that have been interpreted differently by different communities. Grievances turn communal when an individual is seen as a representative of a community, when institutions seem to treat communities unequally, and when people feel their pain goes unacknowledged. Each of these can be addressed. The system change that the Sri Lankan people voted for in 2024 would need to include a government that rejects collective blame, acknowledges grief and explains its decisions openly. It also requires state institutions to act transparently and consistently, so that no citizen feels that the law protects some communities more than others.

This peacebuilding imperative requires enlightened leadership as much as legal authority. It requires leaders who will speak to their own communities against prejudice, even when this is politically inconvenient. It requires religious leaders who will demonstrate solidarity across religious boundaries. And it requires civil society to recognise that peacebuilding is not simply preventing violence after tensions have risen, but is addressing the mistrust and grievances that allow tensions to rise in the first place. Sri Lanka has learned, at great cost, that communal divisions can become much larger than the events that initially give rise to them. The Anojan and Thileepan cases give Sri Lanka an opportunity to demonstrate that it has learned from its past. The test of Sri Lanka’s continuing peace is whether we can address difficult grievances without turning them into communal ones.

Continue Reading

Features

Sri Lanka Cricket Bill: Governance reform is not yet a cricket strategy – Part II

Published

on

By Sarath S. Kodithuwakku

President, Institute of Management of Sri Lanka; Senior Professor, University of Peradeniya

(Continued from yesterday)

Representation, Independence and Decision-Making

The membership-based electoral structure should provide representation without becoming a substitute for executive management. The seven Elected Directors would bring the perspectives of the SLC membership into the Board, while the seven Independent Directors would provide additional professional expertise and independence. The model’s effectiveness will, therefore, depend on whether the Board can integrate these perspectives into coherent strategic decisions while maintaining a clear boundary between governance and day-to-day management.

The equal division between Elected and Independent Directors also raises a governance-design question. An even-numbered Board can create a tie. The Bill addresses this directly: in the event of equality, the Chairperson has a casting vote; in the Chairperson’s absence, the Deputy Chairperson has a casting vote; and if both are absent, an Independent Director, elected to preside, has the casting vote. The issue is, therefore, not whether a tie can be resolved, but how this mechanism affects the balance between representation, independence and accountability.

The leadership structure reinforces this balance: the Chairperson is elected from among the Independent Directors and the Deputy Chairperson from among the Elected Directors. The casting-vote arrangement makes the Chairperson’s role and perceived independence particularly important, especially when a major strategic decision divides the two components of the Board.

The Bill’s committee provisions could support a disciplined model of delegation, but implementation will depend heavily on the terms of reference adopted by the new Board. The framework could be strengthened by requiring a published cricket-development strategy, a clear division of powers among the Board, executives and selection committees, transparent principles for major development allocations, and periodic reporting on outcomes across men’s, women’s, schools and domestic cricket. These measures would strengthen accountability without legislating the details of team selection or tournament scheduling.

From Measurement to Strategic Accountability

If the Board is to hold management accountable for strategy rather than simply for short-term results, it needs a performance framework that captures both outcomes and the capabilities that produce them.

SLC should consider requiring an explicit multi-year cricket-development strategy, supported by measurable objectives and an annual strategy review. Such a strategy should identify the development pathway from schools and grassroots cricket through domestic competitions to high performance; define major capability priorities such as coaching, sports science, data and analytics; set resource-allocation principles; and establish indicators against which progress can be assessed.

The purpose would not be to turn cricket into a bureaucratic exercise. Strategic accountability simply creates a disciplined basis for asking whether the organisation is doing what it said it would do, whether its assumptions remain valid, and whether resources are producing the intended results.

From Measurement to Organisational Learning

SLC should, therefore, consider adopting a formal Balanced Scorecard. Rather than measuring success solely through international match results or annual financial audits, the framework could track four interdependent perspectives:

Financial Sustainability:

commercial growth, financial discipline and compliance.

Internal Processes:

domestic tournament quality, development pathways and selector-process integrity.

Stakeholder Value:

grassroots development, school cricket and women’s cricket expansion.

Strategic Capability:

coaching quality, sports science, talent development, data and analytics capability, and the organisation’s ability to convert investment into sustainable performance.

The purpose of such a framework would not be to reduce cricket development to a collection of numbers. Rather, it would create a disciplined process for asking four fundamental management questions:

What did we expect to achieve?

What actually happened?

Why was there a difference?

What should we change as a result?

Evaluating these dimensions periodically would help SLC move beyond performance reporting towards genuine organisational learning.

ICC as a Stakeholder in Governance Reform

The ICC is another important stakeholder whose interests should be recognised in the reform process. SLC’s governance arrangements do not operate solely within Sri Lankan law; they also have to be compatible with the governance obligations associated with ICC membership. The ICC’s Articles of Association require each Member to provide for free and democratic elections (or nominees from outside its members) and to manage its affairs autonomously, without government or other public-body interference in the governance, regulation or administration of cricket.

International experience demonstrates that ICC engagement in member governance restructuring is not unusual. In the United States, after the ICC expelled the old national association for chronic governance failures, the ICC directly oversaw a multi-year project to design a new governance model. The ICC Board formally approved the constitution for a replacement body (USA Cricket) before it was adopted. The resulting structure combined elected constituent directors with independent directors, showing that an ICC-backed framework can accommodate both forms of representation.

In Nepal, the ICC established a Nepal Advisory Group comprising stakeholders from across the game to recommend constitutional amendments, with adoption of the revised constitution and subsequent elections forming part of the conditions for reinstatement of ICC membership.[8] The ICC subsequently facilitated an independent panel that included ICC nominees together with representatives of Nepal’s National Sports Council and the existing cricket administration to map the election process, guidelines and timelines.[9] More recently, in 2026, an ICC delegation visited Bangladesh to engage with stakeholders on governance and electoral matters.[10] The ICC has also reported that its Deputy Chair and another ICC Board representative visited Sri Lanka and met relevant stakeholders to assess ongoing developments, while the ICC Board reiterated the need for elections to be held as soon as possible.

These precedents make the ICC a legitimate stakeholder in considering the governance implications of the proposed Bill. This does not mean that the ICC should determine Sri Lanka’s domestic legislation, nor that every feature of the Bill requires prior ICC approval. It does, however, suggest that early and formal engagement with the ICC would be prudent, particularly where the proposed arrangements concern Board independence, elections, government involvement and the transition to the new governance structure.

This is particularly relevant because the Bill creates two institutional arrangements that deserve careful scrutiny from an autonomy perspective. The Transformation Committee is responsible for managing the transition until the First Board is constituted, while the Nomination Committee, although structurally independent of the SLC Board, includes representatives connected with the Sports Ministry and the National Sports Council. Neither arrangement, by itself, establishes government interference. However, taken together, they make it important that the independence of the incoming Board is demonstrable through transparent procedures rather than assumed from the structure alone.

Given the professional calibre and international exposure of the members of the Transformation Committee, it would be reasonable to expect that the importance of ICC engagement would have been recognised. Although any such consultation has not been evident in the public domain, it is therefore reasonable to expect that the ICC has either already been consulted or will be consulted before the Bill is enacted. Such engagement would allow potential incompatibilities to be identified before the new structure is enacted and implemented, rather than after the fact.

The Transition Is Itself a Governance Challenge

The transition provisions introduce a significant organisational-change challenge. Replacing the existing club- and association-based governance structure with a new hybrid Board and governance architecture is not simply a legal exercise; it is an organisational change programme. The Sri Lanka Cricket Transformation Committee is required to manage the transition until the First Board is constituted and, during that period, to establish rules covering matters including tournament structure, domestic governance, selection committee appointments, committee terms of reference, the Nomination Committee process and the election of the Elected Directors.

Structural reform on paper can encounter resistance from established interests, institutional habits and existing routines. The implementation phase will therefore require a clear change-management framework, including stakeholder engagement, transparent onboarding for Independent Directors, clarification of decision rights, alignment of legacy committees, and careful transfer of information and responsibilities.

Without attention to these organisational factors, cultural friction could undermine the intended administrative improvements. The success of the reform will therefore depend not only on the text of the legislation but also on the quality of the rules, appointments, delegation arrangements and organisational behaviours that follow it.

From Governance Reform to a Cricket Strategy

The Bill deserves credit for addressing how SLC is constituted and for creating places for specialist advice. It should not be dismissed simply because it does not prescribe a batting order or a domestic fixture list. Those are not appropriate tasks for legislation.

Its limitation is more precise: the proposed governance arrangements do not, by themselves, assure the strategic capability of the Board or the quality, independence and accountability of the decisions made beneath it. They establish the architecture. The future Board and management must supply the strategy, capabilities, discipline and learning mechanisms that make the architecture work.

A stronger reform would connect four elements: a Board selected for collective strategic capability; professional cricket management with clear delegated authority; transparent but non-mechanical selection and investment processes; and systematic evaluation of development outcomes. Within the first of these, information technology and computer science should be recognised as distinct from the broader capability to understand and govern data science, analytics and emerging AI-enabled decision support.

Ultimately, the governing question is not only who gets a seat at the SLC Board table. It is whether that Board can build, fund, execute and learn from a credible strategy for Sri Lankan cricket.

References

1. Department of Government Printing, Sri Lanka. Sri Lanka Cricket Bill, Gazette Supplement, Part II of September 25, 2026, issued on 28 September 2026.

2. International Cricket Council. Media release, 15 July 2026, reporting the ICC Board discussion of Sri Lanka Cricket and the need for elections to be held as soon as possible.

3. Sport New Zealand – Ihi Aotearoa. Nine Steps to Effective Governance, particularly Step 1: Define and Agree the Board’s Role; Step 4: Provide Strategic Leadership; Step 5: Employ and Support a Chief Executive; and Step 8: Get the Right People on Board.

4. Cricket South Africa. Governance and management frameworks, including the delegation-of-authority framework, Board committees, Cricket Committee, Cricket Pipeline Committee and CEO accountability.

5. International Cricket Council. ICC Articles of Association, provisions requiring free and democratic elections and autonomous administration without government or other public-body interference. ICC. https://images.icc-cricket.com/image/upload/prd/f7vm88yw1933dc38cgtg.pdf

6. International Cricket Council. “ICC outlines proposed USACA constitution.” ICC, 2017. https://www.icc-cricket.com/news/icc-outlines-proposed-usaca-constitution

7. International Cricket Council. “Approved constitution marks historic landmark for cricket in USA.” ICC, 2017. https://www.icc-cricket.com/media-releases/approved-constitution-marks-historic-landmark-for-cricket-in-usa

8. International Cricket Council. “ICC welcomes Nepal Special General Meeting to adopt revised constitution.” ICC, 2018. https://www.icc-cricket.com/media-releases/icc-welcomes-nepal-special-general-meeting-to-adopt-revised-constitution

9. International Cricket Council. “Independent Panel meet to progress Nepal elections under revised constitution.” ICC, 2018. https://www.icc-cricket.com/media-releases/independent-panel-meet-to-progress-nepal-elections-under-revised-constitution

10. International Cricket Council. “ICC delegation visits Bangladesh to engage with stakeholders on governance and electoral matters.” ICC, 2026. https://www.icc-cricket.com/media-releases/icc-delegation-visits-bangladesh-to-engage-with-stakeholders-on-governance-and-electoral-matters

11. International Cricket Council. “ICC Board approves governance, membership and member support decisions.” ICC, 2026; see also “ICC Board Meeting,” 2026, reporting ICC representatives’ meetings with stakeholders in Sri Lanka. https://www.icc-cricket.com/media-releases/icc-board-approves-governance-membership-and-member-support-decisions

(Concluded)

Continue Reading

Features

Why do they keep crossing? Africa, Europe and long history behind migration

Published

on

A file photo: In the early hours of 30 July 2026, thousands of people attempted to enter Ceuta, the Spanish territory on the northern coast of Africa.

by Viran Maddumage

Assistant Lecturer & PhD (Reading) Macquarie University Australia

Sanduni Rathnayake

Lecturer (Probationary) General Sir John Kotelawala Defence University

The Mediterranean is not merely a border between two continents. It is also a reminder of a relationship between Africa and Europe that was built over centuries; and whose consequences have not disappeared.

There are some borders that people cross with passports. Others are crossed by people who have run out of alternatives.

In the early hours of 30 July, 2026, thousands of people attempted to enter Ceuta, the Spanish territory on the northern coast of Africa. Spanish authorities reported that between 50,000 and 60,000 people entered the enclave irregularly during the crisis. The episode followed a Spanish Supreme Court ruling concerning the immediate rejection at the border of people who arrived by sea. Spanish authorities subsequently moved to restore the situation, while Morocco and Spain intensified their cooperation to prevent further crossings.

Ceuta is a strange place to contemplate migration. It is geographically in Africa but politically part of Spain; and therefore, part of the European Union. Its border is not simply a line separating two states. It is a physical manifestation of a much older relationship between two continents.

And perhaps the most important question is not simply: Why are people trying to enter Europe?

It is: Why does Europe remain sufficiently attractive that people are willing to risk their lives trying to reach it?

From extraction to aspiration

The contemporary migration story cannot be reduced to colonialism. Africans migrate for many reasons: employment, education, family reunification, conflict, insecurity, political conditions, environmental pressures and personal aspirations. Much African migration also takes place within Africa itself.

Yet history matters.

European colonialism profoundly reshaped African economies. In many territories, economic structures were organised around the extraction and export of primary commodities. Roads and railways were frequently constructed to connect areas of agricultural, or mineral production, to ports and external markets rather than to create integrated domestic economies. World Bank historical analyses have documented the extent to which colonial economies were dependent on a limited number of primary commodities and external markets.

This was not merely an economic arrangement. It affected what economies produced, where infrastructure was built, how labour was organised and where the value generated by production was realised.

The Congo Free State ,under King Leopold II, offers one of history’s starkest examples. The territory was subjected to a system of forced labour and violent extraction, particularly around rubber and ivory. Forced labour was legally authorised and coercive systems were used to secure production.

But Leopold’s Congo should not be presented as a metaphor for every African country or every European colonial experience. Colonial rule differed substantially across the continent. The broader point is narrower; and perhaps more consequential: colonial economies frequently connected African land, labour and resources to European markets on terms that privileged extraction and external trade.

Modern scholarship continues to examine the long-term effects of these structures. Research on colonial cash-crop economies, for example, has found that colonial production and infrastructure created lasting patterns of economic organisation, while the benefits of these systems were often geographically concentrated and domestic production linkages remained weak.

The question, then, is not whether colonialism single-handedly caused contemporary African migration.

It is whether a history in which Europe was deeply involved in shaping African economies also helped produce the unequal relationship from which today’s migration patterns emerged.

The language of migration

There is another legacy that is easy to overlook because it has become so ordinary: language.

French is spoken across substantial parts of West and Central Africa. Portuguese remains an official language in several African states. English is widely used in countries whose histories are connected to the British Empire.

These are not simply linguistic accidents.

Colonial rule created institutional, educational and administrative connections that survived independence. Those connections later became migration networks.

France, Belgium, Portugal and other European countries are, therefore, not random destinations for African migrants. Their migration relationships with particular African states have been shaped by history, including colonial connections and post-war labour recruitment. The OECD notes that the composition of immigrant populations in several European countries continues to reflect colonial legacies; France, Belgium, Portugal and the Netherlands, for example, have substantial African-born populations.

This creates something more powerful than a shared language. It creates familiarity.

A young person in an African country may have a cousin in Paris, an uncle in Brussels, a former schoolmate in Lisbon or a friend in Milan. Europe ceases to be an abstract geographical destination. It becomes a place where somebody they know already lives.

Diaspora networks can, therefore, function as social infrastructure for migration. They provide information, contacts, accommodation, employment leads and emotional reassurance. The journey may be dangerous, but the destination is no longer entirely unknown.

Why Europe?

There is an uncomfortable paradox at the heart of this story.

For centuries, European powers travelled to Africa in search of land, labour, markets and resources.

Today, Africans travel towards Europe in search of employment, security, education and opportunity.

The direction of movement has changed.

The unequal relationship has not necessarily disappeared. That does not mean Europe is uniformly prosperous while Africa is uniformly poor. Africa is a continent of 54 states with enormous differences in wealth, governance, opportunity and living standards. Nor is Europe free from unemployment, inequality or social exclusion.

But migration decisions are comparative. People do not need to believe that Europe is perfect. They need to believe that their prospects there are better than their prospects at home. That distinction matters.

A person crossing the Mediterranean may not be chasing luxury. They may be chasing a job, a university place, safety, family, dignity or simply the possibility of building a future that appears increasingly difficult to build at home.

Research on West African migration similarly identifies economic opportunity, employment, governance, development conditions and existing migration networks among the factors shaping movement.

The Mediterranean as a graveyard

The tragedy is that the Mediterranean has become not merely a migration route, but a graveyard.

The International Organisation for Migration recorded 5,305 deaths or disappearances on migration routes to Europe in 2016. More than 5,000 deaths and disappearances were recorded in the Mediterranean that year alone.

The danger has never meant that people stop moving.

Instead, when legal routes narrow, journeys can become more dangerous.

That is the central paradox of irregular migration: the more difficult it becomes to cross safely, the greater the incentives for smugglers and increasingly dangerous routes can become for people who are determined to leave.

Ceuta illustrates this geography particularly vividly. Spain and Morocco have spent years reinforcing physical barriers and security arrangements around the enclave. Yet the geographical proximity remains. Africa is only a few kilometres from Europe at its closest points.

A fence can prevent a person from crossing.

It cannot, by itself, erase the reasons that person wanted to cross.

Map courtesy BBC

Europe responds with law

Europe is not without a legal response. Indeed, the European Union has spent years developing increasingly sophisticated mechanisms for managing migration and asylum. As of June 2026, the EU Pact on Migration and Asylum entered into application across EU Member States. It establishes common procedures for screening and registering irregular arrivals, asylum processing, responsibility-sharing and returns, alongside safeguards for fundamental rights.

The European Commission has simultaneously emphasised both stronger external borders and expanded pathways for legal migration, including the EU Talent Pool for workers from outside the Union.

The legal architecture, therefore, reflects competing imperatives.

States have a legitimate interest in controlling their borders.

People have rights when they cross borders.

States have obligations concerning asylum and fundamental rights.

And migrants have reasons; sometimes compelling reasons, for moving.

The challenge is that border control addresses the movement of people. It does not necessarily address the conditions that produce the desire to move.

That distinction should be at the centre of the migration debate.

The African dream of Europe

There is a phrase often encountered in discussions about African migration: that Europe represents a promised land, while Africa is left behind.

Such descriptions can be unfair to a continent that contains enormous economic, cultural and political diversity. But the aspiration itself should not be dismissed.

When a young person believes that their best chance of employment, education or security lies thousands of kilometres away, that tells us something about both the destination and the place they are leaving.

Migration, therefore, becomes a form of social commentary.

People vote with their feet; not because migration is always the right choice, but because their decisions reveal how they perceive the opportunities available to them.

This is also why migration matters for the sustainability of states.

If a country’s young people increasingly organise their lives around the possibility of leaving, the problem is larger than the loss of individual workers. Countries can lose skills, professionals, entrepreneurs, researchers and future leaders. Families may become transnational. Communities may depend increasingly upon remittances. And the political question becomes unavoidable:

What kind of country are we building if so many of our citizens imagine their future somewhere else?

Sri Lanka should understand this question.

The circumstances are obviously different from those of African states facing Mediterranean migration routes. Sri Lankan migration is shaped by its own economic, political and historical circumstances, and its principal destinations and migration channels differ considerably.

Yet the underlying question is familiar.

When leaving becomes the most attractive strategy for an ambitious young person, migration is no longer merely an individual phenomenon. It becomes a measure of confidence in the future of the country itself.

Beyond the border

Perhaps, then, Europe should not ask only how to stop people from crossing.

And African governments should not ask only how to persuade people to stay.

Both questions are too narrow.

The deeper question is why a world divided by such profound economic inequalities continues to expect people to remain content on one side of the divide while opportunity is concentrated on the other.

The answer cannot be an open border without regulation. Nor can it be a fortress surrounded by increasingly dangerous seas.

A more durable approach would require investment in economic opportunity, domestic industries, education, accountable institutions and safe and lawful avenues for migration. It would require European countries to recognise that migration management is not simply a security question. It is also an economic, historical and human-rights question.

And African states must confront an equally difficult reality: historical exploitation can explain part of today’s inequality, but it cannot become an excuse for indefinitely postponing the task of building states in which people want to remain.

The Mediterranean will continue to separate Africa from Europe geographically.

But history has already connected them.

The resources extracted from Africa helped build European economies. Colonial languages created enduring institutional links. Diaspora communities now connect African families to European cities. Labour moves in both directions. Capital moves in both directions. Ideas move in both directions.

What crosses the Mediterranean, therefore, is not merely a migrant.

It is history.

The person swimming towards Ceuta is carrying more than a small bag, if they have one at all. They may be carrying the expectations of a family, the memory of an economy shaped by generations of external relationships, the example of relatives who successfully migrated, and the belief that somewhere on the other side of the water there is a future worth risking everything to reach.

Perhaps, that is the question Europe should hear beneath the sound of the waves:

What would have to change so that crossing the sea was a choice rather than a necessity?

(The views expressed are those of the writers and do not necessarily represent those of the institutions with which the writers associated)

Continue Reading

Trending