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Gehan makes Sri Lanka proud with ‘The Billionaire’

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The gifted and versatile actor Gehan Cooray makes Sri Lanka proud with his Hollywood movie “Billionaire” . This movie was awarded at the prestigious Burbank International film recently.

This film was Gehan Cooray’s very own adaptation of George Bernard Show’s play ‘The Millionairess’ Gehan’s milestone in producing, writing the screen play and his portrayal in the title role were great achievements.

Based in Los Angeles, Gehan Cooray is also an actor, independent filmmaker and a classical singer. The film ‘The Billionaire’ was officially submitted to the Academy of Motion Picture Arts and Sciences, and to the Hollywood Foreign Press Association in late 2020, after becoming eligible for both Oscar and Golden Globe awards nominations.

by Zanita Careem

How did you get involved in the movie The Billionaire”

At the tender age of three , my mother introduced me to Classic Hollywood films like ‘My Fair Lady’, ‘The Sound of Music’ and ‘Mary Poppins’, which left an indelible impression on my mind. Throughout my childhood, I was struck by how movies could offer the viewer a form of audio-visual escapism that was practically unrivalled. However, since there was no English film industry in Sri Lanka, I grew up performing on the stage, and didn’t seriously consider becoming a filmmaker until I attended the University of Southern California, in Los Angeles.

USC of course has the best cinematic arts school in the world, producing such Hollywood luminaries as George Lucas. Although I majored in Theatre and Psychology, I took as many cinema classes as I possibly could, and discovered a knack for filmmaking through class projects and such. It was several years after graduating from university, however, that a chance meeting with the famous director Jon Favreau in Hollywood set me on my current trajectory. Seeing my USC sweatshirt, he asked me if I was a filmmaker. My instinct at the time was to say “I’m an Actor and a Singer, but not really a filmmaker” – and yet, I subsequently said to myself….”If Mr. Favreau thinks I look like I could be making films, on top of being a performer, why not give it a go, since I’ve had such an excellent foundation at USC anyway?”

I started with a few short films, which got into some big film festivals in Los Angeles and Palm Springs. Having received that kind of recognition for my work, my mother felt it was time for me to take the plunge and make a feature length film – which is what led to “THE BILLION AIRE”. I wanted to make a film that hearkened back to the elegance and sophistication of the Old Hollywood films I grew up watching.

How long did you take to make research and make the film?

It took several years. It was definitely a marathon, not a sprint, and it sometimes felt like I would never reach the finish line, honestly, but by the Grace of God, I finally did, overcoming all kinds of obstacles that seemed insurmountable to the point of despair at the time – but my Patience and Perseverance won out.

What were the key challenges in making ‘The Billionaire’

I had a number of people try to take advantage of me and bleed me dry in the most unscrupulous of ways, and so I would say the key challenge was finding the right collaborators whom I could really trust, and who had the film’s best interests in mind, versus their own best interests. This is always a challenge when you are producing a film as an independent filmmaker.

On a more artistic note, editing the film also proved to be a challenge. The first cut of the film was 2 hours 40 minutes. It took me a long time to find an editor who could help me bring the film under two hours, without sacrificing the main essence and thrust of the story. It was someone at Warner Bros. Studios who referred me to such an editor, who understood what I was trying to accomplish with the film, and respected my vision, without merely slicing and dicing the footage.

Working and producing the movie in Hollywood, tell us your first time experience

The difference between making a short film and making a feature film is like the difference between crawling and running a marathon, and so the short films I had so successfully made prior to THE BILLIONAIRE did not prepare me for what was to come. What helped me from beginning to end, however, was the strength of my artistic convictions – I was not just trying to make a movie, as so many do, but create a work of art that had literary, dramatic and musical merit. The whole process might have been somewhat intimidating, had I not had believed so completely in what I was doing.

Is digital technology and opportunity or a threat?

Digital technology is certainly an opportunity for so many young creative people, but it can also be a threat because anyone can make anything and upload it online – regardless of their level of education or their artistic abilities. Hence, there is such an overabundance of content available online digitally, that finding a work of quality these days can be akin to finding a needle in a haystack. I am still adamant about releasing my film in cinemas first, before taking the digital route, because there is a level of quality control and discernment in cinemas that sadly can’t be found in the digital sphere.

What inspired you to produce and star in ‘The Billionaire’?

I wanted to produce and star in a feature film that portrayed South Asians like myself in an empowered manner, first and foremost. Too often, we see South Asians portrayed in a somewhat subservient manner in Western cinema. My Godmother in Colombo, Nishanthi Perera Pieris, had told me about George Bernard Shaw’s play “The Millionairess”, which was quite progressive in the 1930s, depicting an empowered and thoroughly independent female character. I realized that, by changing the gender and turning the 1930s millionairess into a 21st century billionaire of South Asian descent, I could represent my race in a truly formidable manner. Also, since I grew up watching “My Fair Lady”, which was also adapted from a George Bernard Shaw play, I felt an immense affinity to the kind of language that Shaw utilizes. It was a secondary goal of mine to showcase to the world that a South Asian actor like me could speak the Queen’s English as resplendently and majestically as any Caucasian actor.

What projects do you have coming up?

I am working on adapting an operetta to the big screen, as well as another play which is a more dramatic version of an old fairytale. I wouldn’t be able to produce either project as an independent filmmaker however. I would need to partner with a studio. On a more independent level, I am envisioning a project that might be shot in Sri Lanka, with a big Hollywood actor or actress starring in the film alongside me. Hopefully all of the above comes to fruition.

I have recorded my first album, which will be released in 2021. It was produced by Grammy Award winning musician Hussain Jiffrey, and features Operatic Arias, French and Italian Classical Melodies, as well as Old English Songs from the late 19th century and early 20th century Broadway Musicals. I can’t wait to share this with the world.

Why the movie stresses on Asexuality.

The movie stresses on Asexuality because I myself identify as an Asexual gentleman. This is something which most people are completely unaware of, because so much emphasis is placed on Heterosexuality and Homosexuality. I wanted audiences to become aware of the fact that not everyone likes, needs, or wants sex. I for one, most certainly do not. In THE BILLIONAIRE, for example, the title character whom I portray is attracted to men romantically, but not sexually, which means that none of his relationships are ever consummated – not even after marriage. Since this reflects my own disposition, I felt it was important to showcase to the world at large that two people can fall in love and even get married, but remain essentially pure and chaste. This is a beautiful and sublime thing.

In George Bernard Shaw’s original play ‘The Millionairess’, the title character’s pride and self-worth seemed to derive almost entirely from her wealth and status. I thought this was a rather flimsy characterization, especially in the 21st century, when the Class system is considered somewhat archaic, and so I thought it would be dramatically and psychologically fascinating if my character – THE BILLIONAIRE – drew HIS pride and self-worth as much from his chastity and purity, as he did from his status and wealth. An Asexual person is quasi-angelic, in the sense that such an individual has no desire for a sexual connection with anyone, and I felt this was a much stronger reason for my character to be so proud – above and beyond being rich and upper class.

A lot of people in the LGBTQ community have role models in the media to look up to these days, but Asexual individuals do not have those same role models as yet, unfortunately, and I thought it was high time we changed that.



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The letter that revealed the man behind the legend

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As the world celebrates the 100th birthday of Sir David Attenborough, tributes continue to pour in from scientists, conservationists, filmmakers, and millions of admirers whose lives were shaped by the legendary natural historian’s work.

But among the many messages shared this week, one deeply personal reflection from renowned Sri Lankan-born scientist Dr. Ruchira Somaweera has captured the true essence of the man behind the iconic voice.

“We all have people we look up to and hope to be like one day,” Dr. Somaweera wrote in a moving tribute marking Attenborough’s centenary. “For me, one of those people has always been Sir David Attenborough.”

The story dates back to 2013, when a BBC⁠ documentary crew visited to explore Dr. Somaweera’s pioneering work on freshwater crocodiles for a potential wildlife series. Although his research ultimately did not make it into the final production, the encounter led to something far more meaningful.

Through members of the crew, Dr. Somaweera sent Attenborough a card expressing gratitude for the profound influence he had on three generations of his family.

“What I never expected,” he recalled, “was to receive a handwritten letter from him just two weeks later, thanking me for the kind words.”

For Dr. Somaweera, the gesture revealed something extraordinary about Attenborough — not merely the global icon known to billions, but a deeply gracious and humble human being who still took time to personally respond to admirers, despite decades of worldwide fame.

“It said so much about the man behind the legend,” he reflected.

That quiet act of kindness perhaps explains why Attenborough’s influence extends far beyond television screens. Across nearly eight decades, he has become not only the world’s most recognisable natural history broadcaster, but also one of the most trusted voices in science communication and conservation advocacy.

From Life on Earth to Planet Earth, Blue Planet and countless other landmark productions, Attenborough transformed the way humanity sees the natural world.

He brought remote rainforests, coral reefs, deserts, mountains, and deep oceans into living rooms around the globe, inspiring generations to care about ecosystems they might never physically encounter.

Few communicators have bridged science and emotion with such extraordinary power.

For Sri Lankan scientists and conservationists, Attenborough’s impact has been especially profound. Many grew up watching his documentaries, developing an early fascination with wildlife through his storytelling.

Dr. Somaweera’s own career reflects that inspiration. Widely respected for his work on crocodilians, reptiles, and conservation biology, he has become an internationally recognised scientist whose research has contributed significantly to understanding freshwater ecosystems and reptile conservation.

Yet even accomplished scientists, it seems, can remain awestruck by the people who first ignited their curiosity.

The timing of Dr. Somaweera’s tribute also resonates strongly, following recent screenings of Attenborough’s powerful documentary Ocean, including an exclusive showing hosted by Spa Ceylon⁠ at SCOPE Cinema.

In the film, Attenborough reflects on humanity’s relationship with the sea with a sense of urgency sharpened by a lifetime of observation.

“After living for nearly 100 years on this planet,” he says, “I now understand the most important place on Earth is not on land, but at sea.”

The documentary explores the astonishing biodiversity of oceans while warning against destructive practices, such as industrial bottom trawling, climate change, and marine habitat destruction. But even amid alarming realities, Attenborough continues to offer hope grounded in science and collective action.

That enduring optimism may be one reason why his influence spans generations.

“Happy 100th birthday to a true giant of science communication, storytelling and conservation advocacy,” Dr. Somaweera wrote in his tribute. “The impact you have had on the world, and on countless young minds, is immeasurable.”

Indeed, for millions around the world, Attenborough’s voice became synonymous with wonder itself.

He taught humanity that the planet is not merely scenery, but a living system of intricate relationships — forests breathing for oceans, coral reefs feeding fisheries, plankton generating oxygen, predators maintaining balance, and every species playing a role in the fragile architecture of life.

At 100, Sir David Attenborough remains more than a broadcaster.

He is a witness to a changing planet. A storyteller for the natural world. And for many scientists like Dr. Ruchira Somaweera, a lifelong inspiration whose greatest legacy may lie not only in the documentaries he created, but in the curiosity, compassion, and responsibility he awakened in others.

By Ifham Nizam

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Two hearts, one ocean

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At the press conference hosted by Manipal Hospitals at Kingsbury Hotel, where the historic Sri Lanka-India Ocean Water Swim was unveiled, spotlighting endurance and cross border unity

The first Lanka-India swim by a couple

Bengali couple,Vrushali Prasade and Danish Abdi, created history by undertaking the first ever Sri Lanka-India Ocean Water Swim, reflecting not only athlete excellence and endurance but also the deep rooted cultural and historical connection between India and Sri Lanka.

Sharing their thoughts, before the event, Vrushali Prasade and Danish Abdi expressed enthusiasm about their challenges. “We are excited to take this unique expedition and are proud to align it with a message of health and wellness. This expedition stands as a powerful symbol of unity.

The first even Sri Lanka-India Ocean Water Swim, presented by Manipal Hospitals, is not just another event, it is a bold endurance crossing of geography, grit and shared history between Sri Lanka and India.

This message was unfolded at a press conference held at the Kingsbury Hotel, before the event, by the officials of the giant Manipal Hospitals. The spotlight, however, firmly rested on the two swimmers, a couple, who brought this vision to life.

Vrushali Prasade and her husband Danish Abdi, in their 30s from Bengal are working in the IT industry. They learnt swimming only about four years ago, after first taking to waters during a holiday in the Maldives. The Island met them before their historic attempt.

Poised yet quietly determined, the swimmers embodied the spirit of the challenges ahead, At the press conference they spoke on true discipline, preparations and mental strength required to take on such a historic crossing.

Manipal Hospitals, India’s largest Pan Multi Speciality Hospital, are the main sponsors , symbolically connecting the two nations, India and Sri Lanka, through sport, healthcare and shared ambition.

The couple had previously swam the Indian Ocean as part of the rally but the recent Indian Ocean swim is their first solo couple effort and the longest. They were assisted by multiple boats, alongside paramedics and coast guards.

The Chief Operating Officer, Manipal Health Enterprise Karthik Rajagopal said this historic swim reflects not only athlete excellence and endurance, but also the deep rooted cultural and historical connection between the two countries, The swimmers Vrushali and Danish Abdi said, before the event: ” Swimming is for all ages whether you are a kid or a matured person, it is never too late to start for any age group. When asked about their challenges of undertaking such a historic feat, they said. “The Palk Strait is no gentle stretch of water, its currents are unpredictable, its tides restless . Unlike the the controlled calm of a swimming pool, the sea offers no guarantee, one moment they may bring a steady rhythm, the next, a surge that breaks it entirely. But we are excited to take on this unique expedition and proud to resonate the message of health and wellness to the world’

Fatigue, inevitably becomes a companion and also long hours in open water test not just muscle strength but mental resilience. Jellyfish often drift with currents making the calm swim into a painful endurance test.

“With limited visibility, we can suddenly brush against tentacles, turning a steady rhythm into a moment of sharp pain. In the vast unpredictability of the ocean, we have to chose whatever the sea offers.”

Vrushali Prasade and Danish Abdi: The young Bengali couple who conquered the ocean

They also said the route across the Palk Strait is deceptively complex. Though relatively shallow, those waters are known for shifting currents, strong tidal pulls and unpredictable winds. We cannot rely on a straight path, we move guided by pilots on escort boats who constantly adjust the direction based on the sea conditions. Then we have the unpredictability of the sea itself. Floating debris, sudden weather shifts and there is no wall to hold onto, no pause button only the rhythm of our stroke and breath. Vrushali and Danish expressed enthusiasm about these challenges . We are very excited to overcome all these challenges.’

‘Our decision, however, to take on the challenging stretch across the Palk strait is rooted in more than a personal achievement, said the couple. They spoke of the partnership aspect of the swim calling it both their biggest strength and unique challenge.

Behind the drama of the sea and the determination of the swimmers, lies a quieter crucial force,the medical backbone. As title sponsor, Manipal Hospitals was not merely lending its name to this event. They actively shaped the safety framework that make such a ambitious feat possible.

Manipal Hospitals is the largest Pan India Speciality Hospital network by bed capacity, boasting over 12,300. It is known for its expert medical expertise multi speciality care and commitment to patient centric care and also well connected to Sri Lanka’s medical and patient community especially for spine and oncology services.

Medical teams were stationed on escort boats equipped to respond instantly to issues ranging from hydration and hypothermia to jellyfish stings or muscle cramps. All in all the hospital’s participation underscores a broader message, promoting health, endurance sports and cross border collaboration.

In the end what the couple did places them in the same conversation as some of the world’s most daring open water swimmers, those who have conquered icy channels relentless tides and vast strong winds.

As the couple moved through the waters of the Palk Strait, their journey becomes a powerful metaphor for the relationship between Sri Lanka and India, two neighbours bound by history, culture and shared oceans. It is a quiet but powerful gesture of goodwill, reminding that while seas may separate lands, they can also bring them together.

By Zanita Careem

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Galle Face Hotel introduces “La Sérénité”

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Young invitees bringing new energy and elegance

Limited-Time Saturday Brunch at 1864 Limited Edition

The spirit of leisurely weekend dining came alive recently as La Sérénité Saturday Brunch unfolded in elegant style at 1864 Limited Edition at the iconic Galle Face Hotel.Set against the timeless charm of Colombo’s most historic seaside hotel. guests were treated to an indulgent culinary afternoon where sophistication, flavour and oceanfront glamour blended seamlessly.

The heritage charm of Galle Face Hotel, with its polished floors, high ceilings and whisper of history, created a backdrop that is both grand and intimate.Within this setting the brunch emerges not just as a culinary offering but as a carefully orchestrated experience. At the heart of this orchestration was the vision of the General Manager Suresh Abbas. A veteran in the hotel industry, under his leadership, the culinary team delivered a menu for selected invitees, a menu that balanced European finess with contemporary flair .

From gourmet seafood and international delicacies to locally inspired creations and decadent desserts, the spread offered a luxurious journey for discerning brunch lovers.

The GM’s influence is most visible in the intangible details, The curated menu, personalised service and elegant ambience all echoed the hotel’s dedication to offering memorable gastronic experience.The brunch remained international in character while still grounded in place.

La Sérénité, a thoughtfully conceived brunch experience, at 1864 Limited Edition, brings together a sense of calm, continuity, and culinary storytelling within one of the city’s most enduring landmarks.

Set against the pace of a restless world, La Sérénité is designed as a quiet counterpoint, an invitation to pause, to gather, and to ease into the weekend with intention. Since 1864, Galle Face Hotel has existed within this paradox, offering a sense of stillness and reassurance even as the world around it has continually evolved. This brunch extends that legacy, creating a space where time softens, conversation flows unhurriedly, and presence takes precedence.

At its core, La Sérénité is not only about the experience of slowing down, but also about the stories we return to through food. The menu is conceived as a subtle journey through culinary history, drawing from moments across continents and generations, where dishes have been shaped by instinct, refinement, and time.

There is a quiet familiarity in this approach. Classics are not reimagined for novelty, but carefully refined, preserving their essence while elevating their form. The experience moves between contrast and balance, simplicity and indulgence, tradition and gentle reinterpretation. In doing so, it offers something both recognised and rediscovered.

In this way, La Sérénité becomes more than a brunch. It is a curated timeline of taste, an experience that brings together memory, familiarity, and thoughtful refinement within a setting that invites calm.

Presented as a limited-time experience, La Sérénité commenced on 2nd May and takes place every Saturday at 1864 Limited Edition.

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