Features
Exploring the Canvas and Life of Gamini Ratnavira
Among the many Sri Lankan artists who carried the spirit of the island into the wider world, Gamini Ratnavira occupies a singular place. A master wildlife artist whose career now spans more than half a century, he has painted, sketched, sculpted and preserved nature through every possible medium—oil, acrylic, gouache, watercolour, and bronze. His works are both art and testament, capturing the sacred symmetry of life as seen through the eyes of one who has never ceased to marvel at it.
From the outset, Ratnavira’s art was not simply about animals or landscapes; it was about relationship—the living bond between species, and between man and the world he inhabits. Each brushstroke reveals a Buddhist reverence for coexistence rather than conquest. His canvases shimmer with birds, beasts, and flora arranged in subtle harmony, as though the artist had momentarily lifted the veil on a universe at peace with itself.
The earliest artists who painted the fauna of Sri Lanka were Cornelius de Bevere born in Ceylon during the Dutch period and was well known for his work on the natural history of the country under the patronage of the famed naturalist Dutch Governor Gideon Loten. A century and a half later, others such as Dutch Johannes Gerardus Keulemans (who illustrated birds in the seminal work on Birds of Ceylon by Australian Col. Vincent Legge, Anglo-French Hippolyte Silvaf, Brits such G. M. Henry, W. W. A. Philips and local born Frederick Kelaart and Cicely Gwynne Lushington, have contributed in their own way in painting and documenting on the avifauna of Sri Lanka. The Irish Andrew Nicholl, who was the illustrator for the works of Sir James Emerson Tennent is another brilliant artist whose works on the natural history of Ceylon are of important study. Almost all of these individuals depict their avifauna in a more westernized, colonial style. In such a milieu, what Ratnavira offers today, in his own unique style of appeasing nature as it is and the co-existence between man, is both refreshing and worthwhile. It this feature, that I want to stress on, most profoundly.
Early Life and Awakening to Nature
Born in the lush tropics of Sri Lanka, Ratnavira’s earliest teachers were not academics or art master’s but the rainforest itself. He was a boy who observed rather than spoke—sketching the play of light on leaves, tracing the curve of an elephant’s ear, and watching the glisten of raindrops held in the heart of a lotus. His father, Sardha Ratnavira, was a jeweller by profession—a calling deeply embedded in their family name, which translates to “Hero of Gems.” Yet it was clear that Gamini’s gems would not be stones, but moments of life immortalised in paint.
As a child, he raised a baby elephant named Maya and shared his home with a leopard and a macaw. These encounters were not mere novelty; they shaped his soul. The Buddhist philosophy that infused his upbringing taught him that to live was to revere all sentient beings. “Nature became my teacher,” he would later write, “and the forest my classroom.” His artistry, then, was an act of faith—a continuation of that early harmony between man and animal, spirit and soil.
By the age of nineteen, he had already decided that art would be his life’s path. Self-taught and undeterred, he began painting the wildlife he so loved, turning his devotion into discipline. Half a century later, when I inquired Gamini, he humbly replied: “I am still learning”.
Recognition in Sri Lanka
Ratnavira’s ascent as a professional artist came at a time when Sri Lanka was discovering a new cultural identity after independence. His first major exhibition in 1979 drew the attention of President J. R. Jayewardene, who not only attended the opening but personally blessed it. Over 150 paintings were sold—an astonishing achievement for a debutant.
Jayewardene, himself a man of refined aesthetic sensibilities, saw in Ratnavira the embodiment of a new Sri Lankan artistry rooted in tradition yet expansive in its vision. He became a patron and a friend, appointing Ratnavira as Chief Advisor on Wildlife and Conservation for the Department of Wildlife. The artist went on to design the department’s official logo, still in use today.
During this period, Ratnavira also collaborated with Prince Philip, Duke of Edinburgh, on the celebrated Let Them Live elephant-conservation campaign under the auspices of the World Wildlife Fund. For Sri Lanka’s Philatelic Bureau, he designed thirty-eight postage stamps, including the iconic series of sea-mammal stamps that inaugurated the country’s marine-conservation programme in the Indian Ocean. These were not mere postage tokens; they were national emblems of compassion and ecological awareness.
His connection with the Smithsonian Institution and the Natural History Museum of Sri Lanka as a field technician further deepened his understanding of the country’s flora and fauna. This experience translated into a series of field guides and illustrated volumes—Birds of Sri Lanka, Mammals of Sri Lanka, and later Brushes with Nature, his autobiography. Each work intertwined science with sentiment, detail with devotion.
Over the years, Gamini Ratnavira has not only painted the beauty of the natural world but also documented it in a remarkable body of illustrated books that stand as milestones in Sri Lankan wildlife art. Among his most acclaimed works is A Field Companion to the Mammals of Sri Lanka by Asoka Yapa and Ratnavira — a vital reference that combines scientific accuracy with the warmth of field artistry. Together with his wife, Lisa, he produced Hummingbirds: A Celebration of Their Beauty Through Art, a breathtaking volume that portrays all 365 known species of hummingbirds. Recently, Ratnavira completed the detailed illustrations for the upcoming publication “Fresh Water Fish of Sri Lanka,” in collaboration with the Wildlife
Conservation Society of Galle, furthering his lifelong mission to preserve the island’s natural heritage through art. At present, he is embarking on a revised edition of “Birds of Sri Lanka” with Dr. Sarath Kotagama, a project that will mark the 50th Anniversary of the Field Ornithology Group of Sri Lanka — a fitting tribute to five decades of dedication to avian study and artistic excellence.
War and Departure
The civil conflict that engulfed Sri Lanka in the early 1980s forced many artists and intellectuals to seek safety abroad. Ratnavira was invited by both the American and Australian ambassadors to continue his work overseas. Choosing the United States, he left his homeland in 1986, not as an exile but as an emissary of its natural beauty.
Before leaving, he completed one of his most monumental commissions—a nine-foot mural of ring-neck parakeets for the Bandaranaike International Airport, valued at a price much higher than the total sum of money Ratnavira “earned in his art career”. He also painted more than 150 canvases for Habarana Lodge (now Cinnamon Lodge), works that remain significant components of Sri Lanka’s modern-art collections and are now on display at the Museum of Modern and Contemporary Art Sri Lanka.
A New Chapter in America
Settling in California, Ratnavira opened the Hidden Forest Art Gallery and began exhibiting at premier wildlife-art shows—the Pacific Rim Art Expo in Seattle, Easton’s Waterfowl Festival in Maryland, Charleston’s Southeastern Wildlife Expo, and the famed Leigh Yawkey Woodson Art Museum’s Birds in Art exhibition. His works found their way to the grand stages of Christie’s, Sotheby’s, and Bonhams auctions.
His reputation grew rapidly. Collectors included museums, ornithologists, and statesmen. The San Diego Natural History Museum commissioned forty-three paintings depicting the endangered species of its region. The Rare Bird Club of the United Kingdom and the late Dr. James Clements, author of Checklist of the Birds of the World, became among his foremost patrons.
In 2005, his life-size bronze sculpture Jewel of the Emerald Forest—a hyacinth macaw rendered with exquisite precision—was installed in the National Geographic Society’s Sculpture Garden in Washington D.C. The same year, he was honoured as the Sri Lankan American of the Year by the Sri Lankan Consulate in Los Angeles for his artistic achievements and contributions to conservation.
Faith, Philosophy, and Technique
Though geographically distant from his birthplace, Ratnavira never severed the spiritual tether that bound him to it. His Buddhist heritage continued to inform his world-view. He often said that painting was a form of meditation, a way of honouring the cycles of life and death. His canvases teem with symbiosis—flowers blooming beside butterflies that pollinate them, predators shown not as killers but as participants in nature’s balance.
Technically, his method is meticulous. Beginning with sketches from his field journals and photographs, he paints directly with his brushes, working from dark to light, layer upon translucent layer. Sun-edged leaves, insect bites on petals, or the litter of the forest floor—all appear rendered with uncanny realism yet imbued with poetic tenderness. His compositions are never mere studies of wildlife; they are windows into living ecosystems, microcosms of harmony that echo the Buddhist doctrine of interdependence.
When asked what keeps him painting after so many decades, he replies with simplicity: “Gratitude.” For Ratnavira, art is thanksgiving—to the earth, to the animals, to life itself.
The Partnership of Life and Art
In the United States, fate introduced him to Lisa Ratnavira, a volunteer working on an elephant-conservation project. Their shared love for animals blossomed into a partnership of both life and art. Lisa became his Gallery Director, poetic collaborator, and muse. Together they produced books such as Travelling with Pen and Brush and Grief’s Labyrinth and Other Poems, where her verses find visual echo in his illustrations.
For over twenty-five years, the couple have travelled, exhibited, and taught together, balancing professional success with a profound commitment to conservation. Their union, grounded in compassion, has become emblematic of the life they champion through art—the unity between human affection and the natural world.
Conservation and the Natalie Ratnavira Education Center
Tragedy entered the Ratnavira family with the loss of their daughter Natalie Ann Ratnavira in 2012 to a sudden brain aneurysm. A promising wildlife-conservation student at the University of Nevada, Reno, Natalie embodied her father’s ethos of loving nature deeply. To honour her memory, the family established the Natalie Ratnavira Education and Nature Center in Galle, Sri Lanka, built in partnership with the Wildlife Conservation Society of Galle.
The centre serves as a sanctuary for artists, scientists, and naturalists—providing a space to study, create, and protect Sri Lanka’s unique ecosystems. Each of Ratnavira’s paintings now bears a small dragonfly near his signature, a delicate symbol of Natalie’s spirit. The recently discovered freshwater fish Devario sp. nataliei was named in her honour, immortalising her love for wildlife in scientific taxonomy as well as memory.
Global Advocacy and Exhibitions
Ratnavira’s art has long been inseparable from activism. Through exhibitions such as Vanishing Wildlife of Texas, collaborations with the Hummingbird Society, Parrots International, Tapirs of the World, and fundraising efforts for disaster-relief causes, he has channelled art into tangible good. His 42-foot African mural at Safari West, California, remains one of the largest privately commissioned wildlife paintings in America, a panorama of biodiversity and balance.
In 1993 he founded the Reflections of Nature Wildlife Art Show in Fallbrook, California—a platform that ran for nearly three decades, nurturing young artists and promoting conservation through creativity. His works continue to feature in international exhibitions curated by institutions such as David J. Wagner, L.L.C. Notably, the 2021 travelling exhibition Animal Groups showcased his depictions of Indian-Ocean fauna, reaffirming his relevance in the global wildlife-art community even after fifty years of painting.
Legacy and Influence
Today, Ratnavira’s paintings hang in museums, universities, and private collections across continents. Yet his true legacy lies not merely in the art itself but in the attitude, it embodies: the belief that beauty is inseparable from responsibility. In Sri Lanka, where deforestation and species loss continue to threaten biodiversity, Ratnavira’s name evokes both nostalgia and challenge—a reminder of what the island once was and what it might yet preserve. His early field guides remain reference works for students and researchers; his stamps and logos endure as visual symbols of national pride.
For the diaspora, he is a bridge between past and present, homeland and adopted land. To the global art community, he stands as proof that talent, guided by sincerity and service, transcends geography.
When honoured as Sri Lankan American of the Year, he remarked, “A road is not built for one to travel upon.” That phrase encapsulates his life philosophy. Every painting, every conservation project, every teaching effort is an invitation for others to walk beside him—to see the world not as resource, but as kin.
Conclusion: The Eternal Flight
In tracing the life of Gamini Ratnavira, one follows the flight of a bird—rising from the green canopy of Sri Lanka, crossing oceans, and circling the world, yet always returning to the same inner forest of wonder. His career stands at the confluence of art, faith, and environmental consciousness. Few have so deftly united these domains, fewer still have done so with such humility.
Through his eyes, we are reminded that beauty and duty are inseparable; that to paint a creature is to acknowledge its right to exist. His canvases are not merely portraits of wildlife—they are acts of preservation, safeguarding in colour what the world risks losing in reality.
Half a century after his first exhibition blessed by President Jayewardene, Ratnavira continues to create with the same quiet reverence that guided his nineteen-year-old self beneath the forest canopy. The boy who once watched raindrops gather on an elephant-ear leaf has grown into an artist who gathers worlds upon his canvas.
As he himself says, “I approach each painting with gratitude for the life I have been allowed to live.” That gratitude, luminous and enduring, is his truest masterpiece.
By Avishka Mario Senewiratne ✍️
Features
I just wanted to get it stamped: A seven-hour stamp at DIE
There is a short story by Gabriel García Márquez, Nobel laureate, master of the human comedy and its agonies, called “I Just Want to Use the Telephone.” A woman breaks down on a Spanish highway, hitches a lift to the nearest town, and simply wants to make a telephone call to tell her husband she will be late. What follows is a Kafkaesque nightmare of misunderstanding, and catastrophic bureaucratic misinterpretation that swallows her whole life. She ends up committed to an asylum. She never makes the call.
Another Nobel laureate, Milan Kundera’s The Joke, in which a Czech student writes a postcard with a harmless witticism, and the machinery of misinterpretation grinds his entire existence to dust. Two writers, two languages, two very different political contexts, and the same essential theme: the terrifying consequences of systems that refuse to think, administered by officials who refuse to listen, imposed on individuals who simply wanted something simple and ordinary.
I thought of both of them, sitting in Room 20 of the Department of Immigration and Emigration (DIE) in Battaramulla, on a perfectly ordinary morning, waiting. I just wanted to get it stamped.
The Stamp
The matter was, on its face, trivially simple. My passport carries an information page stating it is valid until 30 March 2028. It also carries, on the following page, an endorsement, a condition, restricting the passport’s validity to five years, expiring 30 March 2023. This restriction had been imposed, I was informed, because at the time of issuance I did not possess a National Identity Card (NIC) issued by the Department of Registration of Persons (DRP). Once I obtained the NIC, I was told, the condition could be cancelled by a simple further stamp. A straightforward administrative correction. A bureaucratic afterthought.
So, I arrived at the Department of Immigration and Emigration, the DIE, an acronym one cannot help but notice carries its own dark poetry, with the relevant form, the relevant fee, and my NIC. I submitted my application at approximately nine o’clock in the morning. The officer directed me to wait. I waited.
Modern technology is a mercy in such moments. The smartphone, that great time killer, allows us to read, to write, to attend to correspondence, to think. I attended to productive work. The waiting room filled and thinned and filled again around me. The morning gave way to afternoon.
The call came at around four o’clock in the afternoon, a full seven hours, hungry, thirsty, anxious waiting, for a stamp. My NIC had been referred for verification to the DRP which is located in the same building, different floor though, the verification had taken seven hours to travel vertically between floors and return. My passport was finally stamped. The restricting condition was cancelled. I was free to go. Seven hours. One building. Two floors. A stamp.
The Geography of Absurdity
Let us be precise about the geometry of this situation, because precision is what bureaucracy demands of citizens while refusing it for itself.
The information that one department needed from the other, confirmation that a national identity card bearing a specific number belonged to a specific person, is information that both departments already hold, in files, in databases, in the digital records that both institutions have been building for years.
That information was not retrieved electronically. It was not confirmed through an intranet query that would have taken thirty seconds. It was not verified through any of the digital systems that Sri Lanka’s Digital National Strategy 2030 promises to build, or that the World Bank’s $50 million Digital Transformation Project, approved in December 2025, is supposed to finance, or that President Dissanayake, who is himself the minister responsible for digitisation, has repeatedly pledged to accelerate. The information was physically transported, on paper or on foot or through some process that consumed seven hours, between two offices in the same building.
A Retired Banker’s Letter and a Nation’s Pattern
I am not alone in this observation, and I am not the first to make it in print. A well-known retired banker wrote to the letters pages of a national newspaper not long ago with a complaint that has since circulated widely among the professional and business community. His concern was the unnecessary duplication of bureaucratic processes in Sri Lanka’s government agencies, the requirement to submit the same information repeatedly to different departments that have no mechanism for sharing it with each other.
His example was instructive: a company that changes its registered address must deal separately with the Registrar of Companies (RC) and the Inland Revenue Department (IRD), resubmitting information that both institutions already hold. Two forms, two queues, two sets of fees, two sets of officials who will each process the same fact, that the company has moved, in complete ignorance of the other’s proceedings. He contrasted this with South Korea, where customs efficiency and trade facilitation have been systematically modernised, and where single-window processes allow firms to submit information once and have it flow automatically to all relevant authorities.
The contrast is not merely between administrative cultures. It is between two different philosophies of what government is for. In the South Korean conception, and in Singapore’s, and in Estonia’s, and in the many countries that have successfully digitised their public services, government exists to process the citizen’s legitimate needs with minimum friction. In the Sri Lankan conception, as it is actually practised rather than rhetorically proclaimed, the citizen exists to process the government’s requirements, repeatedly, in person, in queues, with multiple original documents, at multiple counters, on multiple occasions, regardless of how many times the same information has already been submitted.
This is not a trivial inconvenience. It is a structural tax on every productive citizen and every legitimate enterprise in the country.
The Rhetoric and the Reality
Digitalisation is, on paper, precisely the intervention that would have prevented my seven-hour wait: a delay that a single intranet query, a database check, or a digital confirmation could have eliminated. The technology is not exotic. The conceptual framework already exists. The international funding is arriving (USD50 Mn from the World Bank). The President has made the speeches.
That lagging did not happen because Sri Lanka lacked talent, the Senior Advisor to the President on Digitalization, Dr. Hans Wijayasuriya, has stated that Sri Lanka already possesses 75% of the necessary skills to build a strong digital economy. It happened because institutional culture, interdepartmental rivalry, and the chronic prioritisation of process over outcome have conspired to keep the citizen in the queue long after the queue should have ceased to exist.
The Innocent and the System
Here is the cruellest feature of the Sri Lankan bureaucratic condition, and the one that García Márquez and Kundera both understood with novelist’s precision: the systems are designed, or have calcified into designs, that punish the innocent for the sins of the guilty.
The five-year restriction on my passport existed because some applicants, in the past, had submitted fraudulent identity documents to obtain passports. The solution was to restrict all passports issued without NIC verification, regardless of the individual applicant’s circumstances, regardless of whether there was any evidence of fraud, regardless of the disproportionate cost imposed on genuine citizens. A few bad actors found a loophole. The system’s response was to close the loophole by inconveniencing everyone else, permanently, until they proved themselves worthy of having the loophole closed in their particular case.
This is the bureaucratic logic that produced the waiting room in Battaramulla. It is also the logic that produced the multiple-submission requirement for company address changes, and the interminable queue at every government counter in every district of the island. The system never trusts the citizen. The citizen must always prove, again and again, what has already been proved. And the cost of that proof, in time, in money, in lost productive hours, in the quiet erosion of civic dignity, is paid not by the officials who designed the system, nor by the fraudsters whose behaviour prompted it, but by the ordinary person who just wanted something simple.
What a Stamp Can Tell You About a Nation
There is a measure used by international organisations to assess the quality of governance in a given country. It asks, among other things, how many days it takes to start a business, how many procedures are required to register property, how many agencies a citizen must visit to accomplish a routine administrative task. Sri Lanka’s scores on these measures have been a source of persistent embarrassment.
The first is genuine inter-agency data sharing, not a pilot project, not a working committee, not a memorandum of understanding that sits unimplemented, but a functioning intranet infrastructure through which the DRP’s identity records are accessible to the DIE, through which the RC’s records are accessible to the IRD, through which the citizen’s information, once submitted anywhere in the system, does not need to be submitted again. The World Bank project promises exactly this. It must be delivered.
The second is a single-window principle applied without exception to all citizen services. If a process requires verification from another agency, that verification is the government’s problem to obtain, not the citizens’. The citizen submits once. The system talks to itself.
The third, and this is the hardest, because it requires not technology but culture, is the genuine subordination of process to outcome. The process exists to serve the citizen’s legitimate need. When it ceases to do so, the process is broken, not the citizen.
García Márquez’s woman never made her telephone call.
Kundera’s student never recovered from his postcard joke.
I got my stamp — eventually.
(The writer, a senior Chartered Accountant and professional banker, is Professor at SLIIT, Malabe. The views and opinions expressed in this article are personal.)
Features
Sri Lanka’s vanishing wetlands put elusive otter under growing threat
The world marked World Otter Day 2026 recently. Conservationists are warning that Sri Lanka’s rapidly disappearing wetlands, polluted waterways and unplanned development are placing increasing pressure on one of the island’s most elusive freshwater predators, the Eurasian otter (Lutra lutra).
The species, locally known as “Diya Balla”, is the only otter found in Sri Lanka and is regarded as a key indicator of healthy freshwater ecosystems. Yet despite its ecological importance, experts say the animal remains poorly studied and largely overlooked in national conservation planning.
Naturalist and conservationist Chaminda Jayasekara, who has spent years documenting otters in Sri Lanka, said the species is facing mounting environmental pressures across the island.
Speaking to The Island, Jayasekara said habitat destruction, chemical pollution, road kills, sand mining, and increasing human disturbance are fragmenting the waterways on which otters depend.
“Otters are extremely sensitive animals. When wetlands are degraded or rivers become polluted, they disappear very quickly. Their survival is directly linked to the health of freshwater ecosystems,” he said.
Jayasekara, who specialised in MSc Environmental Management at the University of Hertfordshire, noted that while the species has been recorded across Sri Lanka’s wet zone, dry zone and coastal wetlands, scientific data on population numbers and distribution remain limited.
According to him, the decline of wetlands has become one of the most serious environmental issues facing Sri Lanka. Marshes, mangroves, irrigation tanks and riverine habitats are increasingly being altered by urban expansion, tourism infrastructure, encroachment and agricultural runoff.
He warns that the loss of these habitats not only threatens otters, but also weakens flood control systems, freshwater security and biodiversity resilience at a time when climate-related disasters are becoming more frequent.
Jayasekara said otters play a vital ecological role by helping maintain balanced fish populations and healthy aquatic ecosystems.
“When otters thrive, it tells us the river system is functioning properly. Their presence is a sign that water quality, fish diversity and habitat conditions remain healthy,” he explained.
One of the best-known locations for otter sightings in Sri Lanka is Aranga Pond, within the Horton Plains National Park, where the species has adapted to the island’s cold montane ecosystem.
However, conservationists stress that even protected areas are not immune to broader environmental degradation occurring outside park boundaries.
Jayasekara’s own work on otters gained prominence through long-term conservation efforts at Jetwing Vil Uyana, where a former degraded chena landscape was restored into a functioning wetland ecosystem.
The restored habitat eventually attracted Eurasian otters, fishing cats, grey slender lorises and numerous wetland bird species.
Over 14 years, Jayasekara carried out field observations, camera trapping and awareness programmes involving hotel staff, surrounding schools and local communities.
“What happened at Vil Uyana clearly showed that habitat restoration works. If degraded ecosystems are given time to recover, wildlife can return naturally,” he said.
He added that wetland restoration should become a central component of Sri Lanka’s environmental policy, particularly as climate change intensifies droughts, floods and biodiversity loss.

Chaminda collecting scat for research purposes in Sigiriya
He says wetlands are among the planet’s most productive ecosystems, functioning as natural water filters and carbon sinks while providing breeding grounds for fish, amphibians and aquatic mammals.
Yet globally, wetlands are disappearing at an alarming rate, and Sri Lanka is no exception.
Conservation groups have repeatedly warned that illegal waste disposal, pesticide contamination and poorly planned infrastructure projects are severely affecting freshwater ecosystems throughout the country.
Jayasekara also highlighted the importance of stronger environmental education and community participation in conservation.
“Awareness is still very limited. Many people living close to wetlands do not realise the ecological importance of otters or the threats they face,” he said.
According to him, involving local communities in conservation monitoring is essential if Sri Lanka hopes to safeguard the species in the long term.
He also pointed to the growing international interest in otter conservation.
In November 2025, Jayasekara represented Sri Lanka at the International Eurasian Otter Conservation Workshop held at Colchester Zoo and organised by the International Otter Survival Fund.
The workshop brought together nearly 100 researchers, conservationists and wildlife experts from 33 countries to discuss emerging threats facing Eurasian otter populations.
Jayasekara presented Sri Lanka’s experience under the theme Rewilding Through Hospitality, focusing on how habitat restoration and sustainable tourism practices at Vil Uyana contributed to otter conservation.
“The international response was extremely encouraging. Many delegates were surprised that a tourism property in Sri Lanka had quietly carried out wetland conservation work for more than a decade,” he said.
Discussions at the workshop also examined wider environmental concerns including river pollution, declining fish stocks, illegal killings and habitat fragmentation affecting otter populations across Europe and Asia.
New conservation technologies such as AI-assisted wildlife tracking and environmental DNA surveys were also highlighted as emerging tools for monitoring elusive species.
Jayasekara said Sri Lanka urgently requires more scientific surveys, stronger environmental law enforcement and greater investment in freshwater conservation research.
He warned that unless wetlands and waterways are protected, several lesser-known freshwater species could face severe decline in the coming decades.
Environmentalists say otter conservation should not be viewed in isolation but as part of a broader effort to protect entire freshwater ecosystems that millions of Sri Lankans depend on for drinking water, irrigation and livelihoods.
He further noted that healthy wetlands also strengthen climate resilience by absorbing floodwaters, reducing soil erosion and supporting groundwater recharge.
As Sri Lanka experiences increasingly erratic weather patterns linked to climate change, conservationists argue that protecting wetlands is becoming both an ecological and economic necessity.
Jayasekara believes Sri Lanka still has an opportunity to become a regional example in balancing tourism, biodiversity conservation and habitat restoration.
“The otter teaches us an important lesson,” he said. “If rivers are protected and wetlands are respected, nature has an incredible ability to recover.”
This year’s observance of World Otter Day 2026 is, therefore, serving not only as a celebration of one of the world’s most charismatic mammals, but also as a reminder of the urgent need to conserve the fragile freshwater ecosystems upon which both wildlife and human communities ultimately depend.

Eurasian otter
By Ifham Nizam
Features
Malaiyaha Tamil people: Healing the Oldest Wound of Independence
In their Vesak messages this year, President Anura Kumara Dissanayake and Prime Minister Harini Amarasuriya highlighted the values of reconciliation, coexistence and justice as essential to Sri Lanka’s future. President Dissanayake emphasised that Buddhism’s teachings remain deeply relevant to contemporary society and described Vesak as a symbol of “mutual understanding, unity and coexistence among all communities” and of reconciliation itself. Prime Minister Amarasuriya similarly called for the building of a society in which justice is assured to all irrespective of caste, race or religion. These messages were not merely religious aspirations, they were a direct challenge to the most serious failures in Sri Lanka’s post-independence history. These include the three-decade-long war, its human rights violations and the inability to implement a political solution.
These have been and continue to be the challenges that have prevented Sri Lanka from reaching its full potential. Added to this have been the persistence of social and economic inequalities that continue to marginalise communities at the bottom of the social hierarchy. One of the most enduring examples of such injustice is the experience of the Malaiyaha Tamil community. The scale of the original exclusion is worth understanding clearly. According to the 1946 Census, the Malaiyaha Tamil community numbered approximately 780,600 persons and constituted 11.73 percent of the country’s population making them the second largest ethnic community, larger than the Sri Lankan Tamil community who numbered 733,700 or 11.02 percent of the population at the time
The denial of citizenship and voting rights to the Malaiyaha Tamil community was the first major injustice inflicted on an ethnic minority in post-independence Sri Lanka. The consequences were devastating and long-lasting. A community that had contributed enormously to the country’s economy through its labour on the plantations was excluded from political participation and denied basic rights. This was a political and moral failure that cast a long shadow over the country’s post-independence history. Responsibility for that injustice needs to be shared widely. Political leaders across ethnic lines failed to resist it. The result was the marginalisation of a community whose contribution to national prosperity far exceeded the recognition it received. Today, nearly eight decades later, Sri Lanka has an opportunity to correct that historic wrong but only if economic reform is matched by genuine social inclusion.
Longstanding Grievances
The NPP government has repeatedly acknowledged the need to address the longstanding grievances of the Malaiyaha Tamil people. In its election manifesto, the NPP pledged to improve living conditions in plantation areas, strengthen land and housing rights, ensure equal access to education and public services, and integrate plantation communities more fully into national development. The NPP’s Nuwara Eliya Declaration of 2023 similarly recognised that the plantation community had suffered generations of exclusion and promised measures to address disparities in housing, land ownership, infrastructure, education and economic opportunity. The need for such action is plain to see. While citizenship issues have largely been resolved over time, the socio-economic consequences of decades of exclusion remain deeply entrenched and continue to shape daily life in plantation communities. A conference organised by the Institute of Social Development to mark International Tea Day on May 21 at the BMICH brought out this and many other salient issues. Headed by P Muthulingam the organisation has advocated for the rights of the Malaiyaha Tamil people for the past 35 years to be equal citizens who enjoy social and economic justice.
The central problem facing many plantation workers is the low level of income they receive. Daily wages remain among the lowest in the country relative to the difficulty and intensity of the work. Plantation labour continues to depend heavily on methods that have changed little over generations. Productivity remains low compared to competing tea-producing countries — not because workers lack capability, but because sustained investment in their welfare, skills and economic mobility has been withheld. Workers consequently remain trapped in a cycle of low wages and limited economic mobility. Their housing situation compounds these difficulties. Many plantation families continue to live in housing owned either by plantation companies or the state. Lack of secure ownership limits their ability to accumulate assets, access credit or make independent decisions regarding their future. When Cyclone Ditwah damaged plantation housing, it exposed the inability of those living in that housing to access state compensation as they did not own the housing in which they lived.
The problems extend beyond the central highlands. Plantation workers living in private estates and smallholdings in other parts of the country face similar challenges. A recent Amnesty International report documented serious abuses affecting Malaiyaha Tamil workers in private tea estates in the Southern Province. These include wage withholding, debt dependency, restrictions on movement and intimidation and practices the report argued correspond to internationally recognised indicators of forced labour. These findings are not peripheral. They reveal that the structural exclusion of the Malaiyaha Tamil community is not a relic of the past but an active, ongoing condition. Economic vulnerability and social marginalisation continue to leave many plantation workers without effective protection or access to justice. It is against this backdrop that the government’s recent plantation reform initiative assumes special significance.
Second Phase
The government has announced the second phase of a programme to make underutilised plantation lands and assets available for investment. The objective is to transform underperforming assets into productive enterprises capable of generating employment, attracting investment and revitalising regional economies. The programme seeks to modernise the plantation sector, improve productivity and create new opportunities in tourism, renewable energy and export-oriented industries. These objectives are necessary and welcome. However, economic reform alone will not be sufficient and Sri Lanka’s own history provides the warning. Previous rounds of plantation modernisation pursued productivity gains without addressing the structural disempowerment of the people at the centre of the industry. The result was investment that generated wealth without distributing it. The workers who produced the wealth were once again treated as labour inputs rather than as beneficiaries. If the current reform follows the same logic, it risks reproducing the same failure.
For reform to succeed, plantation workers must be recognised not merely as a labour force but as stakeholders with rights, aspirations and a legitimate claim to share in the benefits of development. Housing ownership, secure land tenure, quality education, vocational training and entrepreneurship need to be built into the reform process from the outset. The government’s commitments to the Malaiyaha Tamil community therefore need to be incorporated into every stage of the reform process. On the contentious question of land, the government should consider establishing an independent national land commission. Such a body should include respected government officials, professionals and representatives from all ethnic and religious communities. It should review land policy comprehensively, develop transparent principles for allocation and use, ensure fairness in decision making and provide a trusted mechanism for resolving disputes. A credible land commission would help build public confidence that land reforms are being undertaken in the national interest rather than for the benefit of particular groups.
The correction of historic injustices should not be viewed as a concession to one community. It should be understood as an investment in national unity, because societies do not become stronger by maintaining the exclusion of those they have wronged. On the contrary, they become stronger by ending it. The first great injustice committed against an ethnic minority after independence cannot be undone. But its consequences can be addressed, and doing so would strengthen reconciliation, enhance social cohesion and bring Sri Lanka closer to the vision of a country in which all communities live with equal dignity and equal hope. This is what the Vesak messages of the President and Prime Minister promised. The plantation reform now underway is the moment to make good on that promise not in words alone, but in sustained policy that endures beyond any single government and reaches the people who have waited longest for it.
by Jehan Perera
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