Midweek Review
Power of the metaphor in Kafka’s ‘The metamorphosis’
By DR. SIRI GALHENAGE
Psychiatrist
The defining quality of literature is the expression of human nature in its diversity and its vicissitudes. Characters, their patterns of behaviour, and the situations they create, originate from our ‘universally shared experience’, etched in our ‘collective unconscious’ through repeated occurrence since antiquity [Carl Jung]. Metaphors are generated by the creative powers of the human mind to enhance literary artistry in portraying such archetypal forms and themes.
The Metaphor
Writing in his Poetics, Aristotle asserted that, “to be a master of metaphor is the greatest thing by far. It is the one thing that cannot be learnt from others, and it is also a sign of genius.” Modern thinking is that the ability to generate metaphors is acquired in varying degree by genetic evolution – a maturational process of the human brain with its interaction with nature – bringing about an alignment between science and the arts.
The word metaphor originates from Greek meta [beyond] + pherein [to carry] – ‘something carried beyond another, or likened to another as if it were that other’ – figuratively, as opposed to literally. Even if the ‘primary subject’ is carried beyond the bounds of reality and transformed into a ‘secondary subject’ of fantasy, it remains anchored to its human origins. The metaphor challenges our resources for thinking while enriching our minds. The simile [derived from Latin – similis – alike], its less sophisticated cousin, on the other hand, points out the likeness of two generally unlike objects, leaving less room for imagination!
Novella
In his popular novella, titled The Metamorphosis, the Czech writer, Franz Kafka [1883 – 1924], uses his extraordinary imaginative power in the metaphorical presentation of the growth [and in contrast, the regression] of individual members of a family in crisis. The metaphor[s], drawn from nature, are carried beyond the bounds of reality into a realm of fantasy; not ignoring its human presence.
Written in German, the worldwide reception of The Metamorphosis began with its translations into several European languages after the author’s death. Despite its bizarre content, the poignancy of the tale appears to have led to its universal and lasting appeal, attracting the attention of playwrights, film-makers, music composers, psychologists and psychiatrists alike. Contemporary German educationists, inspired by its creativity and originality, included the text in the school curriculum.
Author and his Inspiration
Franz Kafka was a German-educated Czechoslovakian Jew living in his home town of Prague. In November 1912, he woke up one morning from a troubled dream with an idea in his head that he was unable to shrug off. He felt like an insect with an armour-plated back and with countless legs flickering helplessly in the air, which inspired him to write his ‘bug story’ which he later expanded to the novella, ‘The Metamorphosis’. The progress of writing the story, which he said was extremely unsettling, can be traced in his letters to his girlfriend Felice Bauer, at a time when the relationship between them was somewhat tenuous.
They were troubled times with a conflict in the Balkans, the harbingers of the First World War, which broke out two years later. Despite the worldwide political instability, it was a time when literary activity flourished.
Plot Summary
“When Gregor Samsa awoke one morning from troubled dreams, he found himself transformed in his bed into a monstrous insect. He lay on his back, which was as hard as an armour plate and saw as he raised his head a little, his vaulted brown belly divided by stiff, arch-shaped ribs, and the bed covers which could hardly cling to its height and were about to slide off completely. His many legs, pitifully thin compared with the rest of his bulk, waved about helplessly before his eyes.”
Gregor was a commercial traveller, living with his ageing parents [Herr and Frau Samsa] and his teenage sister [Grete]. “What an exhausting job I’ve chosen! On the move day in and day out. Business worries … and on top of that I’m saddled with the strain of all this travelling, the anxiety about train connections, the bad and irregular meals, the constant stream of changing faces with no chance of any warmer, lasting relationship. The devil takes it all!” He felt ‘condemned to work for a firm where the slightest lapse immediately gave rise to the gravest suspicion … and instant dismissal.’
Gregor mulled over quitting his job, but had to keep working to financially support his family, maintain the comfortable apartment he provided them with and to pay off his father’s debts. Regardless of the considerable expense involved, he also had plans to send his sister to the Conservatory, the following year, to train as a violinist.
Having failed in his business five years previously, Herr Samsa has been languishing at home, with no savings in hand. ‘His sister… who at 17 was still no more than a child and whose mode of life … consisting of wearing pretty clothes, sleeping late, helping in the house, indulging in a few modest amusements and above all playing the violin.’ ‘His parents did not understand the situation too well; in the course of the years they have formed the conviction that Gregor was secure in his firm for life, and besides, they were so preoccupied just now with their immediate worries that they had lost all power to look ahead.’
Since his transformation, Gregor withdrew to the dark confines of his room, ‘crawling’ around and eavesdropping on the muted conversations of his family, and retreating to his resting place under the sofa. In trying to cope with Gregor’s ‘new life’, his mother often became distraught, his father increasingly resentful, and his sister making an attempt at providing him with nourishment which was hardly palatable. With the ongoing ‘torment at home’ and the ensuing feeling of ‘helplessness’, the situation came to a head when the father displaced his anger onto Gregor by throwing apples at him. One of the apples became embedded in his back and caused the area around it to fester!!
With murmurings between father, mother and sister about the need to ‘get rid’ of the ‘monster’ that had entered their household, they began addressing the financial challenges the family was faced with. Herr Samsa takes up a job as a messenger in a bank. Frau Samsa works from home for a fashion store as a seamstress. Grete, who has taken a job as a sales-girl, starts learning shorthand and French in the evenings in the hope of bettering herself later on in life. To complement their income, they take on three lodgers and accommodate them in Grete’s room while she occupies a corner of the common room. They dismiss their house maid and employ a part-time charwoman. The robust charwoman, intolerant of the ‘balls of dust and filth’ Gregor was crawling about in, calls him, in jest, ‘a dung beetle’, drawing our attention to a metaphor!
Gregor continued to waste away. One early morning,‘ … his head sank fully down, of its own accord, and his last faint breath ebbed out of his nostrils.’ The charwoman, who entered the room, yelled at the top of her voice into the darkness: “just come and look, the creature’s done for; it’s lying there dead and done for!” She took over the task of disposing off of the corpse.
‘Let these old troubles rest at last’, said his father. The bereaved discussed their prospects for the time ahead, which were by no means bad: all three of them had jobs. They planned to move into a smaller and cheaper residence, better placed and more manageable, which Gregor had picked for them. The parents observed that their daughter has blossomed into a lively, pretty and shapely girl and ‘the time was ripe to find her a good husband!’
Commentary
With a simple plot and a bizarre narrative, The Metamorphosis remained an enigma for many of its contemporary readers. How could a travelling salesman transform himself overnight into a colossal insect, they wondered. Some tried to interpret the text from every conceivable angle – philosophical, psychoanalytic, and sociological. Others tried to draw parallels with Kafka’s relationship with his father; and some read into it the author’s criticism of the society they lived in.
Many of Kafka’s peers expressed their admiration of his work. Franz Werfel, spoke for other literary giants of the era, when he stated, “you have achieved something truly non-existent in literature before, that is, the use of a rounded, unique and highly realistic story to draw a universal, allegorical and ultimately tragic picture of the human condition”.
Drawing from nature, Kafka employs the notion of metamorphosis as a metaphor, and blends it into an important phenomenon in human experience, and creates a narrative with divergent outcomes – adaptive as well as maladaptive.
The term metamorphosis [meta- change; morph- form; osis- process] is applied to the process of transformation of an insect or amphibian from an immature to a mature form, in several stages. The immature tadpoles wriggle out of the spawn in murky waters, and in time develop into mature frogs ready to venture out into dry land, while a few, despite their effort, may succumb to the pressures of the journey.
The Samsa family fell into an abyss with the collapse of the father’s business. Gregor, the elder son, took on the responsibility of pulling them out of their predicament by persevering to work in a demanding job, in trying conditions and lacking any meaningful relationships, until his coping abilities were depleted. He regresses, metaphorically, into a half-insect form [‘dung beetle’] with diminutive legs, unable to crawl out of his mess.
After a period of stagnation, the family gains insight into their predicament. Grete says to her parents: ‘You must just try to get rid of the idea that it’s Gregor. That’s our real disaster, the fact that we’ve believed it for so long. But how can it be Gregor? If it were Gregor, he would have realised long since that it isn’t possible for human beings to live together with a creature like that, and he would have gone away of his own accord. Then we wouldn’t have a brother, but we’d be able to go on living and honour his memory.’
Grete and her parents, in an attempt at relinquishing their dependence on Gregor, first make minor adjustments within their household to improve their financial situation, before taking up employment, and moving out into more appropriate accommodation. The parents notice a shift in the fortitude of their daughter with hopes for a better future for her.
Gregor, in contrast, unable to carry the burden of his existence, sadly regresses into a primitive form with loss of mobility and unintelligible speech. He became increasingly vulnerable and dislocated from human company, leading to his demise.
An Epilogue
In a sequel to The Metamorphosis the Prager Tagblatt [Prague Tablet, June 1916] newspaper published ‘The Retransformation of Gregor Samsa’ by Karl Brand, a young, relatively unknown expressionist writer, who reportedly was disturbed by the obvious parallels between his life and that of Gregor Samsa. In his short story [which I have not had access to] Gregor is said to have risen from the ‘rubbish heap’, and after recognising his true identity, had moved to the city, with hopes of a better future!!
The latter theme is in keeping with the archetypal pattern of ‘separation-individuation’, seen in adolescence and young adulthood, as postulated by the Hungarian psychiatrist, Margaret Mahler. It is a process of change [a metamorphosis!] resulting in the movement of a young person from parental structure into developing his/her own unique identity and independence.
Such archetypal themes are part of the ‘psychological heritage’ of our common humanity, with parallel plots in the folklore of all cultures, including our own – the primordial mythical tale of the origin of the Sinhala race, brilliantly dramatised by Ediriweera Sarachchandra as ‘Sinhabahu’. The young Sinhabahu, trapped in a cave in the forest domain of his controlling yet loving father, the Lion King, breaks open the cave in his quest for individuation, carrying his mother and sister on his shoulders – a task young Gregor failed to perform.
[sirigalhenage@gmail.com]
Midweek Review
Opp. MP’s hasty stand on US air strikes in Nigeria and Sri Lanka’s foreign policy dilemma
Israel’s recognition of Somaliland on 26 December, 2025, couldn’t have taken place without US approval. The establishment of full diplomatic ties with Somaliland, a breakaway part of Somalia, and Israeli Foreign Minister Gideon Saar’s visit to that country, drew swift criticism from Somalia, as well as others. Among those who had been upset were Türkiye, Saudi Arabia and the African Union.
The US-backed move in Africa didn’t receive public attention as did the raid on Venezuela. But, the Somaliland move is definitely part of the overall US global strategy to overwhelm, undermine and belittle Russia and China.
And on the other hand, the Somaliland move is a direct challenge to Türkiye, a NATO member that maintains a large military presence in Somalia, and to Yemen based Houthis who had disrupted Red Sea shipping, in support of Hamas, in the wake of Israeli retaliation over the 07 October, 2023, raid on the Jewish State, possibly out of sheer desperation of becoming a nonentity. The Israeli-US move in Africa should be examined taking into consideration the continuing onslaught on Gaza and attacks on Lebanon, Iran, Syria, Yemen, and Qatar.
Many an eyebrow was raised over Opposition MP Dr. Kavinda Jayawardana’s solo backing for the recent US air strikes in Nigeria.
The Gampaha District Samagi Jana Balawegaya (SJB) lawmaker handed over a letter to the US Embassy here last week applauding US President Donald Trump’s order to bomb Nigeria on Christmas Day. The letter was addressed to President Trump
( https://island.lk/kavinda-lauds-us-president-trumps-actions-to-protect-christians-in-nigeria/)
The former UNPer who had been in the forefront of a high-profile campaign demanding justice for the 2019 Easter Sunday terror victims, in an obvious solo exercise praised Trump for defending the Nigerian Christian community. The US bombing targeted Islamic State Terrorists (ISIS) operating in that country’s northwest, where Muslims predominate.
The only son of the late UNP Minister Dr. Jayalath Jayawardana, he seemed to have conveniently forgotten that such military actions couldn’t be endorsed under any circumstances. Against the backdrop of Dr. Jayawardana’s commendation for US military action against Nigeria, close on the heels of the murderous 03 January US raid on oil rich Venezuela, perhaps it would be pertinent to seek the response of the Catholic Church in that regard.
President Trump, in a wide-ranging interview with the New York Times, has warned of further strikes in case Christians continued to be killed in the West African nation. International media have disputed President Trump’s claim of only the Christians being targeted.
Both Christians and Muslims – the two main religious groups in the country of more than 230 million people – have been victims of attacks by radical Islamists.
The US and the Nigerian government of President Bola Tinubu reached a consensus on Christmas Day attacks. Nigeria has roughly equal numbers of Christians – predominantly in the south – and Muslims, who are mainly concentrated in the north.
In spite of increasingly volatile global order, the Vatican maintained what can be comfortably described as the defence of the national sovereignty. The Vatican has been critical of the Venezuelan government but is very much unlikely to throw its weight behind US attacks on that country and abduction of its President and the First Lady.
Dr. Jayawardana’s stand on US intervention in Nigeria cannot definitely be the position of the main Opposition party, nor any other political party represented in Parliament here. The National People’s Power (NPP) government refrained from commenting on US attacks on Nigeria, though it opposed US action in Venezuela. Although the US and Nigeria have consensus on Christmas Day attacks and may agree on further attacks, but such interventions are very much unlikely to change the situation on the ground.
SL on US raid
Let me reproduce Sri Lanka’s statement on US attacks on Venezuela, verbatim:
“The Government of Sri Lanka is deeply concerned about the recent developments in Venezuela and is closely monitoring the situation.
Sri Lanka emphasises the need to respect principles of international law and the UN Charter, such as the prohibition of the use of force, non-intervention, peaceful settlement of international disputes and the sovereignty and territorial integrity of states.
Sri Lanka attaches great importance to the safety and well-being of the people of Venezuela and the stability of the region and calls on all parties to prioritize peaceful resolution through de-escalation and dialogue.
At this crucial juncture, it is important that the United Nations and its organs such as the UN Security Council be seized of the matter and work towards a peaceful resolution taking into consideration the safety, well-being and the sovereign rights of the Venezuelan people.”
That statement, dated 05 January, was issued by the Foreign Affairs, Foreign Employment and Tourism Ministry. Almost all political parties, represented in Parliament, except one-time darling of the LTTE, Illankai Thamil Arasu Kadchi (ITAK), condemned the US attacks on Venezuela and threats on Cuba, Colombia and Iran. The US is also targeting China, Russia and even the European Union.
Dr. Jayawardana requested coverage for his visit to the US Embassy here to hand over his letter, hence the publication of his ‘love’ letter to President Trump on page 2 of the 09 January edition of The Island.
There had never been a previous instance of a Sri Lankan lawmaker, or a political party, endorsing unilateral military action taken by the US or any other country. One-time Western Provincial Council member and member of Parliament since 2015, Jayawardana should have known better than to trust President Trump’s position on Nigeria. Perhaps the SJBer felt that an endorsement of US action, allegedly supportive of the Nigerian Catholic community, may facilitate his political agenda. Obviously, the Opposition MP endorsed US military action purely for domestic political advantage. The lawmaker appears to have simply disregarded the growing criticism of US actions in various parts of the world.
The German and French response to US actions, not only in Venezuela, but various other regions, as well, underscore the growing threat posed by President Trump’s agenda.
French President Emmanuel Macron and German leader Frank-Walter Steinmeier have sharply condemned US foreign policy under Donald Trump, declaring, respectively, that Washington was “breaking free from international rules” and the world risked turning into a “robber’s den”.
US threat to annex Greenland at the expense of Denmark, a founding member of the North Atlantic Treaty Organisation (NATO) ,and the grouping itself, has undermined the post WWII world order to such an extent, the developing crisis seems irreversible.
Focus on UAE
Indian Army Chief Gen. Upendra Dwivedi visited the United Arab Emirates on 05 and 06 January. His visit took place amidst rising tension on the Arabian Peninsula, following the Saudi-led military coalition launching air attacks on Yemen based Southern Transitional Council (STC) whose leader Aidarous al-Zubaid was brought to Abu Dhabi.
In the aftermath of the Saudi led strikes on Yemen port, held by the STC, the UAE declared that it would withdraw troops deployed in Yemen. The move, on the part of UAE, seems to be meant to de-escalate the situation, but the clandestine operation, undertaken by that country to rescue a Saudi target, appeared to have caused further deterioration of Saudi-UAE relations. Further deterioration is likely as both parties seek to re-assert control over the developing situation.
From Abu Dhabi, General Dwivedi arrived in Colombo on a two-day visit. Like his predecessors, General Dwivedi visited the Indian Army memorial at Pelawatte, where he paid respects to those who paid the supreme sacrifice during deployment of the Indian Army here – 1987 July to 1990 March. That monument is nothing but a testament to the foolish and flawed Indian policy. Those who portray that particular Indian military mission as their first major peace keeping operation overseas must keep in mind that over half a dozen terrorist groups were sponsored by India.
Just over a year after the end of that mission, one of those groups – the LTTE (Liberation Tigers of Tamil Eelam) -assassinated Congress leader Rajiv Gandhi, the former Premier who sent the military mission here.
India never accepted responsibility for the death and destruction caused by its intervention in Sri Lanka. In fact, the Indian action led to an unprecedented situation when another Sri Lankan terrorist group PLOTE (People’s Liberation Organisation of Tamil Eelam) mounted a raid on the Maldives in early Nov. 1988. Two trawler loads of PLOTE cadres were on a mission to depose Maldivian President Maumoon Abdul Gayoom on a contract given by a disgruntled Maldivian businessman. India intervened swiftly and brought the situation under control. But, the fact that those who had been involved in the sea-borne raid on the Maldives were Indian trained and they left Sri Lanka’s northern province, which was then under Indian Army control, were conveniently ignored.
Except the LTTE, all other major Tamil terrorist groups, including the PLOTE, entered the political mainstream in 1990, and over the years, were represented in Parliament. It would be pertinent to mention that except the EPDP (Eelam People’s Democratic Party) all other Indian trained groups in 2001 formed the Tamil National Alliance (TNA), under the leadership of Illankai Thamil Arasu Kadchi (ITAK), to support the separatist agenda in Parliament. Sri Lanka’s triumph over the LTTE, in May 2009, brought that despicable project to an end.
The Indian Army statement on General Dwivedi’s visit here, posted on X, seemed like a propaganda piece, especially against the backdrop of continuing controversy over the still secret Indo-Lanka Memorandum of Understanding on defence that was entered into in April last year. Within months after the signing of the defence MoU, India acquired controlling stake of the Colombo Dockyard Ltd., a move that has been shrouded in controversy.
Indian High Commissioner Santosh Jha’s response to my colleague Sanath Nanayakkara’s query regarding the strategic dimension of the India–Sri Lanka Defence Cooperation Agreement following the Indian Army Chief’s recent visit, the former was cautious in his response. Jha asserted that there was “nothing beyond what is included” in the provisions of the pact, which was signed by President Anura Kumara Dissanayake and has generated controversy in Sri Lanka due to the absence of public discourse on its contents.
Framing the agreement as a self-contained document focused purely on bilateral defence cooperation, Jha said this reflected India’s official position. By directing attention solely to the text of the agreement, the High Commissioner indicated that there were no unstated strategic calculations involved, aligning with the Sri Lankan Foreign Minister’s recent clarification that the pact was not a military agreement but one that dealt with Indian support.
Nanayakkara had the opportunity to raise the issue at a special media briefing called by Jha at the IHC recently.
Julie Chung departs
The US attack on Venezuela, and the subsequent threats directed at other countries, including some of its longtime allies, should influence our political parties to examine US and Indian stealthy interventions here, leading to the overthrowing of President Gotabaya Rajapaksa, in July 2022.
The US Embassy in Colombo recently announced that Julie Chung, who oversaw the overthrowing of Gotabaya Rajapaksa, would end her near four-year term. Former Indian High Commissioner in Colombo Gopal Baglay, who, too, played a significant role in the regime change project, ended his term in December 2023 and took up position in Canberra as India’s top diplomat there.
Both Chung and Baglay have been accused of egging on the putsch directly by urging Aragalaya time Speaker Mahinda Yapa Abeywardena, on 13 July, 2022, to take over the presidency. Former Minister Wimal Weerawansa and top author Sena Thoradeniya, in their comments on Aragalaya accused Chung of unprecedented intervention, whereas Prof. Sunanada Maddumabanadara found fault with Baglay for the same.
The US Embassy, in a statement dated 07 January, 2026, quoted the outgoing US Ambassador as having said: “I have loved every moment of my time in Sri Lanka. From day one, my focus has been to advance America’s interests—strengthening our security partnerships, expanding trade and investment, and promoting education and democratic values that make both our nations stronger. Together, we’ve built a relationship that delivers results for the American people and supports a free, open, and secure Indo-Pacific.”
The Embassy concluded that statement reiterating the US commitment to its partnership with Sri Lanka and to build on the strong foundation, established during Ambassador Chung’s nearly four-year tenure.
Sri Lanka can expect to increasingly come under both US and Indian pressure over Chinese investments here. It would be interesting to see how the NPP government solves the crisis caused by the moratorium on foreign research vessel visits, imposed in 2024 by the then President Ranil Wickremesinghe. The NPP is yet to reveal its position on that moratorium, over one year after the lapse of the ban on such vessels. Wickremesinghe gave into intense US and Indian pressure in the wake of Chinese ship visits.
In spite of US-India relations under strain due to belligerent US actions, they are likely to adopt a common approach here to undermine Sri Lanka’s relations with China. But, the situation is so dicey, India may be compelled to review its position. The US declaration that a much-anticipated trade deal with India collapsed because Indian Prime Minister Narendra Modi hasn’t heeded President Trump’s demand to call him.
This was revealed by US Commerce Secretary Howard Lutnick in the ‘All-In Podcast’ aired on Thursday, 08 January. The media quoted Indian spokesman Randhir Jaiswal as having said on the following day: “The characterisation of these discussions in the reported remarks is not accurate.” Jaiswal added that India “remains interested in a mutually beneficial trade deal between two complementary economies and looks forward to concluding it.”
Sri Lanka in deepening dilemma
Sri Lanka, struggling to cope up with post-Aragalaya economic, political and social issues, is inundated with foreign policy issues.
The failure on the part of the government and the Opposition to reach consensus on foreign policy challenges/matters has further weakened the country’s position. If those political parties represented in Parliament at least discussed matters of importance at the relevant consultative committee or the sectoral oversight committee, lawmaker Jayawardana wouldn’t have endorsed the US bombing of Nigeria.
Sri Lanka and Nigeria enjoy close diplomatic relations and the SJB MP’s unexpected move must have caused quite a controversy, though the issue at hand didn’t receive public attention. Regardless of the US-Nigerian consensus on the Christmas Day bombing, perhaps it would be unwise on the part of Sri Lanka to support military action at any level for obvious reasons.
Sri Lanka taking a stand on external military interventions of any sort seems comical at a time our war-winning military had been hauled up before the Geneva Human Rights Council for defending the country against the LTTE that had a significant conventional military capacity in addition to being “the most ruthless terrorist organisation” as it was described by the US Federal Bureau of Investigation. The group capitalised on experience gained in fighting the Indian Army during 1987 July-1990 March period and posed quite a threat. Within five months after the resumption of fighting, in June 1990, the LTTE ordered the entire Muslim population to leave the predominantly Tamil northern province.
No foreign power at least bothered to issue a statement condemning the LTTE. MP Jayawardana’s statement supporting US military action in support of Christian community should be examined in Sri Lanka’s difficult battle against terrorism that took a very heavy toll. Perhaps, political parties represented in Parliament, excluding those who still believe in a separatist project, should reexamine their stand on Sri Lanka’s unitary status.
By Shamindra Ferdinando
Midweek Review
Buddhist Iconography
Seeing a new kind of head ornament on a recent reproduction of the iconic Avukana Buddha statue, made me ponder how the Enlightened One would have looked in real life, and what relationship that may or may not have with Buddhist iconography. Obviously, there is no record or evidence of any rendering of the Buddha made by an artist who saw him alive, but there are a few references to his appearance in the Pali Sutta Pitaka, that affirms, as he himself has said, Buddha was nothing other than a human being, albeit an extraordinarily intelligent one (Dhammika 2021).
Before enlightenment, Siduhath Gotama was described as having black hair and a beard. One account describes him as “handsome, of fine appearance, pleasant to see, with a good complexion and a beautiful form and countenance” (D.I,114). Venerable Ananda has said, “It is wonderful, truly marvelous how serene is the good Gotama’s presence, how clear and radiant is his complexion. Just as golden jujube fruit in the autumn is clear and radiant … so too is the good Gotama’s complexion” (A.I,181). If Venerable Ananda’s comparison is correct, Gotama must have been of what is called ‘Wheatish’ complexion common in present-day North India, which is described as typically falling between fair and dusky complexions, exhibiting a light brown hue with golden or olive undertones (Fitzpatrick scale Type III to VI).
The Buddha is also described as a slim tall person; slim, perhaps, as a result of practising asceticism before enlightenment and spartan life thereafter. As he aged, he also suffered from back pain and other ailments, according to Sutta Pitaka.
Artists’ imagination
We need not argue that the depictions of the Buddha we see across countries, in various media, are the imaginations of the artists influenced by their local cultures and traditions. The potentially controversial aspect regarding Buddhist iconography is the depiction of his hair, which is almost universal. There are several references in the Sutta Pitaka, where various Brahmin youths derogatorily referred to the Buddha as “bald-pated recluse” (MN 81). There is no reason to believe that he would have been any different from the rest of the Bhikkhus who had and have clean shaven heads. In fact, when King Ajatasattu visited the Buddha for the first time, he had trouble identifying the Buddha from the rest of the sangha, and an attendant had to help the king.
In early Buddhist art, the Buddha was represented by the wheel of dhamma, Bodhi tree, throne, lotus, the footprints, or a parasol. For example, in the carvings of Sanchi temple built in the third century BCE, the Buddha is depicted by some of these symbols, but never in human form. Depiction of the Buddha in human form has started around the first century CE in two places, Gandhara and Mathura. In both places, the Buddha is depicted with hair, and not as a “bald-pated recluse” the way the Sutta Pitaka depicts him.

Figure 1. Bimaran Casket
No scholarly agreeement
So, the question is who started this artistic trend, was it the Gandhara artists under the Greek influence or the Mathura artists following their own traditions? There is no scholarly agreement on this; Western scholars think it was the Greek influence that made presenting the Buddha in human form while Ananda Coomaraswamy presents another theory (Coomaraswamy 1972).
The earliest dateable representation of the Buddha in human form is found on the Bimaran casket found during the exploration of a stupa near Bimaran, Afghanistan in 1834. It has been dated to the first century CE using the coins found along with it, that also depict and refer to the Buddha by name in Greko-Bactrian. This reliquary, a gold cylinder embossed with figures and artwork, is on display at the British Museum (Figure 1). Under the Hellenistic influence, it must have been natural for the Gandhara artists to represent a revered or divine figure in human form; Greeks have been doing it for millennia. The standing Buddha figure is depicted wearing the hair in the form of a knot over the crown. In other carvings from the same period, most male figures are shown with the same hair style. Also, it appears that both Spartan men and women tied their hair in a knot over the crown of the head, known as the “Knidian hairstyle” (Wikipedia). The Gandhara sculpture is famous for the Hellenistic style of realism (Figure 2).

Figure 2. Gandhara statue from 1-2
century CE
Coomaraswamy’s reasoning
Coomaraswamy reasons that the Bhakti movement – the loving devotion of the followers towards the deities, is the reason for the emergence of Buddha figure in Mathura. We cannot say for sure if the Gandhara art induced the Mathura artists to break away from their tradition of aniconic symbolism. What is clear is that they have been influenced by the trend to elevate religious leaders to divinity, to impress the followers and compete or to outdo the practices of other religions. This tradition, which predates the Buddha, has introduced the concept of the thirty-two characteristics or marks of great personalities.
It is this trend that has introduced divine interventions and other mysticisms to Buddhism and culminated in famous poems as Asvagosha’s Buddhacharithaya and exegeses as Lalithavistara a few centuries later and continues to date. Instead of following realism as the Gandhara artists did, Mathura artists have followed this tradition and incorporated the thirty-two characteristics of a great person into their representation of the Buddha figure.
Some of these marks are described as “… there is a protuberance on the head, this is, for the great man, the venerable Gotama, a mark of a great man; the hair bristles, his bristling hair is blue or dark blue, the color of collyrium, turning in curls, turning to the right; the tuft of hair between the eyebrows on his forehead is very white like cotton; he is golden in color, has skin like gold; eyes very blue, like sapphires; under the soles of his feet there are wheels, with a thousand rims and naves, complete in every way…(DN 30, M 91). Thus, the tradition of adding the protuberance referred to as Usnisha to Buddha statues started.
Buddhist traditions in different forms
This practice has been adopted by all Buddhist traditions in different forms. The highly effective outcome of incorporating these great marks into the statuary is that it has created a globally recognisable symbol that is independent of the artist’s skills, cultural affiliation or the medium used. Without such distinct features, we would have difficulty in distinguishing the depictions of the Enlightened One from those of other monks or other religious leaders such as Mahaveera. Nevertheless, in addition to its spiritual aspect, Buddhist iconography has been a flourishing art form, which has allowed human talent and ingenuity to thrive over millennia.
Let us not forget that artistic expression is a fundamental right. Interestingly, the curly hair on the Buddha statues made the early European Indologists to think that the Buddha was an African deity (Allen 2002).
Sri Lankan Buddhist art
Sri Lankan Buddhist art is said to be related to Amaravathi style; all Sri Lankan statues are depicted with curling hair bristles turning to right. The presence and prominence of the usnisha on local statues vary depending on the period. Toluvila statue, prominently displayed at the National Museum, is considered the earliest dateable statue in Sri Lanka. It is dated to 3rd or 4th century CE, has a less prominent usnisha and lacks the elongated ear lobes; it is said to be influenced by the Mathura school.
Since Dambulla temple dates to third century BCE, one wonders if the magnificent reclining statue in Cave 1 could be earlier than the Toluvila statue. There are several bronze statues from Anuradhapura period without usnisha. Towards late Anuradhapura period, usnisha is beginning to be replaced with rudimentary Siraspatha, which represents a flame. This addition evolved over time and became a very prominent feature during the Kandyan period and replaced the traditional usnisha completely (Figure 3).

Figure 3. Kandyan era statue with
Siraspatha
Incomparable workmanship
Then the question is how does the Avukana statue, which belongs to the early Anuradhapura period, have a siraspatha that is not compatible with the style of the period or the incomparable workmanship of the statue itself? I have come across two explanations. According to the Sinhala Encyclopedia, the original siraspatha was destroyed and a cement replacement was installed in recent times, likely in the early 20th century.
The other version is that the statue never had a siraspatha like many other contemporary stone statues. For example, the Susseruwa (Ras Vehera) statue, which is identical in style, and likely a contemporary work, does not have a siraspatha. During the Buddhist revival, a group of devotees from a Southern town felt that the lack of a siraspatha on such a great statue as a major deficiency, and they ceremoniously installed the crude cement ornament seen today.
This raises the question: which is more valuable, preservation and protection of archeological treasures or reconstruction to meet modern expectations and standards? For example, what would have been more impressive, the Mirisavetiya Stupa as it was found before the failed reconstruction attempts, or the current version that is indistinguishable from modern concrete constructs? Even though, one can assume it was done in good faith. What if the Mihintale Kanthaka Chetiya were covered under brick and concrete to convert into a finished product? Would it increase or decrease its archeological value?
Differences between reality and iconography
None of that should matter in following the Buddha Dhamma. In theory. However, when the influence of Buddhist iconography is deeply rooted in devotee’s mind, it is impossible to imagine the Buddha as a normal human being, with or without a clean-shaven head and a brown complexion. The failure to see the difference between reality and iconography or art, poetry, and literature can be detrimental as it could distort the fact that Dhamma is the truth discovered by a human being, and it is accessible to any human, here and now. That is responsible, at least in part, for the introduction of mysticism, myths, and beliefs that are rapidly sidelining of Dhamma.
How often do we think of Enlightened One as a humble mendicant who roamed the Ganges Valley barefoot, in the beating sun, and resting at night on the folded outer robe spread under a tree. Sadly, iconography and other associated myths have driven us too far away from reality and Dhamma.
Up until I was six years old, we lived in a place up in the Balangoda hills that had a kaolin (kirimeti) deposit. The older students in the school used it for various handcrafts, but for the youngsters, it was playdough, even though we had never heard of that term. After witnessing an artist working on a Buddha statue at the local temple, my friend Bandara and I made Buddha statues of all types and sizes. If any of them were to survive for a few thousand years at the site where the schools stood, future archaeologists may wonder if a primitive tribe existed there (of course carbon dating will show otherwise). Like that, looking at some of the thousands of statues that pop up on every street corner, the purpose of which varies, sometimes I wonder if they were made by a civilisation that was yet to finesse the art of sculpture or by kids having access to kirimeti. No wonder birds take liberty to exercise their freedom of expression.
by Geewananda Gunawardana
Midweek Review
Rock Music’s Freedom Vibes
What better way to express freedom’s heart-cry,
Decry decades-long chains that bind,
And give oneself wings of swift relief,
As is happening now in some restive cities,
Where the state commissar’s might is right,
Than to sing one’s cause out or belt it out,
The way the Rock Musician on stage does,
Raw, earthy, plain and no-holds-barred…..
So the best of Rock artistes, then and now,
You may take a deep bow to rousing applause.
By Lynn Ockersz
-
Editorial3 days agoIllusory rule of law
-
News4 days agoUNDP’s assessment confirms widespread economic fallout from Cyclone Ditwah
-
Business6 days agoKoaloo.Fi and Stredge forge strategic partnership to offer businesses sustainable supply chain solutions
-
Editorial4 days agoCrime and cops
-
Features3 days agoDaydreams on a winter’s day
-
Editorial5 days agoThe Chakka Clash
-
Features3 days agoSurprise move of both the Minister and myself from Agriculture to Education
-
Features2 days agoExtended mind thesis:A Buddhist perspective
