Life style

The poem Neruda never wrote

Published

4 years ago

2021/10/24

In an exclusive interview with the Sunday Island, film maker Asoka Handagama shares the story behind his latest film- Alborada (The Dawning of the Day) inspired by the celebrated poet Pablo Neruda’s stay here as the Chilean Consul. The film is to be internationally premiered at the 34th edition of the Tokyo International Film Festival opening on October 30.

by Randima Attygalle

It is the year 1929. Young Chilean poet and diplomat Pablo Neruda whose fame preceded him arrives in the British-occupied Ceylon as the Chilean Consul. By then Neruda, had already become an international literary celebrity. His work, Twenty Love Poems and Song of Despair was among the bestselling books of poetry in the 20th century. He was called ‘the poet of the people, the oppressed and the forgotten.’

The activist-Consul arrives in Ceylon, barely 25 and empty-handed except for his memory of the disengaged relationship with his former Burmese lover, Josie Bliss. She was obsessively devoted to Neruda and possessed by an overwhelming jealousy. Neruda who called Josie ‘a love terrorist’ and ‘a species of Burmese Panther’ would document in his memoir: (completed shortly before his death in 1973) ‘Sometimes a light would wake me, a ghost moving on the other side of the mosquito net. It was Josie, flimsily dressed in white, brandishing her long, sharp knife. It was she, walking round and round my bed, for hours at a time, without quite making up her mind to kill me. When you die, she used to say to me, my fears will end.’

While his ‘Bliss’ was turning into a taunting jealousy, Neruda receives a cable from Santiago informing him of his immediate transfer to Ceylon. Welcoming his emancipation from his lover, Neruda settles in a beach-front cottage in Wellawatte and is taken care of by a man servant.

He attempts to bury his memories in the vast tropical shores and takes refuge in an atmosphere of solitude he creates for himself. In his memoir is a chapter dedicated to his stay in Ceylon titled Luminous Solitude where he writes: ‘each morning I was overpowered by the miracle of newly cleansed nature.’

Neruda was soon found in the artistic inner circles of Colombo. He was acquainted with Lionel Wendt and George Keyt. The young Chilean poet had a bevy of female admirers whom he called ‘dusky and golden girls of Boer, English and Dravidian blood.’ They bedded him ‘sportingly, asking for nothing in return,’ as he documents.

The young diplomat was infatuated with a Tamil woman of a low caste who came every day at dawn to clean his outdoor latrine. He found her to be the most beautiful woman he had seen in Ceylon. To win her attention, Neruda left her gifts of fruit or silk on the path leading to the latrine, but she took no notice of them. One day he gripped her by the wrist and stared into her eyes. ‘Unsmiling, she let herself be led away and soon was naked in my bed. Her waist, so very slim, her full hips, the brimming cups of her breasts made her like one of the thousand-year-old sculptures from the south of India. … She kept her eyes wide open all the while, completely unresponsive. She was right to despise me. The experience was never repeated.’

The act became a subject of international scrutiny in later years, even prompting a reassessment of the Nobel Laureate’s merit. Neruda who was celebrated as ‘the greatest poet in the 20th century in any language’ by Gabriel Garcia Marquez was even labeled a ‘rapist’. Activists challenged his documentation of ‘she let herself be led away’ as a blatant lie. The decision to rename Chile’s busiest Santiago International Airport after Neruda was met with outrage from human rights activists who argued that the honour was inappropriate for a man who admitted to rape in his own memoirs.

“Although there are many accounts of Neruda’s life portrayed in fiction and film, this part of the story is often carefully left out. Though his poems about love outwardly sound romantic, they hide within them the eroticization and objectification of women and particularly, women of colour,” reflects the film-maker Asoka Handagama whose latest film Alborada (The Dawning of the Day) is an elaboration of Neruda’s controversial sexual assault.

The film which is to hold its world premiere in Tokyo (Oct. 30 – Nov. 8) is a fictionalized account of Neruda’s stay in Sri Lanka (then Ceylon) from 1929 to 1931 as the Chilean Consul. The film explores the psychological and the emotional factors behind Neruda’s attraction to a woman bound by her caste: a woman considered to be ‘untouchable’, unknown to her playing a part in a bizarre fantasy that ended in a sexual assault.

A fan of Neruda’s poetry, Handagama found the poet’s mixed element of art and controversy a tempting subject for a film script. The script which was inspired by Neruda’s Memoirs is a fruit of 10 years of research on the poet. Handagama left his position as a Deputy Governor of the Central Bank three years before his formal retirement age to complete what he calls his ‘dream film.’

A rebel himself with his cinematic expression, Handagama intrepidly unearths the famed poet’s often interred infamous chapter in what he calls an ‘ironic act.’ “It is ironic that an Asian film-maker, coming from a so called restrained cultural landscape is throwing light on Neruda’s sexual antics when all the while Western cinema makers and fiction writers chose to leave them out in the exposition of him,” smiles Handagama.

Reference to Neruda’s Burmese lover Josie Bliss in his poetry is plenty although she is widely regarded as a figment of the poet’s imagination, notes the film maker. “The depiction of her as a perceived threat, a desire and barbarity in his poem Widower’s Tango, combined with his confession show Neruda’s complicated relationship with women and race.” However, no poem of Neruda’s alludes to the ‘untouchable woman’ by whom he was smitten, despite being described as the ‘most beautiful Ceylonese woman’ or one resembling a ‘thousand-year-old sculpture’ from South India. Handagama’s tagline for his film, The poem Neruda never wrote validates this exclusion. It is also an allegorical reminder of the poet’s element which many tended to discount.

Alborada reinvents the rustic west coast of the island Neruda saw in the 1930s. This was no easy task says its creator. “We had to recreate Wellawatta of his time and this was not possible within Colombo due to the changing skyline. We set it up in Nonagama and in Ranminithenna Tele-Cinema Village.”

Lending a cinematic interpretation to an isolated incident at home which is unfamiliar to the authentic Sri Lankan film print, Alborada is to be a refreshing new experience for the local audience. The film also hopes to spur a public discourse, says its director. Starring Spanish actor Luis J Romero as Neruda and French actress Anne Solene Hatte as Josie, the dialogues are in English with Sinhala and Tamil subtitles. The film also debuts several artistes. The main cast comprises Rithika Kodithuwakku (Tamil woman), Malcolm Machado (Neruda’s man servant), Dominic Keller (Lionel Wendt), Nimaya Harris (Patsy), Thusitha Laknath, Kaushalya Mendis, Samantha Balasuriya, Kasun Perera and Kanchana Nandani. Edited by Ravindra Guruge, the film is produced by H.D. Premasiri.

The Tokyo International Film Festival (TokyoIFF) which will feature Alborada is among the invited films for its ‘international competition’ which is the highlight of the festival. Multi-award winning French screen and stage actress Isabelle Huppert will chair the competition jury. This year’s theme of TokyoIFF is ‘Crossing Borders’. “There are plenty of international film festivals today. But only 14 of them are regarded as ‘A-Grade film festivals. TokyoIFF is one of them and the only Asian festival to get this recognition so far,” remarks Handagama. This year’s festival will be opened with the world premiere of Clint Eastwood’s latest film Cry Macho.

All News Advertisement

Life style

Beauty of Sri Lanka in focus: Global showcase blends art, diplomacy and conservation

Published

2 days ago

2026/04/12

Thilina Walpola

Ambassador Jovita Neliupsiene, Head of the EU Delegation to the US, and Mahinda Samarasinghe, Ambassador of Sri Lanka to the US, joined a special viewing of the exhibition

By Ifham Nizam

The sixth edition of the “Beauty of Sri Lanka” Photography Exhibition is set to unfold across North America this April, transforming the power of visual storytelling into a compelling platform for cultural diplomacy, environmental advocacy and nation branding.

Organised by the America Sri Lanka Photographic Art Society in collaboration with key diplomatic and institutional partners, including the Embassy of Sri Lanka in Washington, D.C., the Permanent Mission of Sri Lanka to the United Nations, the Consulate General of Sri Lanka in Los Angeles and Toronto, and the Sri Lanka Tourism Promotion Bureau, the exhibition will run from April 22 to May 4 across Los Angeles, Toronto, New York and Washington, D.C.

Held in conjunction with Earth Day, the exhibition continues to evolve as a globally recognised initiative that brings together art, conservation and international engagement. What began as a photography showcase has now matured into a dynamic soft-power platform that tells Sri Lanka’s story to the world—through its landscapes, biodiversity, and deeply rooted cultural heritage.

Photographers from Sri Lanka at Nigara State Park

The 2026 tour will feature prestigious venues that reflect its growing international stature. These include the iconic Church of Scientology Celebrity Centre International, Metro Hall in Toronto—marking the exhibition’s debut in Canada—the Permanent Mission in New York, and the Sri Lankan Embassy in Washington, D.C., as part of the widely celebrated Passport D.C. event. Each venue represents not only a geographic expansion but also a widening of the exhibition’s global audience and influence.

Exhibition

At its heart, “Beauty of Sri Lanka” is a vivid narrative of a nation’s natural and cultural wealth. From the mist-covered central highlands and pristine coastal belts to dense rainforests teeming with endemic wildlife, the exhibition captures Sri Lanka’s ecological richness through the lenses of talented photographers. These images serve as both an invitation to explore and a reminder of the urgent need to protect fragile ecosystems.

This year’s programme takes a significant step further by integrating real-world environmental action. The “ReTree Los Angeles” initiative, launched in line with Earth Day, focuses on tree planting, urban restoration and community engagement. It also includes a children’s painting competition aimed at fostering environmental awareness among the younger generation. Organisers believe that nurturing creativity at an early age can instil a lifelong commitment to conservation.

Adding a scientific dimension to the event, Dr. Sarath Gunapala will deliver the keynote address on “The Journey of Infrared Photography,” exploring how advanced imaging techniques can reveal unseen dimensions of the natural world. His participation highlights the exhibition’s interdisciplinary approach, where art meets science to deepen understanding and appreciation.

The exhibition will also feature a vibrant cultural segment designed to immerse international audiences in Sri Lanka’s living traditions. A carefully curated lineup of performances—including the sacred Wes Pooja, the dramatic Naga Raksha mask dance, the rhythmic Thelme ritual dance and the light-hearted Salu Paliya—will bring to life the island’s folklore, rituals and performing arts heritage. These performances are expected to add colour, rhythm and emotional depth to the visual experience offered by the photographic displays.

ASPAS President Suria Perera emphasised that the exhibition is more than a display of images. “It is a celebration of Sri Lanka’s identity—its natural beauty, its cultural vibrancy, and its responsibility to future generations,” she said. “Through photography and community engagement, we aim to inspire a deeper connection between people and the environment.”

Over the years, the exhibition has drawn a diverse audience, including diplomats, policymakers, conservationists, art collectors and members of the Sri Lankan diaspora. Its ability to connect these varied groups underscores its role as a bridge between cultures, fostering dialogue and mutual understanding while strengthening Sri Lanka’s global presence.

The continued support of diplomatic missions, cultural institutions and tourism authorities has been instrumental in elevating the exhibition’s profile. Their collaboration reinforces the role of art as a powerful tool in shaping perceptions, building partnerships and promoting sustainable tourism.

As the 2026 edition prepares to open its doors, “Beauty of Sri Lanka” stands as a testament to the island nation’s enduring appeal and its commitment to conservation. It is not merely an exhibition, but a movement—one that celebrates beauty, inspires responsibility and connects Sri Lanka to the world through the universal language of art.

Life style

Vibrant celebration of tradition and togetherness

Published

2 days ago

2026/04/12

Thilina Walpola

This holiday season, City of Dreams Sri Lanka invites guests to step into the heart of a truly Sri Lankan celebration with Signature Avurudu—a four-day cultural experience taking place.

Blending time-honoured traditions with contemporary flair, the festivities promise to capture the spirit of the Aluth Avurudda (Sinhala and Tamil New Year) in all its colour, rhythm, and warmth. From the moment guests arrive, they will be welcomed into a space transformed with festive décor, echoing the charm of a village celebrations brought to life in the city.

At the centre of the celebration is the Pahan Pujava, a symbolic lamp lighting ceremony led by the management, setting a tone of unity, prosperity, and new beginnings. This meaningful ritual reflects the essence of the New Year—a time to pause, reflect, and step into the new year with hope and positivity.

Throughout the four days, guests can experience the rich cultural heritage of Sri Lanka through a series of traditional performances. The rhythmic beats of raban and drums, alongside vibrant dance acts, will fill the air, creating an atmosphere that is both nostalgic and celebratory. Adding to the experience are elegantly dressed Sri Lankan hostesses, offering a warm, authentic welcome that embodies the island’s renowned hospitality.

No Avurudu celebration is complete without its flavours, and City of Dreams Sri Lanka delivers a feast to remember. Guests can indulge in an array of traditional sweets and savouries, alongside curated Avurudu-themed buffets and creative beverages inspired by local ingredients. Passing canapés and festive treats ensure there is something to enjoy at every turn—whether you’re reminiscing over childhood favourites or discovering new twists on beloved classics.

Designed as a celebration for all, Signature Avurudu brings together families, friends, and visitors from around the world to share in the joy of the season. It is a reminder that Avurudu is more than a festival—it is a feeling of togetherness, renewal, and shared happiness.

This April, celebrate the sights, sounds, and tastes of Avurudu at City of Dreams Sri Lanka—where tradition meets modern celebration, and every moment feels like home.

Life style

Thomian sailors secure many medals in India

Published

2 days ago

2026/04/12

Thilina Walpola

Thomian sailors witj official

Students of S. Thomas’ College recently demonstrated commendable performance at two international sailing events held in India: the inaugural Indian Sailing Regatta and the 4th North-East Regatta. Both events featured participation from foreign teams, including Sri Lanka, Taiwan, Malaysia, Russia, Great Britain, South Korea, Singapore, and India.

The inaugural Indian Sailing League (ISL), held at Umiam Lake, Shillong, India, marked a significant milestone in the sport and was prominently featured in The Times of India. The ISL is a first-of-its-kind franchise-based sailing league, bringing together 14 teams, 182 sailors, and 58 international participants from eight countries.

The ISL follows a concept similar to the Cricket Indian Premier League, where top sailors are “bid” and selected into franchise teams representing different regions. The competition introduced an innovative team-based format in which the best sailor from each team in each category competed, combining multiple race formats such as fleet racing, team racing, marathon races, and rig-and-race challenges. This pioneering structure, widely regarded as a first in global sailing history, has significantly enhanced the spectator appeal and competitive depth of the sport, while promoting youth, women, and high-performance sailing on a single platform.

At the first Indian Sailing Regatta, in the Boys’ Optimist category, Haren Wickramatillake secured 3rd place and was also awarded a special medal for his courage during the rig and race event. Dhiren Perera achieved 3rd place in the rig and race event alongside his team member.

At the 4th North-East Regatta, performances continued to be noteworthy. In the Main Optimist Boys category, Haren Wickramatillake was placed 6th, while Shem Fernando secured 19th place out of 32 participants. In the Junior Green Fleet Optimist Boys category, Anuruth Tennakoon achieved 2nd place and Dhiren Perera was placed 4th out of 10 participants. In the ILCA 4 Boys category, Akaine Ubayasiri was placed 11th out of 22 participants.

These achievements highlight the high level of skill, determination, and sportsmanship demonstrated by the young sailors, while also reflecting Sri Lanka’s strong presence in an emerging and globally significant sailing platform.

Upcoming international sailing events, featuring students of S. Thomas’ College, include the Asian Beach Games 2026, to be held in China ,in April 2026, and the International Optimist Dinghy Association (IODA) competition, scheduled to take place at Port City, in Sri Lanka, in December 2026. These events will provide valuable international exposure and further opportunities for the young college sailors to compete at a high level.