Features
“Secret files”: Sinhala middle-class theatre and ethnic reconciliation
“Secret files: a musical melodrama”, a play by Indika Ferdinando, was staged at Elphinstone Theater on October 4th)
With a cast of skilled actors, this play touches on a range of themes (death, disappearances, torture, family secrets, love, betrayals, loyalties, extra-marital affairs, drugs, assassins, financial and political corruption, student unions, whistle-blowers, aging, and elderly care). Yes, there is a lot going on. It’s mostly a Sinhala language play integrated with English expressions, situating the play within a mostly a Sinhala middle class social milieu, where Sinhala and English hybridity is practised in varying degrees.
The story telling with songs, music and dance, mainly in the beginning, gives way to creating the plot, centered around the main character, a businessman, who has arisen from the dead following his murder. He was an owner of a glass and mirror factory, and intends on correcting his past mistakes, by revealing all the secrets.
The main character is believed to be in possession of a briefcase full of secret files about crime and corruption among the political and business elites. These files are the reason for his death, and the person that delivered these files to him has also disappeared.
The secret files in the briefcase are not the only secrets because there are family secrets, between the father, mother, son, daughter, mistress and family friends. There is also an elderly couple, distant relatives that helped the main character hide when he was facing death threats.
The play is about two and half hours long, but the story broken down into smaller, digestible parts, keeps the audience engaged. Each episode is crafted with exaggerated emotions, and interpersonal conflict, revealing contradictions within each character. The daughter character who rejected her boyfriend in an earlier episode for his moral corruption and drug addiction, later makes compromises.
Overall, the play lives up to its subtitle, “a musical melodrama”, with stereotypical and exaggerated characters, exciting events intended to entertain rather than reflect. The set, costumes, lighting, and sound, including the music all contributed to the storytelling with a specific form of pleasure.
It is a specific form of pleasure, troubled pleasures. The Secret Files explore how we are entangled within private and public secrets. These secrets vary in content and nature, as well as, expiration dates. These secrets impact on the ways we navigate an ethical life, which overlap with our notions about self-respect, authenticity and identity.
The story begins with the funeral of the main character, who was murdered and his brother abducted when arriving from the airport. Meanwhile, the Inland Revenue Department has targeted the main character’s company for investigation. And the elites who have attended the funeral are concerned about the existence of some secret files.
While there are many different dimensions to the secrets in this play, the main one related to enforced disappearances gets mixed in with illicit financial flows (linked with tax-evasion, financial crimes, stock market manipulations, and corruption). In the process, the significance of enforced disappearances in lost.
The notion of secret files relates to political violence and illicit financial flows, which are key mechanisms reproducing a militarised authoritarian state form undermining demands for democratic reforms. Reinforcing this militarised (criminal) state are business, military, bureaucratic, religious, media, and professional groups including artists, grounded in seemingly liberal, but entrenched in conservative authoritarian cultures.
The number of missing persons in Sri Lanka is said to be between 60,000 and 100,000 since the late 1980s. There are on-going efforts mostly by elderly women demanding information about their loved ones, in the North and the East as well the South.
Ironically, the same weekend this play was staged in August, next door to the Lionel Wendt, there was an exhibition on enforced disappearances by mostly Tamil and Muslim women’s groups in the North and East, as well as Mannar.
By trivialising the seriousness of some secrets, such as state accountability for enforced disappearances, ‘secret files’ contributes to mystifying structures and cultures of domination as well as impunity.
In effect, the script reflects the collective consciousness of the Sinhala middle-class, for whom the issue of enforced disappearances is less of a priority (given that they occurred over 35 years ago, and some limited compensation has been distributed among the victim, mostly Sinhala families in the South).
But for the Tamil and Muslim communities, the issue of disappearance is still fresh, particularly with the continued presence of the military in their communities and the lack of any substantial efforts towards ethnic reconciliation. Events such as the recent discovery and the exhumation of the mass grave in Chemmani illustrates the significance of disappearances to the Tamil and Muslim communities.
The play also reveals some important secrets related to disappearances within the Sinhala community, such as the disappearance of a student and a solder related to personal interests of the main character. However, this is drowned within coinciding parallel storylines.
In effect, this reflects the “Melodrama of public life” where public discourse and political action are increasingly characterized by heightened emotionality, dramatic conflict, and a focus on spectacle. Meanwhile, some secrets are more important, and more damaging, than others.
There is a line in the play proclaiming “People don’t need the truth, they need comfort, just comfort”, which may express the attitude of the Sinhala middle-class, but not the Tamil and Muslim communities.
Yes, ‘Secret files’ is entertaining, but these are the ‘troubled pleasures’ in a context of secret regarding enforced disappearances.
The script would have benefitted from a more critical approach, deconstructing the collective consciousness of the Sinhala middle-class culture that fails to grasp the significance of ethnic reconciliation (including through theatre productions).
by Dr. S. Janaka Biyanwila ✍️
Features
Political violence stalking Trump administration
It would not be particularly revelatory to say that the US is plagued by ‘gun violence’. It is a deeply entrenched and widespread malaise that has come in tandem with the relative ease with which firearms could be acquired and owned by sections of the US public, besides other causes.
However, a third apparent attempt on the life of US President Donald Trump in around two and a half years is both thought-provoking and unsettling for the defenders of democracy. After all, whatever its short comings the US remains the world’s most vibrant democracy and in fact the ‘mightiest’ one. And the US must remain a foremost democracy for the purpose of balancing and offsetting the growing power of authoritarian states in the global power system, who are no friends of genuine representational governance.
Therefore, the recent breaching of the security cordon surrounding the White House Correspondents’ Dinner in Washington at which President Trump and his inner Cabinet were present, by an apparently ‘Lone Wolf’ gunman, besides raising issues relating to the reliability of the security measures deployed for the President, indicates a notable spike in anti-VVIP political violence in particular in the US. It is a pointer to a strong and widespread emergence of anti-democratic forces which seem to be gaining in virulence and destructiveness.
The issues raised by the attack are in the main for the US’ political Right and its supporters. They have smugly and complacently stood by while the extremists in their midst have taken centre stage and begun to dictate the course of Right wing politics. It is the political culture bred by them that leads to ‘Lone Wolf’ gunmen, for instance, who see themselves as being repressed or victimized, taking the law into their own hands, so to speak, and perpetrating ‘revenge attacks’ on the state and society.
A disproportionate degree of attention has been paid particularly internationally to Donald Trump’s personality and his eccentricities but such political persons cannot be divorced from the political culture in which they originate and have their being. That is, “structural” questions matter. Put simply, Donald Trump is a ‘true son’ of the Far Right, his principal support base. The issues raised are therefore for the President as well as his supporters of the Right.
We are obliged to respect the choices of the voting public but in the case of Trump’s election to the highest public position in the US, this columnist is inclined to see in those sections that voted for Trump blind followers of the latter who cared not for their candidate’s suitability, in every relevant respect, and therefore acted irrationally. It would seem that the Right in the US wanted their candidate to win by ‘hook or by crook’ and exercise power on their behalf.
By making the above observations this columnist does not intend to imply that voting publics everywhere in the world of democracy cast their vote sensibly. In the case of Sri Lanka, for example, the question could be raised whether the voters of the country used their vote sensibly when voting into office the majority of Executive Presidents and other persons holding high public office. The obvious answer is ‘no’ and this should lead to a wider public discussion on the dire need for thoroughgoing voter education. The issue is a ‘huge’ one that needs to be addressed in the appropriate forums and is beyond the scope of this column.
Looking back it could be said that the actions of Trump and his die-hard support base led to the Rule of Law in the US being undermined as perhaps never before in modern times. A shaming moment in this connection was the protest march, virtually motivated by Trump, of his supporters to the US Capitol on January 6th, 2021, with the aim of scuttling the presidential poll result of that year. Much violence and unruly behaviour, as known, was let loose. This amounted to denigrating the democratic process and encouraging the violent take over of the state.
In a public address, prior to the unruly conduct of his supporters, Trump is on record as blaring forth the following: ‘We won this election and we won by a landslide’, ‘We will stop the steal’, ‘We will never give up. We will never concede. It doesn’t happen’, ‘If you don’t fight like hell, you’re not going to have a country anymore.’
It is plain to see that such inflammatory utterances could lead impressionable minds in particular to revolt violently. Besides, they should have led the more rationally inclined to wonder whether their candidate was the most suitable person to hold the office of President.
Unfortunately, the latter process was not to be and the question could be raised whether the US is in the ‘safest pair of hands’. Needless to say, as events have revealed, Donald Trump is proving to be one of the most erratic heads of state the US has ever had.
However, the latest attempt on the life of President Trump suggests that considerable damage has been done to the democratic integrity of the US and none other than the President himself has to take on himself a considerable proportion of the blame for such degeneration, besides the US’ Far Right. They could be said to be ‘reaping the whirlwind.’
It is a time for soul-searching by the US Right. The political Right has the right to exist, so the speak, in a functional democracy but it needs to take cognizance of how its political culture is affecting the democratic integrity or health of the US. Ironically, the repressive and chauvinistic politics advocated by it is having the effect of activating counter-violence of the most murderous kind, as was witnessed at the White House Correspondents’ Dinner. Continued repressive politics could only produce more such incidents that could be self-defeating for the US.
Some past US Presidents were assassinated but the present political violence in the country brings into focus as perhaps never before the role that an anti-democratic political culture could play in unraveling the gains that the US has made over the decades. A duty is cast on pro-democracy forces to work collectively towards protecting the democratic integrity and strength of the US.
Features
22nd Anniversary Gala …action-packed event
The Editor-in-Chief of The Sri Lankan Anchorman, a Toronto-based monthly, celebrating Sri Lankan community life in Canada, is none other than veteran Sri Lankan journalist Dirk Tissera, who moved to Canada in 1997. His wife, Michelle, whom he calls his “tower of strength”, is the Design Editor.
According to reports coming my way, the paper has turned out to be extremely popular in Toronto.
In fact, The Sri Lankan Anchorman won a press award in Toronto for excellence in editorial content and visual presentation.
However, the buzz in the air in Canada, right now, is The Sri Lankan Anchorman’s 22nd Anniversary Gala, to be held on Friday, 12 June, 2026, at the J&J Swagat Banquet Convention Centre, in Toronto.
An action-packed programme has been put together for the night, featuring some of the very best artistes in the Toronto scene.
The Skylines, who are classified as ‘the local musical band in Toronto’, will headline the event.

Dirk Tissera and wife Michelle: Supporting Sri Lanka-Canada community events, in Toronto, since launching The Anchorman
in 2002
They have performed and backed many legendary Sri Lanka singers.
According to Dirk, The Skylines can belt out a rhythm with gusto … be it Western, Sinhala or Tamil hits.
Also adding sparkle to the evening will be the legendary Fahmy Nazick, who, with his smooth and velvety vocals, will have the crowd on the floor.
Fahmy who was a household name, back in Sri Lanka, will be flying down from Virginia, USA.
He has captivated audiences in Sri Lanka, the Middle East and North America, and this will be his fourth visit to Toronto – back by popular demand,
Cherry DeLuna, who is described by Dirk as a powerhouse, also makes her appearance on stage and is all set to stir up the tempo with her cool and easy delivery.
“She’s got a great voice and vocal range that has captivated audiences out here”, says Dirk.
Chamil Welikala, said to be one of the hottest DJs in town, will be spinning his magic … in English, Sinhala, Tamil and Latin.

Both Jive and Baila competitions are on the cards among many other surprises on the night of 12 June.
This is The Anchorman’s fifth annual dance in a row – starting from 2022, 2023, 2024 and 2025 – and both Dirk and Michelle, and The Anchorman, have always produced elegant social events in Toronto.
“We intend to knock this one out of the park,” the duo says, adding that Western music and Sinhala and Tamil songs is something they’ve always delivered and the crowd loves it.
“We have always supported Sri Lanka-Canada community events, in Toronto, since launching The Anchorman, in 2002, and we intend to keep it that way.”
No doubt, there will be a large crowd of Sri Lankans, from all communities, turning up, on 12 June, to support Dirk, Michelle and The Anchorman.
Features
Face Pack for Radiant Skin
* Apple and Orange:
Blend a few apple and orange pieces together. Add to it a pinch of turmeric and one tablespoon of honey. Apply it to the face and neck and rinse off after 30 minutes. This face pack is suitable for all skin types.
According to experts, apple is one of the best fruits for your skin health with Vitamin A, B complex and Vitamin C and minerals, while, with the orange peel, excessive oil secretion can be easily balanced.
* Mango and Curd:
Ripe mango pulp, mixed with curd, can be rubbed directly onto the skin to remove dirt and cleanse clogged pores. Rinse off after a few minutes.
Yes, of course, mango is a tasty and delicious fruit and this is the mango season in our part of the world, and it has extra-ordinary benefits to skin health. Vitamins C and E in mangoes protect the skin from the UV rays of the sun and promotes cell regeneration. It also promotes skin elasticity and fights skin dullness and acne, while curd, in combination, further adds to it.
* Grapes and Kiwi:
Take a handful of grapes and make a pulp of it. Simultaneously, take one kiwi fruit and mash it after peeling its skin. Now mix them and add some yoghurt to it. Apply it on your face for few minutes and wash it off.
Here again experts say that kiwi is the best nutrient-rich fruit with high vitamin C, minerals, Omega-3 fatty acids and vitamin E, while grapes contain flavonoids, which is an antioxidant that protects the skin from free radical damage. This homemade face pack acts as a natural cleanser and slows down the ageing process.
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