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Lankan and Dutch conservators join hands for mutual learning

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Dutch conservators observing an exhibit of a cannon at the Dutch Museum in Colombo

BY RANDIMA ATTYGALLE

In a collaborative international provenance research, which was concluded in April 2022, six artefacts from the Rijksmuseum collection in Amsterdam, were confirmed to be of Lankan origin and were returned in December 2023. They are now displayed at the Colombo National Museum for both local and foreign visitors to admire.

A golden and a silver kasthãné or sabre, a golden knife, two maha thuwakku or wall guns and Lewke Disave’s cannon – all belonging to the Kandyan kingdom, were confirmed to be war booty, obtained by the Dutch East India Company (VOC) during the siege of the palace of Kandy in 1765 when large scale looting of Kandyan objects took place.

The restitution of the six Kandyan artefacts which were looted during the Dutch colonial rule of the island, took place in the wake of the Dutch Government formally apologizing for their historic role in slavery which led to a national policy of restitution of objects in colonial contexts. The restitution marked a significant milestone in the bilateral relations between Sri Lanka and the Netherlands. The idea of initiating a knowledge exchange between the Dutch and Sri Lankan researchers and conservators which was proposed at that juncture was also a means of solidifying such relations. The objective of this exchange, funded by five organizations in the Netherlands including the Cultural Heritage Agency and the Rijksmuseum, is to ensure the proper preservation of the repatriated objects as well as a wider range of collections and materials.

Knowledge co-creation

The recently concluded Conservation Exchange Programme for Wood and Metal Artefacts which was held at the Colombo National Museum premises, focused on key themes including Material Identification and Deterioration, Conservation Science, Advanced Conservation Techniques, Knowledge Sharing, Capacity Building and Strengthening International Collaboration. The themes were explored through presentations, discussions, collaborative assessments of individual objects and collections as well as hands-on- practice.

Ambassador of the Netherlands to Sri Lanka, Bonnie Horbach remarked that museums cooperation is one of the policy goals of the Netherlands Embassy in Colombo under the International Cultural Corporation and the recently concluded conservation workshop with researchers from the Rijksmuseum and from the Department of National Museums, is a significant collaboration through equal partnership and knowledge co-creation. “Sri Lanka remains a priority country in the International Cultural Corporation Policy of the Netherlands and we look forward to supporting more collaborations as equal partners in the future,” the Ambassador stated further.

Mutual learning curve

For Wood and Furniture Conservator Tirza Mol and Metal Conservator Tamar Davidowitz, both from the Department of Conservation and Science, Rijksmuseum, Amsterdam, the knowledge exchange has been a rejuvenating experience. Speaking to the Sunday Island on the final day of the workshop at the Colombo National Museum, Tirza, averred: “it has been a very interesting project for us, working in different climate circumstances and challenging environmental conditions. For instance, the climate in Sri Lanka is very humid and there is also the threat of insects. Considering all these challenges, I expected to see significant cracks in furniture which is my area of expertise, but surprisingly I did not, which is amazing.” Tirza has been with the Rijksmuseum as a furniture conservator since 2018 and she is also the Secretary of the ICOM-CC Fund.

Endorsing Tirza, her colleague, Tamar who is also a lecturer at the Conservation and Restoration of Cultural Heritage Department at the University of Amsterdam noted: “we are very impressed by what we’ve seen in Sri Lanka. The objects are very well conserved which speaks for the skill and dedication of the local conservators here. While transferring our knowledge in terms of slightly different ways of applying techniques, we were also exposed to sustainable preservation strategies in challenging environmental conditions. All-in-all the programme was a mutual learning curve.”

The six Kandyan artefacts which were returned from the Netherlands in 2023 and are now on display at the Colombo National Museum

The visiting Dutch conservators who were among the custodians to the six returned Kandyan artefacts while they were displayed back in the Netherlands also remarked that they were heartened to see how enthusiastically they have been received by Lankans and cared for. The intricately- crafted objects make one “simply blown-away,” said smiling Tirza, adding that their craftsmanship is of supreme quality. “When studying the objects, it was very interesting to observe the cross-cultural influence on some of them, particularly the cannon (Lewke Disave’s). Trying to disentangle those intricacies was a very interesting exercise for me,” remarked Tamar who found the artefacts “breathtaking.” The conservators also teamed up with local museum experts in carrying out a maintenance check on some of the objects during their stay here. “It was so nice to have been looking at the objects and working on them together, so that in a very concrete, practical sense we could exchange ideas and techniques,” Tamar said further.

Lankan skill and expertise

The eagerness of Lankans to learn and absorb knowledge and techniques from all corners of the world is very encouraging to achieve the expected outcomes of the knowledge exchange programme, maintained the Dutch experts. “We are aware that from time-to-time foreign experts have been visiting Sri Lanka for similar knowledge-sharing sessions, and observing the levels of expertise, we could see that Sri Lankan conservators have acquired knowledge so very well,” noted the Metal Conservator. Given the skill and the agility of Lankans to learn, they should be enabled more research opportunities, observed Tirza. This is also one of the expected outcomes of this programme which is to enable sustained collaborations between the conservators of the two countries for future projects including the technical study of objects and materials for potential joint research initiatives.

Hands-on learning

Recapping the learnings from the programme, Head of the Conservation Division, Department of National Museums, Chandrika Munasinghe remarked: “Although the approach to wood and metal conservation in theory may be the same in both countries, the knowledge gained on new materials including eco-friendly chemicals used in the Netherlands was a valuable learning.” During the five-day programme, local conservators teamed up with the Dutch experts to work on a few selected metal and wood objects including a 200-year-old mask found at the Colombo National Museum and a few pieces of furniture displayed at the Dutch Museum in Colombo (Pettah). “Although it was a brief programme, the experience of working with the Dutch experts who are more familiar with the latest technology was a valuable experience and we look forward to similar long-term ventures for enhanced knowledge-sharing,” noted the senior Conservation Officer.

Supporting specialization

“In order to give more local conservation professionals opportunity to gain hands-on experience in line with one of the main objectives of the Exchange Programme which is the transfer of newly acquired knowledge to the broader conservation community in Sri Lanka, we invited representatives from the Department of Archaelogy and the Central Cultural Fund as well to be part of the programme,” pointed out the Director General of the Department of National Museums, Sanuja Kasthuriarachchi. She further remarked that the experience is perceived as a stepping-stone to further fruitful collaborations between Sri Lanka and the Netherlands, especially in terms of supporting specialization. “Our conservators should be credited for their dedication and expertise given the fact that they have limited resources. It is challenging for them to specialize in a particular discipline (such as wood or metal for example), as conservators due to lack of funds. I fervently hope that the authorities in the Netherlands could assist us in honing their skills further.”

Call for a National Research Institute

The workshop was an eye-opener to several critical globally accepted conservation approaches including sustainable chemical use and preventive care in conservation, pointed out Senior Conservation Officer (Artefacts), Central Cultural Fund, Menaka Rodrigo. “One of the most notable take-aways was the sustainable use of chemicals and new substitutes for traditionally used chemicals. Such chemicals which are friendly on the object, man and the environment, causing minimal damage in the conservation process, is gaining momentum world over and we were very fortunate to have gained hands-on experience about them during the programme,” said the Senior Conservation Officer who also calls for a possible Sri-Lanka-Netherlands collaboration to set up a much-wanted National Research Institute which can bring professionals from multiple disciplines including conservation under one roof.

Thanking all stakeholders responsible for the workshop and the Department of National Museums, Director (Chemical Conservation), Department of Archaeology, Geethani Kuruppuarachchi said that the initiative provided the participants new knowledge on wood and metal conservation. “It was my first experience with international experts in this specialized discipline and I found the programme to be immensely beneficial.”

Assistant Director, (Chemical Conservation), Department of Archaeology Hasanthi De Silva remarked that the hands-on-experience gained to upgrade knowledge during the workshop was notable. “It is not always possible for many to be trained overseas and therefore it would be great if similar workshops could be conducted here at home, so that more local conservators can be benefitted.” Sharing her first-time experience of a workshop with foreign experts, Development Officer from the Department of National Museums, Harshani Peiris said that it was a privilege to have worked with some of the top conservators from the Rijksmuseum. “I was very fortunate to have acquired new knowledge in terms of metal and wood conservation, especially the new types of chemicals and technology used in the process.”

(Pic credit: Department of National Museums)



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Meet the author rewriting the rules of children’s fiction

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Representation matters:

By Ifham Nizam

“There are no books written about pirates with prosthetic limbs, sporting blades, or racing wheelchairs—that is, until now,” says award-winning international children’s author Jann Weeratunga, whose Polly’s Piralympics series is challenging conventional ideas about who gets to be the hero in children’s literature.

For Weeratunga, representation is not simply about placing a disabled character somewhere in a story. It is about putting that character at the centre—leading, competing, winning, making friends, overcoming challenges and, most importantly, having adventures on their own terms.

Her books are designed not merely to be read, but to be experienced. Through interactive pages, children can colour, draw, write and respond to the stories, leaving something of themselves behind as they explore themes, ranging from disability and bullying to friendship, resilience and family.

At the heart of her growing literary brand is Polly’s Piralympics, a series in which disability is not presented as a limitation, but as part of a character’s identity and adventure.

The inspiration came from an unexpected moment during the closing speech of the 2012 London Paralympic Games by Sir Philip Craven. He recalled a young boy looking at an illustration of a pirate with an eye patch, a hook, a parrot and a wooden leg.

When his mother asked who the figure was, the boy replied that because the man had only one leg, “he must be an Olympian.”

The story moved Weeratunga deeply.

That moment of innocent perception—where disability was associated with sporting achievement rather than limitation—sparked the idea of Polly and her extraordinary Piralympic world.

In the series, Polly, a bird-napped African parrot, finds herself bullied in a Scottish pet shop before being rescued by Captain Hake. Their shared one-eyed view of the world becomes the beginning of an unusual friendship. Captain Hake teaches Polly the ways of a pirate, while Polly creates the Fellowship of Pirates and the Pirates Paralympics.

Soon, pirates from around the world are competing in events ranging from three-legged races and climb-the-rigging gymnastics to walk-the-plank diving and even a MasterChef competition.

It is an imaginative world, but behind the humour and adventure lies a serious message about inclusion and leadership.

Weeratunga recalls one school visit that brought home to her exactly why the books mattered.

A student with a prosthetic leg embraced her and said: “Thank you for writing these books for me, Auntie.”

The words left her overwhelmed.

“That was why I had written these books,” Weeratunga reflects.

Her journey towards becoming an author, however, began long before Polly sailed into the world of children’s fiction.

Earlier in her life, Weeratunga was a Scout Leader in the UK, where volunteering became a way of life. She subsequently spent a decade in Sri Lanka, falling in love not only with a Sri Lankan, but with the country itself.

After her husband died just four years into their marriage, she joined five other women to establish a small school in Senarathwela to teach English to those who wanted to learn. Many of her pupils, subsequently, found employment at the newly opened Victoria Golf Course.

When she returned to Sri Lanka in 2025 and revisited the village and golf course, she found a landscape transformed by new roads, homes, shops and businesses. But the people she had taught remained.

“The village is unrecognisable, with new roads, homes, shops and businesses, but my dear pupils were still there as Caddies, Caddy Master and Golf Pro. I was so proud of them,” she says.

Her connection with Sri Lanka deepened further during one of the country’s darkest moments.

On Boxing Day 2005, while holidaying in the UK with her recently widowed mother, Weeratunga was woken by the words: “Something terrible has happened in Sri Lanka.”

She rushed to the television and witnessed the devastating aftermath of the Indian Ocean tsunami.

That very day, she established a non-profit organisation to raise funds and take relief to Sri Lanka. With support from local McDonald’s franchises, schools in Ferndown, the Mayor of Ferndown, freight companies and her friend Mr Wijekoon, a local Grama Niladhari, she helped rebuild lives in Arugam Bay.

The experience was hands-on and deeply personal. A family’s home had been swept away, and days were spent persuading surfers to help construct a future for her adopted family.

A Montessori was established on the hill, within the Buddhist temple grounds, while evenings were spent crafting, building and working with a small but effective generator.

Meals of rice and curry, prepared by the family’s sisters, using provisions donated from Senarathwela, brought the long days to a close.

When Weeratunga returned to the family, in 2025, she was able to see how far they had come.

Jann Weeratunga

Today, living in South Africa, she continues to draw inspiration from the landscape around her.

“Travelling—it leaves you speechless and then turns you into a storyteller,” she says, echoing the famous words attributed to Ibn Battuta.

And storytelling has become her way of opening conversations with a new generation.

While Polly’s Piralympics remains the flagship of her children’s publishing brand, Weeratunga’s wider collection explores a range of issues that matter to children and parents.

Terry and the Bully gives children practical and empowering ways to stand up for themselves, transforming a difficult subject into a story through which young readers can explore courage and self-confidence.

In Evie Visiting Grandma, children encounter the sensitive experience of visiting a loved one who now lives in a residential home. Rather than avoiding a potentially difficult subject, the story gently opens the door to conversations about ageing, family and change.

Terry the Toucane explores another universal childhood experience—the challenge and beauty of being different. Its central message is simple: being different should never prevent us from developing deep and lasting friendships.

Then there is Captain Bluebird, a resilient and entertaining adventure exploring what happens when Captain Bluebird receives a brand-new ship.

Across the collection, Weeratunga combines entertainment with meaningful life lessons, while her interactive approach gives children an opportunity to become participants rather than passive readers.

They can colour illustrations, draw pictures and respond to pages, making each reading experience personal.

That approach also gives the books an added value for parents and educators. They can become conversation starters—helping adults discuss subjects that children may find difficult to raise directly.

For Weeratunga, this is part of the larger purpose of her work.

Her books seek to fill a gap in children’s literature where diverse characters are not simply included for the sake of inclusion, but are given agency, personality and leadership.

In Polly’s Piralympics, disabled characters are not watching from the sidelines. They are the stars.

They lead.

They compete.

They win.

They champion their own adventures.

And that, ultimately, is the brand Weeratunga is building: children’s stories in which every child can find a place, a voice and perhaps even a little courage to become the hero of their own story.

Representation matters.

For young readers in Sri Lanka, Weeratunga’s books are now available through Sarasavi Bookshop, Vijitha Yapa Bookshop, M. D. Gunasena and Expo Graphics, Battaramulla.

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An evening where hearts sang as one

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Rajiv and Clan kept the evening alive with their vibrant music

By Zanita Careem

Music, laughter and a generous spirit filled Raflfles Hotel Colombo as Heart to Heart sing along brought together a vibrant gathering for an evening of melody, friendship and giving. The elegant ballroom reverberated with familiar lyrics as guests joined in, sang along and simply let their hair down. Adding to the infections atmosphere was the talented Rajiv and Clan, whose lively performance kept the energy soaring and had the gathering singing to some much loved favourites.

Keeping the evening moving with plenty of wit and warmth was the compere Mirzab Sherifdeen who ensured there was never a dull moment between the music, laughter and spontaneous sing-along moments, Guests were also treated to prizes galore adding an extra element of excitement to an already festive evening. There was cheers as winners stepped forward to collect their prizes, while friends and families aplauded and celebrated every winning moment.

Yet beneath all the sparkle was the meaningful purpose of Heart to Heart Trust Fund, founded by Dr. Rajitha Y de Silva and Dr. Ruwan Ekanayake, bringing people together in support of a cause built on compassion and care.

The dedications and the volunteering was evident throughout the evening with their commitment adding a special warmth to this special event.

Adding to the evening’s indulgence was a sumptous spread of cuisine by the Raffles, Hotel with an enticing selectiom that kept guests happily returning for more. From savoury favourites to tempting desserts, the food complemented the festive mood perfectly.

As the final song faded and the evening drew to a close, there was a quiet sense of gratitude. Behind the music, laughter, prizs and beautiful memories was a cause built as compassion, a cause that has continued to touch lives through the dedication of Dr. Rajitha de Silva and everyone who has stood beside him in the journey of Heart to Heart.

And as guests left Raffles Hotel with the last melodies still lingering in the air the most beautiful note of the evening remained – the sound of hearts earning for hearts. At the very heart of Hearts to Heart is Dr. Rajitha whose compassion has become the soul of the initiative. Dr. Rajitha’s work reminds us that medicine is not only about repairing what is broken. It is about giving people the courage to believe in tomorrow. And perhaps that is the greatest gift he offers. This spirit was beautifully reflected throughout the evening.It was a beautiful evening of music, friendship and generosity, with every contribution going towards a worthy cause- keeping alive a legacy built one one simple but powerful belief that every heart deserves a chance to beat on.

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Taste of Ceylon leaves a lasting flavour

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The scene at Taste of Ceylon

Taste of Ceylon opened its doors at Beira Kitchen, Courtyard by Marriott Colombo, on September 3rd; a festival of Southern, Central, Uva and Northern regional food, brought together on one table.

Four Regions, One Unforgettable Table

Each night, guests moved between four distinct culinary worlds. From the South came the deep, coconut-rich flavours of malu abulthiyal and Negombo pork curry with pineapple, alongside a lively fish polla roti action station. The Central province brought Kandalama lake fish, black octopus curry and carrot kalupol; dishes rooted in the region’s lakes and forests. Uva’s table leaned rustic and warming, with village chicken stew, prawn curry with murunga, and a coconut pittu drawing steady queues. And from the North came bold, unmistakable flavours of Jaffna crab curry, Jaffna mutton curry, and a dosai action station that quickly became one of the evening’s most talked-about corners.

Layered around the four regional stations was a spread that told its own story of Sri Lankan hospitality, from belimal herbal welcome drinks and a bread corner stretching from curry leaves rolls to kurakkan viyana rolls, to a dessert corner where watalappan, wood-apple coconut wandu and king coconut jelly sat alongside a full spread of traditional Sri Lankan sweets like kokis, athirasa and aluwa.

What the guests had to say

The feedback on opening night carried a common thread: guests were struck by just how different each region’s food tasted, side by side, on the same table. What could easily have blurred into “just Sri Lankan food” instead came through as four distinct culinary identities; the fire of the North, the coastal warmth of the South, the earthiness of the Central hills, and the rustic comfort of Uva, each unmistakably its own.

A Word from the team

Reflecting on the festival, the team at Courtyard by Marriott Colombo shared that Taste of Ceylon was designed from the start to be more than a menu. It was meant to be an experience guests could travel through, one region at a time, without leaving Beira Kitchen. Judging by the response over the four nights, that’s exactly how it landed.

There were many rave reviews and as the Taste of Ceylon experience at Beira Lake drew to a close, the flavours, aromas and vibrant spirit of Sri Lanka lingered on.

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