Life style
Lankan and Dutch conservators join hands for mutual learning
BY RANDIMA ATTYGALLE
In a collaborative international provenance research, which was concluded in April 2022, six artefacts from the Rijksmuseum collection in Amsterdam, were confirmed to be of Lankan origin and were returned in December 2023. They are now displayed at the Colombo National Museum for both local and foreign visitors to admire.
A golden and a silver kasthãné or sabre, a golden knife, two maha thuwakku or wall guns and Lewke Disave’s cannon – all belonging to the Kandyan kingdom, were confirmed to be war booty, obtained by the Dutch East India Company (VOC) during the siege of the palace of Kandy in 1765 when large scale looting of Kandyan objects took place.
The restitution of the six Kandyan artefacts which were looted during the Dutch colonial rule of the island, took place in the wake of the Dutch Government formally apologizing for their historic role in slavery which led to a national policy of restitution of objects in colonial contexts. The restitution marked a significant milestone in the bilateral relations between Sri Lanka and the Netherlands. The idea of initiating a knowledge exchange between the Dutch and Sri Lankan researchers and conservators which was proposed at that juncture was also a means of solidifying such relations. The objective of this exchange, funded by five organizations in the Netherlands including the Cultural Heritage Agency and the Rijksmuseum, is to ensure the proper preservation of the repatriated objects as well as a wider range of collections and materials.
Knowledge co-creation
The recently concluded Conservation Exchange Programme for Wood and Metal Artefacts which was held at the Colombo National Museum premises, focused on key themes including Material Identification and Deterioration, Conservation Science, Advanced Conservation Techniques, Knowledge Sharing, Capacity Building and Strengthening International Collaboration. The themes were explored through presentations, discussions, collaborative assessments of individual objects and collections as well as hands-on- practice.
- (L-R) Head of Conservation Division, Department of National Museums Chandrika Munasinghe, Tirza Mol and Tamar Davidowitz
- Wood and Furniture Conservator Tirza Mol examining an object at the Dutch Museum in Colombo
Ambassador of the Netherlands to Sri Lanka, Bonnie Horbach remarked that museums cooperation is one of the policy goals of the Netherlands Embassy in Colombo under the International Cultural Corporation and the recently concluded conservation workshop with researchers from the Rijksmuseum and from the Department of National Museums, is a significant collaboration through equal partnership and knowledge co-creation. “Sri Lanka remains a priority country in the International Cultural Corporation Policy of the Netherlands and we look forward to supporting more collaborations as equal partners in the future,” the Ambassador stated further.
Mutual learning curve
For Wood and Furniture Conservator Tirza Mol and Metal Conservator Tamar Davidowitz, both from the Department of Conservation and Science, Rijksmuseum, Amsterdam, the knowledge exchange has been a rejuvenating experience. Speaking to the Sunday Island on the final day of the workshop at the Colombo National Museum, Tirza, averred: “it has been a very interesting project for us, working in different climate circumstances and challenging environmental conditions. For instance, the climate in Sri Lanka is very humid and there is also the threat of insects. Considering all these challenges, I expected to see significant cracks in furniture which is my area of expertise, but surprisingly I did not, which is amazing.” Tirza has been with the Rijksmuseum as a furniture conservator since 2018 and she is also the Secretary of the ICOM-CC Fund.
Endorsing Tirza, her colleague, Tamar who is also a lecturer at the Conservation and Restoration of Cultural Heritage Department at the University of Amsterdam noted: “we are very impressed by what we’ve seen in Sri Lanka. The objects are very well conserved which speaks for the skill and dedication of the local conservators here. While transferring our knowledge in terms of slightly different ways of applying techniques, we were also exposed to sustainable preservation strategies in challenging environmental conditions. All-in-all the programme was a mutual learning curve.”

The six Kandyan artefacts which were returned from the Netherlands in 2023 and are now on display at the Colombo National Museum
The visiting Dutch conservators who were among the custodians to the six returned Kandyan artefacts while they were displayed back in the Netherlands also remarked that they were heartened to see how enthusiastically they have been received by Lankans and cared for. The intricately- crafted objects make one “simply blown-away,” said smiling Tirza, adding that their craftsmanship is of supreme quality. “When studying the objects, it was very interesting to observe the cross-cultural influence on some of them, particularly the cannon (Lewke Disave’s). Trying to disentangle those intricacies was a very interesting exercise for me,” remarked Tamar who found the artefacts “breathtaking.” The conservators also teamed up with local museum experts in carrying out a maintenance check on some of the objects during their stay here. “It was so nice to have been looking at the objects and working on them together, so that in a very concrete, practical sense we could exchange ideas and techniques,” Tamar said further.
Lankan skill and expertise
The eagerness of Lankans to learn and absorb knowledge and techniques from all corners of the world is very encouraging to achieve the expected outcomes of the knowledge exchange programme, maintained the Dutch experts. “We are aware that from time-to-time foreign experts have been visiting Sri Lanka for similar knowledge-sharing sessions, and observing the levels of expertise, we could see that Sri Lankan conservators have acquired knowledge so very well,” noted the Metal Conservator. Given the skill and the agility of Lankans to learn, they should be enabled more research opportunities, observed Tirza. This is also one of the expected outcomes of this programme which is to enable sustained collaborations between the conservators of the two countries for future projects including the technical study of objects and materials for potential joint research initiatives.
Hands-on learning
Recapping the learnings from the programme, Head of the Conservation Division, Department of National Museums, Chandrika Munasinghe remarked: “Although the approach to wood and metal conservation in theory may be the same in both countries, the knowledge gained on new materials including eco-friendly chemicals used in the Netherlands was a valuable learning.” During the five-day programme, local conservators teamed up with the Dutch experts to work on a few selected metal and wood objects including a 200-year-old mask found at the Colombo National Museum and a few pieces of furniture displayed at the Dutch Museum in Colombo (Pettah). “Although it was a brief programme, the experience of working with the Dutch experts who are more familiar with the latest technology was a valuable experience and we look forward to similar long-term ventures for enhanced knowledge-sharing,” noted the senior Conservation Officer.
Supporting specialization
“In order to give more local conservation professionals opportunity to gain hands-on experience in line with one of the main objectives of the Exchange Programme which is the transfer of newly acquired knowledge to the broader conservation community in Sri Lanka, we invited representatives from the Department of Archaelogy and the Central Cultural Fund as well to be part of the programme,” pointed out the Director General of the Department of National Museums, Sanuja Kasthuriarachchi. She further remarked that the experience is perceived as a stepping-stone to further fruitful collaborations between Sri Lanka and the Netherlands, especially in terms of supporting specialization. “Our conservators should be credited for their dedication and expertise given the fact that they have limited resources. It is challenging for them to specialize in a particular discipline (such as wood or metal for example), as conservators due to lack of funds. I fervently hope that the authorities in the Netherlands could assist us in honing their skills further.”
- Tamar and museum officials during a maintenance check on Lewke Disave’s cannon now displayed at the Colombo National Museum
- Metal Conservator Tamar Davidowitz during a workshop session at the Colombo National Museum
Call for a National Research Institute
The workshop was an eye-opener to several critical globally accepted conservation approaches including sustainable chemical use and preventive care in conservation, pointed out Senior Conservation Officer (Artefacts), Central Cultural Fund, Menaka Rodrigo. “One of the most notable take-aways was the sustainable use of chemicals and new substitutes for traditionally used chemicals. Such chemicals which are friendly on the object, man and the environment, causing minimal damage in the conservation process, is gaining momentum world over and we were very fortunate to have gained hands-on experience about them during the programme,” said the Senior Conservation Officer who also calls for a possible Sri-Lanka-Netherlands collaboration to set up a much-wanted National Research Institute which can bring professionals from multiple disciplines including conservation under one roof.
Thanking all stakeholders responsible for the workshop and the Department of National Museums, Director (Chemical Conservation), Department of Archaeology, Geethani Kuruppuarachchi said that the initiative provided the participants new knowledge on wood and metal conservation. “It was my first experience with international experts in this specialized discipline and I found the programme to be immensely beneficial.”
Assistant Director, (Chemical Conservation), Department of Archaeology Hasanthi De Silva remarked that the hands-on-experience gained to upgrade knowledge during the workshop was notable. “It is not always possible for many to be trained overseas and therefore it would be great if similar workshops could be conducted here at home, so that more local conservators can be benefitted.” Sharing her first-time experience of a workshop with foreign experts, Development Officer from the Department of National Museums, Harshani Peiris said that it was a privilege to have worked with some of the top conservators from the Rijksmuseum. “I was very fortunate to have acquired new knowledge in terms of metal and wood conservation, especially the new types of chemicals and technology used in the process.”
(Pic credit: Department of National Museums)
Life style
India’s Republic Day
India’s Republic Day was celebrated in a spirit of unity and pride, as guests gathered to mark India’s democratic journey and its enduring commitment to freedom, diversity and progress.
India House came alive in hues of saffron, white and green as the 77th Republic Day of India was celebrated with stately elegance and heartfelt pride Set against the manicure lawns of the High Commissioner’s official residence, the annual ceremony unfolded as a graceful reminder of India’s enduring democratic spirit and its close time honoured ties with Sri Lanka.
The morning ceremony commenced with the ceremonial unfurling of the Indian Tricolour. As the anthem echoed across the grounds, dignitaries, diplomats and members of the Indian Community stood united reflective on the ideals enshrined in the constitution of India, Justice, liberty, equality and fraternity. Adding cultural depths to the occasion was patriotic and classical performances thoughtfully curated to reflect India’s rich artistic heritage.
The evening reception had invited guests, diplomats, members of Parliament and many other distinguished guests. From traditional silk saris and sherwanis to chic evening gowns and tailored suits embodying a seamless blend of culture and continue.
The reception also offered a taste of India’s culinary artistry, with meticulously curated cuisine by Taj Samudra Colombo reflecting regional flavours with a modern twist.
Among the distinguished guests were the Prime Minister, Former Presidents, Ambassadors whose presence underscored the evening diplomatic and cultural significance.
The chief guests was the Minister of Health and Mass Media Dr. Nalinda Jayatissa. The evening reach a memorable cresendo as the High Commissioner of India to Sri Lanka and Maldives delivered a speech emphasising India’s journey, its democratic value and its role on the global stage. He also spoke about the close ties between India and Sri Lanka, cultural exchanges and growing economic and strategic partnerships, reinforcing the special friendship between the two nations.
Pix by Thushara Attapathu
By Zanita Careem
Life style
Once a Heartian always a Heartian: Celebrating 130 glorious years
This year, Sacred Heart Convent Galle celebrated 130 years of excellence, and the occasion was nothing short of spectacular. Alumnae, fondly called the old girls, walked the corridors of memory, reliving the elegance, discipline and camaraderie that shaped their youth. Founded by visionary Belgian nuns over a century ago, Sacred Heart Convent began with a clear mission of nurturing not only intellect, but also character, compassion and confidence. Today it stands as a timeless symbol of holistic education, blending its rich heritage with a modern vision.
There’s a magic in returning to the place where your story began – the echo of footsteps in old halls, the chatter of friends, the quiet thrill before assembly and the sense of belonging that never fades. This year as Sacred Heart Convent Galle celebrates 130 years of excellence. I found myself walking through memories that shaped not only my education but my outlook in life.
Founded over a century age by dedicated Belgian nuns, Sacred Heart Convent began as a humble institution with a bold vision to nurture intellect, character and compassion in equal measure. Set against the picturesque backdrop of Galle, with its charm and timeless beauty, the Convent became more than a place of learning, it was a sanctuary of discipline, creativity and grace.
My earliest memories of the school are vivid. I remember the feel of my uniform on the first day, the nervous excitement, as we walked into classrooms that I will always remember Sister Adrian’s warmth, guidance and encouragement . Her presence made every lesson meaningful and every Heartian feel truly cared for.
Galle itself added a special charm to the celebrations. The gentle sea breeze, the sunlit ramparts and the serene landscape created a perfect backdrop for a day filled with memories and nostalgia.
The 130 years of celebrations were a tribute to this legacy – an ode to the school’s enduring influence and the generations it has inspired.
The familiar bell at Sacred Heart Convent rang with a deeper resonance this year, calling together generations bound by faith, discipline and shared memory. As the institution marked 130 years of distinguished service in education, the celebrations unfolded not merely as an anniversary, but as a heart felt homecoming- a return to corridors where values were shaped and lifelong friendships were born. The alumnae returned in style, sharing laughter and stories of classroom adventures, chapel recitals and play ground friendships.
The highlights of the event this year was made memorable by a much loved Back to School theme that turned time gently backwards, Old girls arrived dressed in thier school day best, laughter filling the quadrangle as familiar bells , laughter, memories marked the back to school scene .
At the heart of the foundation of the school was Sister Adrian ,the devoted Belgian nun who served as principal, she had vision, discipline and unwavering dedication that was the the cornerstone of Sacred Heart’s legacy. Generations of students carry forward her values and spirit she instilled over a century ago.
I found myself reminiscing about my own journey within its storied walls – the classrooms, the assemblies, the playground games and shared seats with friends that still bring a smile today. I remember the guidance of teachers who inspired curiosity and the gentle discipline of mentors who shaped our values.
The ‘Back to School’ feeling during the 130th celebrations was magical seeing Alumnae return, glowing with nostalgia reminded me how the spirit of Sacred Heart stay with us and remains etched in our hearts.
As the celebrations came to a close, I felt a profound gratitude for the school, for the Belgian nuns who laid its foundation For the present Principal Sister Sandya Fernando and Sister Mihiri Perera, Deputy Principal and Head of the Primary School and the teachers who carry forward this century old tradition with dedication and warmth. Their commitment to keeping the school’s spirit vibrant, bridging the gap between the history and the present. From Sister Adrian’s vision to the care of today’s dedicated sisters, Sacred Heart Convent has spent 130 shaping minds, nurturing values and inspiring generations.
For me, Sacred Heart Convent was never merely a place of learning; it was a canvas, a stage and a sanctuary, a place that taught me education is as much character as it is about knowledge.
As the school celebrated 130 glorious years, we salute Sister Adrian, and the visionary leadership of the current principal and Vice principle Thier dedication have shaped generations of Heartians, instilling values, courage and compassion For me this celebrations stirred cherished memories and a reminder that the heart of Sacred Heart beats strong, carrying its legacy forward with pride and love
By Zanita Careem
Life style
Fathuma Marleen on style, strength and grace
Threads of influence
From the buzz of a busy salon chair to the delicate precision of couture hand work, Fathuma Marleen carved a space where style,skill and sophistication intertwine.
Her signature lies in the subtle artistry of her embroidery and handwork. Every stitch, every embellishments reflect a dedication to precision and an eye for detail cultivated from her earliest days A guiding force for women she touches human lives with generosity,empathy and unwavering commitment
Fathuma Marleen’s story begins not on a runway,but behind a salon chair,scissors in hand,hair falling softly to the floor,and dreams quietly taking shape .As a young hairdresser,trained by Janet Balasuriya , she learned early the art of transformation:how confidence blooms when a woman feels seen,styled and celebrated. That intimate understanding of beauty,personal,emotional and deeply human later became the backbone of her creative journey.
But her creative spirit couldn’t be confined to hair alone In a world driven by fast fashion and fleeting trends,Fathuma Marleen’s work caught the attention of established names in the couture world. Driven by an eye for fashion, she transitioned into stitching, turn ing fabric into statements of sophistication and glamour.She went on to sew for top designers and Colombo’s fashion conscious women, contributing behind the scenes to collections that demanded excellence, consistency and technical mastery. Though her role was discreet, her impact was unmistakable among the landscape of fashion,each of her designer clothing had her signature precision. Her signature touch soon became popular among top designers ,whether it’s a flowing gown, or an Indian Shalwar or a flowing abaya, her intricate,embroidery or her sleek cut had a story . Yet at the height of her creative journey, Marleen made a personal sacrifice,she moved away from her burgeoning fashion career to join her husband in his ambassadorial role to Riyadh.
A defining chapter in Fathuma Marleen’s professional journey has been her close alliance with the Women’s Chamber of Commerce and Industry WCIS, a platform that champions entrepreneurship, creativity and leadership among women. It was Nayana Karunaratne,her close friend with whom she co-created spectacular fashion shows stood firmly by her side encouraging,guiding and gently nudging her back towards her creative calling.
Her work gained particular prominence under the guidance and encouragement of Nayana, this partnership proved transformative, and Fathuma Marleen designs stepped into the spot
Notably her creations featured at the Chamber of Commerce, fashion show led initiatives, including high profile Abaya presentation showcased at the Hilton, which left the audiences mesmerised. Her creations unveiled marked a defining movement in her journey. Modern silhouettes,rich hues and intricate embroidery,
clear lines, thoughtful detailing, appealed to modern woman who values both tradition and contemporary style. The collection resonated strongly with the audience. This show was a celebration of Marleen’s return to the spotlight The Hilton shows stood as a turning point-proof that Marleen’s design journey had depth,direction and a story still unfolding.
When her husband’s diplomatic posting took the family to Riyadh. Fathuma Marleen embraced a new chapter, one that required poise, adaptability and cultural awareness.
As an Ambassador’s wife she navigated formal responsibilities with elegance, balancing public engagements, all while maintaining her creative pursuits but limited due to new responsibilities ,yet she remained a quiet force in style and women’s empowerment,balancing diplomacy and creativity
Through it all, she remained committed to family. Her three daughters each now accomplished doctors and son Banker in the US were nurtured in an environment of discipline.
She says ‘ my family remains my cornerstone a source of pride and inspiration’. She cherishes her children and grandchildren, who continue to inspire her with thier own passions and achievements Beyond fashion, she is a dedicated social worker and champion of women,turning every endeavour into a celebration of creativity,sophistication and style. Beyond glamour, Fathuma is a woman driven by compassion. She devotes herself to running an orphanage established by her husband,carrying forward his vision and touching countless lives.
- Every stich tells a story of elegance
- Where elegance meets modesty
- Fathuma turned runways into celebrations of women and style
- Flow,flair and finesse
By Zanita Careem
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