Features
Parallels drawn between ancient Indian arts and the Buddha
My son described in superlatives an exhibition at the Metropolitan
Museum in New York. Then followed an article in the New York Times which gave me a western writer’s perspective of the Buddha and some of the Indian arts that followed for around ten centuries thereafter, until Hinduism completely eclipsed Buddhism in its country of birth. I was also sent the catalog of the Museum exhibition.
The article in the NYT is by Holland Cottora dated July 21 and titled Buddhist Art from India: where the Natural meets the Supernatural. The Met exhibition carries the title: Tree and Serpent: Early Buddhist Art in India, 200 BCE – 400 CE. Cottora starts his article with the press opening of the Metropolitan Museum’s ‘beyond beautiful’ exhibition where a “stunning display of ancient Buddhist art – rare loans including dozens of objects that have never been exhibited out of India” was collected over a decade by the Met’s curator of South and South Eastern art, John Guy, and then organized for display in different rooms. Over 50 objects were on loan from India, others from the UK, Europe, and the US, totally 125. “Given the monumental glow of the sculptures, each lighted to look deep-carved from darkness, you probably wouldn’t think to guess at the difficult, always tentative processes – logistical and diplomatic that went into gathering them together …”
Pictures of the opening showed five Buddhist monks seated and chanting; the note below the picture saying they were from Queen’s. A group of visiting Indian museum directors were also photographed, thanked by John Guy in his opening address.
The Crux of the article and also exhibition
The crucial point made was the development or change in the manner in which the Buddha was represented in art after his death and much later. I quote here from the Met’s catalog: “This is the story of the origins of Buddhist art. The religious landscape of ancient India was transformed by the teachings of the Buddha, which in turn inspired art devoted to expressing his message.
Sublime imagery adorned the most ancient monumental religious structures in ancient India, known as stupas. The stupa not only housed the relics of the Buddha but also honored him through symbolic representations and visual story telling. Original relics and reliquaries are at the heart of this exhibition, which culminates with the Buddha image itself. It transports visitors into the world of early Buddhist imagery that gave expression to this new religion as it grew from a core set of ethical teachings into one of the world’s great religions.” Objects associated with Indo-Roman exchange reveal India’s place in early global trade.

Installation views of Tree & Serpent: Early Buddhist Art in India, 200 BCE– 400 CE, on view July 21–November 13, 2023 at The Metropolitan Museum of Art. Photos by Anna-Marie Kellen, courtesy of The Met.
Cottora writes about the Buddha’s progress from “a man of many senses, a worldly one with a depressive streak that had him ponder the fact of mortality and its woes. Once out there, he soon became aware that he was in a spiritually charged terrain, one perceived and revered by grass roots nature cults. Trees had souls, birds spoke and serpents wielded protective powers. Thus first monuments were stupas based on the tradition of South Asian funerary markers – domes of fired brick and packed earth.
” The first exhibits at the Met are stupas – first century AD. He says that the origin of most of the exhibits was Amaravati in Andhra Pradesh, a place the Buddha had not visited. Trees, serpents, nature spirits, an empty throne, a wheel, a flaming column, a footprint or pair of footprints was how the Buddha was depicted, even in scenes of his life. “It’s as if his release from the anxiety of mortality, which he had worked hard to achieve, to return him to bodily form seemed to be sacrilegious and a shame. Unafffectability was his great reward, a badge of Buddhahood; one he urged us all to try to earn.”
With Western influence coming in due to trade with Greece, Rome and other Mediterranean countries, the figure of the Buddha appeared in human form together with relics, Thus serpent deities and tree spirits faded away. Only the Dharma Wheel remained. Proof is available in plenty to show that Indian trade widened. A carved figure of an Indian goddess yakshini was found buried in Pompeii.
Various explanations are given for the hair and top knot in Buddha statues. One retrieved is that when Prince Siddhartha cut his hair with his sword, uncut portions snapped into curls and he never had to cut it again. The knot at the top is from the Gandara area (now parts of Afghanistan and Pakistan) where the style was for men to have their hair in a knot on top of their heads. The article and museum catalog I quote above make no mention of these details.
Retrieved also and remembered from classes on Greek and Roman civilization is the following: “Drapery of the classical and Hellenistic periods of Greek art sometimes appears purely as a foil for nudity, clinging and spiraling around the body. Often the effect occurs in response to the compositional requirements rather than to any natural phenomenon of dressing practice”. (Recalled is the exquisite tracing of the robe on the Buddha statue at Aukana). Relevance to this article is that the classical period in Greece was 480-323 BCE and Hellenistic 323-146 BCE. This was about the time that in India symbols to depict the Buddha were replaced by the human form. The drapery of the robe is obviously influenced by Greek styles.
Depiction of the Buddha in early Lanka
I refreshed my memory on dates of ancient Buddhist sites in Sri Lanka and found ancient sites and monuments were consistent with the main message of the exhibition at the Met. Mihintale’s prominence was in the second century BC. Mahinda Thera arrived in the island and preached to Devanampiya Tissa circa 247 BC. And what were built then for veneration to the Buddha? Stupas. We who climbed those 1840 wide steps between white blossoming araliya trees was to pay homage at the three great stupas at the top – Ambastala, Kantaka and Maha Dagoba; to marvel at the top of the rock that was the spot where Thera Mahinda stood with his group of five. We then moved to view Thera Mahinda’s bed of a stone slab to revere him and fill our hearts and minds with gratitude to him. It was President Ranasinghe Premadasa who stuck a stark white Buddha Statue up there among the ancient stupas, during his Mihintale Gam Udawa. To me, frankly, a sacrilege, like the new dagoba constructed by the Rajapaksa regime in the heart of the Anuradhapura sacred area of ancient stupas.
Then just as in India, statues of the Buddha appeared in ancient Lanka – just one of prominence in Anuradhapura (377 BC -1017 AD) – the Samadhi Buddha. It is during the Polonnaruwa Period: 1017 – 1233 AD that the Buddha statue came into full glory. Words are inadequate to describe the serenity, beauty, carving skill and wonder of the statues in the Gal Vihara.
Of course I speak here of colossal dagobas and statues; while the Metropolitan Museum exhibition had much smaller relics, stupas and figures. My point is to show that periods and dates tally with the progression of the depiction of the Buddha from stupas to symbols to the human form.
Features
The Easter investigation must not become ethno-religious politics
Representatives of almost all the main opposition parties were in attendance at the recent book launch by Pivithuru Hela Urumaya leader Udaya Gammanpila. The book written by the PHU leader was his analysis of the Easter bombing of April 2019 that led to the mass killing of 279 persons, caused injuries to more than 500 others and caused panic and shock in the entire country. The Easter bombing was inexplicable for a number of reasons. First, it was perpetrated by suicide bombers who were Sri Lankan Muslims, a community not known for this practice. They targeted Christian churches in particular, which led to the largest number of casualties. The bombing of Sri Lankan Christian churches by Sri Lankan Muslims was also inexplicable in a country that had no history of any serious violence between the two religions.
There were two further inexplicable features of the bombing. The six suicide bombings took place almost simultaneously in different parts of the country. The logistical complexity of this operation exceeded any previously seen in Sri Lanka. Even during the three decade long civil war that pitted the Sri Lankan military against the LTTE, which had earned international notoriety for suicide attacks, Sri Lanka had rarely witnessed such a synchronised operation. The country’s former Attorney General, Dappula de Livera, who investigated the bombing at the time it took place, later stated, upon retirement, that there was a “grand conspiracy” behind the bombings. That phrase has remained central to public debate because it suggested that the visible perpetrators may not have been the only planners behind the attack.
The other inexplicable factor was that intelligence services based in India repeatedly warned their Sri Lankan counterparts that the bombings would take place and even gave specific targets. Later investigations confirmed that warnings were transmitted days before the attacks and repeated again shortly before the explosions, yet they were not acted upon. It was these several inexplicable factors that gave rise to the surmise of a mastermind behind the students and religious fanatics led by the extremist preacher Zahran Hashim from the east of the country, who also blew himself up in the attacks. Even at the time of the bombing there was doubt that such a complex and synchronised operation could have been planned and executed by the motley band who comprised the suicide bombers.
Determined Attempt
The book by PHU leader Gammanpila is a determined attempt to make explicable the inexplicable by marshalling logic and evidence that this complex and synchronised operation was planned and executed by Zahran himself. This is a possible line of argumentation in a democratic society. Competing interpretations of public tragedies are part of political discourse. However, the timing of the intervention makes it politically more significant. The launch of the PHU leader’s book comes at a critical time when the protracted investigation into the Easter bombing appears to be moving forward under the present government.
The performance of the three previous governments at investigating the bombing was desultory at best. The Supreme Court held former President Maithripala Sirisena and several senior officials responsible for failing to act on prior intelligence and ordered compensation to victims. This judicial finding gave legal recognition to what victims had long maintained, that there was a grave dereliction of duty at the highest levels of the state. In recent weeks the investigation has taken a dramatic turn with the arrest and court production of former State Intelligence Service chief Suresh Sallay on allegations linked directly to the attacks. Whether these allegations are ultimately proven or disproven, they indicate that the present phase of the investigation is moving beyond negligence into possible complicity.
This is why the present moment requires political sobriety. There is a danger that the line of political division regarding the investigation into the Easter bombing can take on an ethnic complexion. The insistence that the suicide bombers alone were the planners and executors of the dastardly crime makes the focus invariably one of Muslim extremism, as the suicide bombers were all Muslims. This may unintentionally narrow public attention away from the unanswered questions regarding intelligence failures, possible political manipulation, and the allegations of a broader conspiracy that remain under active investigation. The minority political parties representing ethnic and religious minorities appear to have realised this danger. Their absence from the book launch was politically significant. It suggests an unwillingness to be drawn into a narrative that could once again stigmatise an entire community for the crimes of a handful of extremists and their possible handlers.
Another Tragedy
It would be another tragedy comparable in political consequence to the havoc wreaked by the Easter bombing if moderate mainstream political parties, such as the SJB to which the Leader of the Opposition belongs, were to subscribe to positions merely to score political points against the present government. They need to guard against the promotion of anti-minority sentiment and the fuelling of majority prejudice against ethnic and religious minorities. Indeed, opposition leader Sajith Premadasa in his Easter message said that justice for the victims of the 2019 Sri Lanka Easter Sunday attacks remains a fundamental responsibility of the state and noted that seven years on, both past and present governments have failed to deliver accountability. He added that building a society grounded in trust and peace, uniting all ethnicities, religions and communities, is vital to ensure such tragedies do not occur again.
Sri Lanka’s post war history offers too many examples of how unresolved security crises become vehicles for majoritarian mobilisation. The Easter tragedy itself was followed by waves of anti-Muslim suspicion and violence in some parts of the country. Responsible political leadership should seek to prevent any return to that atmosphere. There are many other legitimate issues on which the moderate and mainstream opposition parties can take the government to task. These include the lack of decisive action against government members accused of corruption, the passing of the entire burden of rising fuel prices on consumers instead of the government sharing the burden, and the failure to hold provincial council elections within the promised timeframe. These are issues that touch the daily lives of citizens and the health of democratic governance. They offer the opposition ample ground on which to build credibility as a government in waiting.
The search for truth and justice over the Easter bombing needs to continue until all those responsible are identified, whether they were direct perpetrators, negligent officials, or political actors who may have exploited the tragedy. This is what the victim families want and the country needs. But this search must not be turned into a partisan and religiously divisive matter such as by claiming that there are more potential suicide bombers lurking in the country who had been followers of Zaharan. If it is, Sri Lanka risks replacing one national tragedy with another. coming together to discredit the ongoing investigations into the Easter bombing of 2019 is an unacceptable use of ethno-religious nationalism to politically challenge the government. The opposition needs to find legitimate issues on which to challenge the government if they are to gain the respect and support of the general public and not their opprobrium.
by Jehan Perera
Features
China’s new duty-free regime for Africa: Implications for Global Trade and Sri Lanka
* The new duty-free regime for Africa, announced by Chinese President Xi Jinping in February, is the most generous unilateral nonreciprocal trade concession offered by any country to developing countries since the beginning of the modern rule based international trading system.
* Yet, it is a clear violation of the cornerstone of the multilateral trade law, the Most-Favoured-Nation (MFN) principle.
* Hence, its implications on developing countries, without duty-free access to China, will be extremely negative. Sri Lanka is one of the few developing countries without duty-free access to China.
On 14 February, 2026, Chinese President Xi Jinping announced that China will grant zero-tariff treatment to 53 African nations, effective 01 May, 2026. Under this new unilateral policy initiative, China would eliminate all import tariffs on all goods imported from all the countries in Africa, except Eswatini. China already enforces a zero-tariff policy for 33 Least Developed Countries (LDCs) in Africa. Now this policy would be extended to non LDCs as well. This policy initiative clearly aims at reducing the continuously expanding trade deficit between China and Africa. In 2024, China’s trade surplus against Africa was recorded at US $ 61 billion.
This trade initiative, a precious gift amidst ongoing global trade tensions, is the most generous unilateral nonreciprocal trade concession given by any country to developing countries, since the beginning of the modern rule based international trading system.
Though this landmark announcement has far-reaching implications on global trade, as much as President Trump’s “Liberation Day” tariffs, it was almost overlooked by the global media.
Implications for Global Trade
This Chinese policy initiative, though very generous, is a clear violation of the Most-Favoured-Nation (MFN) principle and the “Enabling Clause” of the International Trade Law. The MFN principle is the cornerstone of the multilateral trading system under the World Trade Organisation (WTO) and is enshrined in Article I of the General Agreement on Tariffs and Trade (GATT). It mandates that any trade advantage, privilege, or immunity granted by a WTO member to any country must be extended immediately and unconditionally to all other WTO members. Though, the GATT “Enabling Clause” allows developed nations to offer non-reciprocal preferential treatment (lower tariffs) to developing countries without extending them to all WTO members, this has to be done in a non-discriminatory manner. By extending tariff concessions only to developing countries in Africa, China has also breached this requirement.
This deliberate violation of the MFN principle by China occurs less than 12 months after the announcement of “Liberation Day” tariffs by President Trump, which breached Article I (MFN) and Article II (bound rates) of the GATT. However, it is important to underline that the objectives of the actions by the two Presidents are poles apart; the US objective was to limit imports from all its trading partners, and China’s objective is to increase imports from African countries.
Though the importance of the MFN principle of the WTO law had eroded over the years due to the proliferation of preferential trade agreements and unilateral preferential arrangements, the WTO members almost always obtained WTO waivers, whenever they breached the MFN principle. Now the leaders of the main trading powers have decided to violate the core principles of the multilateral trading system so brazenly, the impact of their decisions on the international trading system will be irrevocable.
Implications for Sri Lanka
China’s unilateral decision to provide zero-tariff treatment to African countries will have a strong adverse impact on Sri Lanka. Currently, all Asian countries, other than India and Sri Lanka, have duty-free access, for most of their exports, into the Chinese market through bilateral or regional trade agreements, or the LDC preferences. Though Sri Lanka, India and China are members of the Asia Pacific Trade Agreement (APTA), preferential margins extended by China under APTA to India and Sri Lanka are limited.
The value of China’s imports from Sri Lanka had declined from US$ 650 million in 2021 to US$ 433 million by 2025. However, China’s exports to Sri Lanka increased significantly during the period, from US$ 5,252 million to US$ 5,753 by 2025. This has resulted in a trade deficit of US$ 5,320 million. Sri Lanka’s exports to China may decline further from next month when African nations with duty-free access start to expand their market share.
Let me illustrate the challenges Sri Lanka will face in the Chinese market with one example. Tea (HS0902) is Sri Lanka’s third largest export to China, after garments and gems. Sri Lanka is the largest exporter of tea to China, followed by India, Kenya and Viet Nam. During the last five years the value of China’s imports of tea from Sri Lanka had declined significantly, from US$76 million in 2021 to US$ 57 million by 2025. Meanwhile, imports from our main competitors had increased substantially. Most importantly, imports from Kenya increased from US$ 7.9 million in 2021 to US$ 15 million in 2025. For tea, the existing tariff in China for Sri Lanka is 7.5% and for Kenya is 15%. From next month the tariff for Kenya will be reduced to 0%. What will be its impact on Sri Lanka exports? That was perhaps explained by a former Ambassador to Africa, when he urged Sri Lankan exporters to “leverage duty free access from Kenya” to expand their exports to China!
(The writer is a retired public servant and a former Chairman of WTO Committee on Trade and Development. He can be reached at senadhiragomi@gmail.com)
by Gomi Senadhira
Features
Daughter in the spotlight …
Jeevarani Kurukulasuriya was a famous actress and her name still rings a bell with many. And now in the spotlight is her daughter Senani Wijesena – not as an actress but as a singer – and she has been singing, since the age of five!
The plus factor is that Senani, now based in Australia, is also a songwriter, plays keyboards and piano, dancer, and has filmed and edited some of her own music videos.
Says Senani: “I write the lyrics, melody and music and work with professional musicians who do the needful on my creations.”
Her latest album, ‘Music of the Mirror’, is made up of 16 songs, and her first Sinhala song, called ‘Nidahase’, is scheduled for release this month (April) in Colombo, along with a music video.
‘Nidahase’,
says Senani, is a song about Freedom … of life, movement, love and spirit. Freedom to be your authentic self, express yourself freely and Freedom from any restrictions.
In fact, ‘Nidahase’ is the Sinhala translated version of her English song ‘Free’ which made Senani a celebrity as the song was nominated for a Hollywood Music in Media Award in the RnB /Soul category and reached the Top 20 on the UK Music weekly dance charts, as well as No. 1 on the Yes Home grown Top 15, on Yes FM, for six weeks straight.
Senani went on to say that ‘Nidahase’ has been remixed to include a Sri Lankan touch, using Kandyan drums and the Thammattama drum, with extra music production by local music producer Dilshan L. Silva, and Australia-based Emmy Award winning Producer and Engineer Sean Carey … with Senani also in the scene.
The song was written (lyrics and melody) and produced by Senani and it features Australian musicians, while the music video was produced by Sri Lanka’s Sandesh Bandara and filmed in Sri Lanka.

First Sinhala song scheduled for release this month … in Colombo
Senani’s music is mostly Soul, Funk and RNB – also Fusion, using ethnic sounds such as the tabla, sitar, and sarod – as well as Jazz influenced.
“I also have Alternative Music songs with a rock edge, such as ‘New Day’, and upcoming releases ‘Fly High’ and ‘Whisper’“, says Senani, adding that she has also recorded in other languages, such as Hindi and Spanish.
“As much of my fan base are Sri Lankans, who have asked me to release a song in the Sinhala language, I decided to create and release ‘Nidahase’ and I plan to release other original Sinhala songs in the future.
Senani has a band in Australia and has appeared at festivals in Australia, on radio and TV in Australia, and Sri Lanka.
She trained as a vocalist, through Sydney-based Singing Schools, as well as private tuition, and she has 5th Grade piano music qualifications.
And this makes interesting reading:
“I graduated from the University of Newcastle in Australia with a Bachelor of Medicine and I work part time as a doctor (GP) and an Integrative Medicine practitioner, with a focus on nutrition, and spend the rest of the time dedicated to my music career.”
Senani hails from an illustrious family. In addition to her mum, Jeevarani Kurukulasuriya, who made over 40 films, including starring in the first colour movie ‘Ranmuthu Duwa’, her dad is Dr Lanka Wijesena (retired GP) and she has two sisters – all musical; one is a doctor, while the other is a dietitian/ psychotherapist.
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