Features

Experiences in France as SL Ambassador

Published

3 years ago

2021/10/24

Excerpted from the memoirs of Chandra Wickramasinghe, Retd. Addl. Secy. to the President

I was a member of the Public Service Commission when President Chandirka Kumaratunga appointed me as Sri Lanka’s Ambassador to France in 2001. I was fortunate to have had as my predecessor Danesan Casie Chetty, a very senior career diplomat, who had organized the work in the Embassy meticulously, making things so much easier for me to step in and take over. He and his wife Shanti had refurbished and decorated the fine apartment which was in a prime residential area in Paris (which had been purchased by the Govt. of SL), most tastefully and elegantly.

Within months of my appointment, the Govt. entered into a Ceasefire Agreement with the LTTE, brokered by the Norwegians. My major concern while serving as Ambassador was to work towards increasing the volume of our exports which were primarily tea, spices and garments; to promote tourism to SL and to do my utmost to counter the sustained propaganda blitz directed against us by the Tamil Diaspora in France. When I met President Chirac for the presentation of my credentials, I expressly told him of my plans to try and increase the volume of our major export items to France adding I would also endeavor to popularize Sri Lanka as a prime destination for French tourists.

He interjected to say that Sri Lanka being a beautiful country, it should not be difficult to make it an attractive destination for French tourists. Referring to the terrorist problem that was plaguing SL, I told him that the LTTE was actively supported by the Tamil Diaspora in Paris who collected and remitted substantial funding to the terrorists in SL to pursue their destructive activities and that if the French Intelligence Services could curb these illegal activities of LTTE sympathizers in Paris, it would help SL to combat the terrorist scourge .(President Chirac gave some instructions to one of his aides on this issue). He graciously agreed to do whatever possible to assist SL in the matters raised by me.

Arrangements were made thereafter by Nimal Karunatilleke, the Trade Attache of the Embassy, to liaise with the exporters of the major SL export products to France and facilitate their participation in a number of International Exhibitions and Trade Fairs that were held in Paris. On my visits to these Exhibitions and Trade Fairs subsequently, I found a good many SL exporters busily contracting trade deals with the French importers of our export items.

I also attended an International Tea Exhibition in Bordeaux called ‘The Road to Tea’, where I was able to interact closely with French tea importers. I was invited to tea by the Mayor of Bordeaux at his residence where to my surprise, I was served ‘Dimbula’ tea and was pleasantly surprised to learn that the Mayor was himself a lover of ‘Dimbula’ tea. I must record here, the unstinted support I received from Nimal Karunatilleke of our Embassy in all matters pertaining to Trade between France and Sri Lanka and make mention the enthusiastic support I received from Manisha Gunasekera and Saroja Sirisena who were two senior career diplomats at the Embassy during my entire period there. Saroja Sirisena in particular, with her charm and winning ways, proved a veritable asset to me during election time to various international bodies. Come election time, she used to give Ambassadors a dainty peck on their cheek and they would come in droves and vote for SL! When the former Foreign Minister Lakshman Kadirgamar asked me how SL managed to win certain crucial elections, I related Saroja’s technique (he knew Saroja well) and he laughed loud and long!

Soon after I assumed office, I discovered that the French Tea importers had formed themselves into a cartel comprising four major tea importers, of whom I was able to cultivate two of the more influential to help me to promote SL tea. This I did by inviting them for meetings and by hosting them to dinner at my residence etc. One of them, a lady told me that although Ceylon tea was by far the best in the world, our marketing was poor. She said we should promote our tea the way the French promoted their vintage wines with attractive labels giving information of the origins on the tea, its vintage, subtleties of it’s bouquet et al. She further said that Ceylon tea deserves to be similarly advertised in attractively designed packs stating that it is grown in the central highlands at an elevation of over 4,000 feet, with plucking done with the onset of the first flush of leaf. Having taken the cue from her, I emailed the Chairman/Tea Board at the time, Ronnie Weerakoon, conveying the information I had gathered from the French lady on how Ceylon tea could be attractively packaged and marketed.

Within days, Ronnie who had latched onto the concept, sent out circular instructions to all the tea exporters advising them on the above lines. I have no doubt that the tea producers who followed his instructions would have received a substantial boost to their tea exports in good time.

I also found that although the French are inveterate coffee drinkers, the upper classes were, strangely enough, aficionados of high grown good Ceylon tea. I used to occasionally entertain Members of the French Parliament to high tea in a room in the Parliament premises with the permission of the Speaker who I knew. The French MPs, curiously enough, had a partiality for our mutton cutlets , rolls and fish patties and in between sessions used to come in large numbers to partake of these snacks with the high point being fine Ceylon tea – Dimbula tea to be specific, served at the end.

Once I decided to have a little Kandyan dancing session performed by a Sinhalese boy and a girl living in Paris with drum accompaniment thrown in. The little drummer boy got a bit carried away and with the din reaching the Parliament Chamber where there was I think, a debate in progress on Corsica, the Sergeant at Arms sent a message to keep the noise levels low. I remember at one of these informal gatherings I addressed the French Members of Parliament who were present saying that although the French were traditionally coffee drinkers, it should not be forgotten that pristine Ceylon tea is like their wine, red in colour and that they were both healthy drinks. They had a good laugh while sipping our good high grown tea!

The French Perfumery Association

Our spices are much valued in France, with cinnamon occupying pride of place. SL cinnamon and lemon grass oil are in high demand by the French perfumery industry for their unique and distinctive quality and aroma. The French Perfumery Association is a powerful guild in France that is extremely quality conscious laying down and rigidly enforcing the highest quality standards in the manufacture of their world famous brands like Chanel etc. With their long and distinguished tradition of manufacturing quality perfumes, they were wont to pick the best spices, flowers and oils used in the perfume industry from across the globe with scrupulous care.

My relationship with the French Perfumery Association became so close that they made me a Life Member of the Association. I was able to open lines of communication with the Association and some of the leading cinnamon and lemon grass exporters of SL, some of whom even visited Paris and had fruitful discussions. In fact, my association with the FPA became so close, that they even created a special perfume called the ‘Spirit of Lanka’ and presented it to my wife at a formal ceremony arranged by them. This newly created perfume made of spices, oils and the essence of flowers exclusively from SL was a special, limited issue of 100 bottles which were distributed among the Ambassadors and other VIPs present at the ceremony. They even let me into what they said was a closely guarded secret – one of the perfume extracts that went into the manufacture of their world famous ‘Chanel’ brand came from the ‘Araliya’ flower which grew in SL. This SL Araliya flower they said, had a distinct and unique scent , not found in this genre of flower, anywhere else in the world.

I must record here, my appreciation of a friendly couple who were resident in France –Pierre and Ionie Silliere for making arrangements for me to visit cities and townships in Normandy to deliver talks on Sri Lanka with video presentations showing the scenic beauty and historical sights of Sri Lanka. Many people who attended these talks had only heard of Ceylon and it’s tea and were astounded by the breathtaking beauty of the island and the many places of historical and archaeological interest visitors could see. They just could not believe that we had enormous monuments (dagobas), the tallest being just five feet shorter than the tallest Egyptian Pyramid- Cheops. The Silliers told me later that many who had been present at the lecture /slide presentations were planning to visit Sri Lanka with their friends.

Despite the Ceasefire, the LTTE were still active in Paris

Despite the Ceasefire between the SL Govt. and the LTTE bringing about an uneasy calm and a tenuous cessation of hostilities, as the terms and conditions were heavily weighted in favour of the LTTE and decidedly unfavourable to the Govt. of SL , the LTTE in Paris had not let up on their propaganda activities. There was a particular area in Paris called Le Chappel which had virtually been commandeered by the Tamil Diaspora. Once I visited the area incognito on the pretext of purchasing Sri Lanka curry stuffs etc., which were available in the shops there with my driver shadowing me at a discreet distance. But despite all these precautions, one or two of the hard core LTTE sympathizers got suspicious, which I could see from their reactions in reaching for their cell phones and talking animatedly to whoever at the other end. This was enough of a warning for me to beat a hasty retreat.

Interacting with Ambassadors and important personages

It was also my view that an Ambassador representing a country should interact not only with other Ambassadors, but should also make the acquaintance of prominent personages in the host country while also mixing with the ordinary people to the extent possible. The French, with their long and illustrious tradition of suave and elegant diplomacy, are a people who treat Ambassadors with a lot of deference and respect. This is made abundantly clear when you are introduced to them as an Ambassador. Following tradition, French Ambassadors have remained a cultured and elegant lot. They are knowledgeable and conduct themselves with appropriate diplomatic finesse wherever they go. They would naturally expect the same standards of decorum and conduct from their foreign counterparts.

This does not mean that one should assume an unprepossessing hauteur, which would immediately be taken note of and often find reflection in certain cynical reactions. Being knowledgeable and convivial, at receptions and social gatherings is crucially important and would unfailingly elicit the correct responses from them. These were my perceptions which I am sure will be shared by many senior diplomats who have served particularly in Missions in the West.

I must say that I successfully made the acquaintance of academics, prominent public figures, former Ambassadors, leading businessmen dealing with our principal export products etc. by entertaining them at my residence at the many receptions my wife and I hosted. In my discussions with them, I was able to disabuse them of the misconceptions they may have had about SL, exposed as they were, to the relentless barrage of LTTE propaganda. Of course the former Foreign Minister par excellence, Mr. Lakshman Kadirgamar had already done a lot of damage control by the brilliant speeches made by him at numerous international fora by convincingly assuaging the fears and suspicions of many countries in the West to the point of veering them round and making them go to the extent of banning the LTTE in those countries. He was ably assisted in this stupendous task by Rohan Perera who was the Legal Advisor in the Ministry of Foreign Affairs at the time.

Among the people with whom I struck up firm friendships, I can name Prof. Meyer of Sorbonne University and Bernard de Gaulle, nephew of the late President and President of the de Gaulle Foundation. They were particularly sympathetic towards SL and the unfortunate predicament the country was in. I was quite touched when Bernard de Gaulle presented me with the ‘de Gaulle Medal’, when I was about to relinquish duties as Ambassador. He said it was in appreciation of my efforts to strengthen Sri Lanka –France cordiality and friendship.

I feel I must further state here, that I was able to interact in this amicable and informal manner with French academics and other Frenchmen of stature, due to the broad education I had received in Sri Lanka in the English medium. English was indeed a pass word to knowledge to all those who were fortunate enough to study in that medium. It opened up to us the best in English literature as well as access to the better known books in Russian, French, Italian, German literature et al, in translation. In fact, other Ambassadors used to often express their surprise when I quoted extensively from

Shakespeare, Satre, Balzac, Goethe, Plato, Aristotle, Omar Kayyaam and the lot. This certainly was not an advantage that was peculiar to me, but was a distinct advantage enjoyed by the great many who had studied in the English medium and who thereby acquired the knowledge and the breadth of vision that came with wide reading.

These are by no means self-congratulatory statements by me, but are hard facts which powers that be, should take cognizance of in making appointments at the level of Heads of Missions to important countries in the larger interests of our country. I must re-iterate that these candid observations are being made having the best interests of Sri Lanka at heart. One cannot, of course, blame the younger generations who followed in our wake, for their lack of proficiency in the English language. They were the unfortunate victims of the woeful chicanery of self-serving politicians who deluded the masses with their hugely populist measures, sacrificing long term national interests for short term political expediency.

I daresay there are still certain areas where persons proficient only in Sinhala and Tamil languages in Sri Lanka, could work admirably in discharging the duties expected of them. But with the rapid advances made in Information and Communication Technology, people are increasingly realizing the value of English as a necessary tool for knowledge enhancement and for gaining access to certain fields of study which would be denied to those possessing proficiency exclusively in Sinhala and Tamil languages.

The four Presidents whom I served, I must say, tried their best to take certain remedial measures in this regard, but the magnitude of the problem was much too overwhelming for such corrective measures attempted by them to register any lasting impact. The present Govt. too is acutely aware of the enervating effects of the problem, reflected in the lowering of knowledge and competence levels across the board, and is doing its utmost to remedy the situation by having a Special English Unit under a competent Advisor in the Presidential Secretariat dedicated to the training of English teachers. But it is proving to be an uphill task even for this Special Unit, due to the paucity of competent teachers of English.

It is therefore necessary that the problem be addressed frontally with due resolve if the situation is to be prevented from deteriorating further. It is suggested that the authorities try selecting newly passed out graduates and putting them through a six months ‘total immersion’ course in the English language. These young graduates are intelligent and already equipped with learning skills which should enable them to acquire the required proficiency in the English language with ease within the stipulated six month intensive training period. This should, whilst providing gainful employment to the increasing numbers of graduates passing out annually from Universities, also enable the authorities to tackle the problem of improving English proficiency island wide in a pragmatic manner.

Accreditation to UNESCO as Ambassador

In addition to my duties as Ambassador to France, I also represented SL at UNESCO in Paris. I had to devote considerable time to UNESCO discussions where I was elected to Chair certain Committees. UNESCO has always been at the forefront of the UN Agencies in SL assisting the country substantially in the areas of Education development and in the cultural field. UNESCO is currently primarily concerned with encouraging developing countries who are its members, in the rather daunting task of meeting the Millennium Development Goals that have been laid down by the United Nations. During this time, Dr. Sarath Amunugama and Prof. Carlo Fonseka visited Paris in a delegation to attend a UNESCO conference on the theme -‘Towards achieving the Millennium Development targets’. I remember Dr. Amunugama, (who was a familiar figure in UNESCO circles) making a stirring speech on the subject which was rapturously received by the representative audience.

On the 50th Anniversary of the Coronation of Queen Elizabeth the Second, my wife and I received an invitation from Sir John Holmes, the British Ambassador, to attend the Commemoration Ceremony which was to be held at Notre Dame Cathedral. We were conducted to the seats reserved for Commonwealth Ambassadors in the front row, from where we were able to get an unobstructed view of the entire ceremony. The event was indeed a memorable one as the wondrous ‘ambience’ of Notre Dame Cathedral, lent a special grandeur and solemnity to the occasion.

Addressing the UN General Assembly on the subject of Ageing

I consider it a singular privilege and honour to have addressed the United Nations Second World Assembly on Ageing, held in Madrid Spain in April 2011. My address was on “Perspectives of the Ageing population in Sri Lanka”.

On my return to the island I was appointed Senior Advisor to the President. It was during this period that I worked in collaboration with my colleague SMSB Niyangoda, on nine Presidential Committees to study and make recommendations on numerous problems relating primarily to land matters. These recommendations made by the two of us received the approval of the President as well as the Cabinet of Ministers. I was also a member of the Presidential Commission on ‘Law and Order’,with Nihal Wadugodapitya former Justice of the Supreme Court who was Chairman and Frank de Silva former IGP. The Commission submitted a comprehensive report to the then President recommending sweeping changes to the entire Criminal Justice system which unfortunately did not find favour with the gentlemen occupying the highest echelons of the Judiciary at the time for reasons best known to them.

(Concluded)

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Features

RIDDHI-MA:

Published

4 hours ago

2025/04/8

Sahan Weerasooriya

Figure 1: Male bodies covered with heavy costumes. Riddhi-Ma, at Elphinstone Theatre, 28th March 2025, Source: Malshan Witharana.

A new Era of Dance in Sri Lanka

Kapila Palihawadana, an internationally renowned dancer and choreographer staged his new dance production, Riddhi-Ma, on 28 March 2025 at the Elphinstone theatre, which was filled with Sri Lankan theatregoers, foreign diplomats and students of dance. Kapila appeared on stage with his charismatic persona signifying the performance to be unravelled on stage. I was anxiously waiting to see nATANDA dancers. He briefly introduced the narrative and the thematic background to the production to be witnessed. According to him, Kapila has been inspired by the Sri Lankan southern traditional dance (Low Country) and the mythologies related to Riddhi Yâgaya (Riddi Ritual) and the black magic to produce a ‘contemporary ballet’.

Riddhi Yâgaya also known as Rata Yakuma is one of the elaborative exorcism rituals performed in the southern dance tradition in Sri Lanka. It is particularly performed in Matara and Bentara areas where this ritual is performed in order to curb the barrenness and the expectation of fertility for young women (Fargnoli & Seneviratne 2021). Kapila’s contemporary ballet production had intermingled both character, Riddi Bisaw (Princes Riddhi) and the story of Kalu Kumaraya (Black Prince), who possesses young women and caught in the evil gaze (yaksa disti) while cursing upon them to be ill (De Munck, 1990).

Kapila weaves a tapestry of ritual dance elements with the ballet movements to create visually stunning images on stage. Over one and a half hours of duration, Kapila’s dancers mesmerized the audience through their virtuosic bodily competencies in Western ballet, Sri Lankan dance, especially the symbolic elements of low country dance and the spontaneity of movements. It is human bodily virtuosity and the rhythmic structures, which galvanised our senses throughout the performance. From very low phases of bodily movements to high speed acceleration, Kapila managed to visualise the human body as an elevated sublimity.

Contemporary Ballet

Figure 2 – (L) Umesha Kapilarathna performs en pointe, and (R) Narmada Nekethani performs with Jeewaka Randeepa, Riddhi-Ma, at Elphinstone Theatre, Maradana, 28th March 2025. Source:
Malshan Witharana

The dance production Riddhi-Ma was choreographed in several segments accompanied by a flow of various music arrangements and sound elements within which the dance narrative was laid through. In other words, Kapila as a choreographer, overcomes the modernist deadlock in his contemporary dance work that the majority of Sri Lankan dance choreographers have very often succumbed to. These images of bodies of female dancers commensurate the narrative of women’s fate and her vulnerability in being possessed by the Black Demon and how she overcomes and emancipates from the oppression. In this sense, Kapila’s dancers have showcased their ability to use the bodies not much as an object which is trained to perform a particular tradition but to present bodily fluidity which can be transformed into any form. Kapila’s performers possess formlessness, fluid fragility through which they break and overcome their bodily regimentations.

It was such a highly sophisticated ‘contemporary ballet’ performed at a Sri Lankan theatre with utmost rigour and precision. Bodies of all male and female dancers were highly trained and refined through classical ballet and contemporary dance. In addition, they demonstrated their abilities in performing other forms of dance. Their bodies were trained to achieve skilful execution of complex ballet movements, especially key elements of traditional ballet namely, improvisation, partnering, interpretation and off-balance and the local dance repertoires. Yet, these key ballet elements are not necessarily a part of contemporary ballet training (Marttinen, 2016). However, it is important for the dance students to learn these key elements of traditional ballet and use them in the contemporary dance settings. In this sense, Kapila’s dancers have achieved such vigour and somatic precision through assiduous practice of the body to create the magic on stage.

Pas de deux

Among others, a particular dance sequence attracted my attention the most. In the traditional ballet lexicon, it is a ‘pas de deux’ which is performed by the ‘same race male and female dancers,’ which can be called ‘a duet’. As Lutts argues, ‘Many contemporary choreographers are challenging social structures and norms within ballet by messing with the structure of the pas de deux (Lutts, 2019). Pas de Deux is a dance typically done by male and female dancers. In this case, Kapila has selected a male and a female dancer whose gender hierarchies appeared to be diminished through the choreographic work. In the traditional pas de deux, the male appears as the backdrop of the female dancer or the main anchorage of the female body, where the female body is presented with the support of the male body. Kapila has consciously been able to change this hierarchical division between the traditional ballet and the contemporary dance by presenting the female dominance in the act of dance.

The sequence was choreographed around a powerful depiction of the possession of the Gara Yakâ over a young woman, whose vulnerability and the powerful resurrection from the possession was performed by two young dancers. The female dancer, a ballerina, was in a leotard and a tight while wearing a pair of pointe shoes (toe shoes). Pointe shoes help the dancers to swirl on one spot (fouettés), on the pointed toes of one leg, which is the indication of the ballet dancer’s ability to perform en pointe (The Kennedy Centre 2020).

The stunning imagery was created throughout this sequence by the female and the male dancers intertwining their flexible bodies upon each other, throwing their bodies vertically and horizontally while maintaining balance and imbalance together. The ballerina’s right leg is bent and her toes are directed towards the floor while performing the en pointe with her ankle. Throughout the sequence she holds the Gara Yakâ mask while performing with the partner.

The male dancer behind the ballerina maintains a posture while depicting low country hand gestures combining and blurring the boundaries between Sri Lankan dance and the Western ballet (see figure 3). In this sequence, the male dancer maintains the balance of the body while lifting the female dancer’s body in the air signifying some classical elements of ballet.

Haptic sense

Figure 3: Narmada Nekathani performs with the Gara Yaka mask while indicating her right leg as en pointe. Male dancer, Jeewaka Randeepa’s hand gestures signify the low country pose. Riddhi-Ma, Dance Theatre at Elphinstone Theatre, 28th March 2025. Source: Malshan Witharana.

One significant element of this contemporary ballet production is the costume design. The selection of colour palette, containing black, red and while combining with other corresponding colours and also the costumes which break the traditional rules and norms are compelling. I have discussed in a recent publication how clothes connect with the performer’s body and operate as an embodied haptic perception to connect with the spectators (Liyanage, 2025). In this production, the costumes operate in two different ways: First it signifies sculpted bodies creating an embodied, empathic experience.

Secondly, designs of costumes work as a mode of three dimensional haptic sense. Kapila gives his dancers fully covered clothing, while they generate classical ballet and Sinhalese ritual dance movements. The covered bodies create another dimension to clothing over bodies. In doing so, Kapila attempts to create sculpted bodies on stage by blurring the boundaries of gender oriented clothing and its usage in Sri Lankan dance.

Sri Lankan female body on stage, particularly in dance has been presented as an object of male desire. I have elsewhere cited that the lâsya or the feminine gestures of the dance repertoire has been the marker of the quality of dance against the tândava tradition (Liyanage, 2025). The theatregoers visit the theatre to appreciate the lâsya bodies of female dancers and if the dancer meets this threshold, then she becomes the versatile dancer. Kandyan dancers such as Vajira and Chithrasena’s dance works are explored and analysed with this lâsya and tândava criteria. Vajira for instance becomes the icon of the lâsya in the Kandyan tradition. It is not my intention here to further discuss the discourse of lâsya and tândava here.

But Kapila’s contemporary ballet overcomes this duality of male-female aesthetic categorization of lâsya and tândava which has been a historical categorization of dance bodies in Sri Lanka (Sanjeewa 2021).

Figure 4: Riddhi-Ma’s costumes creates sculpted bodies combining the performer and the audience through empathic projection. Dancers, Sithija Sithimina and Senuri Nimsara appear in Riddhi-Ma, at Elphinstone Theatre, 28th March 2025, Source, Malshan Witharana.

Conclusion

Dance imagination in the Sri Lankan creative industry exploits the female body as an object. The colonial mind set of the dance body as a histrionic, gendered, exotic and aesthetic object is still embedded in the majority of dance productions produced in the current cultural industry. Moreover, dance is still understood as a ‘language’ similar to music where the narratives are shared in symbolic movements. Yet, Kapila has shown us that dance exists beyond language or lingual structures where it creates humans to experience alternative existence and expression. In this sense, dance is intrinsically a mode of ‘being’, a kinaesthetic connection where its phenomenality operates beyond the rationality of our daily life.

At this juncture, Kapila and his dance ensemble have marked a significant milestone by eradicating the archetypical and stereotypes in Sri Lankan dance. Kapila’s intervention with Riddi Ma is way ahead of our contemporary reality of Sri Lankan dance which will undoubtedly lead to a new era of dance theatre in Sri Lanka.

References

De Munck, V. C. (1990). Choosing metaphor. A case study of Sri Lankan exorcism. Anthropos, 317-328. Fargnoli, A., & Seneviratne, D. (2021). Exploring Rata Yakuma: Weaving dance/movement therapy and a

Sri Lankan healing ritual. Creative Arts in Education and Therapy (CAET), 230-244.

Liyanage, S. 2025. “Arts and Culture in the Post-War Sri Lanka: Body as Protest in Post-Political Aragalaya (Porattam).” In Reflections on the Continuing Crises of Post-War Sri Lanka, edited by Gamini Keerawella and Amal Jayawardane, 245–78. Colombo: Institute for International Studies (IIS) Sri Lanka.

Lutts, A. (2019). Storytelling in Contemporary Ballet.

Samarasinghe, S. G. (1977). A Methodology for the Collection of the Sinhala Ritual. Asian Folklore Studies, 105-130.

Sanjeewa, W. (2021). Historical Perspective of Gender Typed Participation in the Performing Arts in Sri Lanka During the Pre-Colonial, The Colonial Era, and the Post-Colonial Eras. International Journal of Social Science And Human Research, 4(5), 989-997.

The Kennedy Centre. 2020. “Pointe Shoes Dancing on the Tips of the Toes.” Kennedy-Center.org. 2020 https://www.kennedy-center.org/education/resources-for-educators/classroom-resources/media- and-interactives/media/dance/pointe-shoes/..

Acknowledgements

The author wishes to thank Himansi Dehigama for proofreading this article.

About the author:

Saumya Liyanage (PhD) is a film and theatre actor and professor in drama and theatre, currently working at the Department of Theatre Ballet and Modern Dance, Faculty of Dance and Drama, University of the Visual and Performing Arts (UVPA), Colombo. He is the former Dean of the Faculty of Graduate Studies and is currently holding the director position of the Social Reconciliation Centre, UVPA Colombo.

Features

Sri Lanka’s Foreign Policy amid Geopolitical Transformations: 1990-2024 – Part II

Published

4 hours ago

2025/04/8

Sahan Weerasooriya

Chinese naval ship

Chinese Naval Entry and End of Post-War Unipolarity

The ascendancy of China as an emerging superpower is one of the most striking shifts in the global distribution of economic and political power in the 21st century. With its strategic rise, China has assumed a more proactive diplomatic and economic role in the Indian Ocean, signalling its emergence as a global superpower. This new leadership role is exemplified by initiatives such as the Belt and Road Initiative (BRI) and the establishment of the Asian Infrastructure Investment Bank (AIIB). The Economist noted that “China’s decision to fund a new multilateral bank rather than give more to existing ones reflects its exasperation with the glacial pace of global economic governance reform” (The Economist, 11 November 2014). Thus far, China’s ascent to global superpower status has been largely peaceful.

In 2025, in terms of Navy fleet strength, China became the world’s largest Navy, with a fleet of 754 ships, thanks to its ambitious naval modernisation programme. In May 2024, the People’s Liberation Army Navy (PLAN) further strengthened its capabilities by commissioning the Fujian, its latest aircraft carrier. Equipped with an advanced electromagnetic catapult system, the Fujian can launch larger and heavier aircraft, marking a significant upgrade over its predecessors.

Driven by export-led growth, China sought to reinvest its trade surplus, redefining the Indian Ocean region not just as a market but as a key hub for infrastructure investment. Notably, over 80 percent of China’s oil imports from the Persian Gulf transit to the Straits of Malacca before reaching its industrial centres. These factors underscore the Indian Ocean’s critical role in China’s economic and naval strategic trajectories.

China’s port construction projects along the Indian Ocean littoral, often associated with the Belt and Road Initiative (BRI), exemplify its deepening geopolitical and economic engagement in the region. These initiatives encompass multipurpose berth development, deep-sea port construction, and supporting infrastructure projects aimed at enhancing maritime connectivity and trade. Key projects include the development of Gwadar Port in Pakistan, a strategic asset for China’s access to the Arabian Sea; Hambantota Port in Sri Lanka, which became a focal point of debt diplomacy concerns; the Payra deep-sea port in Bangladesh; as well as port and road infrastructure development in Myanmar’s Yunnan and Kyaukphyu regions and Cambodia’s Koh Kong.

While these projects were promoted as avenues for economic growth and regional connectivity, they also triggered geopolitical tensions and domestic opposition in several host countries. Concerns over excessive debt burdens, lack of transparency, and potential dual-use (civilian and military) implications of port facilities led to scrutiny from both local and external stakeholders, including India and Western powers. As a result, some projects faced significant pushback, delays, and, in certain cases, suspension or cancellation. This opposition underscores the complex interplay between economic cooperation, strategic interests, and sovereignty concerns in China’s Indian Ocean engagements.

China’s expanding economic, diplomatic, and naval footprint in the Indian Ocean has fundamentally altered the region’s strategic landscape, signalling the end of early post-Cold War unipolarity. Through the Belt and Road Initiative (BRI) initiatives, China has entrenched itself economically, financing. Diplomatically, Beijing has deepened its engagement with littoral states through bilateral agreements, security partnerships, and regional forums, challenging traditional Western and Indian influence.

China’s expanding naval deployments in the Indian Ocean, including its military base in Djibouti, and growing security cooperation with regional states, mark the end of unchallenged US dominance in the region. The Indian Ocean is now a contested space, where China’s presence compels strategic recalibrations by India, the United States, and other regional actors. The evolving security landscape in the Indian Ocean—marked by intensifying competition, shifting alliances, and the rise of a multipolar order—has significant implications for Sri Lanka’s geopolitical future.

India views China’s growing economic, political, and strategic presence in the Indian Ocean region as a key strategic challenge. In response, India has pursued a range of strategic, political, and economic measures to counterbalance Chinese influence, particularly in countries like Sri Lanka through infrastructure investment, defense partnerships, and diplomatic engagements.

Other Extra-Regional powers

Japan and Australia have emerged as significant players in the post-Cold War strategic landscape of the Indian Ocean. During the early phases of the Cold War, Australia played a crucial role in Western ‘Collective Security Alliances’ (ANZUS and (SEATO). However, its direct engagement in Indian Ocean security remained limited, primarily supporting the British Royal Navy under Commonwealth obligations. Japan, meanwhile, refrained from deploying naval forces in the region after World War II, adhering to its pacifist constitution and post-war security policies. In recent decades, shifting strategic conditions have prompted both Japan and Australia to reassess their roles in the Indian Ocean, leading to greater defence cooperation and a more proactive regional presence.

In the post-Cold War era, Australia has progressively expanded its naval engagements in the Indian Ocean, driven by concerns over maritime security, protection of trade routes, and China’s growing influence. Through initiatives, such as the Quadrilateral Security Dialogue (Quad) and deeper defence partnerships with India and the United States, Australia has bolstered its strategic presence in the Indian Ocean region.

Recalibration of Japan’s approach

Japan, too, has recalibrated its approach to Indian Ocean security in response to geopolitical shifts. Recognising the Indian Ocean’s critical importance for its energy security and trade, Japan has strengthened its naval presence through port visits, joint exercises, and maritime security cooperation. The Japan Maritime Self-Defence Force (JMSDF) has taken on a more active role in anti-piracy operations, freedom of navigation operations (FONOPS), and strategic partnerships with Indian Ocean littoral states. This shift aligns with Japan’s broader strategy of contributing to regional stability while balancing its constitutional constraints on military force projection.

Japan’s proactive role in the Indian Ocean region is evident in its diplomatic and defence engagements. In January 2019, Japan sent its Foreign Minister, Taro Kono, and Chief of Staff, Joint Staff, Katsutoshi Kawano, to the Raisina Dialogue, a high-profile geopolitical conference in India. Japan’s National Security Strategy, released in December 2022, identifies China’s growing assertiveness as its greatest strategic challenge and underscores the need to deepen bilateral ties and multilateral defence cooperation in the Indian Ocean. It also emphasises the importance of securing stable access to sea-lanes, through which more than 80 percent of Japan’s oil imports pass. In recent years, Japan has expanded its port investment portfolio across the Indian Ocean, with major projects in Sri Lanka, Bangladesh, and Myanmar. In 2021, Japan participated for the first time in CARAT-Sri Lanka (Cooperation Afloat Readiness and Training), a bilateral naval exercise. Japan’s Maritime Self-Defence Force returned for the exercise in January 2023, held at Trincomalee Port and Mullikulam Base.

Japan’s strategic interests in the Indian Ocean have been most evident in its involvement in port infrastructure development projects. Sri Lanka, Bangladesh, and Myanmar are key countries where early Chinese-led port construction faced setbacks. Unlike India, which carries historical and political complexities in its relations with these countries, Japan is better positioned to compete with China. In December 2021, a Japanese company established a ship repair and rebuilding facility in Trincomalee, complementing the already well-established Tokyo Cement factory. When the Sri Lanka Ports Authority announced plans in mid-2022 to develop Trincomalee as an industrial port—inviting expressions of interest from investors to utilise port facilities and up to 2,400 hectares of surrounding land—Trincomalee regained strategic attention.

The Colombo Dockyard, in collaboration with Japan’s Onomichi Dockyard, has established a rapid response afloat service in Trincomalee, marking a significant development in Japan’s engagement with Sri Lanka’s maritime infrastructure. This initiative aligns with Japan’s broader strategic interests in the Bay of Bengal, a region of critical economic and security importance. A key Japanese concern appears to be limiting China’s ability to establish a permanent presence in Trincomalee. This initiative underscores the broader strategic competition in the Indian Ocean. Trincomalee, with its deep-water harbour, has long been regarded as a critical maritime asset. Japan’s involvement reflects its efforts to deepen economic and strategic engagement with Sri Lanka amid growing regional competition. The challenge before Sri Lanka is how to navigate this strategic contest while maximising its national interests.

Other Regional Powers

In analyzing the evolving naval security architecture of the post-Cold War Indian Ocean, particular attention should be given to the naval developments of regional powers such as Pakistan, Indonesia, and Malaysia. In 2012, Pakistan established the Naval Strategic Force Command (NSFC) to strengthen Pakistan’s policy of Credible Minimum Deterrence (CMD). The creation of the NSFC suggests a shift toward sea-based deterrence, complementing Pakistan’s broader military strategy. In December 2012, Pakistan conducted a series of cruise missile tests from naval platforms in the Arabian Sea. Given India’s expanding maritime capabilities, which Pakistan views as a significant threat, the Pakistan Navy may consider deploying tactical nuclear weapons on surface ships as part of its evolving deterrence strategy. Sri Lanka’s foreign policy cannot overlook this development.

Indonesia also emerged as a significant player in the evolving naval security landscape of the Indian Ocean. In 2010, it launched a military modernisation programme aimed at achieving a ‘Minimum Essential Force’ (MEF) by 2024. As part of this initiative, Indonesia sought to build a modern Navy with 247 surface vessels and 12 submarines. One of the primary challenges faced by the Indonesian Navy (TNI-AL) is piracy. To enhance maritime security, Indonesia and Singapore signed the SURPIC Cooperation Arrangement in Bantam in May 2005, enabling real-time sea surveillance in the Singapore Strait for more effective naval patrols. In 2017, Indonesia introduced the Indonesian Ocean Policy (IOP) and subsequently incorporated blue economy strategies into its national development agenda, reinforcing its maritime vision. According to projections from the Global Firepower Index, published in 2025, the Indonesian Navy is ranked fourth in global ranking and second in Asia in terms of Navy fleet strength (Global Firepower, 2025).

In October 2012, the Royal Malaysian Navy (RMN) announced plans to build a second Scorpène simulator training facility at its base in Kota Kinabalu, in addition to submarine base in Sepanggar, Sabah, constructed in 2002. To enhance its naval capabilities, the RMN planned to procure 18 Littoral Mission Ships (LMS) for maritime surveillance and six Littoral Combat Ships (LCS) between 2019 and 2023. Malaysia and China finalised their first major defence deal during Prime Minister Najib Razak’s visit to Beijing in November 2016. During this visit, Malaysia’s Defence Ministry signed a contract to procure LMS from China, as reported by The Guardian. Despite this agreement, Malaysia continues to maintain amicable relations with both China and India, as does Indonesia.

The increasing presence of major naval powers, the rise of regional stakeholders, and the growing significance of trade routes and maritime security have transformed the Indian Ocean into a central pivot of both regional and global politics, with Sri Lanka positioned at its heart. (To be Continued)

by Gamini Keerawella

Features

More excitement for Andrea Marr…

Published

4 hours ago

2025/04/8

Sahan Weerasooriya

Andrea Marr with IntoGroove. They are world class, she says

Sri Lankan Andrea Marr, now based in Australia, is in the spotlight again. She says she has teamed up with a fantastic bunch of Sri Lankan musicians, in Melbourne, and the band is called IntoGroove.

“The band has been going strong for many years and I have been a fan of this outfit for quite a few years; just love these guys, authentic R&B and funk.”

Although Andrea has her original blues band, The McNaMarr Project, and they do have a busy schedule, she went on to say that “when the opportunity came up to join these guys, I simply couldn’t refuse … they are too good.”

IntoGroove is Jude Nicholas (lead vocals), Peter Menezes (bass), Keith Pereira (drums), Blaise De Silva (keyboards) and and Steve Wright (guitar).

Andrea Marr: Powerhouse of the blues

“These guys are a fantastic band and I really want everyone to hear them.”

Andrea is a very talented artiste with many achievements to her credit, and a vocal coach, as well.

In fact, she did her second vocal coaching session at Australian Songwriters Conference early this year.

Her first student showcase for this year took place last Sunday, in Melbourne, and it brought into the spotlight the wonderful acts she has moulded, as teacher and mentor.

What makes Andrea extra special is that she has years of teaching experience and is able to do group vocal coaching for all styles, levels and genres.

In January, this year, she performed at the exclusive ‘Women In Blues’ showcase at Alfred’s On Beale Street (rock venue with live entertainment), in Memphis, in the USA, during the International Blues Challenge when bands from all over the world converge on Memphis for the ‘Olympics of the Blues.’

The McNaMarr Project with Andrea and Lindsay Marr in the
vocal spotlight

This was her fourth performance in the home of the blues; she has represented Australian Blues three times and, on this occasion, she went as ambassador for Blues Music Victoria, and The Melbourne Blues Appreciation Society’s ‘Women In Blues’ Coordinator.

Andrea was inducted into the Blues Music Victoria Hall of Fame in 2022 and released her 10th album which hit #1 on the Australian Blues Charts.

Known as ‘the pint-sized powerhouse of the blues’ for her high energy, soulful, original music, Andrea is also a huge fan of the late Elvis Presley and has checked out Graceland, in Memphis, Tennessee, USA, many times.

In Melbourne, the singer also plays a major role in helping Animal Rescue organisations find homes for abandoned cats.

Andrea Marr’s wish, at the moment, is that the Lankan audience, in Melbourne, would get behind this band, IntoGroove. They are world class, she added.