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The Broken Promise of Lankan Cinema: Asoka and Swarna’s Thrilling Melodrama – Part I

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A scene in Rani

“‘Dr. Ranee Sridharan,’ you say. ‘Nice to see you again.’The woman in the white sari places a thumb in her ledger book, adjusts her spectacles and smiles up at you. ‘You may call me Ranee. Helping you is what I am assigned to do,’ she says. ‘You have seven moons. And you have already waisted one.’” The Seven Moons of Maali Almeida by Shehan Karunatilaka (London: Sort of Books, 2022. p84)

The very first Sinhala film Broken Promise (1947), produced in a studio in South India, was a plucky endeavour on the part of the multi-ethnic group who powered it. Directed by B.A.W. Jayamanne, it introduced the classically trained Tamil singer and stage actress in the Minerva Theatre Company, Daisy Rasamma Daniels, as Rukmani Devi, (who was the only real star of the Lankan cinema at the height of its mass popularity), to an avid cinephile audience of Ceylon who had grown up enjoying Hindi, Tamil and Hollywood films. The producer of the film, S. M. Nayagam, an Indian of Tamil ethnicity, skilfully negotiated the production of the first Lankan film in Sinhala in his South Indian film studio in Madurai because Ceylon had neither the film infrastructure nor the technical know-how to do so. A Tamil singer/actress and a Sinhala director were the Ceylonese ‘capital’, both of whom had to learn on the run, the craft of filmmaking.

Rukmani Devi and Swarna Mallawarachchi

There is a rather strange parallel between the Tamil Rukmani Devi, playing Sinhala women throughout her entire career with impeccable professionalism, great devotion and love, and the Sinhala Swarna Mallawarachchi, playing a Tamil woman for the first time, in Rani, but quite late in her career. In terms of their careers as independent, self-made film actors these are, undoubtedly, professional achievements of cultural significance for our multi-ethnic, highly stratified, Island nation with its 28-year war. But Rukmani Devi’s career began with the very inception of Lankan cinema when she was quite young and ended all too soon, when she was no longer young enough to play lead roles. However, she continued to earn a living singing at live carnival variety shows, until her tragic death in her 50s.

But Asoka Handagama’s Rani arrives in the era of digital cinema when the mass audience for cinema had diminished greatly, given the easy access online. Also, the Sinhala cinema as an Industry, such as it was, with production, distribution and exhibition of films in cinemas across the country, at scale, and the film-culture that sustained it for several decades does not exist any longer. It’s mostly only Hollywood blockbusters and a handful of films that draw an audience to a theatre. Scandal and controversy play well to draw folk into a cinema sometimes and a brilliant actor can also do this. The example of Australian actress Cate Blanchett becoming a Hollywood star, in Tar (2023), comes to mind. Now most Hollywood films go straight to Netflix and other streaming services with a short theatrical season. And Indian independent cinema and TV series do get on to Netflix with their high production values, unique genre traditions, star systems and a large diaspora for films in several Indian languages – Tamil, Hindi, Telugu.

Swarna’s over 50-year acting career, now in her 70s, has had a very rare boost going by the controversial public reception of the film and its related box office success. However, that this success is the result of having played a remarkable Lankan Tamil woman, a professional, appears not to be of much interest to the many Sinhala critics I have read or heard online. Apart, of course, from a mention in passing that Manorani Sarvanamuttu was a doctor with a patrician, Tamil, Anglophone ancestry, her Tamil ethnicity does not figure centrally in the discussions of the film and of Swarna’s performance itself. In fact, apart from the adulation of her performance as Rani, I have not found as yet any substantive intellectual discussion of her choice of a style of acting and of its aesthetic quality and indeed the politics it implies. As an actress with a highly distinguished filmography, beginning with Siri Gunasinghe’s Sath Samudura (66), with major auteurs of Lankan cinema, this is indeed a strange omission.

In this piece I am particularly interested to explore Swarna and Asoka’s choice of ‘a Melodramatic Style’ of acting, to represent Dr Manorani Saravanamuttu as Rani. She who was a Tamil, Christian, professional woman who, after her son’s assassination, chose to become a public figure, leading a movement of largely Southern, Sinhala-Buddhist women in ‘The Mothers’ Front’ demanding justice for their ‘disappeared’ loved ones during a period of terror in the country.

Tear-Gas Cinema People

I am also thinking of the 2022 ‘Aragalaya/Porattam/Struggle-generation’ in particular, who would have a keen interest in Rani for political and ethical reasons and more specifically all those brilliant protestors who joyfully constructed the ‘Tear Gass Cinema’ in the heart of Galle Face, which was torn down by thugs instigated by Mahinda Rajapaksa himself who appears in Rani as an aspiring politician who cunningly uses the Mothers’ Front to power his political future. As cinephiles, they would no doubt be also interested in the film’s aesthetics, its realpolitik, gender politics and psycho-sexual violence, in an era of all-pervasive terror.

Manorani’s Tamil Ethnicity

Manorani’s Tamil ethnicity and its implications will be at the forefront of my inquiry, especially because her Tamil identity appears to be central to Swarna’s own fascination with her and desire to perform the role of Manorani as the bereaved mother of an assassinated charismatic son. ‘Fascination’ and ‘desire’ are dynamic, complex, psychic energies, vital for all creative actors who take on ‘difficult’ roles, especially female ones, in theatre and film. Consider the generations of distinguished Western actors who have played roles, such Lady Macbeth (Shakespeare’s Macbeth) or Medea (Euripides’ Medea) who killed her children to avenge her husband for abandoning her or Clytemnestra (Aeschylus’ Oresteian Trilogy) who killed her husband Agamemnon to avenge his killing of their daughter Iphigenia in the Classical Greek tragedy. These are not characters one can like, but an actor who incarnates them must find something fascinating in them, to the point of obsession even, so as to inhabit them night after night in the theatre credibly, in all their capacity, as the case might be, for passion and profound violence.

Perhaps not incidentally, Manorani Sarvanamuttu did play the role of Clytemnestra at the British Council with Richard de Zoysa, her own son playing either the role of Aegisthus, her lover or her son Orestes who is duty bound, fated, to kill her because she killed his father the king. I saw this production of The Libation Bearers (the second play of the Trilogy), but can’t remember the exact year, perhaps 1988 nor the role Richard played but do remember Manorani’s powerfully statuesque presence, her poise and minimalist gestures, performed in an open corridor with high pillars, facing the audience seated on chairs arranged on a very English lawn modulated by a setting tropical sun. The texture of her voice was soft but strong, the timbre rich, I recall. She didn’t need to shout to project her voice, though it was an open-air show. She was an experienced amateur actor working with the playwright and director Lucien de Zoysa, who she married and had Richard with.

Modulating a Gift: A Female Actor’s Voice

But now that I have heard, while researching this piece, Manorani’s speaking voice (not her theatrical poetic voice as Clytemnestra the regicide) on a documentary film made after Richard’s death, I do think that hers was a singular ‘Ceylonese’ voice. That ‘Ceylon’ ceased existing once upon a time, except in memory, a memory popping up by chance on hearing a voice, that most fragile of memory traces with the power to make palpable, time lost.

Rukmani Devi is the only actor in the Lankan cinema of the early period who had a deep, textured, resonant voice with perfect pitch that perhaps reached the famous two octave range in singing, as Elvis Presley famously possessed. A star of the Hindi cinema once said that with that voice, had Rukmani Devi been an Indian she would have had quite a different career and that she did have an ‘operatic voice’, that is to say one with considerable power, range and texture which she was able to modulate to create feelings that we Lankans still respond to hearing her songs. The problem was that the dialogue written for her in the popular genre films was melodramatic in the extreme, formulaic, often laughable, and the delivery also similarly stilted. Her singing created and sustained the intensity of the films despite the slight lyrics. Radio, records and cassettes spread her voice and also Mohidin Baig’s, right across the country. She spoke an ‘accent-less’ Sinhala, without a trace of her Tamil mother tongue inflecting it.

The Aging Female Actor

It’s a fact well known that when female film-actors pass their youth, their roles diminish rapidly. But in striking contrast, male actors do go on acting until they are quite old and even have romantic scenarios written for them with young women old enough to be their granddaughters. Feminist film theorists have written about this stuff and brilliant leading female Hollywood stars have spoken out about this and taken productive action, on occasion, to rectify it. There simply are no film roles for female actors when they reach maturity of age, experience and technical skill, unlike in theatre, unless playing the role of an ‘aging actress’ of 50 refusing to accept career death so soon, as in All About Eve with Bette Davis.

Kadaima, the recent film Swarna performed in, directed by a surgeon on leave, Dr. Naomal Perera, was promoted as sequel to Vasantha Obeysekera’s classic Dadayama. Kadaima appears to have fizzled out trying a feeble pun on Dadayama with typical melodramatic plot contrivances of coincidences. But in Dadayama Swarna created an unforgettably powerful performance directly related, it should be emphasised, to Vasantha’s brilliant direction, script based on a notorious crime and complex editing of sound and image. Like Sumithra Peiris, Vasantha was also trained in filmmaking in France. After Dadayama’s success in 1983, the chance to perform a challenging role so late in her career, linked to yet another ‘true crime’, would have been an irresistible opportunity for Swarna as a mature and highly experienced award-winning actor.

An analysis of her style of performance follows, in relation to the Rani script and direction because they are integrally linked.

But at first, I want to create a historically informed, intellectual framework irrespective of whether I like the film or not. By ‘history,’ I mean Lankan film history, a history of film acting within the context of the history of political violence, especially the political terror of 1987-1990 and its aftermath during the civil war years. I do so because Rani has created what the Australian Cultural Studies scholar Meaghan Morris has theorised as ‘a Mass-Media Event’.

“An event is a complex interaction between commerce and ‘soul’; or, to speak more correctly, between film text, the institution of cinema and the unpredictable crowd-actions that endow mass-cultural events with their moment of legitimacy, and so modify mass-culture”.

The crowded discourse on Rani in the South is noteworthy, and appears to be unprecedented. This fact alone warrants a considered analysis beyond simply stating our individual likes and dislikes of the film, defending the film or criticising it. As a scholar working within the field of Cinema Studies, one is ethically bound to explore and analyse such ‘Media Events’ rationally and imaginatively, making clear one’s theoretical and other assumptions. In doing so, others may engage with the terms of my argument without being abusive. In such work, aesthetic and ethical values are not, in the final analysis, separable categories even as one is cognisant of the monetary value of films at this scale of production and the importance of box office revenue and the advertising machine that powers it. Often, in the history of cinema, these values have been in conflict with each other but as an ‘industrial art’, its very condition of possibility. I am drawn to filmmakers who burn so much time and energy to capture on film a few moments of intensity, intimate vitality that enriches life … all life, that propels us to think the unthinkable. This is why cinema matters, this is why the history of cinema has many, too many, martyrs. (To be continued)

by Laleen Jayamanne



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Buddhist Approach to Human Challenges

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Life, by its very nature, invariably presents a myriad of challenges that are fundamental to the human experience. The various social ills that afflict humanity cannot be understood without recognizing the profound human dynamics at play. Navigating these challenges according to Buddhism involves shifting from attempting to control external circumstances to mastering one’s internal responses. Central to these challenges are certain detrimental drives stemming from pernicious distortions in the functioning of the human mind.

According to Buddhism, human suffering—both on a personal and societal level—arises from three unwholesome roots: greed, hatred, and ignorance or delusion. These roots manifest primarily as the unbridled proliferation of these negative states, serving as the foundation for our conduct. The Buddhist perspective offers profound insights for confronting these difficulties by emphasizing the nature of suffering, known as dukkha. Buddhism teaches that suffering (dukkha) is an inevitable part of life and is fueled by greed, hatred, and ignorance or delusion. This approach promotes mental transformation through mindfulness, ethical living, and the cultivation of wisdom, empowering individuals to confront their struggles with clarity and resilience.

Furthermore, accepting that suffering and difficulty are inherent parts of the human experience—while expecting life to be free of challenges—is, in itself, a cause of suffering. It is also important to recognize that all situations, whether good or bad, are temporary. This understanding helps reduce anxiety when facing difficult times, as these will eventually pass, and it prevents possessiveness during happy moments. Cultivating mindfulness (sati) and living in the present moment without dwelling on the past or worrying about the future is essential.

Understanding that all things—emotions, situations, relationships, and physical bodies—are constantly changing and in a state of flux helps reduce the fear of loss and provides comfort during difficult times, ensuring that we know pain will pass. Moreover, recognizing that the self, or ego, is not a fixed entity minimizes selfish grasping, arrogance, and the tendency to perceive challenges as personal attacks.

At the core of many human challenges lie the three unwholesome mental qualities identified by Buddhism: greed (raga), hatred (dovesa), and ignorance or delusion (avijja or moha). These states of mind serve as obstacles to spiritual progress and underlie a spectrum of harmful thoughts and actions. The Buddha employed powerful metaphors to illustrate these forces, referring to them as the three poisons or fires that ignite suffering and trap beings in the cycle of samsara.

Greed leads to insatiable desires that obscure our awareness of others’ needs, creating a cycle of frustration. Greed encompasses all forms of appetite, such as desire, lust, craving, and longing, manifesting in both physical and mental forms. It embodies the concept of grasping, leading to clinging and an inability to let go. As an unwholesome mental state, greed can become insatiable and inexhaustible. People are often drawn to pleasant things, and no amount of forms, sounds, smells, tastes, tangibles, or mental objects can satisfy their desires. In their intense thirst for possession or gratification of desire, individuals may become trapped in the wheel of samsara, overlooking the needs of marginalized groups based on religion and ethnicity (as noted by Piyadassi Thera). Those who overcome greed realize that all mundane pleasures are fleeting and transient. In a society driven by consumerism, people may find themselves endlessly chasing after things of little value, becoming enslaved by them.

Hatred is another unwholesome mental state that fosters division and conflict, distancing us from genuine relationships. It encompasses unwholesome mental states such as ill will, enmity, hostility, and prejudice. Hatred can be subtle, lying dormant in a person’s mind until it finds expression in unexpected moments. This destructive emotion can degenerate into mass-scale violence and bloodshed within society. Today, hatred and hostility against minorities based on religion and ethnicity are prevalent in many countries. People are often targeted by bigotry and hate, leading to a rise in antagonistic and derogatory behavior toward certain religious and ethnic groups. Hatred, enmity, and retaliation do not foster spiritual well-being; rather, they vitiate our own minds. Buddhists are encouraged to cultivate metta (loving-kindness). Greed and hatred, coupled with ignorance, are the chief causes of the evils that pervade this deluded world. As noted by Narada, “The enemy of the whole world is lust (greed), through which all evils come to living beings. This lust, when obstructed by some cause, transforms into wrath.”

The most profound of these afflictions, ignorance (avijja) or delusion (moha), clouds our judgment and obscures our capacity for understanding, causing us to harm ourselves and others through misguided actions. Addressing bhikkhus, the Buddha declared, ” I do not perceive any single hindrance other than the hindrance of ignorance by which mankind is obstructed, and for so long as in samsara, it is indeed through the hindrance of ignorance that humankind is obstructed and for a long time runs on, wanders in samsara. No other single thing exists like the hindrance of ignorance or delusion, which obstructs humankind and make wander forever. This unwholesome mindset generates negative speech, actions, and thoughts, perpetuating our own suffering. As stated in the Dhammapada, “All mental phenomena have mind as their forerunner; if one speaks or acts with an evil mind, suffering follows.”

Buddhism urges us to go beyond merely addressing the symptoms of our problems. Instead, it invites us to explore the roots of our suffering and examine how greed, hatred, and ignorance manifest in our lives. By uncovering these sources of distress, we can cultivate essential qualities such as compassion, loving-kindness (metta), and acceptance. These virtues are crucial for ethical engagement with significant societal issues, including environmental challenges and social inequality.

In a world marked by material prosperity and emotional chaos, many individuals may feel lost or overwhelmed. The teachings of the Buddha remain relevant today, reminding us that the origins of our struggles often reside within our own minds. By practising ethical self-discipline and steering clear of destructive emotions like jealousy, anger, and arrogance, we can transform our experiences and relationships.

Buddhism teaches that cultivating wholesome mental qualities is essential for spiritual advancement. The positive counterparts to the three unwholesome states are non-greed (alobha), non-hatred (adosa), and non-delusion (amoha). These virtues represent not merely the absence of negativity but also the active presence of beneficial qualities such as generosity (dana), loving kindness (metta), and wisdom (panna). Each of these six mental states serves as a foundation for both personal growth and societal harmony.

Human beings are often tempted by moral transgressions rooted in unwholesome qualities. Actions driven by greed, hatred and ignorance require wisdom and mindful awareness to overcome them, allowing us to see the interconnectedness of all beings and act accordingly.

As we strive to abandon these unwholesome states of mind and cultivate awareness, we contribute positively to our lives and the broader world. By embracing Buddhist teachings, we learn that transforming our minds can significantly impact our experiences and the lives of those around us. Through this mindful practice, we can aspire to create a more compassionate, harmonious existence, transcending the limitations of unwholesome mental states and fostering a deeper connection with ourselves and others.

by Dr. Chandradasa Nanayakkara

 

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How does the Buddha differ?

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Buddhism, perhaps, is not a religion if the definition of religion is strictly applied. However, by an extension of that definition, as well as by consensus, Buddhism is considered a religion and is the fourth largest religion with about half a billion followers worldwide. Of the four great religions in the world, Christianity is still way ahead with 2.6 billion adherents, followed by Islam with 1.9 billion and Hinduism with 1.2 billion followers. In most Western Christian countries church attendances are on the decline whilst the numbers following Islam are increasing with Islamic youth displaying signs of increasing religious ardour. There are recent reports that Buddhism has also joined the ranks of shrinking religions. Is this cause for concern? Is this happening by the very nature of Buddhism?

Hinduism, the world’s oldest living religion rooted in the Indus Valley Civilization and dating back at least four millennia, is considered to have evolved from ancient cultural and religious practices than being founded by a single individual, unlike the other three religions. The Buddha differs from Jesus Christ and Prophet Mohammed in many ways, the most important being that there is no higher power involved in what the Buddha discovered.

Jesus Christ is considered the ‘Son of God’ and Christianity is built on the life, resurrection and teachings of Christ with emphasis on the belief in one God expressed through the Trinity: God the Father, Jesus the Son and the Holy Spirit. Therefore, there is no room for questioning the words of the Almighty passed through the Son.

Islam, with its Five Pillars of faith, frequent daily prayers, charity, fasting during Ramadan and pilgrimage to Mecca, is founded on revelations made by Almighty God, Allah, to Mohammed, the last of his Prophets, which are recorded in verse in the Holy Book, Quran. Muslims consider the Quran to be verbatim words of God and the unaltered, final revelation. This leaves even less room for questioning.

In contrast, the Buddha achieved everything by himself with no help from any higher source. Rebelling against some of the practices in the religion to which he was born and seeking a solution to the ever-pervading sense of dissatisfaction, Prince Siddhartha embarked on a journey of discovery that culminated in Enlightenment, under the Bodhi tree on the full moon day of the month of Vesak.

Hinduism, or Sanatana Dharma as traditionally referred to by followers, encompasses the concepts of Karma, Samsara, Moksha and Dharma with a creator Brahma, preserver Vishnu and destroyer Shiva. In addition, there are multitudes of gods serving various functions and there are ritual practices of Puja (worship), Bhakti (devotion), Yajna (sacrificial rites) in addition to meditation and Yoga. The one thing that has blighted Hinduism, on top of sacrifices, is the caste system. The uncompromising attitude of Brahmins led to the formation Sikhism as well, long after the establishment of Buddhism.

Prince Siddhartha studied under eminent teachers of the day, of which there were many, but realised the limitations of their knowledge. Having already given up the extreme of luxury, he went to the other extreme of self-deprivation which after a search for six years, he realised also was not the solution to the problem. Exploring through his mind he realised the truth and came up with the Four Noble Truths and the Noble Eightfold Path. He shunned extremes and proposed the Middle Path which seems to hold sway in many spheres of life, even today.

Buddha’s greatest achievement was the analysis of the mind and scientists are only now establishing the accuracy of the concepts the Buddha elucidated, not with the help of supernatural powers or sophisticated machinery at the disposal of modern-day scientists but by the exploration of the mind by turning the searchlight inwards.

Having discovered the cause of universal dissatisfaction and the path to overcome it, the Buddha walked across vast swathes of India, most likely barefoot, preaching to many, in terms they could understand, as evidenced by the different suttas illustrating the same fact in different ways; to the intelligent it was a short explanation but for others it was a more detailed discussion.

In sharp contrast to all other religious leaders, the Buddha encouraged discussion and challenge before acceptance. What the Buddha stated in the Kalama Sutta, acceptance only after conviction, laid the foundation for scientific thinking.

The Buddha, being a human not supernatural, never claimed infallibility as evidenced by his agreement with his father King Suddhodana that ordaining his son Rahula without permission was a mistake and took steps to ensure that this did not happen again. In fact, the entire Vinaya Pitaka is not an arbitrary rule book laid down by the Buddha, but are the rules the Buddha laid down for the Sangha, based on errant actions by Bhikkhus. Long before the legal concept of retroactive justice was established, the Buddha implemented it in the Vinaya Pitaka.

In an interesting video on YouTube titled “Nature of Buddhism”, Bhante Dhammika of Australia (https://www.youtube.com/watch?v=KY8WfGJq2FI) discusses some unique aspects of Buddhism. Some religions are ‘high demand’ religions where the followers are required to strictly adhere to certain rules which is not the case in Buddhism and he opines that this has led to the gentleness of Buddhists, at times leading to even being lackadaisical! Interestingly, as a widely travelled person, he describes his personal experience of the change of people’s attitudes on going from places with Buddhist influence to others. Speaking of Sri Lanka, where he spent many years, he commends the traditional hospitality as well as lack of cruelty to animals. He refers to “Law based religions” where some things are compulsory whereas in Buddhism there is no compulsion. Buddha was not a lawgiver but recommended good behaviour, giving reasons why and encouraged thinking. Some religions are exclusivist, claiming that there is nothing in other religions. Buddhism is not and Bhante Dhammika refers to an incident where the Buddha encouraged a disciple who converted from Jainism to continue to give alms to his former Jain colleagues.

Have all these strengths of Buddhism become its weakness and the reason for the shrinking number of followers? Had Buddhism demanded more from followers would it have flourished better? Is the numbers game that important? These are interesting questions to ponder over and I am sure, in time, researchers would write theses on these.

Whilst total numbers may diminish in traditional Buddhist areas, more people in the West are recognising the value of the philosophy of Buddhism. Mindfulness, a concept the Buddha introduced is gaining wide acceptance and is increasingly applied in many spheres of modern life. Perhaps, what is important is not the numbers that practise Buddhism as a religion but the lasting influence of the Buddha’s concepts and foundations he laid for modern scientific thinking and analysis of the mind!

By Dr Upul Wijayawardhana

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Political violence stalking Trump administration

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A scene that unfolded during the shooting incident at the recent White House Correspondents’ Dinner in Washington. (BBC)

It would not be particularly revelatory to say that the US is plagued by ‘gun violence’. It is a deeply entrenched and widespread malaise that has come in tandem with the relative ease with which firearms could be acquired and owned by sections of the US public, besides other causes.

However, a third apparent attempt on the life of US President Donald Trump in around two and a half years is both thought-provoking and unsettling for the defenders of democracy. After all, whatever its short comings the US remains the world’s most vibrant democracy and in fact the ‘mightiest’ one. And the US must remain a foremost democracy for the purpose of balancing and offsetting the growing power of authoritarian states in the global power system, who are no friends of genuine representational governance.

Therefore, the recent breaching of the security cordon surrounding the White House Correspondents’ Dinner in Washington at which President Trump and his inner Cabinet were present, by an apparently ‘Lone Wolf’ gunman, besides raising issues relating to the reliability of the security measures deployed for the President, indicates a notable spike in anti-VVIP political violence in particular in the US. It is a pointer to a strong and widespread emergence of anti-democratic forces which seem to be gaining in virulence and destructiveness.

The issues raised by the attack are in the main for the US’ political Right and its supporters. They have smugly and complacently stood by while the extremists in their midst have taken centre stage and begun to dictate the course of Right wing politics. It is the political culture bred by them that leads to ‘Lone Wolf’ gunmen, for instance, who see themselves as being repressed or victimized, taking the law into their own hands, so to speak, and perpetrating ‘revenge attacks’ on the state and society.

A disproportionate degree of attention has been paid particularly internationally to Donald Trump’s personality and his eccentricities but such political persons cannot be divorced from the political culture in which they originate and have their being. That is, “structural” questions matter. Put simply, Donald Trump is a ‘true son’ of the Far Right, his principal support base. The issues raised are therefore for the President as well as his supporters of the Right.

We are obliged to respect the choices of the voting public but in the case of Trump’s election to the highest public position in the US, this columnist is inclined to see in those sections that voted for Trump blind followers of the latter who cared not for their candidate’s suitability, in every relevant respect, and therefore acted irrationally. It would seem that the Right in the US wanted their candidate to win by ‘hook or by crook’ and exercise power on their behalf.

By making the above observations this columnist does not intend to imply that voting publics everywhere in the world of democracy cast their vote sensibly. In the case of Sri Lanka, for example, the question could be raised whether the voters of the country used their vote sensibly when voting into office the majority of Executive Presidents and other persons holding high public office. The obvious answer is ‘no’ and this should lead to a wider public discussion on the dire need for thoroughgoing voter education. The issue is a ‘huge’ one that needs to be addressed in the appropriate forums and is beyond the scope of this column.

Looking back it could be said that the actions of Trump and his die-hard support base led to the Rule of Law in the US being undermined as perhaps never before in modern times. A shaming moment in this connection was the protest march, virtually motivated by Trump, of his supporters to the US Capitol on January 6th, 2021, with the aim of scuttling the presidential poll result of that year. Much violence and unruly behaviour, as known, was let loose. This amounted to denigrating the democratic process and encouraging the violent take over of the state.

In a public address, prior to the unruly conduct of his supporters, Trump is on record as blaring forth the following: ‘We won this election and we won by a landslide’, ‘We will stop the steal’, ‘We will never give up. We will never concede. It doesn’t happen’, ‘If you don’t fight like hell, you’re not going to have a country anymore.’

It is plain to see that such inflammatory utterances could lead impressionable minds in particular to revolt violently. Besides, they should have led the more rationally inclined to wonder whether their candidate was the most suitable person to hold the office of President.

Unfortunately, the latter process was not to be and the question could be raised whether the US is in the ‘safest pair of hands’. Needless to say, as events have revealed, Donald Trump is proving to be one of the most erratic heads of state the US has ever had.

However, the latest attempt on the life of President Trump suggests that considerable damage has been done to the democratic integrity of the US and none other than the President himself has to take on himself a considerable proportion of the blame for such degeneration, besides the US’ Far Right. They could be said to be ‘reaping the whirlwind.’

It is a time for soul-searching by the US Right. The political Right has the right to exist, so the speak, in a functional democracy but it needs to take cognizance of how its political culture is affecting the democratic integrity or health of the US. Ironically, the repressive and chauvinistic politics advocated by it is having the effect of activating counter-violence of the most murderous kind, as was witnessed at the White House Correspondents’ Dinner. Continued repressive politics could only produce more such incidents that could be self-defeating for the US.

Some past US Presidents were assassinated but the present political violence in the country brings into focus as perhaps never before the role that an anti-democratic political culture could play in unraveling the gains that the US has made over the decades. A duty is cast on pro-democracy forces to work collectively towards protecting the democratic integrity and strength of the US.

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