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Political Cartooning: Footing into new ground

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Online platforms are full of editorial cartoons… the era of newspaper cartooning is over. Indian editorial cartooning has entered the world of online platforms.

by Sorit Gupto

Political Cartooning: That was somewhere in the early 90s. There was a panel discussion held in the Boimela or the Kolkata book fair where a number of famous Bangla cartoonists were invited for a discussion. The topic of the discussion was ‘Relevance of cartoons in the newspaper’. Well, besides cartoonists other panel members included a senior journalist associated with a popular Bangla daily and a cartoon collector.

At that time the newspapers, both Bangla and English, stopped appointing cartoonists except one. In other words, most of the speakers of the panel discussion – the cartoonists – were essentially jobless. The only cartoonist associated with a newspaper was absent because of some health issues. These details are necessary because what was supposed to be a panel discussion on ‘Relevance of cartoons in the newspaper’, rapidly transformed into a grievance redressal event of the (jobless) cartoonists. There was a general agreement among the cartoonists that for a long time newspapers have simply stopped publishing editorial cartoons but they were clueless (almost) about why? But someone had to be blamed. Imagine who was held responsible for the joblessness of cartoonists? Bapi Chanachur (a dalmoth/mixture brand)!

Now, one may ask how a humble brand of dalmoth/mixture has anything to do with the art of cartooning in the first place. Well, according to the panel of the speakers (the cartoonists) it was this dalmoth/mixture brand whose advertisements were eating up the space for the cartoons!

Not only the viewers, even myself – as a young person struggling to become a political cartoonist – this was one of the greatest mysteries of the known universe. However, it’s also a fact that the speakers were once famous cartoonists but now they are unemployed.

What went wrong with the profession/art of political cartooning?

The answer is a little complicated because there is more than one factor associated with the absence of editorial cartoons in the newspapers. There are a hundred ways to tell this story. This one is mine.Printing in general and printing of daily newspapers, in particular, is a European concept. The oldest direct handwritten news sheets circulated widely in Venice as early as 1566 carrying information on wars and politics in Italy and Europe. The Relation aller Fürnemmen und gedenckwürdigen Historien, printed from 1605 onwards by Johann Carolus in Strasbourg, is often recognised as the first newspaper.

In India and even in Asia things were different. There were royal chroniclers or royal historians but the concept of the news presented in printed form for the consumption of the masses is completely an alien thing to Indian society.The British brought the concept of Newspapers in India. Published for two years, between 1780 and 1782, Hicky’s Bengal Gazette or the Original Calcutta General Advertiser, an English-language weekly newspaper published in Kolkata (then Calcutta), is claimed to be the first newspaper printed in India.

Newspaper, radio and film are considered to be the basic means of modern communication but there is a huge difference between newspaper, radio, and film. Take for example the technology of motion pictures. In 1888 England, Louis Le Prince of Leeds, Britain, filmed Roundhay Garden Scene, believed to be the first motion picture recorded and within fifteen years we had our own motion picture Raja Harishchandra.

The first voice and music signals heard over radio waves were transmitted in December 1906 from Brant Rock, Massachusetts (just south of Boston). In June 1923 the Radio Club of Bombay made the first ever broadcast in the country. The gap was just seventeen years.

But for the newspaper, we had to wait for more than a century. Why? Because of the widespread illiteracy. You don’t need a literate person to enjoy a radio programme or a film but for a newspaper, a literate person is a basic necessity.

Since the art of editorial cartooning is closely associated with the newspaper, one can’t expect an editorial cartoon without a newspaper. However, there were some art forms like Kalighat paintings where that ridiculed the contemporary social hypocrisies but their reach and influence were minuscules compared to a newspaper for all practical reasons.

Political/editorial cartooning was an integral part of a daily newspaper from its inception and it had its own reasons. Most importantly the reasons were purely technical. Nowadays we can’t imagine a big story/news in a newspaper without a photographs but historically things were completely different.

As a part of the content of the newspaper, the pictures are late comers. To put things into a perspective, although publishing since 1664, the newspaper from Mantu (Italy), Gazzetta di Mantova is the oldest living newspaper in the world the first-ever photograph appeared in the newspaper on July 1st, 1848. The name of the newspaper was L’Illustration, a French weekly periodical that published a photograph that showed Parisian streets barricaded due to a worker’s strike known as the June Days Uprising. In other words, the newspapers had to wait for roughly two centuries to print a photograph. This late entry of a picture in a newspaper was due to undeveloped (printing) technology.

But again the all-text newspapers were simply boring to the readers. At that juncture, the art of cartooning came to the rescue. Unlike a photograph (having halftones) cartoons were essentially line drawings and that’s why it is much easier to print. The first cartoon appeared in Ben Franklin’s newspaper The Pennsylvania Gazette on May 9, 1754 entitled “Join, or Die,” depicting the eight colonies as a snake divided in eight pieces.

As a matter of fact, editorial cartooning had served two purposes for a newspaper. Being an image it broke the monotony of the text-heavy page and at the same time being an art form innately capable of ridiculing the powerful it had a popular demand among the readers. Soon cartoons became the most important content of the front page of the newspapers and the readers got cartoonists like Honoré Daumier, Rube Goldberg, Thomas Nast, James Thurber to name a few.

The high stature of the editorial cartoonists continued for the next one hundred and fifty years or so. Not a small time for any profession at all. Isn’t it? However, this profession saw a number of challenges. In India the most severe attack was the emergency when even newspapers were banned let alone publishing cartoons. But the irony is this was the time, India witnessed some of the finest editorial cartoons of all time.

But this scenario was about to change soon after the last decade of the twenty-first century and the onslaught came not in the form of some ‘chanachoor manufacturer’ but from the advancement of the printing technology combined with a number of softwares. By the last decades of the 20th century, we got a number of graphic software and offset printing which enabled us to print pictures easily. First, it started with black & white pictures and thanks to the rapid development in printing technology newspapers were able to print colour pictures within a decade. It was like a revolution and like most revolutions it was a bloodbath for a section of the newspaper professionals.

With the revolution in the technology in the newspaper something very untoward (or the obvious thing) had happened. The editorial cartoonists who were ruling the roost were suddenly shown the door. Though it was very unexpected for the cartoonists but equally obvious for a newspaper. Why?

The new technology enabled the newspapers to print pictures which enhanced the news value of the story. Can we imagine a sporting event without a picture? No. It’s true with any other subject. A picture is much more desirable for the newspaper. If it costs the job of a cartoonist it would be a very little price for the newspaper and they were more than ready to pay the bill. Interestingly, the software that put an end to the profession of the cartoonists also ate up other professions associated with the newspapers like pesters, page makers, and proofreaders to name a few. Nonetheless like any revolution in history it also created something absolutely new. For the first time we came to know someone named designers, creative directors, creative heads, etc. Till the last decades of the twentieth century, the design of the page was the last thing to consider but thanks to these software and the ability to print colour pages, availability of different fonts, etc. the aspect of the design and the look of the newspaper took the centre stage.

Though it’s a different story altogether. Let’s return to the profession of cartooning.

We know that the first massive attack on the Indian press was the emergency, but we seldom acknowledge the fact that the time of emergency was one of the finest time periods for the art of cartooning. We experienced some of the boldest and most beautiful cartoons during turbulent times of emergency. The momentum Indian editorial cartooning gained during the emergency continued till the last decade of the twenty-first century. The decade of the 90s is a watershed moment for modern history. This was the decade when we experienced the fall of the Berlin wall, the fall and the subsequent disintegration of the Soviet Union, the end of the cold war and changing of world politics from a bipolar world into a mono-polar world with a hegemony of the US as a nation. The market economy established itself as the only ‘economic thought’. That was the time when the end of history was declared.

In domestic politics in India, the 90s was the era when after a series of political turmoil, economic liberalisation was introduced. It was also the decade of the destruction of the Babri Masjid which unleashed a new paradigm in Indian politics. The profession of cartooning thrives in the vibrant political scenario and needless to say every big change in the political canvas both on the national scale and the international scale eventually resulted in a new scope for political cartoonists. Going by the development mentioned above one may assume that the 90s onwards was the golden period for political cartooning in India but sadly the reality was completely different on the practical ground because during the last decade of the 21st century new technology and design software were introduced and soon the cartoonists were dethroned.

Soon cartoonists were transformed into ‘endangered’ species if not ‘extinct species’ like their pester, type-setter and proofreader colleagues.

However, this tide was changed with the advent of online platforms like Facebook, Twitter, Instagram, and last but the most important gadget the smartphone. There was a time when a set of technology devastated the art form of editorial cartooning, but it is another set of technology that has given a new life to editorial cartoonists. Now, they don’t have to get approval from an editor to publish their cartoons. With just a click of the mouse, s/he can share the cartoons with the whole world. Besides this, there is another advantage with this art form, that is, different cartoonists may develop a cartoon on a common topic but no two cartoonists will come up with the same idea. Moreover, no two cartoonists will draw a character, any politician the same. Every cartoonist has his/her own style and own pattern of thinking. These two factors make a cartoon absolutely exclusive. Contrary to Narendra Modi or for that matter any individual will look the same in every photograph irrespective of who the photographer is. That is another reason why social sites are flooded with cartoons nowadays. Social sites also provide no restrictions for a cartoonist, at least directly.

There are a number of Dos and Don’ts for a cartoonist working with a newspaper. Restrictions are sometimes direct and most of the time indirect. Have you ever noticed that the face of the PM is not there in the cartoon anymore? It’s ridiculous, to say the least because it’s the PM or the President of the country who is always supposed to be the prime target of the cartoonists. Strange enough nowadays, these are the Opposition leaders who are getting more and more space in the cartoon than the PM or other leaders of the ruling party. This abnormality is the new normal in the organised newspaper sector. The story is completely different in the unorganised information sector.

This little space is enjoying the freedom of expression like never before. Not only that, common people/readers share these cartoons making them viral. Online platforms are full of editorial cartoons. To cut a long story short, the era of newspaper cartooning is over. Indian editorial cartooning has entered the world of online platforms. However, things are not that easy. We need to develop a viable revenue model. There are some revenue models like subscriptions that are gaining ground.

Only time will tell what will happen in the future, I am more than sure that now no cartoonist (or a group of cartoonists) will blame some Bapi chanachoor for his unemployment. Welcome to the open market of online space. We the cartoonists have managed to get our permanent space in this super big bazaar. Now, we have to develop a strategy to sell our product.

(The Statesman/ANN)

(Sorit Gupto is Chief Cartoonist in Down to Earth Magazine)



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Opinion

Thoughts for Unduvap Poya

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Arrival of Arahant Bhikkuni Sangamitta

Unduvap Poya, which falls today, has great historical significance for Sri Lanka, as several important events occurred on that day but before looking into these, as the occasion demands, our first thought should be about impermanence. One of the cornerstones of Buddha’s teachings is impermanence and there is no better time to ponder over it than now, as the unfolding events of the unprecedented natural disaster exemplify it. Who would have imagined, even a few days ago, the scenes of total devastation we are witnessing now; vast swathes of the country under floodwaters due to torrential rain, multitudes of earth slips burying alive entire families with their hard-built properties and closing multiple trunk roads bringing the country to a virtual standstill. The best of human kindness is also amply demonstrated as many risk their own lives to help those in distress.

In the struggle of life, we are attached and accumulate many things, wanted and unwanted, including wealth overlooking the fact that all this could disappear in a flash, as happened to an unfortunate few during this calamitous time. Even the survivors, though they are happy that they survived, are left with anxiety, apprehension, and sorrow, all of which is due to attachment. We are attached to things because we fail to realise the importance of impermanence. If we do, we would be less attached and less affected. Realisation of the impermanent nature of everything is the first step towards ultimate detachment.

It was on a day like this that Arahant Bhikkhuni Sanghamitta arrived in Lanka Deepa bringing with her a sapling of the Sri Maha Bodhi tree under which Prince Siddhartha attained Enlightenment. She was sent by her father Emperor Ashoka, at the request of Arahant Mahinda who had arrived earlier and established Buddhism formally under the royal patronage of King Devanampiyatissa. With the very successful establishment of Bhikkhu Sasana, as there was a strong clamour for the establishment of Bhikkhuni Sasana as well, Arahant Mahinda requested his father to send his sister which was agreed to by Emperor Ashoka, though reluctantly as he would be losing two of his children. In fact, both served Lanka Deepa till their death, never returning to the country of their birth. Though Arahant Sanghamitta’s main mission was otherwise, her bringing a sapling of the Bo tree has left an indelible imprint in the annals of our history.

According to chronicles, King Devanampiyatissa planted the Bo sapling in Mahamevnawa Park in Anuradhapura in 288 BCE, which continues to thrive, making it the oldest living human planted tree in the world with a known planting date. It is a treasure that needs to be respected and protected at all costs. However, not so long ago it was nearly destroyed by the idiocy of worshippers who poured milk on the roots. Devotion clouding reality, they overlooked the fact that a tree needs water, not milk!

A monk developed a new practice of Bodhi Puja, which even today attracts droves of devotees and has become a ritual. This would have been the last thing the Buddha wanted! He expressed gratitude by gazing at the tree, which gave him shelter during the most crucial of times, for a week but did not want his followers to go around worshipping similar trees growing all over. Instead of following the path the Buddha laid for us, we seem keen on inventing new rituals to indulge in!

Arahant Sanghamitta achieved her prime objective by establishing the Bhikkhuni Sasana which thrived for nearly 1200 years till it fell into decline with the fall of the Anuradhapura kingdom. Unfortunately, during the Polonnaruwa period that followed the influence of Hinduism over Buddhism increased and some of the Buddhist values like equality of sexes and anti-casteism were lost. Subsequently, even the Bhikkhu Sasana went into decline. Higher ordination for Bhikkhus was re-established in 1753 CE with the visit of Upali Maha Thera from Siam which formed the basis of Siam Maha Nikaya. Upali Maha Thero is also credited with reorganising Kandy Esala Perahera to be the annual Procession of the Temple of Tooth, which was previously centred around the worship of deities, by getting a royal decree: “Henceforth Gods and men are to follow the Buddha”

In 1764 CE, Siyam Nikaya imposed a ‘Govigama and Radala’ exclusivity, disregarding a fundamental tenet of the Buddha, apparently in response to an order from the King! Fortunately, Buddhism was saved from the idiocy of Siyam Nikaya by the formation of Amarapura Nikaya in 1800 CE and Ramanna Nikaya in 1864 CE, higher ordination for both obtained from Burma. None of these Niakya’s showed any interest in the re-establishment of Bhikkhuni Sasana which was left to a band of interested and determined ladies.

My thoughts and admiration, on the day Bhikkhuni Sasana was originally established, go to these pioneers whose determination knew no bounds. They overcame enormous difficulties and obtained higher ordination from South Korea initially. Fortunately, Ven. Inamaluwe Sri Sumangala Thero, Maha Nayaka of Rangiri Dambulla Chapter of Siyam Maha Nikaya started offering higher ordination to Bhikkhunis in 1998 but state recognition became a sore point. When Venerable Welimada Dhammadinna Bhikkhuni was denied official recognition as a Bhikkhuni on her national identity card she filed action, with the support of Ven. Inamaluwe Sri Sumangala Thero. In a landmark majority judgement delivered on 16 June, the Supreme Court ruled that the fundamental rights of Ven. Dhammadinna were breached and also Bhikkhuni Sasana was re-established in Sri Lanka. As this judgement did not receive wide publicity, I wrote a piece titled “Buddhism, Bhikkhus and Bhikkhunis” (The Island, 10 July 2025) and my wish for this Unduvap Poya is what I stated therein:

“The landmark legal battle won by Bhikkhunis is a victory for common sense more than anything else. I hope it will help Bhikkhuni Sasana flourish in Sri Lanka. The number of devotees inviting Bhikkhunis to religious functions is increasing. May Bhikkhunis receive the recognition they richly deserve.” May there be a rapid return to normalcy from the current tragic situation.”

by Dr Upul Wijayawardhana

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Royal Over Eighties

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Royal College

The gathering was actually of ‘Over Seventies’ but those of my generation present were mostly of the late eighties.

Even of them I shall mention only those whom I know at least by name. But, first, to those few of my years and older with whom speech was possible.

First among them, in more sense than one, was Nihal Seneviratne, at ninety-one probably the oldest present. There is no truth to the story that his state of crisp well-being is attributable to the consumption of gul-bunis in his school days. It is traceable rather to a life well lived. His practice of regular walks around the house and along the lane on which he lives may have contributed to his erect posture. As also to the total absence of a walking stick, a helper, or any other form of assistance as he walked into the Janaki hotel where this gathering took place.

Referencing the published accounts of his several decades-long service in Parliament as head of its administration, it would be moot to recall that his close friend and fellow lawyer, J E D Gooneratne, teased him in the following terms: “You will be a bloody clerk all your life”. He did join service as Second Assistant to the Clerk to the House and moved up, but the Clerk became the Secretary General. Regardless of such matters of nomenclature, it could be said that Nihal Seneviratne ran the show.

Others present included Dr. Ranjith de Silva, Surgeon, who was our cricket Captain and, to the best of my knowledge, has the distinction of never engaging in private practice.

The range of Dr. K L (Lochana) Gunaratne’s interests and his accomplishments within each are indeed remarkable. I would think that somebody who’d received his initial training at the AA School of Architecture in London would continue to have architecture as the foundation of his likes /dislikes. Such would also provide a road map to other pursuits whether immediately related to that field or not. That is evident in the leadership roles he has played in the National Academy of Sciences and the Institute of Town Planners among others. As I recall he has also addressed issues related to the Panadura Vadaya.

My memories of D L Seneviratne at school were associated with tennis. As happens, D L had launched his gift for writing over three decades ago with a history of tennis in Sri Lanka (1991). That is a game with which my acquaintance is limited to sending a couple of serves past his ear (not ‘tossing the ball across’ as he asked me to) while Jothilingam, long much missed, waited for his team mates to come for practices. It is a game at which my father spent much time both at the Railway sports club and at our home-town club. (By some kind of chance, I recovered just a week ago the ‘Fred de Saram Challenge Cup’ which, on his winning the Singles for the third time, Koo de Saram came over to the Kandana Club to hand over to him for keeps. They played an exhibition match which father won). D L would know whether or not, as I have heard, in an exhibition match in Colombo, Koo defeated Frank Sedgman, who was on his triumphant return home to Oz after he had won the Wimbledon tournament in London.

I had no idea that D L has written any books till my son brought home the one on the early history of Royal under Marsh and Boake, (both long-bearded young men in their twenties).

It includes a rich assortment of photographs of great value to those who are interested in the history of the Anglican segment of Christian missionary activity here in the context of its contribution to secondary school education. Among them is one of the school as it appeared on moving to Thurstan road from Mutwal. It has been extracted from the History of Royal, 1931,  done by students (among whom a relative, Palitha Weeraman, had played a significant role).

As D L shows, (in contra-distinction to the Catholic schools) the CMS had engaged in a largely secular practice. Royal remained so through our time – when one could walk into the examination room and answer questions framed to test one’s knowledge of Christianity, Buddhism, Hinduism and Islam; a knowledge derived mostly from the lectures delivered by an Old Boy at general assembly on Friday plus readings from the Dhammapada, the Bhagavad Gita, the St. John’s version of the Bible or the Koran recited by a student at senior assembly on Tuesday / Thursday.

 D L’s history of Royal College had followed in 2006.

His writing is so rich in detail, so precise in formulation, that I would consider this brief note a simple prompt towards a publisher bringing out new editions at different levels of cost.

It was also a pleasure to meet Senaka Amarasinghe, as yet flaunting his Emperor profile, and among the principal organisers of this event.

The encounter with I S de Silva, distinguished attorney, who was on Galle road close to Janaki lane, where I lived then was indeed welcome. As was that with Upali Mendis, who carried out cataract surgery on my mother oh so long ago when he was head of the Eye Hospital. His older brother, L P, was probably the most gifted student in chemistry in our time.

Most serendipitous perhaps was meeting a son of one of our most popular teachers from the 1950s, – Connor Rajaratnam. His cons were a caution.

by Gamini Seneviratne

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Opinion

“Regulatory Impact Assessment – Not a bureaucratic formality but essentially an advocacy tool for smarter governance”: A response

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Having meticulously read and re-read the above article published in the opinion page of The Island on the 27 Nov, I hasten to make a critical review on the far-reaching proposal made by the co-authors, namely Professor Theekshana Suraweera, Chairman of the Sri Lanka Standards Institution and Dr. Prabath.C.Abeysiriwardana, Director of Ministry of Science and Technology

The aforesaid article provides a timely and compelling critique of Sri Lanka’s long-standing gaps in evidence-based policymaking and argues persuasively for the institutional adoption of Regulatory Impact Assessment (RIA). In a context where policy missteps have led to severe economic and social consequences, the article functions as an essential wake-up call—highlighting RIA not as a bureaucratic formality but as a foundational tool for smarter governance.

One of the article’s strongest contributions is its clear explanation of how regulatory processes currently function in Sri Lanka: legislation is drafted with narrow legal scrutiny focused mainly on constitutional compliance, with little or no structured assessment of economic, social, cultural, or environmental impacts. The author strengthens this argument with well-chosen examples—the sudden ban on chemical fertilizer imports and the consequences of the 1956 Official Language Act—demonstrating how untested regulation can have far-reaching negative outcomes. These cases effectively illustrate the dangers of ad hoc policymaking and underscore the need for a formal review mechanism.

The article also succeeds in demystifying RIA by outlining its core steps—problem definition, option analysis, impact assessment, stakeholder consultation, and post-implementation review. This breakdown makes it clear that RIA is not merely a Western ideal but a practical, structured, and replicable process that could greatly improve policymaking in Sri Lanka. The references to international best practices (such as the role of OIRA in the United States) lend credibility and global context, showing that RIA is not experimental but an established standard in advanced governance systems.

However, the article could have further strengthened its critique by addressing the political economy of reform: the structural incentives, institutional resistance, and political culture that have historically obstructed such tools in Sri Lanka. While the challenges of data availability, quantification, and political pressure are briefly mentioned, a deeper analysis of why evidence-based policymaking has not taken root—and how to overcome these systemic barriers—would have offered greater practical value.

Another potential enhancement would be the inclusion of local micro-level examples where smaller-scale regulations backfired due to insufficient appraisal. This would help illustrate that the problem is not limited to headline-making policy failures but affects governance at every level.

Despite these minor limitations, the article is highly effective as an advocacy piece. It makes a strong case that RIA could transform Sri Lanka’s regulatory landscape by institutionalizing foresight, transparency, and accountability. Its emphasis on aligning RIA with ongoing national initiatives—particularly the strengthening of the National Quality Infrastructure—demonstrates both pragmatism and strategic vision.

At a time, when Chairmen of statutory bodies appointed by the NPP government play a passive voice, the candid opinion expressed by the CEO of SLSI on the necessity of a Regulatory Impact Assessment is an important and insightful contribution. It highlights a critical missing link in Sri Lanka’s policy environment and provides a clear call to action. If widely circulated and taken seriously by policymakers, academics, and civil society, it could indeed become the eye-opener needed to push Sri Lanka toward more rational, responsible, and future-ready governance.

J. A. A. S. Ranasinghe,
Productivity Specialty and Management Consultant
(rathula49@gmail.com)

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