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Political Cartooning: Footing into new ground

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Online platforms are full of editorial cartoons… the era of newspaper cartooning is over. Indian editorial cartooning has entered the world of online platforms.

by Sorit Gupto

Political Cartooning: That was somewhere in the early 90s. There was a panel discussion held in the Boimela or the Kolkata book fair where a number of famous Bangla cartoonists were invited for a discussion. The topic of the discussion was ‘Relevance of cartoons in the newspaper’. Well, besides cartoonists other panel members included a senior journalist associated with a popular Bangla daily and a cartoon collector.

At that time the newspapers, both Bangla and English, stopped appointing cartoonists except one. In other words, most of the speakers of the panel discussion – the cartoonists – were essentially jobless. The only cartoonist associated with a newspaper was absent because of some health issues. These details are necessary because what was supposed to be a panel discussion on ‘Relevance of cartoons in the newspaper’, rapidly transformed into a grievance redressal event of the (jobless) cartoonists. There was a general agreement among the cartoonists that for a long time newspapers have simply stopped publishing editorial cartoons but they were clueless (almost) about why? But someone had to be blamed. Imagine who was held responsible for the joblessness of cartoonists? Bapi Chanachur (a dalmoth/mixture brand)!

Now, one may ask how a humble brand of dalmoth/mixture has anything to do with the art of cartooning in the first place. Well, according to the panel of the speakers (the cartoonists) it was this dalmoth/mixture brand whose advertisements were eating up the space for the cartoons!

Not only the viewers, even myself – as a young person struggling to become a political cartoonist – this was one of the greatest mysteries of the known universe. However, it’s also a fact that the speakers were once famous cartoonists but now they are unemployed.

What went wrong with the profession/art of political cartooning?

The answer is a little complicated because there is more than one factor associated with the absence of editorial cartoons in the newspapers. There are a hundred ways to tell this story. This one is mine.Printing in general and printing of daily newspapers, in particular, is a European concept. The oldest direct handwritten news sheets circulated widely in Venice as early as 1566 carrying information on wars and politics in Italy and Europe. The Relation aller Fürnemmen und gedenckwürdigen Historien, printed from 1605 onwards by Johann Carolus in Strasbourg, is often recognised as the first newspaper.

In India and even in Asia things were different. There were royal chroniclers or royal historians but the concept of the news presented in printed form for the consumption of the masses is completely an alien thing to Indian society.The British brought the concept of Newspapers in India. Published for two years, between 1780 and 1782, Hicky’s Bengal Gazette or the Original Calcutta General Advertiser, an English-language weekly newspaper published in Kolkata (then Calcutta), is claimed to be the first newspaper printed in India.

Newspaper, radio and film are considered to be the basic means of modern communication but there is a huge difference between newspaper, radio, and film. Take for example the technology of motion pictures. In 1888 England, Louis Le Prince of Leeds, Britain, filmed Roundhay Garden Scene, believed to be the first motion picture recorded and within fifteen years we had our own motion picture Raja Harishchandra.

The first voice and music signals heard over radio waves were transmitted in December 1906 from Brant Rock, Massachusetts (just south of Boston). In June 1923 the Radio Club of Bombay made the first ever broadcast in the country. The gap was just seventeen years.

But for the newspaper, we had to wait for more than a century. Why? Because of the widespread illiteracy. You don’t need a literate person to enjoy a radio programme or a film but for a newspaper, a literate person is a basic necessity.

Since the art of editorial cartooning is closely associated with the newspaper, one can’t expect an editorial cartoon without a newspaper. However, there were some art forms like Kalighat paintings where that ridiculed the contemporary social hypocrisies but their reach and influence were minuscules compared to a newspaper for all practical reasons.

Political/editorial cartooning was an integral part of a daily newspaper from its inception and it had its own reasons. Most importantly the reasons were purely technical. Nowadays we can’t imagine a big story/news in a newspaper without a photographs but historically things were completely different.

As a part of the content of the newspaper, the pictures are late comers. To put things into a perspective, although publishing since 1664, the newspaper from Mantu (Italy), Gazzetta di Mantova is the oldest living newspaper in the world the first-ever photograph appeared in the newspaper on July 1st, 1848. The name of the newspaper was L’Illustration, a French weekly periodical that published a photograph that showed Parisian streets barricaded due to a worker’s strike known as the June Days Uprising. In other words, the newspapers had to wait for roughly two centuries to print a photograph. This late entry of a picture in a newspaper was due to undeveloped (printing) technology.

But again the all-text newspapers were simply boring to the readers. At that juncture, the art of cartooning came to the rescue. Unlike a photograph (having halftones) cartoons were essentially line drawings and that’s why it is much easier to print. The first cartoon appeared in Ben Franklin’s newspaper The Pennsylvania Gazette on May 9, 1754 entitled “Join, or Die,” depicting the eight colonies as a snake divided in eight pieces.

As a matter of fact, editorial cartooning had served two purposes for a newspaper. Being an image it broke the monotony of the text-heavy page and at the same time being an art form innately capable of ridiculing the powerful it had a popular demand among the readers. Soon cartoons became the most important content of the front page of the newspapers and the readers got cartoonists like Honoré Daumier, Rube Goldberg, Thomas Nast, James Thurber to name a few.

The high stature of the editorial cartoonists continued for the next one hundred and fifty years or so. Not a small time for any profession at all. Isn’t it? However, this profession saw a number of challenges. In India the most severe attack was the emergency when even newspapers were banned let alone publishing cartoons. But the irony is this was the time, India witnessed some of the finest editorial cartoons of all time.

But this scenario was about to change soon after the last decade of the twenty-first century and the onslaught came not in the form of some ‘chanachoor manufacturer’ but from the advancement of the printing technology combined with a number of softwares. By the last decades of the 20th century, we got a number of graphic software and offset printing which enabled us to print pictures easily. First, it started with black & white pictures and thanks to the rapid development in printing technology newspapers were able to print colour pictures within a decade. It was like a revolution and like most revolutions it was a bloodbath for a section of the newspaper professionals.

With the revolution in the technology in the newspaper something very untoward (or the obvious thing) had happened. The editorial cartoonists who were ruling the roost were suddenly shown the door. Though it was very unexpected for the cartoonists but equally obvious for a newspaper. Why?

The new technology enabled the newspapers to print pictures which enhanced the news value of the story. Can we imagine a sporting event without a picture? No. It’s true with any other subject. A picture is much more desirable for the newspaper. If it costs the job of a cartoonist it would be a very little price for the newspaper and they were more than ready to pay the bill. Interestingly, the software that put an end to the profession of the cartoonists also ate up other professions associated with the newspapers like pesters, page makers, and proofreaders to name a few. Nonetheless like any revolution in history it also created something absolutely new. For the first time we came to know someone named designers, creative directors, creative heads, etc. Till the last decades of the twentieth century, the design of the page was the last thing to consider but thanks to these software and the ability to print colour pages, availability of different fonts, etc. the aspect of the design and the look of the newspaper took the centre stage.

Though it’s a different story altogether. Let’s return to the profession of cartooning.

We know that the first massive attack on the Indian press was the emergency, but we seldom acknowledge the fact that the time of emergency was one of the finest time periods for the art of cartooning. We experienced some of the boldest and most beautiful cartoons during turbulent times of emergency. The momentum Indian editorial cartooning gained during the emergency continued till the last decade of the twenty-first century. The decade of the 90s is a watershed moment for modern history. This was the decade when we experienced the fall of the Berlin wall, the fall and the subsequent disintegration of the Soviet Union, the end of the cold war and changing of world politics from a bipolar world into a mono-polar world with a hegemony of the US as a nation. The market economy established itself as the only ‘economic thought’. That was the time when the end of history was declared.

In domestic politics in India, the 90s was the era when after a series of political turmoil, economic liberalisation was introduced. It was also the decade of the destruction of the Babri Masjid which unleashed a new paradigm in Indian politics. The profession of cartooning thrives in the vibrant political scenario and needless to say every big change in the political canvas both on the national scale and the international scale eventually resulted in a new scope for political cartoonists. Going by the development mentioned above one may assume that the 90s onwards was the golden period for political cartooning in India but sadly the reality was completely different on the practical ground because during the last decade of the 21st century new technology and design software were introduced and soon the cartoonists were dethroned.

Soon cartoonists were transformed into ‘endangered’ species if not ‘extinct species’ like their pester, type-setter and proofreader colleagues.

However, this tide was changed with the advent of online platforms like Facebook, Twitter, Instagram, and last but the most important gadget the smartphone. There was a time when a set of technology devastated the art form of editorial cartooning, but it is another set of technology that has given a new life to editorial cartoonists. Now, they don’t have to get approval from an editor to publish their cartoons. With just a click of the mouse, s/he can share the cartoons with the whole world. Besides this, there is another advantage with this art form, that is, different cartoonists may develop a cartoon on a common topic but no two cartoonists will come up with the same idea. Moreover, no two cartoonists will draw a character, any politician the same. Every cartoonist has his/her own style and own pattern of thinking. These two factors make a cartoon absolutely exclusive. Contrary to Narendra Modi or for that matter any individual will look the same in every photograph irrespective of who the photographer is. That is another reason why social sites are flooded with cartoons nowadays. Social sites also provide no restrictions for a cartoonist, at least directly.

There are a number of Dos and Don’ts for a cartoonist working with a newspaper. Restrictions are sometimes direct and most of the time indirect. Have you ever noticed that the face of the PM is not there in the cartoon anymore? It’s ridiculous, to say the least because it’s the PM or the President of the country who is always supposed to be the prime target of the cartoonists. Strange enough nowadays, these are the Opposition leaders who are getting more and more space in the cartoon than the PM or other leaders of the ruling party. This abnormality is the new normal in the organised newspaper sector. The story is completely different in the unorganised information sector.

This little space is enjoying the freedom of expression like never before. Not only that, common people/readers share these cartoons making them viral. Online platforms are full of editorial cartoons. To cut a long story short, the era of newspaper cartooning is over. Indian editorial cartooning has entered the world of online platforms. However, things are not that easy. We need to develop a viable revenue model. There are some revenue models like subscriptions that are gaining ground.

Only time will tell what will happen in the future, I am more than sure that now no cartoonist (or a group of cartoonists) will blame some Bapi chanachoor for his unemployment. Welcome to the open market of online space. We the cartoonists have managed to get our permanent space in this super big bazaar. Now, we have to develop a strategy to sell our product.

(The Statesman/ANN)

(Sorit Gupto is Chief Cartoonist in Down to Earth Magazine)



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Opinion

A paradox of history

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Shakespeare

There seems to be a striking similarity between ancient Greece and modern Britain. Both countries remain paradoxes of history. Greece was a small city state constantly at war with neighbouring countries. It did not have a big army, but it had considerable sea power. However, Greece was a leading state over the whole of the Mediterranean. In fact, Greece was once a super power in the Western world.

Britain was very powerful in the 19th century. British justice was administered in Africa, India and Ceylon. British factories flourished in many countries and schoolchildren started reading R.L. Stevenson’s ‘Treasure Island’ and the works of Rudyard Kipling. What Ralph Waldo Emerson said in the 1850s is still valid today. He said, “If there’s one test of national genius universally accepted, it is success; and if there be one successful country in the universe for the last millennium, that country is England. It is the best of actual nations.”

In World War I, Britain faced a crushing defeat. Eventually, the British Empire was reduced to a Commonwealth. World War II shattered the image of Britain further. Although Britain lost much of its power, it continued to be an influential country. Even after achieving independence, India retained English as an official language. The British parliament system is well established in many Commonwealth countries. Some people still wonder how England still exercises its influence over the minds of men and women.

Staying power

There are many powerful countries in the world today such as the United States, Russia and China. Although England is not a super power, she has staying power. According to Oliver Wendell Holmes, a good part of greatness is simply being there. For that matter, England has been there for many centuries. So far no other country has been able to defeat her. As a result, sometimes we wonder whether we can have a world without England.

England has had an unwritten Constitution for a very long time. Other countries have emulated her political institutions. The British people have an established church with complete religious freedom. Although there are social classes in Britain, there has been no major clash among them. Unlike in many other countries, there are only two leading political parties in England. When the Labour Party is in power, the government is not subservient to labour. Similarly, when the Conservative Party is in power, the government is not conservative.

Most British colonies in the East including India and Ceylon did not sever the cultural and emotional links with Britain and retain them even after achieving independence. India became independent in 1947, but she decided to retain English as an official language. By doing so, India produced a number of English writers such as R.K Narayan. However, Ceylon did not give English any official status and treated it as a link language. As a result, students paid less attention to learning English. They were made to understand that everything can be done by learning Sinhala and Tamil. We have failed to produce English writers in the calibre of J. Vijayatunga who wrote ‘Grass for my feet.’

Politically shrinking

The United Kingdom is politically shrinking. However, its influence vibrates throughout the world. English has brought many nations together. There is a common understanding among countries that share the English language and literature. William Shakespeare’s dramas are staged in countries such as China where English is not an official language. People have come to the conclusion that English has become a broker of ideas and institutions.

England is not an aggressive country. However, if provoked, it can deliver a mortal blow to its enemy. British Prime Minister Margaret Thatcher showed her mettle as the iron lady. Britain held the fort against the might of Napoleon Bonaparte who ruled France. The country can still boast of a heavy moral credit. The British stick to their international agreements. The power of England draws mainly from its language. British people say ‘It’s right’ when it is right’. When it is not right, they say, ‘It’s not right.’ Meanwhile English occupies a pre-eminent place in world languages. All the research work in many parts of the world is available in English. You can learn any subject easily through English.

Apart from the language, people respect British standards which are technical specifications and quality benchmarks developed by the British Standards Institution. The United Kingdom’s independent national standards body was established in 1901. It maintains over 37,000 standards covering industries such as construction, manufacturing and technology ensuring safety and reliability.

British English

Standard British English is the variety of English that has undergone codification to the point of being socially perceived as the standard language associated with formal schooling, language assessment and official print publications. For historical reasons dating back to the rise of London in the ninth century, the form of language spoken in London and the East Midlands became the Standard English used in schools, universities, literature and law.

British English functions as one of the two major foundational and standard varieties of the English language alongside American English. It serves as a primary reference point for spelling and grammar. It acts as a global standard, and international institutions are often defined by specific pronunciation.

Most Sri Lankan doctors primarily move to England for postgraduate training, higher specialisation and better career prospects. They are driven by superior training infrastructure, world-class facilities and globally recognised qualifications.

To sum up, when you think of learning an international language, there is no alternative to English. If you wish to read literature, you cannot ignore eminent English dramatists and poets such as William Shakespeare and John Milton. Many leading Sri Lankans like S.W.R.D. Bandaranaike were Oxford University products. Therefore, English deserves to be made an official language in Sri Lanka.

karunaratners@gmail.com

By R.S. Karunaratne

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Opinion

State Literary Awards only for the rich?

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The Department of Cultural Affairs has once again called authors, and publishers to lodge their entries for selection of the prestigious State Literary Awards 2026.The criteria and conditions required and notified in the public domain, makes it mandatory for the literary work to be printed and published prior to submission for consideration of the awards. There is absolutely no provision for writers to submit their work in Manuscript form.

Where does that leave the financially impoverished writers who are talented, creative and wish to submit a well edited typescript of their work as manuscript for consideration of the State Literary Awards? In a literary environment that encourages a proliferation of self-published books of all forms and features presented by vanity publishers who have their eye on the purse of the author than on literary merit and artistic excellence, it is easy to show that you are an ” established writer” by spending your cash abundantly towards glossy covered books which the printing industry and fawning publishers will lap up with greed.

Even the Gratiaen Prize in Sri Lanka, sponsored by world-renowned Michael Ondaatje allows for Manuscript entries together with published books. Significantly, the manuscript entries that win the prize are assisted to publish their work which is part of the winnings. Many a young, aspiring writer with little funds who won the Gratiaen Prize on merit, but had submitted their entry in manuscript form have been thereby encouraged to submit their work on merit basis only.

It is a fact that the Commonwealth Short Story Prize, a massive state-supported initiative across 56 nations accepts only unpublished short fiction. Further, several countries in the world have established national or state level literary prizes that specifically accept unpublished manuscripts to provide equity in discovering new talent and supporting national literature without bias or favour. In Australia, Jamaica, Philippines, major national awards organised by the State for literature, specifically accept unpublished manuscripts for consideration.

Let’s face the truth. The printing costs are escalating. There is little demand in Sri Lanka for literary work in the English Language in particular. Traditional Publishing where the literary work is reviewed and assessed for talent and creativity and thereafter published is seldom found. The reviews and critical analysis of literary works are rare. But publishers make a pile by pandering to the vanity of aspiring writers who have the financial clout to pay their way through to being featured in prestigious award ceremonies and accolades. Thereafter, their substandard works get a further fillip by bearing the label of “Won the State Literary Award for Literature”! It is a cycle of literary charlatans and their pimps in the publishing industry for whom the price that is paid for publishing and not Meritocracy is the sine-qua-non.

Is this the level playing field promised by the NPP Government and their Marxist protagonists? A government that was voted into power on the platform of affording fair opportunity and equality seems to discriminate in favour of the Haves against the Have- nots in the cultural department to say the least! Anil Fernando

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Opinion

Delivering on English

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English literature offers a rich heritage of wonderful ideas and thoughts. The reader can be intellectually uplifted. It brings refreshing new vistas and stimulating new ideas. However, this English literature has to be first introduced to the student in order to fire up his or her interest and be made aware of this rich source of culture. Students of basic English as a second language work hard and learn all the hum-drum mechanics of the language, for which they get tested and graded. But importantly, nae crucially, this should be followed up with intellectual rewards for the students’ efforts – which, of course, is the enjoyment of the works of literature of the many great writers in the English language. This is the great payoff, the great dividend for all their efforts but this, apparently goes missing.

One of the obvious reasons for the lack of “follow through” may be lack of time allocated in the curriculum – or, perhaps, more darkly, the teachers’ own lack of knowledge of the great range of good reading materials produced by the countless generations of literary geniuses who have gone before. Such writers have laid down for us a heritage of glorious literary works in books and essays, all of which are to be found in any good library. It is thought that much of this good literature ought to be introduced to all students of English, “full stop,” as part of developing a knowledgeable and cultured society. (Isn’t that what we want?) Reading English literature should bring an intellectual enrichment to all those willing to drink from this Bacchanalian horn of plenty.

It must be said finally, that it can be fairly expected that most young people, especially those learning English as a second language, are totally unaware of the many outstanding pieces of writing that propel English to stand tall amongst the rest. That is, students need to be first introduced to great writings and have a spark of interest ignited in these great works of literature.

For example, by being introduced to “Daffodils,” a short descriptive poem by William Wordsworth, the student can get some very pleasant ideas to think on.

Do not overlook Conan Doyle’s “Sherlock Holmes” detective stories, each one captivating the reader’s attention right to the end. It is by these short stories that the novice reader can first consolidate his power of reading.

For light reading Jerome K. Jerome’s book “Three Men in a Boat” is suggested. On one occasion he goes to the library suffering from a slight hay-fever (allergy) seeking a cure. He consults a book, “Lexicon of Pharmacology”, and recoils in horror as his symptoms fit most of those diseases described in the book! He concludes he cannot live much longer and staggers home to rest and recuperate! This is a well related tale in the book – although seemingly quite implausible!

Similarly, by having the poem meanings explained, e.g. “What is Life if Full of Care?” by William Henry Davis – how he regrets that we humans are always in a hurry, too busy to notice or see the delights of nature, and scenes of natural beauty, e.g., a young woman’s smile as she passes by; we have no time to make friends and even kiss her. Regrets! Explaining this to students would bring a certain intellectual insight.

John Keats’s poem, “Ode to Autumn” is another great work describing the ripening fruits of the autumn season and how nature as a living being, brings to fruition all the good things of a rural landscape quietly humming with warmth after a hot summer.

Again, it is likely necessary to explain to a young, Sri Lankan mind the meaning of the descriptive poetry found in this magnificent poem.

This is the real English to be tasted and then swigged at lustily in pleasure and satisfaction, not some writing airing historical grievances for children to study!

1970 British Cohort Study

It should be observed here that the ‘1970 British Cohort Study’ followed 70,000 people to examine various aspects of their lives. One result discovered was that if a young person reads a lot, it develops his/ her general intelligence no-matter his parents; it makes him smarter.

It was also noted that reading brings life-long benefits; it improves mood, it helps with social skills, increases empathy, reduces anxiety, protects against depression and slows brain decay, the study found.

But these days many young people never gain a great competence in reading English; the fear is that standards are falling. This is bringing poorer critical thinking, less depth of personality and less empathy for others which has the result of a more turbulent society.

People are urged to switch off their headphones and read more of what they like – try reading the newspapers!

Priyantha Hettige

 

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