Opinion
Political Cartooning: Footing into new ground
Online platforms are full of editorial cartoons… the era of newspaper cartooning is over. Indian editorial cartooning has entered the world of online platforms.
by Sorit Gupto
Political Cartooning: That was somewhere in the early 90s. There was a panel discussion held in the Boimela or the Kolkata book fair where a number of famous Bangla cartoonists were invited for a discussion. The topic of the discussion was ‘Relevance of cartoons in the newspaper’. Well, besides cartoonists other panel members included a senior journalist associated with a popular Bangla daily and a cartoon collector.
At that time the newspapers, both Bangla and English, stopped appointing cartoonists except one. In other words, most of the speakers of the panel discussion – the cartoonists – were essentially jobless. The only cartoonist associated with a newspaper was absent because of some health issues. These details are necessary because what was supposed to be a panel discussion on ‘Relevance of cartoons in the newspaper’, rapidly transformed into a grievance redressal event of the (jobless) cartoonists. There was a general agreement among the cartoonists that for a long time newspapers have simply stopped publishing editorial cartoons but they were clueless (almost) about why? But someone had to be blamed. Imagine who was held responsible for the joblessness of cartoonists? Bapi Chanachur (a dalmoth/mixture brand)!
Now, one may ask how a humble brand of dalmoth/mixture has anything to do with the art of cartooning in the first place. Well, according to the panel of the speakers (the cartoonists) it was this dalmoth/mixture brand whose advertisements were eating up the space for the cartoons!
Not only the viewers, even myself – as a young person struggling to become a political cartoonist – this was one of the greatest mysteries of the known universe. However, it’s also a fact that the speakers were once famous cartoonists but now they are unemployed.
What went wrong with the profession/art of political cartooning?
The answer is a little complicated because there is more than one factor associated with the absence of editorial cartoons in the newspapers. There are a hundred ways to tell this story. This one is mine.Printing in general and printing of daily newspapers, in particular, is a European concept. The oldest direct handwritten news sheets circulated widely in Venice as early as 1566 carrying information on wars and politics in Italy and Europe. The Relation aller Fürnemmen und gedenckwürdigen Historien, printed from 1605 onwards by Johann Carolus in Strasbourg, is often recognised as the first newspaper.
In India and even in Asia things were different. There were royal chroniclers or royal historians but the concept of the news presented in printed form for the consumption of the masses is completely an alien thing to Indian society.The British brought the concept of Newspapers in India. Published for two years, between 1780 and 1782, Hicky’s Bengal Gazette or the Original Calcutta General Advertiser, an English-language weekly newspaper published in Kolkata (then Calcutta), is claimed to be the first newspaper printed in India.
Newspaper, radio and film are considered to be the basic means of modern communication but there is a huge difference between newspaper, radio, and film. Take for example the technology of motion pictures. In 1888 England, Louis Le Prince of Leeds, Britain, filmed Roundhay Garden Scene, believed to be the first motion picture recorded and within fifteen years we had our own motion picture Raja Harishchandra.
The first voice and music signals heard over radio waves were transmitted in December 1906 from Brant Rock, Massachusetts (just south of Boston). In June 1923 the Radio Club of Bombay made the first ever broadcast in the country. The gap was just seventeen years.
But for the newspaper, we had to wait for more than a century. Why? Because of the widespread illiteracy. You don’t need a literate person to enjoy a radio programme or a film but for a newspaper, a literate person is a basic necessity.
Since the art of editorial cartooning is closely associated with the newspaper, one can’t expect an editorial cartoon without a newspaper. However, there were some art forms like Kalighat paintings where that ridiculed the contemporary social hypocrisies but their reach and influence were minuscules compared to a newspaper for all practical reasons.
Political/editorial cartooning was an integral part of a daily newspaper from its inception and it had its own reasons. Most importantly the reasons were purely technical. Nowadays we can’t imagine a big story/news in a newspaper without a photographs but historically things were completely different.
As a part of the content of the newspaper, the pictures are late comers. To put things into a perspective, although publishing since 1664, the newspaper from Mantu (Italy), Gazzetta di Mantova is the oldest living newspaper in the world the first-ever photograph appeared in the newspaper on July 1st, 1848. The name of the newspaper was L’Illustration, a French weekly periodical that published a photograph that showed Parisian streets barricaded due to a worker’s strike known as the June Days Uprising. In other words, the newspapers had to wait for roughly two centuries to print a photograph. This late entry of a picture in a newspaper was due to undeveloped (printing) technology.
But again the all-text newspapers were simply boring to the readers. At that juncture, the art of cartooning came to the rescue. Unlike a photograph (having halftones) cartoons were essentially line drawings and that’s why it is much easier to print. The first cartoon appeared in Ben Franklin’s newspaper The Pennsylvania Gazette on May 9, 1754 entitled “Join, or Die,” depicting the eight colonies as a snake divided in eight pieces.
As a matter of fact, editorial cartooning had served two purposes for a newspaper. Being an image it broke the monotony of the text-heavy page and at the same time being an art form innately capable of ridiculing the powerful it had a popular demand among the readers. Soon cartoons became the most important content of the front page of the newspapers and the readers got cartoonists like Honoré Daumier, Rube Goldberg, Thomas Nast, James Thurber to name a few.
The high stature of the editorial cartoonists continued for the next one hundred and fifty years or so. Not a small time for any profession at all. Isn’t it? However, this profession saw a number of challenges. In India the most severe attack was the emergency when even newspapers were banned let alone publishing cartoons. But the irony is this was the time, India witnessed some of the finest editorial cartoons of all time.
But this scenario was about to change soon after the last decade of the twenty-first century and the onslaught came not in the form of some ‘chanachoor manufacturer’ but from the advancement of the printing technology combined with a number of softwares. By the last decades of the 20th century, we got a number of graphic software and offset printing which enabled us to print pictures easily. First, it started with black & white pictures and thanks to the rapid development in printing technology newspapers were able to print colour pictures within a decade. It was like a revolution and like most revolutions it was a bloodbath for a section of the newspaper professionals.
With the revolution in the technology in the newspaper something very untoward (or the obvious thing) had happened. The editorial cartoonists who were ruling the roost were suddenly shown the door. Though it was very unexpected for the cartoonists but equally obvious for a newspaper. Why?
The new technology enabled the newspapers to print pictures which enhanced the news value of the story. Can we imagine a sporting event without a picture? No. It’s true with any other subject. A picture is much more desirable for the newspaper. If it costs the job of a cartoonist it would be a very little price for the newspaper and they were more than ready to pay the bill. Interestingly, the software that put an end to the profession of the cartoonists also ate up other professions associated with the newspapers like pesters, page makers, and proofreaders to name a few. Nonetheless like any revolution in history it also created something absolutely new. For the first time we came to know someone named designers, creative directors, creative heads, etc. Till the last decades of the twentieth century, the design of the page was the last thing to consider but thanks to these software and the ability to print colour pages, availability of different fonts, etc. the aspect of the design and the look of the newspaper took the centre stage.
Though it’s a different story altogether. Let’s return to the profession of cartooning.
We know that the first massive attack on the Indian press was the emergency, but we seldom acknowledge the fact that the time of emergency was one of the finest time periods for the art of cartooning. We experienced some of the boldest and most beautiful cartoons during turbulent times of emergency. The momentum Indian editorial cartooning gained during the emergency continued till the last decade of the twenty-first century. The decade of the 90s is a watershed moment for modern history. This was the decade when we experienced the fall of the Berlin wall, the fall and the subsequent disintegration of the Soviet Union, the end of the cold war and changing of world politics from a bipolar world into a mono-polar world with a hegemony of the US as a nation. The market economy established itself as the only ‘economic thought’. That was the time when the end of history was declared.
In domestic politics in India, the 90s was the era when after a series of political turmoil, economic liberalisation was introduced. It was also the decade of the destruction of the Babri Masjid which unleashed a new paradigm in Indian politics. The profession of cartooning thrives in the vibrant political scenario and needless to say every big change in the political canvas both on the national scale and the international scale eventually resulted in a new scope for political cartoonists. Going by the development mentioned above one may assume that the 90s onwards was the golden period for political cartooning in India but sadly the reality was completely different on the practical ground because during the last decade of the 21st century new technology and design software were introduced and soon the cartoonists were dethroned.
Soon cartoonists were transformed into ‘endangered’ species if not ‘extinct species’ like their pester, type-setter and proofreader colleagues.
However, this tide was changed with the advent of online platforms like Facebook, Twitter, Instagram, and last but the most important gadget the smartphone. There was a time when a set of technology devastated the art form of editorial cartooning, but it is another set of technology that has given a new life to editorial cartoonists. Now, they don’t have to get approval from an editor to publish their cartoons. With just a click of the mouse, s/he can share the cartoons with the whole world. Besides this, there is another advantage with this art form, that is, different cartoonists may develop a cartoon on a common topic but no two cartoonists will come up with the same idea. Moreover, no two cartoonists will draw a character, any politician the same. Every cartoonist has his/her own style and own pattern of thinking. These two factors make a cartoon absolutely exclusive. Contrary to Narendra Modi or for that matter any individual will look the same in every photograph irrespective of who the photographer is. That is another reason why social sites are flooded with cartoons nowadays. Social sites also provide no restrictions for a cartoonist, at least directly.
There are a number of Dos and Don’ts for a cartoonist working with a newspaper. Restrictions are sometimes direct and most of the time indirect. Have you ever noticed that the face of the PM is not there in the cartoon anymore? It’s ridiculous, to say the least because it’s the PM or the President of the country who is always supposed to be the prime target of the cartoonists. Strange enough nowadays, these are the Opposition leaders who are getting more and more space in the cartoon than the PM or other leaders of the ruling party. This abnormality is the new normal in the organised newspaper sector. The story is completely different in the unorganised information sector.
This little space is enjoying the freedom of expression like never before. Not only that, common people/readers share these cartoons making them viral. Online platforms are full of editorial cartoons. To cut a long story short, the era of newspaper cartooning is over. Indian editorial cartooning has entered the world of online platforms. However, things are not that easy. We need to develop a viable revenue model. There are some revenue models like subscriptions that are gaining ground.
Only time will tell what will happen in the future, I am more than sure that now no cartoonist (or a group of cartoonists) will blame some Bapi chanachoor for his unemployment. Welcome to the open market of online space. We the cartoonists have managed to get our permanent space in this super big bazaar. Now, we have to develop a strategy to sell our product.
(The Statesman/ANN)
(Sorit Gupto is Chief Cartoonist in Down to Earth Magazine)
Opinion
Homer’s Odyssey
An archetypal journey of life towards self-discovery
By Dr Siri Galhenage,
Psychiatrist [Retd]
The Odyssey is a narrative poem by Homer, the revered Greek poet of antiquity. Along with its forerunner, The Iliad, it is regarded as one of the foundational works of Western Literature. Both epics were transmitted for generations through the oral tradition by travelling bards before being committed to writing several centuries later. In 2026, it has received a major cinematic adaptation, and is currently being screened in theatres around the world. Written and directed by Christopher Nolan, the movie has a renowned ensemble cast including Matt Damon and Anne Hathaway, and is expected to top the charts this year.
The enduring interest in the Odyssey is reflected in its continuing reinterpretation across the arts and psychology. My interest in the epic is in the deeper meaning to the narrative – ‘the subterranean flow’ – which I have endeavoured to explore in light of the theoretical concepts developed by pioneer psychiatrists Sigmund Freud and Carl Jung, mainly the latter, while also appreciating the aesthetic dimensions of its cinematic presentation. My attempt, admittedly, is no road less travelled; yet each journey along it may reveal something new beneath the surface of the narrative!
Applicable Psychoanalytical Concepts
The psychoanalytical concepts developed by Freud and Jung concerning the structure and workings of the human mind are complex, but I shall restrict myself to outlining those aspects that are relevant to exploring the deeper meaning of the narrative in The Odyssey.
In psychoanalytical terms the human mind is divided into two domains – the conscious and the unconscious. Sigmund Freud’s structural model of the psyche was primarily applied to the individual. It consists of the ‘personal unconscious’, which harbours experiences that have been repressed or kept beneath the ‘conscious’ level.
In contrast, Carl Jung, Freud’s junior colleague, conceived the idea of a ‘collective unconscious’ as a deeper and a universal layer of the psyche shared by humanity as a whole. It contains innate patterns of psychological experience, which Jung called archetypes. An archetype may therefore be understood as an underlying psychic pattern or predisposition. In a narrative, such a pattern may appear in the form of a character, theme, image or symbol that becomes recognisable to consciousness. It is capable of presenting in different cultures and historical periods. What we encounter in a narrative, therefore, are archetypal manifestations rather than the archetype itself.
The Narrative
The Odyssey is a mythical tale; its setting and characters probably would have been familiar to the original Greek audience. A modern day audience, however, may find it ludicrous!
It is the story of Odysseus, King of Ithaca, and his struggle to return home after the victory at Troy, longing to be united with his wife, Penelope, and son, Telemachus. Meanwhile, in Ithaca, Penelope is besieged by a group of conceited suitors who pressure her to remarry, assuming that Odysseus is dead. Telemachus, now grown up, sets out in search of news of his father.
Odysseus embarks on a perilous journey across the Mediterranean Sea with his fellow soldiers, but his homeward voyage becomes a ten year ordeal as he encounters not only the forces of nature but also an array of hostile gods and mythical creatures.
The journey had a calamitous start with a raid on the Cicones at Ismarus where Odysseus loses many of his men. Soon afterwards, storms drive them to the land of the Lotus-Eaters, where some of his crew consume the intoxicating lotus and lose all desire to return home.
Odysseus rouses his men from their lethargy and moves on to confront the Cyclops, particularly the gigantic Polyphemus, son of the sea god Poseidon. Odysseus blinds Polyphemus who is blocking the cave they were trapped in, and escapes by clinging beneath a flock of sheep. It provokes the enduring wrath of Poseidon, god of the sea.
As the fleet sailed on, lost across the vast seas, Aeolus, keeper of the winds, gives Odysseus a bag of winds that might carry them home. While Odysseus sleeps, however, his suspicious crew opens the bag, believing it contains treasure. The released winds drive the ship away from their planned direction.
They next encounter the Laestrygonians, a race of gigantic cannibals who destroy most of the fleet. Odysseus escapes, but grimly continues his voyage.
He then reaches the island of Circe, where the powerful enchantress transforms some of his men into swine, who indulge in gluttony. Odysseus overcomes her spell, and Circe becomes his ally. At her direction, he consults the prophet Tiresias in the Underworld, who warns him about the continued hostility of Poseidon and advises him to refrain from harming the sacred cattle of the sun god Helios.
Returning to the sea, Odysseus encounters the Sirens, who use alluring sounds to lure sailors to their deaths. Forewarned by Circe, he orders his men to plug their ears with wax and bind him tightly to the mast so that he can hear their songs without steering the ship towards them.
He then navigates between Scylla, a six-headed sea monster, and Charybdis, a terrifying whirlpool. Choosing the lesser danger, he loses six of his men to Scylla. The incident becomes one of the most painful episodes of his journey.
With the surviving crew, Odysseus reaches the island of Thrinacia, where his starving men slaughter the sacred cattle of Helios, against the wishes of the prophet Tiresias, while he is asleep. In response to Helios’s demand, Zeus destroys their ship with a thunderbolt, killing all the men except Odysseus.
Odysseus is subsequently washed ashore on the island of Ogygia, where the nymph Calypso keeps him captive because she loves him. She commands the waves to wash him back to shore, each time he tries to make a raft and sail to sea. Odysseus turns down her offer to make him immortal if he remains with her. He longs to return home. At the command of Zeus, the God of the Heavens, Calypso eventually releases him, and Odysseus sets sail once more.
Angered by the release, Poseidon, the god of the seas, summons the winds and smashes Odysseus’s raft. Thrown overboard, an exhausted Odysseus manages to swim ashore in the land of the Phaeacians, a peaceful people living in relative isolation. With the help of Athena, the goddess of wisdom, he is brought before their king and queen. Moved by his story, they offer him hospitality and provide him with a ship, which finally carries him safely to Ithaca.
In Ithaca, Penelope has been besieged by numerous suitors, who have consumed his wealth and assumed that he was dead. With the help of Athena, he disguises himself as a beggar and secretly returns to his palace. Penelope meanwhile remains faithful to Odysseus, and has devised strategies to postpone remarriage. She announces that she will marry the man who can string Odysseus’s great bow and shoot an arrow through a series of axe-heads. None of the suitors succeeds. The disguised Odysseus effortlessly strings the bow and reveals his identity. With Telemachus and a few loyal servants, he kills the suitors and restores order to his household and reunites with Penelope.
Exploration of the ‘Subterranean Flow’ of the Narrative
Derived from the Greek root odussia, the word odyssey has entered the English language, meaning ‘long adventurous journey’ while, interestingly, some linguists argue that it is also linked to the word odyne meaning ‘pain and suffering, distress or consuming grief’.
The Odyssey can be understood as more than an adventure story. It is an archetype of the journey through life itself: departure, ordeal, wandering, self-discovery and return.
The narrative embodies three archetypal elements – a character [a hero], a theme [his journey] and a symbolic destination [home]
The character of Odysseus represents a pattern of struggle, confrontation with danger and transformation. He emerges as the archetypal ‘hero’, fighting the Trojan War to secure the release of Helen, who has been taken from her husband, Menelaus, the king of the allied nation of Sparta. Helen came to be known as ‘Helen of Troy’, an enduring archetypal image of feminine beauty. The war was brought to a dramatic conclusion by Odysseus’s ingenious stratagem: he and his men concealed themselves inside a giant wooden horse which was brought into Troy enabling them to launch a surprise attack. The ‘Trojan Horse’ has since become a lasting allegory for deception and cunning.
Odysseus is characterised as a ‘hero’, not only due to his military prowess, but also to the courage, resourcefulness and perseverance he displays throughout his archetypal journey home. Tested by forces both external and within, he endures suffering, confronts his limitations and undergoes a process of transformation before finding his way home.
He encounters storms, monsters, seductive enchantresses, intoxicating flora [lotuses: the ‘lotus eaters’ becoming an allegory for Indulgence in idle pleasure], enthralling music and the supernatural world – a realm divided between forces that protect, obstruct, tempt and test him. Yet his journey is not without errors of judgement or disagreement with his fellow crew members, and he must face the consequences of his actions, and most poignantly, the loss of his companions. His greatest challenge, however, is not merely survival, but the preservation of his identity and sense of purpose. He must resist the temptations that threaten to keep him from home, recognise the limits of his own pride and ingenuity, and ultimately learn the value of humility. The theme represents, in varying degree, a recurring pattern or journey of human experience, transformation and self-discovery, beyond its literary presentation.
Ithaca becomes not merely a geographical destination but an archetypal ‘home’, a symbol of selfhood, continuity and the restoration of order after chaos and suffering. One must not overlook the crucial role played by Penelope in preserving the home, enduring her own trials, sustaining the household and preserving its continuity against overwhelming odds.
In essence, the archetypal pattern beneath the narrative in Homer’s Odyssey is the human journey home – through danger, temptation, loss and transformation – towards identity, belonging and restoration.
Conclusion
A good piece of Art – literary or cinematic – much like Psychology, seeks to illuminate the complexities of human experience. In this regard, The Odyssey can be seen as a timeless metaphor for the human journey – the difficulties, hardships, setbacks and emotional challenges that people inevitably encounter throughout their lives: the trials and tribulations that may alter the course of a life. Such trials are not merely tests of character in the face of suffering but, more importantly, they may serve as opportunities for self-discovery, growth and transformation.
As Carl Jung, the renowned psychiatrist, postulated, much of this experience is rooted in the ‘collective unconscious’, a deeper layer of the psyche beneath conscious thought and individual experience. It is perhaps this deeper, often unspoken dimension of our shared humanity that enables The Odyssey to transcend its ancient origins and continue to resonate universally, across cultures and generations.
[sirigalhenage@gmail.com]
Opinion
Meritocracy or seniority number for pilot promotions in commercial airlines?
by Capt. (Ret) G.A.Fernando
‘Meritocracy’ is held to be an essential part of good governance in any organisation. The other two essential components are ‘pragmatism’ and ‘honesty as in Singapore’. Unfortunately, meritocracy is also subjective. Reportedly, in the early days of Air Ceylon, the first officer (co-pilot) would sometimes help to pack the operations manager’s bags before an impending trip, in order to gain ‘merit’ in the airline. Alternatively, the first officer considered for command may have been a ‘boozing buddy’ of the captain. In short, there was no system.
In Air Lanka all our managers, instructors and chief pilots were expatriates. Fairly or unfairly, a rumour had it that pilot promotions were decided at the whites-only Colombo Swimming Club. There were many instances when promotions were offered to someone of so-called ‘good standing’, or ‘a friend of the family’, in the eyes of airline management. Thus, some junior pilots were unfairly by-passed for no valid reason. Such was life in those days.
Consequently, in the mid-1980s the Pilots’ Guild declared that ‘enough was enough’, and after a quick survey of other airline practices, using data supplied by the International Federation of Air Line Pilots’ Associations (IFALPA), it was demanded of Air Lanka management that they too should establish a seniority list to ensure that no-one will be overlooked when it came to pilot promotions.
Essentially, a pilot would be given a ‘seniority number’ at the time of joining the airline. If the date of joining was the same for a batch of pilots, then the number of hours of experience at the time of joining in decreasing order would be the factor in determining individual pilots’ seniority within that batch. The lower the seniority number the greater the seniority of the pilot. That, and only that, would be the consideration. In other words, it was a pecking order of sorts. In case a pilot was bypassed due to some valid requirement, that pilot would be entitled to a good and acceptable reason, and then to a bypass allowance.
While accepting it on principle, no one in the Flight Operations department was willing to ‘bell the cat’ or buck the system.
Therefore, it fell upon the Pilots’ Guild, and specifically me as its secretary, to establish a draft copy of a seniority list, which was eventually accepted by the management of Air Lanka, for pilot promotions.
The pilot was to carry that number until his career with the airline ended. It also gave an opportunity for management to pick candidates out of sequence (for good reason), as the seniority will eventually be re-established. However, if the pilot left the airline for greener pastures and returned, he/she would have to join at the bottom of the list (as the most junior pilot).
Opinion
When crime speaks louder than politics
Narcotics, firearms, capital flight and a daylight massacre, and the duty of the security state
By Mahil Dole
Senior Superintendent of Police (Retired) | Former Head of Counter-Terrorism, State Intelligence Service
The past fortnight has not been a collection of isolated crime stories. It has been a pattern: a large maritime narcotics seizure in the North, inland heroin and ICE hauls in the West and South, a cache of military-pattern firearms on the outskirts of Colombo, a multi-billion-rupee foreign-exchange fraud through shell companies, and, worst of all, a daylight shooting in Halpethota, Baddegama. Gunmen in a car intercepted a three-wheeler and fired at point-blank range, leaving a man and a woman dead. Another woman succumbed to her injuries.
These are not good signs for a peace-loving people. Criminals operating in tandem, brandishing firearms, and treating a public road as an execution ground advertise an insecure environment. When that coincides with Easter Sunday judgments and a presidential claim that politics has been turned from a business into public service, the temptation in Colombo is to treat security as background noise. That would be a serious error.
What the record of two weeks actually shows
On 27 September, personnel of the Northern Naval Command and SLNS Agbo intercepted a consignment at Kusumanthurai Beach, Madagal, Jaffna. One suspect was arrested and a small boat recovered. Examination with the Police Narcotics Bureau established approximately 45.5 kilograms of ICE and 35.7 kilograms of heroin, nearly 81 kilograms, with a street value exceeding Rs. 1.5 billion. It was described as the Navy’s largest ICE-and-heroin haul from northern waters.
That same morning, in Halpathota, Baddegama, the victims were said to have been returning after signing at the Galle Crimes Division. Motive can wait. The method cannot: pursuit, interception and execution in daylight, with a military-pattern weapon, in a populated southern town.
In the days immediately preceding these events, officers of the Western Province North Crime Division arrested suspects in Bokundara, Piliyandala, with more than 11 kilograms of heroin and more than 6 kilograms of ICE, valued in the region of Rs. 300 million. In Walgama, Matara, a man and a woman were arrested with nearly 22 kilograms of ICE, together with cash and vehicles suspected of being used in trafficking. In Kolonnawa, raids recovered a 9mm pistol, seven firearms capable of firing T-56 ammunition, and more than 600 rounds of 9mm ammunition. The Financial Crimes Investigation Division produced before court a suspect alleged to have aided remittances equivalent to some Rs. 24.8 billion through shell companies, against imports that never arrived. He has been remanded until 1 October. The file sits inside a wider inquiry into scores of companies and tens of thousands of telegraphic transfers.
Taken separately, each arrest is a success. Taken together they describe a market: drugs arriving by sea, broken and distributed inland, protected by firearms, and accompanied by money moving through corporate vehicles that look lawful until they are examined.
Non-traditional threats in a crowded political climate
National security in Sri Lanka is still too often imagined as the business of preventing another Easter Sunday or another armed insurgency. Those remain real responsibilities. The Colombo High Court Trial-at-Bar has just convicted 15 of 24 accused in the principal Easter Sunday case and imposed sentences running to two centuries of rigorous imprisonment. That judgment matters for victims, for the record, and for deterrence. It does not, by itself, close the file on intelligence failure, institutional negligence, or the wider architecture that allowed a conspiracy to mature. Into that same week has come another publication, and it requires a different kind of honesty.
A book titled Navayay Paha Vikurthiya– (9:5 Distortion), has been launched after Qur’an 9:5. There is a particular hypocrisy in that naming while refusing to read 9:1 to 9:7. The verse is not a licence. It is a wartime clause after a broken treaty, a four-month warning, and an order to honour pacts that were kept. The next line requires safe-conduct for an enemy who only wants to hear the Word of God. To lift “kill the polytheists” and sell it as the meaning of Islam is not scholarship. It is the method Surah Al-Imran 3:7 condemns: those in whose hearts is deviation chase isolated lines to create fitnah, while those firm in knowledge take the Book as a whole.
The vested interest is not hard to see. The same launch that branded a Qur’anic verse as “distortion” was used to seek another presidential pardon and the cover of the Maha Sangha. A cleric already convicted for insulting Islam now packages that faith as a public threat, then asks the State for mercy so that he may continue the same politics. That is not national security. It is the old trade: isolate a line, inflame a crowd, and convert communal fear into personal and political capital. Sri Lanka has paid for that trade before, in broken streets, in a community placed under blanket suspicion after Easter, and in an intelligence culture that watched identity instead of behaviour. Say so plainly, without matching abuse with abuse, and without letting a slogan stand in for the text.
Narcotics, underworld firearms, capital flight dressed as trade, and contract-style public shootings are not “ordinary crime” in a country that still lives with organised violence. They feed corruption and create the cash and firepower on which larger threats later ride. A state that treats them as a blotter problem, while its political class argues in Colombo, has misread its own risk register.
From politics as business to public service, a test, not a slogan
At a mass rally in Gampaha this Sunday, under the theme “People’s Rule – Two Years Strong. Progress for All,” the President said that politics which had become a business has been transformed into public service. The sentence is well aimed. For decades office was inventory: licences, contracts, land, appointments and silence. That marketplace ran into Customs sheds, bank counters, landing points and the underworld’s procurement of weapons. If politics is now public service, the claim must be tested in the court and on the road.
The courts, in recent weeks, have not been idle. Political figures, public servants and entrepreneurs have been produced on corruption charges: a sitting parliamentarian on an alleged aircraft-procurement bribery file; a former Krrish Group director over an alleged Rs. 70 million payment tied to a Fort property; the former chairman of Lanka Mineral Sands; the General Manager of Lanka Salt; a former National Transport Commission chairman over Expressway permits; a former minister’s secretary over an alleged Rs. 8.1 million bribe. Earlier this year CIABOC reported more than thirty public officials arrested in four months. These files are the visible edge of an effort to make “politics as business” expensive.
That effort is a condition of national security, not a side-issue to be parked with the bribery commission. A dinghy does not beach at Kusumanthurai without facilitators. A T-56 does not appear in Kolonnawa or Baddegama without a supply chain that has passed through a compromised official or a bank that asked too few questions. Phantom imports on the FCID’s scale are the financial twin of the narcotics trade. Clean politics starves those networks. Dirty politics feeds them. But a remand is not yet public service, and a rally sentence is not yet a secure street. If directors are in court while a three-wheeler is raked in Halpethota, and if ICE still moves by the kilo through northern waters, the citizen is entitled to ask which marketplace has actually been closed.
There is a further caution. Campaigns against corruption succeed only when they are even-handed and evidence-led. Selective zeal recreates the old business of politics under a new label. An intelligence service used to settle scores will not be trusted when it later asks the public about a landing or a weapons dump. The Gampaha formulation is useful if it becomes an operational standard: the law applies to the powerful and the obscure alike, and the State’s first business is the ordinary person on an ordinary road.
Agency responsibilities: who must do what.
Figure: The citizen on an ordinary road is the test. The Navy, Police and Narcotics Bureau, intelligence desks, FCID and banks, Customs and the FIU, CIABOC, the courts and the National Security Council are not rival press offices. They are one picture — or they are three press releases.
The Navy’s duty on the northern and southern approaches is not ceremonial. The Palk Strait remains a preferred corridor: the crossing is short and fishing provides cover. Interdiction at Kusumanthurai is valuable only if it is followed by source-to-market mapping, packers, landing points, inland receivers, offshore facilitators. That work requires the Police Narcotics Bureau, Customs, the Financial Intelligence Unit, and a fusion cell that treats a dinghy, a bank transfer and a T-56 as one picture.
The Police duty is to prevent the next daylight murder, not merely to investigate the last. When a T-56 is used on a public road against people returning from a crimes division, the question is how the weapon moved, who sanctioned the hit, and why threat assessment failed. Inland ICE and heroin finds must be treated as distribution nodes, not trophies. A 22-kilogram haul in Matara and an 18-kilogram mixed find in Piliyandala, days apart from an 81-kilogram coastal seizure, should be one picture, not three press releases.
The FCID and the banks have a national-security function whether or not the statute uses that phrase. Phantom imports drain reserves, can wash criminal proceeds, and can pay for the consignments the Navy pulls off beaches. The Kotikawatte arrest should open a network case, not close a headline.
Intelligence agencies must resist waiting for a “terrorism” label before they sit up. Organised narcotics, contract killing and covert capital movement are intelligence problems. They require sources, financial intelligence, maritime awareness and the courage to share what is known before the next three-wheeler is stopped on a southern road.
Preventive measures that can be taken now
Prevention is a set of unglamorous tasks. First, a standing joint cell, Navy, Police Narcotics Bureau, Customs, FCID and the Financial Intelligence Unit, with one target list and one weekly assessment to the National Security Council. Measure networks dismantled, not only kilograms.
Second, treat firearms recovery as a campaign. The Kolonnawa cache is a logistics dump. Every recovery should be traced: origin, last custodian, end-user, cash trail. Unaccounted military-pattern weapons remain an unfinished post-conflict item.
Third, close the gap between court appearance and street vulnerability. People required to sign at a crimes division are known to the system. The system then owes a threat assessment. Public roads in Baddegama should not become killing grounds because two factions have a rifle.
Fourth, match telegraphic transfers against Customs and shipping data as routine, not as a special project after a complaint reaches Police Headquarters. The Rs. 24.8 billion file should rewrite that routine.
Fifth, political controversy must be ring-fenced from operational command, and the anti-corruption drive must speak to the anti-narcotics drive. A National Security Council on a fixed cycle, with a fused assessment and written tasking, keeps the permanent State at work while the temporary Government argues its constitutional case. CIABOC, the FCID, the Police Narcotics Bureau and Customs should not discover at a press conference that they have been chasing the same names.
The test that matters
Sri Lanka has spent a generation learning, at terrible cost, that security is not the same thing as the absence of a declared war. The peace-loving public does not ask the State to win arguments in Colombo, or to win applause at a Gampaha rally. It asks that a three-wheeler on a southern road can pass a car without being raked by a T-56; that a northern beach is watched before the dinghy beaches, not after; that a house in Kolonnawa is not a magazine; that billions of rupees cannot leave the country dressed as imports that never were; and that the man who once sold a licence and the man who now fires a rifle are both answerable to the same law.
The detections of the past two weeks prove that parts of the system still work. The Baddegama murders prove that other parts do not work in time. The court list proves that another part has at last been put to work. National security is the closing of that gap, by agencies that know their duty, by a centre that refuses to be distracted, and by a standard that treats public service as the protection of the ordinary citizen from the old business of politics and the new business of crime.
(This analysis is offered in the interest of national security, institutional reform, and public safety)
The writer is a Senior Superintendent of Police (Retired), former Head of the Counter-Terrorism Division of the State Intelligence Service, and a former Member of the Sri Lanka Wakfs Board. He writes on national security, intelligence and institutional reform. Email- mahildole54@gmail.com
Sources:
contemporaneous reports of the Sri Lanka Navy, Police spokesmen, CIABOC and court proceedings, News First, Newswire, Ada Derana, Daily Mirror and related parliamentary reporting, 21–27 September 2026; Qur’an 9:1–7 and 3:7; book launch of Navayay Paha Vikurthiya, 20 September 2026.
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