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How photography helped the British empire classify India

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Female dancers or nautch girls, early 20th Century. The photograph was taken by Edward Taurines, one of the first European photographers with a studio in Bombay (now Mumbai) which specialised in photographs showcasing the city for a Western audience. [BBC]

In the second half of the 19th Century, photography became one of the British Empire’s most persuasive instruments for knowing – and classifying – India.

A new exhibition – called Typecasting: Photographing the Peoples of India, 1855-1920, and organised by DAG, the Delhi-based art gallery – brings together nearly 200 rare photographs from a period when the camera was deployed to classify communities, fix identities and make India’s complex social differences legible to the colonial government.

Spanning 65 years, the exhibition maps an expansive human geography: from Lepcha and Bhutia communities in the north-east to Afridis in the north-west; from Todas in the Nilgiris to Parsi and Gujarati elites in western India.

It also turns its gaze to those assigned to the lower rungs of the colonial social order – dancing girls, agricultural labourers, barbers and snake charmers.

These images did not merely document India’s diversity; they actively shaped it, translating fluid, lived realities into apparently stable and knowable “types”.

Curated by historian Sudeshna Guha, the exhibition centres on folios from The People of India, the influential eight-volume photographic survey published between 1868 and 1875. From this core, it expands outward to include albumen and silver-gelatin prints by photographers such as Samuel Bourne, Lala Deen Dayal, John Burke and the studio Shepherd & Robertson – practitioners whose images helped define the visual language of that time.

“Taken together, this material tells the history of ethnographic photography and its effect on the British administration and the Indian population, in a project which in size and depth has never before been seen in India,” says Ashish Anand, CEO of DAG.

Here’s a selection of images from the exhibition:

DAG Five Indian women wearing saris stand outside a modest house in Bombay (now Mumbai) in 1890, balancing neatly stacked cow dung cakes on their heads while additional rounds lie arranged on the ground beside them.
Women carrying cow dung cakes, Bombay, 1890, by Edward Taurines. Here, the women are presented in service to the household, engaged in domestic tasks typically performed within the home – but repositioned outdoors for the camera.[BBC]
DAG An Indian woman in a sari poses for a photograph taken by Felix Morin, published in 1890.
Indian woman, photographed by Felix Morin, 1890. Women feature prominently in the photographs at the show. This carefully composed colonial-era portrait captures both the ethnographic gaze of the period and the formal elegance of early photography. [BBC]
DAG Four Afghan tribesmen, armed with guns and dressed in traditional attire, photographed in 1862. The group - Afridis from the Khyber Pass near Peshawar - stand posed before the camera.
This 1862 photograph – ‘Group of Afridis from the Khyber Pass’ taken by Charles Shepherd – shows men from a Pathan tribe the British described as “fiercely independent” found along the Afghan border.[BBC]
DAG A street barber trims a man’s hair in a small vacant space in India. Both wear traditional dress - a sarong-type dress. A turban lies near a man. The photograph was taken by an unidentified photographer.
A street barber, by an unidentified photographer. Such images frequently captured street trades and everyday performances, turning ordinary labour into ethnographic subjects. [BBC]
DAG Two high caste Hindu women in traditional saris pose on the steps of a house in Bombay in 1855
William Johnson, a founding member of the Photographic Society of Bombay, published this image titled ‘Brahmani Ladies’ in the 1857 issue of The Indian Amateur’s Photographic Album. The accompanying text named the two women, describing them as young and intelligent, and noted that they were in Bombay – with their father’s encouragement and their husbands’ support – to study English at a mission school.[BBC]
DAG Five  men of India's Parsee community, dressed in traditional attire and distinctive headgear, sit on chairs in a garden, with a colonial-style building rising behind them.
A group of Parsis, possibly photographed by William Johnson, sit before a colonial bungalow – asserting their distinct identity through clothing and bearing, while occupying a colonial architectural world. [BBC]
DAG Four men and women belonging to north eastern India's Bhutia community pose in their traditional attire in this picture taken in 1890.
A group of young Bhutias, 1890. The volume includes photographs of people from Sikkim, Bhutan and Tibet – regions beyond the British rule. The Lepchas, Bhutias and Tibetans were photographed by Benjamin Simpson. [BBC]
DAG Eight Indian musicians pose outside a cave in India's Maharashtra, holding their traditional drums and pipes in this undated photograph.
Musicians at ancient Buddhist rock-cut shrines in Maharashtra, photographed by Charles Scott, undated.[BBC]
DAG A husband, wife and daughter from India pose at an unidentified location in Singapore in the late 19th century, dressed in their traditional attire.
An Indian family in Singapore, late 19th Century. Some images depict people from the Malay Peninsula, Singapore and Chittagong in Bangladesh.[BBC]

[BBC]



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Two killed when Air Canada jet hits fire truck at NYC’s LaGuardia Airport

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An Air Canada Express CRJ-900 sits on the runway after colliding with a Port Authority fire truck at LaGuardia Airport in New York on March 23, 2026 [Aljazeera]

At least two people have been killed when an Air Canada Express flight from Montreal struck a ground vehicle while landing at New York’s LaGuardia Airport, according to several United States media outlets. The airport has been closed and flights diverted.

Kathryn Garcia, the executive ⁠director of the Port Authority of New York and New Jersey, said 32 of the 41 people who were injured had been released on Monday while nine remained in hospital with “serious injuries”. Those injured included passengers, crew members and the two officers on the fire truck. Both officers remained hospitalised with non-life-threatening injuries.

The aircraft, operated by Jazz Aviation, a regional partner of Air Canada, struck a firefighting truck on Runway 4 about 11:40pm on Sunday (03:40 GMT on Monday) as the vehicle drove to a separate incident, the Port Authority said.

A preliminary passenger list showed 76 people on board Flight AC8646, including four crew members, Jazz Aviation said in a statement.

The CRJ-900 aircraft ⁠struck the vehicle at a speed of 39 kilometres per hour (24 miles per hour), the flight tracking website Flightradar24 said.

“The airport is currently closed to facilitate the response and allow for a thorough investigation,” the Port Authority said in a statement to the AFP news agency.

Emergency response protocols were “immediately activated”, it said.

A Port Authority aircraft rescue and firefighting vehicle lays on its side off of runway 4 after colliding with an Air Canada jet after it landed at LaGuardia Airport, Monday
A Port Authority aircraft rescue and firefighting vehicle lies on its side off Runway 4 after colliding with an Air Canada jet after it landed at LaGuardia Airport in New York [Aljazeera]

The US Federal Aviation Administration (FAA) issued a ground stop for all departures to LaGuardia due to the aircraft emergency with the airport closure in effect until 05:30 GMT. The probability of an extension was listed as high.

[Aljazeera]

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Eid celebrations dimmed by war and displacement across Middle East

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Shireen Shreim says that Palestinians in Gaza are struggling to find the joy in Eid [Al Jazeera]

Along Beirut’s downtown waterfront, Alaa is looking for somewhere to rest his head.

The Syrian refugee, originally from the occupied Golan Heights, is now homeless. He explained that he had already spent the day wandering around the Lebanese capital trying to find shelter.

He used to live in Dahiyeh – the southern suburbs of Beirut that have been pummelled by Israeli attacks, which have now killed MORE THAN 1,000 across Lebanon.

Now, he’s just looking for somewhere he can be safe. And in that context, Eid al-Fitr, the Muslim festival that began on Friday, is far from his mind.

When asked if he had any plans for Eid, he replied in the negative. Instead, his focus was on getting a tent.

“I got rejected from staying in a school, then I went to sleep on the corniche,” Alaa said. “Then people from the municipality told me to come here to downtown Beirut’s waterfront.”

Alaa wasn’t able to find a tent and is sleeping in the open air for now. But others in the area have, transforming a downtown more famous for its expensive restaurants and bars into a tent city for those displaced by the fighting. Across Lebanon, more than a million people have been displaced.

Lebanese are uncertain when this war will end, particularly as they have barely recovered from the conflict with Israel that ran between October 2023 and November 2024.

It makes celebrations difficult – a common theme across the countries affected by the current conflict.

In Iran, now in its third week of US-Israeli attacks – with no sign of an immediate end and an economic crisis that preceded the conflict, people are struggling to afford any of the items typically bought during the holiday season.

And it is potentially dangerous for people to shop at places like Tehran’s grand bazaar, which has been damaged by the bombing.

The religious element of Eid adds an extra sensitivity for antigovernment Iranians, some of whom now see any sign of religiosity as support for the Islamic Republic. The fact that Nowruz – the Persian New Year – falls on Friday this year means that some in the antigovernment camp will be focused on that celebration instead, and eschewing any events to mark Eid.

[Aljazeera]

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King Charles praises ‘living bridge’ with Nigeria at glitzy banquet

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The King spoke of diplomatic ties between the countries during a speech at the banquet [BBC]

King Charles has hosted a spectacular state banquet for the president and first lady of Nigeria, praising the strengths of Nigeria’s partnership with the UK.

After greeting the 160 guests in the Yoruba language, the King spoke of the “living bridge” of the Nigerian community in the UK, in a speech in St George’s Hall at Windsor Castle.

Famous figures at the banquet included England rugby union captain, Maro Itoje, Olympic athlete Christine Ohuruogu and poet Sir Ben Okri, alongside senior royals including Queen Camilla and the Prince and Princess of Wales.

There were special adaptations for Muslims, with the banquet taking place in the fasting month of Ramadan.

PA Media Britain's Queen Camilla in a floorlength cream dress, King Charles III in a black suit jacket and trousers and white waistcoat, Nigeria's President Bola Tinubu in a navy blue outfit and Nigeria's First Lady Oluremi Tinubuin an all-black ensemble
King Charles III and Queen Camilla welcomed Nigeria’s President Bola Tinubu and First Lady Oluremi Tinubu [BBC]
PA Media The Duke of Edinburgh in a black suit walks alongside the Princess of Wales who is wearing a green, long-sleeve floor-length gown and tiara with the Prince of Wales next to her in a black suit
Among the 160 guests was the Duke of Edinburgh and the Princess and Prince of Wales [BBC]

A prayer room was set aside in Windsor Castle and the usual lunch hosted by the King on such state visits did not take place.

It’s become a tradition to invent a cocktail for state visits – and in this case the “crimson bloom” was made from non-alcoholic ingredients, combining the Nigerian drink Zobo with English rose soda and hibiscus and ginger syrup.

There were also alcoholic drinks available for guests in St George’s Hall, including fine red and white wines, port and whisky.

The King’s speech reflected on the importance of religious tolerance, in which “people of different faiths can, do, and must live alongside one another in peace”.

He also told President Bola Ahmed Tinubu and First Lady Oluremi Tinubu of the importance of partners such as Nigeria and the UK standing together in difficult times “when rain clouds gather”.

As well as diplomatic ties, King Charles spoke of “Afrobeats filling our concert halls and Nollywood captivating our screens”.

There was also a reflection by the King on the “painful marks” of a shared history, in a reference to colonialism.

“I do not seek to offer words that dissolve the past, for no words can,” said the King, but he hoped for a more optimistic future “worthy of those who bore the pains of the past”.

PA Media A member of Royal Household staff lights a candle during table preparations in St George's Hall, they wear a red jacket and black trousers. the long table is decorated in lavish floral arrangements and candle sticks. A row of plates and cuttlery line the edges of the table.
The banquet table was adorned with spring flowers and candles [BBC]
PA Media Place settings at the banquet table in St George's Hall for the banquet on white card, the cuttlery is gold and table cloth a lavish burgundy

 

The banquet, on an elaborately decorated table filled with spring flowers, saw a meat-free menu.

It included:

  • Soft boiled quail egg tartlet with watercress and kale and a basil sabayon
  • Fillet of turbot, lobster mousse wrapped in spinach, beurre blanc sauce, sprouting broccoli with hollandaise sauce, fricassee of peas and broad beans, Jersey Royal potatoes
  • Iced blackcurrant souffle with red fruit coulis

The two-day state visit began on Wednesday morning with a ceremonial welcome at Windsor.

In warm spring sunshine, the president and first lady – wearing traditional robes – were given the ceremonial grandeur of a royal welcome.

There was a carriage procession, bringing the Nigerian visitors into the quadrangle inside Windsor Castle, where a military band, with careful symmetry, paraded on the chequerboard lawn.

There was a gun salute, national anthems were played, guards were inspected and the Household Cavalry kicked up dust as they paraded inside the castle, in front of a viewing stand for the King and Queen and their visitors.

Reuters King Charles III with the President of Nigeria Bola Ahmed Tinubu on the Royal Dais during a welcome ceremony at Datchet Road in Windsor. Both men are dressed in black, with King Charles in a three-piece suit
[BBC]
Getty Images King Charles, President Tinubu, Queen Camilla and First Lady Oluremi Tinubu with other uniformed figures outside Windsor Castle
President Tinubu received a full ceremonial welcome in Windsor Castle [BBC]

Official gifts were exchanged. The president and Mrs Tinubu were given hand-crafted pottery, a silver photo frame containing a picture of the King and Queen and a silver and enamel bowl.

In return, the King and Queen were given a traditional Yoruba statuette and a jewellery box featuring the faces of important Nigerian women.

President Tinubu is a Muslim and his wife is a Christian and the couple attended an interfaith event at Windsor Castle, designed to build bridges between religions.

It’s at a time of tensions within Nigeria, with a series of suspected suicide bombings this week in the north-eastern state of Borno, in which at least 23 people were killed and 108 injured in attacks blamed on hard-line Islamist militants from the Boko Haram group.

This is Nigeria’s first state visit to the UK for 37 years and such visits are a way of building relationships with international partners.

The Nigeria visit will see a strengthening of business links, including financial services. And there are personal and family connections, with more than 270,000 Nigerian-born people living in the UK.

“This state visit is about turning a historic relationship into a modern economic partnership – transforming trust into opportunity,” said Nigeria’s government spokesman Mohammed Idris.

“Nigeria’s economic reforms are unlocking the potential of Africa’s largest consumer market. The United Kingdom is a natural partner in what comes next.”

Getty Images A Sovereign's Escort of the Household Cavalry
The Nigerian president was met with pomp and ceremony at Windsor [BBC]
Getty Images windsor castle and marching soldiers
[BBC]
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