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Bamboo vs.Willow

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by Katrina Kramer

Cricket bats made from bamboo might help batters hit farther and faster, researchers have discovered. While willow has been the bat wood of choice for nearly 200 years, bamboo could deliver more energy to the ball during impact, though at the price of being much heavier. But bamboo’s fast growth could help make the sport more affordable to its rapidly growing fanbase.

 Source: © Tom Almeroth-Williams

Almost all high-end cricket bat willow comes from just two suppliers in England. The trees take around 15 years to mature, and bat makers often discard up to 30% of the wood due to imperfections.

Darshil Shah, former member of Thailand’s under-19 national cricket team, and his colleagues from the University of Cambridge, UK, decided to investigate bamboo as an alternative. Bamboo is cheap and grows in many countries that have seen increasing cricket participation – China, Japan and South America for example. The plant matures within six years and can produce several harvests without needing to be replanted.

Darshil Shah holding a bamboo cricket bat …. Source: © Tom Almeroth-Williams

Working with cricket bat manufacturer Garrard & Flack, the team created a bat from bamboo strips held together with an adhesive. The bat turned out to be fairly heavy, since bamboo is denser than willow, lending itself to straight rather than cross strokes, Shah recounts. ‘But because it is stiffer, we can reduce the thickness of the blade, which will reduce the weight,’ he explains. His team was surprised to find that the bamboo bat also had a larger sweet spot, the area that transfers maximum energy onto the ball on impact.

‘The other important property is the sound of a bat,’ says Shah. Bamboo’s resonant frequencies are almost identical to willow’s, so players and spectators are unlikely to notice the difference.

The mechanical differences between the materials come down to cellular rather than molecular differences, says wood materials scientist Ingo Burgert from the Swiss Federal Institute of Technology, ETH Zurich. Both bamboo and willow contain cellulose, hemicellulose and lignin as their main structural components. But in trees, water and sugar transport take place in different tissue types. As a type of grass, there’s only one structure performing both functions in bamboo, Burgert explains.

The current prototype is about 40% heavier than a traditional bat, because bamboo is denser

One way to get an idea of a bamboo’s potential is from children playing baseball with bamboo bats, says Philip Evans from the Wood Surface Science Lab at the University of British Columbia in Canada. ‘They mention that the bat is heavy, but they also say that the ball pings off well.’ However, unlike willow, bamboo doesn’t recover well from deformation and becomes dented more easily.

However, as a game steeped in tradition, cricket regulators have so far resisted changes to bat material and design. Since 1979, when Australian cricketer Dennis Lillee used an aluminium bat in a match against the English team, rules have only allowed for wooden blades in professional games. And no amount of science will convince cricketers if the bat doesn’t feel and handle right, Evans points out. ‘But if the work at the Cambridge group can put bats in the hands of young kids who have fun playing cricket then that’s great,’ he adds.

‘Certain uses, like cricket bats and musical instruments get associated with particular species to the point that people stop considering if any other species would work,’ says Dan Ridley-Ellis, head of the Centre Wood Science and Technology at Edinburgh Napier University in the UK. ‘But two bits of wood from one species can be as different – in terms of properties like density and stiffness – as two pieces of different species. It becomes increasingly important to look for alternatives, species and sources, to meet wood demand without costing too much financially or ecologically.’

Understanding bamboo’s properties, in particular its sound absorption behaviour, might also help Shah and his colleagues with their principal research: understanding how bamboo and engineered timber could be used in the construction sector.

(Chemistry World)



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Sins of Fathers and Comrades

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“The sins of the father will be laid upon the children.”

Exodus 20:5 (5th of Ten Commandments)

The Merchant of Venice (Act 3, Scene 5)

by Kumar David

It is a terrible, a terrifying curse that the sins of one generation will be visited upon successors. Some Christian sects, to this day, hold the Jews responsible for the murder of Jesus Christ though a learned Christian scholar, Lay-Preacher and friend assures me that this is perverse – Pontius Pilate must carry full responsibility he declares. But another with lesser ecclesiastical credentials (he never would have made it to Lay-Preacher though lay was not the obstacle) assures me that unlike JR in 1983, Pilate had good reason to fear that he had no choice and that the mob threatened governance. Actually, JR never made that lame-duck excuse – I think he rather enjoyed watching it. (Aside: Ranil was JR’s nephew in whose Cabinet he loyally served throughout the treachery and slaughter – Bahu please note).

Two organisations are paying a high price for their past, the blame for which is laid on their heads. The example in the headlines this month is the Taliban. The curses of centuries of faith-based relics have submerged it, though internal conflicts may still reverse the worst of the dark age. The other, always in the rear-view mirror of Lankan politics are the 1971 and 1989 events. I promised in a previous piece that I would stop bugging the JVP for long ago follies for which present leaders bear no responsibility. I intend to keep that promise. The misfortune is that that we the NPP still face “Didn’t your people do that?”, “Can we trust them again?” and such flak. A giant blunder by one generation of comrades hangs over the heads of their successors. This piece however is about the Taliban, a theme to which I seem to be getting addicted.

That Chairman fellow said “Women hold up half the sky”, but the Taliban by imposing cruel dress codes and obsolete conduct on unwilling women who have tasted personal freedom for two decades have created an implacable foe. (If some prefer to adhere of their own volition, that’s fine). Opposition to gender oppression and the Pashtun power grab will ignite conflict. There were sporadic protests by small groups of women earlier, but on September 7 a large one, thousands strong marched for miles through the streets of Kabul and was finally dispersed by shots in the air. There are videos of beating and detention of well-disciplined women protesters by bloody fool machismo in the lower ranks of the Taliban who will have to be crushed. It remains to be seen if the leadership has the guts to do this or whether it will go the way of all Lankan regimes on inter-racial and religious injustice. I am not holding my breath. On September 8 the regime impose a ban on demonstrations; this will be defied. If the Taliban mows down Afghan women with grapeshot what is left of its Islamic credentials?

So far, I have written in support of the expulsion of NATO. This has been done and now Act 2 of the drama has commenced. It is time to hold the Taliban to acceptable standards of human and democratic rights but instead it has formed an all-male mainly Pashtun government of aged hard-line dotards and given the lie to promises of ethnic inclusivity and recognition of women. It has slipped back to primeval faiths and primitive customs. The Taliban Education Minister who has never been to school, when challenged about his fitness for the job responded: “Education is irrelevant so long as you are pious.” There will be a push back by younger Taliban cadres as the economy goes into free fall and conflict with women and non-Pashtun ethnic-minorities swells. I am of the view that we are passing through a period in which nothing is settled and foresee changes within the Taliban and in the nature of the state.

Foreign occupation has had contradictory effects. On the one hand liberal values and a liber-democratic state were the proclaimed objectives. On the other hand, drones and artillery killed thousands of civilians, the Afghan army murdered and plundered, and billions of dollars unloaded on foreign contactors spread a plague of corruption from the President down. In sum the occupation was a disaster and a failure.

Confessional slavery

Saudi Arabia, the Gulf States, Iran, the Taliban regime and some others impose dress codes, curtail commonplace democratic rights, deny education and horse whip or stone to death women who defy primitive religious injunctions imposed on all whether these practices are egregious to other genders, faiths or ethnic collectives. (I avoid the term Islamic as I am not schooled in whether Islam actually sanctions such incongruity and cruelty). In the best-case, the Taliban will see the writing on the wall and retreat, give or take a few tactical adjustments. If it is deaf to half its population it will engender a women’s uprising; these women have nothing to lose but their chains and a world to gain. It will take time for a clandestine but identifiable leadership to mature and resistance organise itself. The Taliban does not want to give any rights to women and it will concede only what it is compelled to by domestic and international pressure.

The best Sri Lankans of all faiths, ages, communities and genders can do is to extend moral and if possible practical support to women enslaved by confessional states. Did you know that Afghans were making creative and aesthetically sensitive films from well before Taliban-I? Muslim women in open societies have shone in the professions, academia and public service. Their fathers, brothers and husbands now have a duty to help this process everywhere. It is a shame that Islamic clerics and Muslim laymen and scholars across the world have failed to denounce the Taliban’s behaviour. Many, not only in the thuggish lower ranks, who obstruct progress gun in one hand and whiplashing women on the streets, are alarmed by their own limited educational and intellectual horizons and nativist ignorance. That’s the long and the short of it.

The New Taliban Government: a formula for strife

The Taliban proclaimed an Islamic Emirate, but a Republic is emerging on the streets of Kabul and Herat. Two weeks ago I wrote about the internal dynamics in political movements in watershed periods. It is necessary now to admit that in Afghanistan and in the Taliban the first round has been won by the reactionaries. Nevertheless, professed pieties and hermetic decision making notwithstanding, the conflict within Taliban driven by anger on the streets and dissent in the countryside, is only beginning. Yes true, the Taliban did not fight for 20 years in the mountains to win power and then create a liberal state. Nor do the hardliners care a whit about the hardships people suffer without medical services and food. What will forces change within the movement is if these deficits provoke challenges to its power in the country at large, and if internal cracks within the Taliban widen under stress. The real world will in the end win over the imagined world of faith, ideology and ignorance.

You would be justified to reckon that the government was formed in a home-for-the-aged. Aging Mohammad Hassan Akhund, an aide of the Taliban founder Omar, is PM and Abdul Ghani Baradar his deputy. Omar’s son Yaqoob is defence minister. Two senior Haqqani network members, leader Sirajuddin Haqqani and his aging uncle Khalil Haqqani are interior minister and minister for refugees respectively. Akund, Siarjuddin and Khalil are on UN sanctions lists for terrorism. It’s as if after victory in the Panjshir Valley they cocked their thumb at the world, especially the West and said “Bugger off! We won the war. We will do as we please”. That in broad terms is the government though described as “Interim”. Unsurprisingly, Beijing welcomed the new government. It is playing at global foreign policy and currying favour with the Taliban not to interfere with its repression of Uighur Muslims. China will be of no help in the democratisation of Afghanistan (or Sri Lanka or Burma or anywhere).

The leaders professed that women will play a prominent role and have access to education, but they were excluded from talks when forming a government and there is no longer any mention of a ministry of women’s affairs. About 40% of school children are girls and 30% sitting the university entrance exams are women; unrepentant religious aboriginals in the leadership will attempt to roll all this back. I keep returning to the women’s issue because my sense is that repressing women who have tasted education and employment and then oppressing them socially is not sustainable and will engender conflict. Attempts to impose a Pashtun state on other ethnicities by an aged ideologically primitive leadership in the context of an economic meltdown will aggravate conflict and create splits and realignments within the movement. This may bring younger leaders to the helm and then modify the state itself. The signals as yet are mixed. If the leaders refuse to budge, conflict between the people and the Taliban will break into the open. This is not a desirable scenario; a compromise is better.

This essay has continuity in views and content with my column of September 5, “A perspective on conflicts in the Taliban” which readers may wish to consult.

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My personal experience and perspective of Astrology and Palmistry

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by Dr Nihal D Amerasekera

I was simply fascinated by the stories about his experience with palmistry revealed by my erstwhile colleague Prof Sanath Lamabadusuriya in a recent article to the Sunday Island Newspaper.

Palmistry or Cheiromancy originated in ancient India more than 5,000 years ago and spread to China, Greece and Rome. Now palmistry as an art is practiced worldwide. At present there are three types of palmistry, Indian, Western and Chinese. The Western and Chinese palmistry now show a significant divergence from the original Indian palmistry. The Indian Vedic astrology is closely linked to the notions of karma. Palmists believe Palmistry is both a science and an art. Astrology originated in Babylon far back in antiquity around 2,400 years ago.

I spent much of my childhood with my grandparents both of whom were measured and well-mannered health care professionals. Bringing up their children in the aftermath of the first World War they endured the nomadic life of government transfers every four years serving in some of the most inhospitable places. Those were troubled times of malaria, dysentery and typhoid epidemics. In those days without TV and radio they developed a hobby which was all consuming. They were excellent and adept palmists and astrologers.

I still recall the many books on the subject that filled the bookshelves of our house in Nugegoda. Friends and family got my grandparents to cast horoscopes and got their palms read. For them it was a hobby for which no money changed hands. According to family folklore, when I was born at the Kandy hospital my grandma, was there with her watch recording the time of birth with accuracy. The local time in Ceylon was changed during World War II to what was called ‘War Time’. This caused enormous upheaval in the astrology community in getting the time correct for casting horoscopes.

I grew up in a milieu with great belief in the ability to predict the future. We all had our astrological charts on rolled up ola leaves. My grandparents were well aware of its difficulties and shortcomings and also how, when and what information to divulge. My grandfather was a fine palmist. He never lost his sense of playfulness or the ability to find humour in his predictions. When I was a young kid I was told that I will be a doctor and my future lies in another country. In retrospect I am amazed how accurately he summed up my future.

He was always discreet in his predictions and did so with great sensitivity. In the fullness of years, I can acknowledge now, the predictions were remarkably accurate. I had a cousin who was my age and attended the local school with me. When I asked my grandpa about her future he was reluctant to discuss it. It brought us great sadness when she died tragically age 35. There were times he did get things wrong. His clientele was family and friends. These errors came to light many years later and no one came to any serious harm.

My grandfather did tell me that I had the perfect chart to be a good palmist. I did learn the basics from him and loved it. He often said “practice makes perfect” and that I should read palms regularly. The idea did appeal to me. It is wonderful to be able to predict the future. As a teenager there were too many other interests and distractions. Although my interest receded it never died. I took it up again briefly after retirement, just as a hobby. On a Mediterranean cruise I discovered palmistry was a good ‘party trick’. The mere mention at the dinner table that I could read the palm generated great interest. Despite my disclaimer of being a novice the ladies lined up for their futures to be revealed.

When I was a first year medical student we visited a family friend in Kollupitiya. There was a large gathering. Amongst the crowd was a professional palm reader. They asked me if I want my palm read. Without much thought I agreed and realised later that was a huge mistake. As there was an audience the palmist played to the gallery. Some very personal events of my future life were bared for all to hear causing me great embarrassment and distress. Much of the past was incorrect and in retrospect the future predictions were a load of rubbish. In those days I wasn’t vocal enough and suffered in silence. I still blush when I think about it. This is an excellent example of how NOT to read the palm. There are many such unscrupulous quacks and rogues that hoodwink the people to earn a living.

All palmists should learn the trade as an apprentice to a true professional who should pass on their wisdom, teach the obligations and the refinements we call “bedside manner”. Like in the Hippocratic oath they should be taught “primum non nocere” ( first, do no harm). In my childhood I recall the village astrologers and palmists who frightened the people with impending doom and gloom and extracted money to counteract the forces of evil. Perhaps with increased literacy and learning these practices have now largely disappeared. It is my belief that like in every profession, for astrology and palmistry too, well beyond the aptitude, some have the special gift of instinct or intuition that set them apart from the rest. I have met a few such brilliant professional astrologers and palmists who have made a name for themselves and make an honourable living.

The art of predicting the future has always fascinated people all over the world. For a young person with all his/her life before them there is that inevitable desire to know what is in store. Even In the 21st century that desire still exist. There are some who would say “why know the future, just get on with life”. As a septuagenarian, knowing the fragility of life, I agree with that sentiment completely. Que sera sera – whatever will be will be.

On a personal level, my future has been predicted with great accuracy and I have good reason to believe in both palmistry and astrology. The accurate time of birth and proper casting of the horoscope is the key to its reliability. Even with all that the predictions are neither fool-proof nor flawless. Finding a genuine bona-fide palmist or astrologer is like searching for a needle in a haystack.

There is a conflict between my scientific background and those imprecise and unregulated business of astrology and palmistry. As a medical professional I am trained only to trust evidence-based information and have some scepticism and even some cynicism about matters I cannot deduce logically.

I never allowed my decisions to be guided by astrology or palmistry. Those predictions have no guarantee of accuracy although it gave me a fairly clear picture of what the future held for me. I have lived my life as I wanted making much of the decisions on the hoof. In the main I have no regrets. I have always believed that although my future lay in my own hands much what happens to us in life is governed and influenced by the awesome forces of destiny.

As old age came to my grandparents, they had the respect and love of the extended family. I will always remember grandma’s diligence, energy and enthusiasm, and grandpa’s calm reflective kindness. Their demise to me was an end of an era. The memory of my grandparents still remains with me as a dear and precious possession.

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BAILA KING & I: 1987-1993

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CONFESSIONS OF A GLOBAL GYPSY

By Dr. Chandana (Chandi) Jayawardena DPhil

President – Chandi J. Associates Inc. Consulting, Canada

Founder & Administrator – Global Hospitality Forum

chandij@sympatico.ca

Today, instead of chronologically narrating another episode of the story of my career, I will write about a music legend. Uswatta Liyanage Ivor Sylvester Sunil Perera left us this month, saddening generations of Sri Lanka music lovers around the world, including me. Many tributes have been written about him during the last few days. Therefore, in this tribute, I will focus on my entertainment collaborations with Sunil during six short years three decades ago. It was a period when I was closely involved with the western music scene in Sri Lanka.

First Meeting in 1972

In early 1972, when I was a trainee waiter at the Mount Lavinia Hyatt Hotel, I was asked by the Food and Beverage Manager to work at a special beach party. A new band formed in 1970 with a young, eighteen-year-old lead singer performed at that event. I was thrilled with the energy of their performance. For nearly 50 years since then, I was always entertained when I listened to the music of the band Gypsies, led by Sunil Perera.

Since then, I occasionally saw Sunil and Gypsies, performing at weddings, dances and music shows. They released a string of pop hits enhanced with dynamic stage acts and various props. Sunil was the mastermind in such innovative initiatives. Inspired by Sunil’s creativity I was convinced that hospitality is very much like showbiz. Entertaining and pleasing our customers is common in showbiz and hospitality. That concept had an impact on my decisions on the event calendars throughout my career as a hotelier. Event creation, planning, organizing, choreography and creativity in promotion, all are exciting and enjoyable work in the hospitality business.

Second Meeting in 1986

I spoke with Sunil for the first time at Le Galadari Meridien Hotel in 1986. Gypsies were performing at a wedding and I was the Director of Food and Beverage of this five-star 500-room hotel. Sunil liked to talk a lot. He was often out-spoken about his ideologies. Topics for our quick chats after that included music, entertainment, shows and my desire to make Le Galadari Meridien Hotel the centre for food and beverage events and entertainment in Colombo.

I was concerned that after the wedding season (June and July) there were four months when the banquet business went down considerably. I commenced brainstorming with my team of managers and supervisors, finding creative ways to fill our large banquet rooms with additional events. Among other ideas, I decided to get into music show production to increase the income of the departments I managed. This concept was fully supported by our in-house musicians and bands including Sohan and The X’Periments, Apple Green, Dream Team, Burn, Noeline, Dalreen, Suriyakumar, Judy, Kanthie and a few others. Gypsies were not a part of the in-house musicians I had under contract, but Sunil fully supported my showbiz ambitions and music show initiatives.

The first show I produced with input from a galaxy of musicians was ‘The Musical Stars of 86’. It included several weekly competitions for aspiring musicians from all main cities in the country. We ended the season with a grand finale show which featured the winners of the weekly competitions and the leading western musicians in Sri Lanka. Sunil helped me as a judge and a performer. His support was encouraging.

A Seminar for Musicians

In 1987, led by musicians under contract at Le Galadari Meridien Hotel and Sunil, the western musicians of Sri Lanka formed a dynamic association – Sri Lanka Association of Musicians (SLAM). Noeline Honter was the first President of SLAM. I worked closely with SLAM to organise a seminar for professional musicians and also produced their first fund-raiser show. I invited Sunil to join the seminar panel, which included, Noeline Honter, Sohan Weerasinghe, Harold Seneviratne and a few other well-known musicians. Surprisingly Sunil declined my invitation, but instead, offered to perform a ‘fun’ act to enhance the seminar. Sunil’s performance with his band members in the characters of his 1987 top of the pop songs, – ‘Uncle Johnson’ and ‘Lunu Dehi’ were the highlight of that seminar. Sunil was a master in always being in the limelight.

‘Lunu Dehi’ (Lime and Salt) were the ‘fun’ characters most popular among Sri Lankan kids at that time. On the day of the seminar, when he heard about Sunil’s act, my (one year old) son, Marlon, insisted that I must take him to the hotel to meet his idols. At age one, Marlon, like many Sri Lankan kids, was a fan of Sunil. That made Marlon’s day, but he was a bit scared when he realised how big his favourite characters were!

Star of the Shows and the Producer – Late 1980s

Encouraged with the popularity and the financial success of my maiden music show – ‘Musical Stars of 86’, I produced a string of stage shows. We sold out around 1,000 tickets for each of these shows staged at the packed Bougainvillea Ballroom of Le Galadari Meridien Hotel. Sunil became a key performer and a main attraction for most of these shows. My productions included shows such as ‘A Farewell to Priyanthi & Raja’, ‘Noeline – A Celebration’, ‘M1’, ‘Slam 1’ and the first-ever ‘Model of the Year’.

Impressed with quality of my productions at Le Galadari Meridien Hotel, Ivan Alvis who was in charge of the teen/music page of the Island Newspaper, invited me to produce their annual awards show. I conceptualised, produced and promoted the largest four annual ‘Island Music Awards’ events for the Island Newspaper in 1988, 1989, 1991 and 1992.  Ivan Alvis chose the judges for the selection of winners and I looked after the production of the show. Sunil was a key member of my creative team for those four events as well as for a dozen other music shows/events I produced in Sri Lanka between 1987 and 1993.

The Show Goes On – Early 1990s

After doing two short contracts for the Oberoi Hotel chain in Iraq and the Schiller International University in the United Kingdom, I returned to Sri Lanka to manage the Mount Lavinia Hotel as the General Manager. In 1991, Ivan Alvis contacted me and checked if I would like to produce the ‘Island Music Awards’ event in Mount Lavinia. As I was also the General Manager for the catering operation at BMICH – national conference centre, I told Ivan, “Let’s make the show bigger by staging it at BMICH for an audience of over 1,500.” We agreed and I contacted my friends Sunil and Sohan first to seek their support. We took the show to a new level, and achieved the target of a full house. That year Sunil won the main award – ‘Showbiz Personality of the Year’ and I was the first to congratulate him.

More Collaborations with Sunil

1) Six New Year’s Eve Dances – In 1991, Mount Lavinia Hotel set a record by being the first and only hotel to organise six New Year’s Eve dances. We held dances at the Terrace and pool deck, Empire Ballroom, Regency Ballroom, Little Hut Night Club, Paradise Beach and the Roof Top. I contracted Gypsies as the main band at the main dance. Sunil was a tough negotiator and insisted that I approve a larger fee for Gypsies, stating that, “New Year’s Eve is the entertainer’s bonus day!” I eventually offered him a little less than what he was demanding, and also got him to sign the contract stating that he will do guest appearances at the other five dances. Sunil was our key attraction and it worked. Mount Lavinia Hotel attracted a record-setting 3,000 people to usher in 1992 from this historic hotel.

2) The Show – In 1992 I produced my biggest show. I worked with a diverse team of 157 professionals (musicians, stage managers, choreographers, dancers, ballerinas, set designers, special effects engineers, lighting and sound technicians). At one point during the production process, owing to a delay in completing an important task, I decided to replace a set designing company. I refused their appeal for me to re-consider my decision. They then had approached Sunil, who called me on their behalf. Sunil guaranteed that they would honour the contract as per my deadline. I finally agreed. Sunil always acted on behalf of other entertainers and service providers. He was more like an ambassador for his profession.

3) More Shows at the Mount in 1993 – Sunil became a lead performer for other shows I produced at the Mount Lavinia Hotel. Each performance was unique, innovative and extremely entertaining.

4) The Story Board for a Controversial Song – By 1993, I had gained experience in song writing and music video productions for TV. My first video direction – for my friend Sohan’s popular song ‘Whispers in the Sand’ was nominated for the ‘Music Video of the Year’ Golden Clef Award. Soon after that Sunil invited me to write a story board and then direct a music video for his popular song – ‘Wine, Women and Song’. I immediately worked on it and created a detailed story board and short-listed a group of well-known comedy actors to perform in the music video. Unfortunately, this song faced some censorship challenges due to Sunil’s controversial lyrics. We decided to drop the video production.

5) Profit-sharing – In 1993 I managed to convince the two top bands in Sri Lanka (‘Gypsies’ and ‘Sohan and The X’Periments’) to perform without a fixed fee to usher in 1994 in a venue never before used for a New Year’s Eve dinner dance – BMICH. I negotiated a three-way equal profit-sharing contract between the two bands and the Mount Lavinia Hotel. Unfortunately, owing to a management change, this did not materialise.

6) The ‘Fitness Fever’ Cassette – In 1993, the fourth song I wrote was recorded. I convinced twenty leading singers in Sri Lanka, including Sunil and his brother Piyal to sing ‘Fitness Fever’. I organized a competition and the fans who were able to name all twenty singers were given season passes to the Little Hut, which by then had become the most popular night club in Sri Lanka. The song rose to the number one slot in pop charts soon after its release and remained so for a long period. Soon afterwards I produced a cassette and donated all proceeds to Ranvirusevana (fund to rehabilitate soldiers wounded in the civil war). Sunil fully supported this initiative and encouraged all artists to attend the cassette launching event at the Little Hut Night Club.

Thank You for the Music!

Sunil and I had mutual respect for each other and he was a friend of mine, as well. Sunil was the first to hug and congratulate me when I won the Island Music Award for the Composer of the Year (jointly with Noeline Honter) in 1993. In early 1994 I left Sri Lanka to embark my international career. I followed Sunil’s remarkable career and innovative contributions to the world of entertainment with great pride. I remained an ardent fan of Sunil.

Under the leadership of Sunil, Gypsies became the most successful Sri Lankan band of all time and toured the globe to entertain their ever-growing numbers of fans with Sri Lankan heritage. Sunil cannot be described simply as a successful bandleader, vocalist, guitarist, songwriter and composer. He was larger than life and was an icon. He was easily one of the most famous singers of all time, in Sri Lanka, as well as one of the most recognizable faces. He elevated Sri Lanka’s Baila genre, and gained the nickname “Baila Chakravarthy” (Emperor or King). Sunil inspired generations of musicians. There were many celebrations in the recent years when Gypsies completed 50 years in the entertainment industry and when Sunil turned 65. It was a heart-warming testimony to Sunil’s popularity among peers, when a new song and a music video was released by western musicians in Sri Lanka about Sunil as one his surprise presents for his special birthday.

Dear Sunil, thank you for the music and innovative entertainment over fifty years! I was fortunate to have the opportunity to artistically collaborate with you for a short period of time. You were the undisputed champion of showbiz in Sri Lanka! Rest well, my friend!

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