Life style

A gem of a Monument

Published

6 years ago

2020/09/6

Ratnapura National Museum housed in the historical Ehelepola Walauwa is being renovated and conserved, the first ever exercise of its kind since its establishment. The archaeologically important monument which was closed for a few years is soon to be reopened to the public.

Story and Pix by Randima Attygalle

Nestled in a sprawling green garden of nearly eight acres is a ‘gem of a different kind’ in Ratnapura- the land of gems and the domain of God Saman. An oasis in the midst of the busy Ratnapura town, a drive canopied by its ‘forest garden’ brings a visitor to the stately mansion. The legend has it that once there was a secret tunnel to access this building, its entry point no longer to be found. Its impressive lobby replete with an elaborate wooden doorway, a high ceiling and thick brick walls reflect Dutch and British architectural influence. A dolawa (palanquin) and a wooden oruwa, both several centuries old, are exhibited here today.

Originally built between 1811 and 1814 for the occupation of Ehelepola Maha Adikaram when he was serving as the Disawe of Sabaragamuwa, the building known as Ehelepola Walauwa, was later used as the official residence of the government agents of the Sabaragamuwa Province during the British administration, earning the common reference of Disapathi Medura. Its spacious rooms with high ceilings enabling natural ventilation today serve as the seven galleries of the National Museum of Ratnapura dedicated to the historical and cultural heritage of the Sabaragamuwa Province.

The history of the Ratnapura National Museum goes back to 1946. ‘The exhibition of the first set of museum objects took place in April, 1946. These were brought from the Colombo National Museum, particularly for their safety from any possible danger in Colombo during the Second World War,” says the Director, Cultural, Department of National Museums, Senarath Wickramasinghe. The museum objects were initially exhibited in a private residence in Weralupe, close to the Ratnapura town. In 1957 it was shifted to a building near the old CTB Depot in the town. The museum was opened to the public on May 18, 1988 in the present Ehelepola Walauwa, after the premises were acquired by the Department of National Museums. It was officially declared as an archaeological monument on September 3, 1993 under a special gazette notification by the Department of Archaeology.

The seven galleries of the museum are dedicated to the gems, rocks and minerals of Ratanpura, extinct fauna of Ratnapura, pre-history of the region, History of Ratnapura, textiles, ceramics and jewellery, Sabaragamuwa dance form and rituals and traditional industries and customs of Ratnapura respectively. Among the special objects on display are the sword of Ehelepola Adikaram and the four-poster bed used by Ven. Balangoda Ananda Maithriya Thera.

Besides the objects of antiquity are newly done models reflecting Ratnapura’s well known gem mining, Balangoda man from the pre-history and Sabaragamuwa dance. Modern lighting systems in place enhance the finer intricacies of the objects on display. The gallery, ‘Extinct Fauna of Ratnapura’ features bones of some of the animals which lived in the Quaternary Period (the period between 2 to 500 million years before present) unearthed from gem pits in the area and replicas of some of these animals are found in the Paleo Biodiversity Museum Park- the first of its kind in the country, Wickramasinghe explains.

“Certain fossilized parts of large mammals which lived in the Quaternary Period have been found in the Ratnapura District among the layers of deposits in the areas such as Getahetta, Eheliyagoda, Kuruwita, Kalawana, Pelmadulla, and Kahawatta. These deposits are referred to as ‘Ratnapura deposits’ which belonged to the latter stages of the geological history; Pleistocene and Holocene (two million years before present) periods, found in wet soil layers of gem mines,” he said.

The fossils of the extinct species of animals in the Ratnapura District were first studied by the late Director of the Colombo National Museum, Dr. P. E. P. Deraniyagala. His research had confirmed that three species of elephants, two species of unicorns, one species of hippopotamus, buffalo, hunting dog, lion and wild pig had inhabited this region. The replicas which are exhibited in the Ratnapura Museum are based on the fossil data obtained from such studies.

It has also been recorded that Ratnapura district claims evidence representing all ages of prehistory in Sri Lanka. It is presumed that the stone tools that have been unearthed from wet layers of ‘Ratnapura mines’ represent lower and middle stages of the pre-history and also presumed that those tools belong to the period between 250,000 – 125,0000 years from today. The oldest skeletons of Homo sapiens who lived in South Asia have been found in Fa Hien Caves (Pahiyangala Caves) in Bulathsinhala and Batadombalena in Kuruwita. “These findings take us back to a definite time frame of 40,000 years from today and the findings of Batadombalena takes us back to 35,000 years, offering us clear evidence that prehistoric men continuously lived in these places up to 3500 BC,” points out Wickramasinghe. The excavations conducted in Bellanbendipelassa, an open space in the Ratnapura District located in the Walawe Valley had uncovered a burial ground of pre-historic men. The Pre-History Gallery of the Museum visually presents these findings.

An assortment of kitchen and agricultural objects of antiquity, exquisite jewellery worn by the Ratnapura aristocracy, ancient Buddha statues from temples, old coins, ceramics, garments and swords add to the grandeur of the museum. The Medicinal Garden, Bamboo Garden and Endemic Plant Garden surrounding it afford a tranquil setting to the stately building housing the museum meriting promotion among local and foreign visitors.

The first ever ‘conservation-renovation’ exercise since the establishment of the Ratnapura National Museum was a demanding task resulting in closure for several years during which the work was completed, remarks the Director General of the Department of National Museums, Sanuja Kasthuriarachchi. “In the process, while being conscious of the original architectural features of this archaeological site, we also had to do justice to Ehelepola Maha Adikaram who occupied this mansion as well as the historical and cultural heritage of Ratnapura,.” she explains. “The conservation project also aspires to be aligned with the proposed five-year Gem City Master Plan of the Urban Development Authority..”

“Here, we will be taking measures to conserve and develop the Bio Diversity Park of the museum as well, so that the premises can be promoted as a sustainable tourist attraction under the Master Plan,” she added.

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Ehelepola Maha Adikaram

He was born to a noble family from the village of Ehelepola, nine miles from Matale and was educated by the Yatawatte Maha Thera before joining the Royal court. His first appointment was to the post of Paniwidakara Nilame by the King and later succeeded Meegastenne Adikarama as the Second Adikaram. Ehelepola was also appointed as Disave of Sabaragamuva which was held by Meegastenne. Following the death of Pilimatlawe Nilame, Ehelepola was appointed as the Maha Adikaram in 1811 under the reign King Sri Vikrama Rajasinha.

Following the brutal execution of his entire family by the King, (including his eldest son, the child hero Madduma Bandara), he aided the British in launching an invasion of the Kandyan Kingdom. Ehelepola became part of the British administration of Kandy but soon came under suspicion during the Great Rebellion of 1817–18. The royal courtier was arrested by the British and exiled to Mauritius Island along with several Kandyan Chiefs in 1825. He died on April 4, 1829 in Mauritius Island. His tomb, which is a protected Monument, bears the inscription: ‘Sacred to the memory of Ehelepola Wijesundara Wickramasinghe Chandrasekara Amarakoon Wahala Mudianse, late First Adigar or Prime Minister to the King of Kandy, who died on 4th April 1829 aged 57 years”.

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Life style

Beauty of Sri Lanka in focus: Global showcase blends art, diplomacy and conservation

Published

4 hours ago

2026/04/12

Thilina Walpola

Ambassador Jovita Neliupsiene, Head of the EU Delegation to the US, and Mahinda Samarasinghe, Ambassador of Sri Lanka to the US, joined a special viewing of the exhibition

By Ifham Nizam

The sixth edition of the “Beauty of Sri Lanka” Photography Exhibition is set to unfold across North America this April, transforming the power of visual storytelling into a compelling platform for cultural diplomacy, environmental advocacy and nation branding.

Organised by the America Sri Lanka Photographic Art Society in collaboration with key diplomatic and institutional partners, including the Embassy of Sri Lanka in Washington, D.C., the Permanent Mission of Sri Lanka to the United Nations, the Consulate General of Sri Lanka in Los Angeles and Toronto, and the Sri Lanka Tourism Promotion Bureau, the exhibition will run from April 22 to May 4 across Los Angeles, Toronto, New York and Washington, D.C.

Held in conjunction with Earth Day, the exhibition continues to evolve as a globally recognised initiative that brings together art, conservation and international engagement. What began as a photography showcase has now matured into a dynamic soft-power platform that tells Sri Lanka’s story to the world—through its landscapes, biodiversity, and deeply rooted cultural heritage.

Photographers from Sri Lanka at Nigara State Park

The 2026 tour will feature prestigious venues that reflect its growing international stature. These include the iconic Church of Scientology Celebrity Centre International, Metro Hall in Toronto—marking the exhibition’s debut in Canada—the Permanent Mission in New York, and the Sri Lankan Embassy in Washington, D.C., as part of the widely celebrated Passport D.C. event. Each venue represents not only a geographic expansion but also a widening of the exhibition’s global audience and influence.

Exhibition

At its heart, “Beauty of Sri Lanka” is a vivid narrative of a nation’s natural and cultural wealth. From the mist-covered central highlands and pristine coastal belts to dense rainforests teeming with endemic wildlife, the exhibition captures Sri Lanka’s ecological richness through the lenses of talented photographers. These images serve as both an invitation to explore and a reminder of the urgent need to protect fragile ecosystems.

This year’s programme takes a significant step further by integrating real-world environmental action. The “ReTree Los Angeles” initiative, launched in line with Earth Day, focuses on tree planting, urban restoration and community engagement. It also includes a children’s painting competition aimed at fostering environmental awareness among the younger generation. Organisers believe that nurturing creativity at an early age can instil a lifelong commitment to conservation.

Adding a scientific dimension to the event, Dr. Sarath Gunapala will deliver the keynote address on “The Journey of Infrared Photography,” exploring how advanced imaging techniques can reveal unseen dimensions of the natural world. His participation highlights the exhibition’s interdisciplinary approach, where art meets science to deepen understanding and appreciation.

The exhibition will also feature a vibrant cultural segment designed to immerse international audiences in Sri Lanka’s living traditions. A carefully curated lineup of performances—including the sacred Wes Pooja, the dramatic Naga Raksha mask dance, the rhythmic Thelme ritual dance and the light-hearted Salu Paliya—will bring to life the island’s folklore, rituals and performing arts heritage. These performances are expected to add colour, rhythm and emotional depth to the visual experience offered by the photographic displays.

ASPAS President Suria Perera emphasised that the exhibition is more than a display of images. “It is a celebration of Sri Lanka’s identity—its natural beauty, its cultural vibrancy, and its responsibility to future generations,” she said. “Through photography and community engagement, we aim to inspire a deeper connection between people and the environment.”

Over the years, the exhibition has drawn a diverse audience, including diplomats, policymakers, conservationists, art collectors and members of the Sri Lankan diaspora. Its ability to connect these varied groups underscores its role as a bridge between cultures, fostering dialogue and mutual understanding while strengthening Sri Lanka’s global presence.

The continued support of diplomatic missions, cultural institutions and tourism authorities has been instrumental in elevating the exhibition’s profile. Their collaboration reinforces the role of art as a powerful tool in shaping perceptions, building partnerships and promoting sustainable tourism.

As the 2026 edition prepares to open its doors, “Beauty of Sri Lanka” stands as a testament to the island nation’s enduring appeal and its commitment to conservation. It is not merely an exhibition, but a movement—one that celebrates beauty, inspires responsibility and connects Sri Lanka to the world through the universal language of art.

Life style

Vibrant celebration of tradition and togetherness

Published

5 hours ago

2026/04/12

Thilina Walpola

This holiday season, City of Dreams Sri Lanka invites guests to step into the heart of a truly Sri Lankan celebration with Signature Avurudu—a four-day cultural experience taking place.

Blending time-honoured traditions with contemporary flair, the festivities promise to capture the spirit of the Aluth Avurudda (Sinhala and Tamil New Year) in all its colour, rhythm, and warmth. From the moment guests arrive, they will be welcomed into a space transformed with festive décor, echoing the charm of a village celebrations brought to life in the city.

At the centre of the celebration is the Pahan Pujava, a symbolic lamp lighting ceremony led by the management, setting a tone of unity, prosperity, and new beginnings. This meaningful ritual reflects the essence of the New Year—a time to pause, reflect, and step into the new year with hope and positivity.

Throughout the four days, guests can experience the rich cultural heritage of Sri Lanka through a series of traditional performances. The rhythmic beats of raban and drums, alongside vibrant dance acts, will fill the air, creating an atmosphere that is both nostalgic and celebratory. Adding to the experience are elegantly dressed Sri Lankan hostesses, offering a warm, authentic welcome that embodies the island’s renowned hospitality.

No Avurudu celebration is complete without its flavours, and City of Dreams Sri Lanka delivers a feast to remember. Guests can indulge in an array of traditional sweets and savouries, alongside curated Avurudu-themed buffets and creative beverages inspired by local ingredients. Passing canapés and festive treats ensure there is something to enjoy at every turn—whether you’re reminiscing over childhood favourites or discovering new twists on beloved classics.

Designed as a celebration for all, Signature Avurudu brings together families, friends, and visitors from around the world to share in the joy of the season. It is a reminder that Avurudu is more than a festival—it is a feeling of togetherness, renewal, and shared happiness.

This April, celebrate the sights, sounds, and tastes of Avurudu at City of Dreams Sri Lanka—where tradition meets modern celebration, and every moment feels like home.

Life style

Thomian sailors secure many medals in India

Published

5 hours ago

2026/04/12

Thilina Walpola

Thomian sailors witj official

Students of S. Thomas’ College recently demonstrated commendable performance at two international sailing events held in India: the inaugural Indian Sailing Regatta and the 4th North-East Regatta. Both events featured participation from foreign teams, including Sri Lanka, Taiwan, Malaysia, Russia, Great Britain, South Korea, Singapore, and India.

The inaugural Indian Sailing League (ISL), held at Umiam Lake, Shillong, India, marked a significant milestone in the sport and was prominently featured in The Times of India. The ISL is a first-of-its-kind franchise-based sailing league, bringing together 14 teams, 182 sailors, and 58 international participants from eight countries.

The ISL follows a concept similar to the Cricket Indian Premier League, where top sailors are “bid” and selected into franchise teams representing different regions. The competition introduced an innovative team-based format in which the best sailor from each team in each category competed, combining multiple race formats such as fleet racing, team racing, marathon races, and rig-and-race challenges. This pioneering structure, widely regarded as a first in global sailing history, has significantly enhanced the spectator appeal and competitive depth of the sport, while promoting youth, women, and high-performance sailing on a single platform.

At the first Indian Sailing Regatta, in the Boys’ Optimist category, Haren Wickramatillake secured 3rd place and was also awarded a special medal for his courage during the rig and race event. Dhiren Perera achieved 3rd place in the rig and race event alongside his team member.

At the 4th North-East Regatta, performances continued to be noteworthy. In the Main Optimist Boys category, Haren Wickramatillake was placed 6th, while Shem Fernando secured 19th place out of 32 participants. In the Junior Green Fleet Optimist Boys category, Anuruth Tennakoon achieved 2nd place and Dhiren Perera was placed 4th out of 10 participants. In the ILCA 4 Boys category, Akaine Ubayasiri was placed 11th out of 22 participants.

These achievements highlight the high level of skill, determination, and sportsmanship demonstrated by the young sailors, while also reflecting Sri Lanka’s strong presence in an emerging and globally significant sailing platform.

Upcoming international sailing events, featuring students of S. Thomas’ College, include the Asian Beach Games 2026, to be held in China ,in April 2026, and the International Optimist Dinghy Association (IODA) competition, scheduled to take place at Port City, in Sri Lanka, in December 2026. These events will provide valuable international exposure and further opportunities for the young college sailors to compete at a high level.