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A gem of a Monument

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Ratnapura National Museum housed in the historical Ehelepola Walauwa is being renovated and conserved, the first ever exercise of its kind since its establishment. The archaeologically important monument which was closed for a few years is soon to be reopened to the public.

Story and Pix by Randima Attygalle

Nestled in a sprawling green garden of nearly eight acres is a ‘gem of a different kind’ in Ratnapura- the land of gems and the domain of God Saman. An oasis in the midst of the busy Ratnapura town, a drive canopied by its ‘forest garden’ brings a visitor to the stately mansion. The legend has it that once there was a secret tunnel to access this building, its entry point no longer to be found. Its impressive lobby replete with an elaborate wooden doorway, a high ceiling and thick brick walls reflect Dutch and British architectural influence. A dolawa (palanquin) and a wooden oruwa, both several centuries old, are exhibited here today.

Originally built between 1811 and 1814 for the occupation of Ehelepola Maha Adikaram when he was serving as the Disawe of Sabaragamuwa, the building known as Ehelepola Walauwa, was later used as the official residence of the government agents of the Sabaragamuwa Province during the British administration, earning the common reference of Disapathi Medura. Its spacious rooms with high ceilings enabling natural ventilation today serve as the seven galleries of the National Museum of Ratnapura dedicated to the historical and cultural heritage of the Sabaragamuwa Province.

The history of the Ratnapura National Museum goes back to 1946. ‘The exhibition of the first set of museum objects took place in April, 1946. These were brought from the Colombo National Museum, particularly for their safety from any possible danger in Colombo during the Second World War,” says the Director, Cultural, Department of National Museums, Senarath Wickramasinghe. The museum objects were initially exhibited in a private residence in Weralupe, close to the Ratnapura town. In 1957 it was shifted to a building near the old CTB Depot in the town. The museum was opened to the public on May 18, 1988 in the present Ehelepola Walauwa, after the premises were acquired by the Department of National Museums. It was officially declared as an archaeological monument on September 3, 1993 under a special gazette notification by the Department of Archaeology.

The seven galleries of the museum are dedicated to the gems, rocks and minerals of Ratanpura, extinct fauna of Ratnapura, pre-history of the region, History of Ratnapura, textiles, ceramics and jewellery, Sabaragamuwa dance form and rituals and traditional industries and customs of Ratnapura respectively. Among the special objects on display are the sword of Ehelepola Adikaram and the four-poster bed used by Ven. Balangoda Ananda Maithriya Thera.

Besides the objects of antiquity are newly done models reflecting Ratnapura’s well known gem mining, Balangoda man from the pre-history and Sabaragamuwa dance. Modern lighting systems in place enhance the finer intricacies of the objects on display. The gallery, ‘Extinct Fauna of Ratnapura’ features bones of some of the animals which lived in the Quaternary Period (the period between 2 to 500 million years before present) unearthed from gem pits in the area and replicas of some of these animals are found in the Paleo Biodiversity Museum Park- the first of its kind in the country, Wickramasinghe explains.

“Certain fossilized parts of large mammals which lived in the Quaternary Period have been found in the Ratnapura District among the layers of deposits in the areas such as Getahetta, Eheliyagoda, Kuruwita, Kalawana, Pelmadulla, and Kahawatta. These deposits are referred to as ‘Ratnapura deposits’ which belonged to the latter stages of the geological history; Pleistocene and Holocene (two million years before present) periods, found in wet soil layers of gem mines,” he said.

The fossils of the extinct species of animals in the Ratnapura District were first studied by the late Director of the Colombo National Museum, Dr. P. E. P. Deraniyagala. His research had confirmed that three species of elephants, two species of unicorns, one species of hippopotamus, buffalo, hunting dog, lion and wild pig had inhabited this region. The replicas which are exhibited in the Ratnapura Museum are based on the fossil data obtained from such studies.

It has also been recorded that Ratnapura district claims evidence representing all ages of prehistory in Sri Lanka. It is presumed that the stone tools that have been unearthed from wet layers of ‘Ratnapura mines’ represent lower and middle stages of the pre-history and also presumed that those tools belong to the period between 250,000 – 125,0000 years from today. The oldest skeletons of Homo sapiens who lived in South Asia have been found in Fa Hien Caves (Pahiyangala Caves) in Bulathsinhala and Batadombalena in Kuruwita. “These findings take us back to a definite time frame of 40,000 years from today and the findings of Batadombalena takes us back to 35,000 years, offering us clear evidence that prehistoric men continuously lived in these places up to 3500 BC,” points out Wickramasinghe. The excavations conducted in Bellanbendipelassa, an open space in the Ratnapura District located in the Walawe Valley had uncovered a burial ground of pre-historic men. The Pre-History Gallery of the Museum visually presents these findings.

An assortment of kitchen and agricultural objects of antiquity, exquisite jewellery worn by the Ratnapura aristocracy, ancient Buddha statues from temples, old coins, ceramics, garments and swords add to the grandeur of the museum. The Medicinal Garden, Bamboo Garden and Endemic Plant Garden surrounding it afford a tranquil setting to the stately building housing the museum meriting promotion among local and foreign visitors.

The first ever ‘conservation-renovation’ exercise since the establishment of the Ratnapura National Museum was a demanding task resulting in closure for several years during which the work was completed, remarks the Director General of the Department of National Museums, Sanuja Kasthuriarachchi. “In the process, while being conscious of the original architectural features of this archaeological site, we also had to do justice to Ehelepola Maha Adikaram who occupied this mansion as well as the historical and cultural heritage of Ratnapura,.” she explains. “The conservation project also aspires to be aligned with the proposed five-year Gem City Master Plan of the Urban Development Authority..”

“Here, we will be taking measures to conserve and develop the Bio Diversity Park of the museum as well, so that the premises can be promoted as a sustainable tourist attraction under the Master Plan,” she added.

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Ehelepola Maha Adikaram

He was born to a noble family from the village of Ehelepola, nine miles from Matale and was educated by the Yatawatte Maha Thera before joining the Royal court. His first appointment was to the post of Paniwidakara Nilame by the King and later succeeded Meegastenne Adikarama as the Second Adikaram. Ehelepola was also appointed as Disave of Sabaragamuva which was held by Meegastenne. Following the death of Pilimatlawe Nilame, Ehelepola was appointed as the Maha Adikaram in 1811 under the reign King Sri Vikrama Rajasinha.

Following the brutal execution of his entire family by the King, (including his eldest son, the child hero Madduma Bandara), he aided the British in launching an invasion of the Kandyan Kingdom. Ehelepola became part of the British administration of Kandy but soon came under suspicion during the Great Rebellion of 1817–18.  The royal courtier was arrested by the British and exiled to Mauritius Island along with several Kandyan Chiefs in 1825. He died on April 4, 1829 in Mauritius Island. His tomb, which is a protected Monument, bears the inscription: ‘Sacred to the memory of Ehelepola Wijesundara Wickramasinghe Chandrasekara Amarakoon Wahala Mudianse, late First Adigar or Prime Minister to the King of Kandy, who died on 4th April 1829 aged 57 years”.



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Meet the author rewriting the rules of children’s fiction

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Representation matters:

By Ifham Nizam

“There are no books written about pirates with prosthetic limbs, sporting blades, or racing wheelchairs—that is, until now,” says award-winning international children’s author Jann Weeratunga, whose Polly’s Piralympics series is challenging conventional ideas about who gets to be the hero in children’s literature.

For Weeratunga, representation is not simply about placing a disabled character somewhere in a story. It is about putting that character at the centre—leading, competing, winning, making friends, overcoming challenges and, most importantly, having adventures on their own terms.

Her books are designed not merely to be read, but to be experienced. Through interactive pages, children can colour, draw, write and respond to the stories, leaving something of themselves behind as they explore themes, ranging from disability and bullying to friendship, resilience and family.

At the heart of her growing literary brand is Polly’s Piralympics, a series in which disability is not presented as a limitation, but as part of a character’s identity and adventure.

The inspiration came from an unexpected moment during the closing speech of the 2012 London Paralympic Games by Sir Philip Craven. He recalled a young boy looking at an illustration of a pirate with an eye patch, a hook, a parrot and a wooden leg.

When his mother asked who the figure was, the boy replied that because the man had only one leg, “he must be an Olympian.”

The story moved Weeratunga deeply.

That moment of innocent perception—where disability was associated with sporting achievement rather than limitation—sparked the idea of Polly and her extraordinary Piralympic world.

In the series, Polly, a bird-napped African parrot, finds herself bullied in a Scottish pet shop before being rescued by Captain Hake. Their shared one-eyed view of the world becomes the beginning of an unusual friendship. Captain Hake teaches Polly the ways of a pirate, while Polly creates the Fellowship of Pirates and the Pirates Paralympics.

Soon, pirates from around the world are competing in events ranging from three-legged races and climb-the-rigging gymnastics to walk-the-plank diving and even a MasterChef competition.

It is an imaginative world, but behind the humour and adventure lies a serious message about inclusion and leadership.

Weeratunga recalls one school visit that brought home to her exactly why the books mattered.

A student with a prosthetic leg embraced her and said: “Thank you for writing these books for me, Auntie.”

The words left her overwhelmed.

“That was why I had written these books,” Weeratunga reflects.

Her journey towards becoming an author, however, began long before Polly sailed into the world of children’s fiction.

Earlier in her life, Weeratunga was a Scout Leader in the UK, where volunteering became a way of life. She subsequently spent a decade in Sri Lanka, falling in love not only with a Sri Lankan, but with the country itself.

After her husband died just four years into their marriage, she joined five other women to establish a small school in Senarathwela to teach English to those who wanted to learn. Many of her pupils, subsequently, found employment at the newly opened Victoria Golf Course.

When she returned to Sri Lanka in 2025 and revisited the village and golf course, she found a landscape transformed by new roads, homes, shops and businesses. But the people she had taught remained.

“The village is unrecognisable, with new roads, homes, shops and businesses, but my dear pupils were still there as Caddies, Caddy Master and Golf Pro. I was so proud of them,” she says.

Her connection with Sri Lanka deepened further during one of the country’s darkest moments.

On Boxing Day 2005, while holidaying in the UK with her recently widowed mother, Weeratunga was woken by the words: “Something terrible has happened in Sri Lanka.”

She rushed to the television and witnessed the devastating aftermath of the Indian Ocean tsunami.

That very day, she established a non-profit organisation to raise funds and take relief to Sri Lanka. With support from local McDonald’s franchises, schools in Ferndown, the Mayor of Ferndown, freight companies and her friend Mr Wijekoon, a local Grama Niladhari, she helped rebuild lives in Arugam Bay.

The experience was hands-on and deeply personal. A family’s home had been swept away, and days were spent persuading surfers to help construct a future for her adopted family.

A Montessori was established on the hill, within the Buddhist temple grounds, while evenings were spent crafting, building and working with a small but effective generator.

Meals of rice and curry, prepared by the family’s sisters, using provisions donated from Senarathwela, brought the long days to a close.

When Weeratunga returned to the family, in 2025, she was able to see how far they had come.

Jann Weeratunga

Today, living in South Africa, she continues to draw inspiration from the landscape around her.

“Travelling—it leaves you speechless and then turns you into a storyteller,” she says, echoing the famous words attributed to Ibn Battuta.

And storytelling has become her way of opening conversations with a new generation.

While Polly’s Piralympics remains the flagship of her children’s publishing brand, Weeratunga’s wider collection explores a range of issues that matter to children and parents.

Terry and the Bully gives children practical and empowering ways to stand up for themselves, transforming a difficult subject into a story through which young readers can explore courage and self-confidence.

In Evie Visiting Grandma, children encounter the sensitive experience of visiting a loved one who now lives in a residential home. Rather than avoiding a potentially difficult subject, the story gently opens the door to conversations about ageing, family and change.

Terry the Toucane explores another universal childhood experience—the challenge and beauty of being different. Its central message is simple: being different should never prevent us from developing deep and lasting friendships.

Then there is Captain Bluebird, a resilient and entertaining adventure exploring what happens when Captain Bluebird receives a brand-new ship.

Across the collection, Weeratunga combines entertainment with meaningful life lessons, while her interactive approach gives children an opportunity to become participants rather than passive readers.

They can colour illustrations, draw pictures and respond to pages, making each reading experience personal.

That approach also gives the books an added value for parents and educators. They can become conversation starters—helping adults discuss subjects that children may find difficult to raise directly.

For Weeratunga, this is part of the larger purpose of her work.

Her books seek to fill a gap in children’s literature where diverse characters are not simply included for the sake of inclusion, but are given agency, personality and leadership.

In Polly’s Piralympics, disabled characters are not watching from the sidelines. They are the stars.

They lead.

They compete.

They win.

They champion their own adventures.

And that, ultimately, is the brand Weeratunga is building: children’s stories in which every child can find a place, a voice and perhaps even a little courage to become the hero of their own story.

Representation matters.

For young readers in Sri Lanka, Weeratunga’s books are now available through Sarasavi Bookshop, Vijitha Yapa Bookshop, M. D. Gunasena and Expo Graphics, Battaramulla.

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An evening where hearts sang as one

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Rajiv and Clan kept the evening alive with their vibrant music

By Zanita Careem

Music, laughter and a generous spirit filled Raflfles Hotel Colombo as Heart to Heart sing along brought together a vibrant gathering for an evening of melody, friendship and giving. The elegant ballroom reverberated with familiar lyrics as guests joined in, sang along and simply let their hair down. Adding to the infections atmosphere was the talented Rajiv and Clan, whose lively performance kept the energy soaring and had the gathering singing to some much loved favourites.

Keeping the evening moving with plenty of wit and warmth was the compere Mirzab Sherifdeen who ensured there was never a dull moment between the music, laughter and spontaneous sing-along moments, Guests were also treated to prizes galore adding an extra element of excitement to an already festive evening. There was cheers as winners stepped forward to collect their prizes, while friends and families aplauded and celebrated every winning moment.

Yet beneath all the sparkle was the meaningful purpose of Heart to Heart Trust Fund, founded by Dr. Rajitha Y de Silva and Dr. Ruwan Ekanayake, bringing people together in support of a cause built on compassion and care.

The dedications and the volunteering was evident throughout the evening with their commitment adding a special warmth to this special event.

Adding to the evening’s indulgence was a sumptous spread of cuisine by the Raffles, Hotel with an enticing selectiom that kept guests happily returning for more. From savoury favourites to tempting desserts, the food complemented the festive mood perfectly.

As the final song faded and the evening drew to a close, there was a quiet sense of gratitude. Behind the music, laughter, prizs and beautiful memories was a cause built as compassion, a cause that has continued to touch lives through the dedication of Dr. Rajitha de Silva and everyone who has stood beside him in the journey of Heart to Heart.

And as guests left Raffles Hotel with the last melodies still lingering in the air the most beautiful note of the evening remained – the sound of hearts earning for hearts. At the very heart of Hearts to Heart is Dr. Rajitha whose compassion has become the soul of the initiative. Dr. Rajitha’s work reminds us that medicine is not only about repairing what is broken. It is about giving people the courage to believe in tomorrow. And perhaps that is the greatest gift he offers. This spirit was beautifully reflected throughout the evening.It was a beautiful evening of music, friendship and generosity, with every contribution going towards a worthy cause- keeping alive a legacy built one one simple but powerful belief that every heart deserves a chance to beat on.

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Taste of Ceylon leaves a lasting flavour

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The scene at Taste of Ceylon

Taste of Ceylon opened its doors at Beira Kitchen, Courtyard by Marriott Colombo, on September 3rd; a festival of Southern, Central, Uva and Northern regional food, brought together on one table.

Four Regions, One Unforgettable Table

Each night, guests moved between four distinct culinary worlds. From the South came the deep, coconut-rich flavours of malu abulthiyal and Negombo pork curry with pineapple, alongside a lively fish polla roti action station. The Central province brought Kandalama lake fish, black octopus curry and carrot kalupol; dishes rooted in the region’s lakes and forests. Uva’s table leaned rustic and warming, with village chicken stew, prawn curry with murunga, and a coconut pittu drawing steady queues. And from the North came bold, unmistakable flavours of Jaffna crab curry, Jaffna mutton curry, and a dosai action station that quickly became one of the evening’s most talked-about corners.

Layered around the four regional stations was a spread that told its own story of Sri Lankan hospitality, from belimal herbal welcome drinks and a bread corner stretching from curry leaves rolls to kurakkan viyana rolls, to a dessert corner where watalappan, wood-apple coconut wandu and king coconut jelly sat alongside a full spread of traditional Sri Lankan sweets like kokis, athirasa and aluwa.

What the guests had to say

The feedback on opening night carried a common thread: guests were struck by just how different each region’s food tasted, side by side, on the same table. What could easily have blurred into “just Sri Lankan food” instead came through as four distinct culinary identities; the fire of the North, the coastal warmth of the South, the earthiness of the Central hills, and the rustic comfort of Uva, each unmistakably its own.

A Word from the team

Reflecting on the festival, the team at Courtyard by Marriott Colombo shared that Taste of Ceylon was designed from the start to be more than a menu. It was meant to be an experience guests could travel through, one region at a time, without leaving Beira Kitchen. Judging by the response over the four nights, that’s exactly how it landed.

There were many rave reviews and as the Taste of Ceylon experience at Beira Lake drew to a close, the flavours, aromas and vibrant spirit of Sri Lanka lingered on.

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