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Searching for George Keyt

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By Uditha Devapriya

George Keyt, Sri Lanka’s most celebrated painter, died 30 years ago in 1993. During his life and after his death, he became the subject of several studies by Sri Lankan and foreign scholars. Today his paintings have found their way to some of the biggest art collections in his country, as well as to places like Christie’s and Sotheby’s.

Taken together, these paintings represent some of the finest examples of modern art in Sri Lanka and Asia. They have also become symbols of Asian modernism.

Born in 1901 in the mountainous region of Kandy, some 75 miles from Sri Lanka’s capital, Colombo, George Keyt hailed from a middle-class family that had become thoroughly Westernised and Anglicised. They belonged to the Burgher community, an ethnic group which traces its descent from the Portuguese and the Dutch.

By the 20th century the Burghers had acquired a distinct identity and were dominating professions such as law and medicine. They had acquired a respectable, if intermediate, social position, not unlike the Anglo-Indian community.

Keyt chose to reject this inheritance. Turning away from his Christian and Westernised upbringing, he embraced Buddhism and learnt Sinhalese, the language of Sri Lanka’s ethnic majority, along with Pali and possibly Sanskrit, from Buddhist monks. Refusing to conform to the lifestyle of his peers, he immersed himself in the culture of his land.

Keyt attended Trinity College, the leading school in Kandy, founded by Anglican missionaries in the 19th century. At Trinity he acquired a rather notorious reputation. He found lessons boring and was constantly punished by his teachers for not paying attention. Yet he read widely and was encouraged to read by its principal, Alexander Garden Fraser. A highly unorthodox educationist and something of a nonconformist, Fraser took a great interest in Keyt and allowed him to visit the library. These interventions moulded Keyt.

While he sat in the school library poring over books, the world around him was changing fast. In 1908, seven years after Keyt was born, the Oriental scholar Ananda Coomaraswamy published his work on Kandyan culture, Mediaeval Sinhalese Art.

Keyt read Coomaraswamy’s book and was moved by his insights on Kandyan art and craft. He made it a point to visit the temples of Kandy and to observe their murals. Dismissed as inferior by cultural elites, in Coomaraswamy’s view these murals exemplified the patterns and beliefs of a simple people. For Keyt too they acquired a living relevance. Not surprisingly, in his first few essays and drawings, he focused on Buddhist themes.

Chapel, Trinity College Kandy / Photo by Author

In the 1940s Keyt discovered the art and culture of India. At the height of World War II, he travelled there, visited the shrines of Bhubaneswar and Konark, among other places, and forged connections with several Indian artists, including the novelist and activist Mulk Raj Anand and the painter M. F. Husain.

These friendships came to the fore in 1947, when Mulk Raj Anand brought together a group of like-minded personalities of the day to organise an exhibition of Keyt’s paintings at the Convocation Hall of the University of Bombay. These included the European émigrés Walter Langhammer, Rudolf von Leyden, and Emanuel Schlesinger; the nuclear physicist and Renaissance Man Homi Bhabha; the criminal lawyer Karl Khandalavala; the art collector and gallery owner Kekoo Gandhy; and the publisher Manu Thacker.

In his own country, he remained renowned to his last. He lived to see three acclaimed studies on him. In 1950 his close friend Martin Russell wrote George Keyt. It was published by Marg, the art and architecture magazine founded by Mulk Raj Anand.

In 1989 another close friend, the Sri Lankan bibliographer and librarian H. A. I. Goonetileke, published George Keyt: A Life In Art. Goonetileke’s book is concise, and it refers to Keyt’s earliest paintings, which have rarely been evaluated in relation to his wider career. Then, in 1991, the anthropologist Dr Sunil Goonesekera wrote a monograph on him, Intepretations, published by the Institute of Fundamental Studies in Kandy.

Russell, Goonetileke, and Goonesekera all had the chance to meet and converse with Keyt. So did Albert Dharmasiri, a painter-scholar who authored the most recent study, George Keyt: A Portrait of the Artist (National Trust of Sri Lanka, Colombo 2020). Yet perhaps the most comprehensive study on him was written by someone who never met him. In 2017 the Indian art historian Yashodhara Dalmia wrote Buddha to Krishna: Life and Times of George Keyt. Published by Routledge, it remains an indispensable guide to Keyt.

Impeccably researched as these books are, there is much about Keyt we have yet to find out. The image we have of Keyt is incomplete; there is a gread deal more we have to discover about his contribution to modern art, in not just Sri Lanka, but also India.

Rasa Lila / Oil on Canvas / 1936 / 59.5 x 102 cm / Taprobane Collection

George Keyt: The Absence of a Desired Image (Taprobane Collection, Colombo 2024) is the latest in what is clearly a bourgeoning literature on Keyt. Written by Dr SinhaRaja Tammita-Delgoda, a leading art historian, the study examines Keyt’s childhood, his engagement with Buddhism and Sinhala culture, and his later immersion in Hinduism. It is an exhaustive study, replete with a comprehensive list of sources, hitherto unpublished works, including paintings and photographs, and interviews with those who knew, or knew of, its subject, including the American anthropologist Dr Ellen Dissanayake and Keyt’s daughter Diana.

Dr SinhaRaja Tammita-Delgoda has authored three major studies on Sri Lankan art and culture so far. In 2003 he was commissioned to write a biography of Stanley Kirinde, another preeminent Sri Lankan painter, who also hailed from Kandy. The World of Stanley Kirinde was published two years later. In 2007 he wrote Ridi Vihare: The Flowering of Kandyan Art, a study of the art and society of the Kandyan Kingdom, the last abode of the kings of Sri Lanka. In 2008 he authored Eloquence in Stone: The Lithic Saga of Sri Lanka, a study of Sri Lanka’s history as reflected in its sculptures and inscriptions. All these works remain comprehensive, definitive guides to the history, culture, art, and society of Sri Lanka.

Described as one of Sri Lanka’s most extensive collections of paintings, art works, artefacts, and other historical objects, the publisher of the study, the Taprobane Collection, owns a number of paintings by Keyt and his contemporaries. It also possesses images, photographs, and material which are crucial to any study of his career. The Collection’s efforts in locating these sources have helped expand the scope of the book.

The Absence of a Desired Image follows a long line of publications on its subject. On its own, it sheds light on four areas relevant to his life and work.

First, in charting Keyt’s evolution as an artist, it stresses his early life, framing it not as a prelude to his later career but as a distinct phase in his whole career. The book also studies in great detail and depth his friendship with the photographer and critic Lionel Wendt. Also hailing from the Burgher community, Lionel Wendt became one of the pioneering avant-garde artists of modern Asia. He was instrumental in introducing to Keyt the latest artistic trends of Europe and the West, just as Keyt was instrumental in introducing Wendt – who was born and raised in Colombo – to the culture, society, and ethos of Kandy.

The Story of India, 1949 / Courtesy: Story LTD

Second, it features paintings, photographs, images, and illustrations that have never been published before, incorporating archive material collected from several libraries. Third, it sheds light on Keyt’s contribution to cultural modernism in India and Asia. Such aspects have been covered before, but never really followed up or expanded on.

Fourth, last, but not least, it examines publications that have gone out of print or have never been assessed in the context of Keyt’s career. One of the most important in this regard is The Story of India. Published in 1949, the book was illustrated by Keyt in collaboration with the novelist Mulk Raj Anand. Despite it being an Indian subject, Anand decided to entrust the more than 50 drawings in the book to Keyt. This underlies Keyt’s connections with India and how he was received by the literary and artistic community there.

All these put George Keyt: The Absence of a Desired Image apart from many of the studies written on Keyt so far. It strives to go beyond them, to place its subject in the context of his times, to shed light on his career. This has not been an easy task.

What emerges from Sinharaja Tammita-Delgoda’s study of Sri Lanka’s most internationally renowned painter is a complex portrait of the artist. In search of a desired image, it fills several important gaps. The research which has gone into it over the last three years has, hopefully, given Asia and the world a definitive biography.

Uditha Devapriya is an international relations analyst, researcher, and columnist who can be reached at . In 2021 he was employed as the research coordinator for George Keyt: The Absence of a Desired Image. Presently he works as the Chief International Relations Analyst at Factum, an Asia-Pacific focused think-tank based in Colombo, Sri Lanka. He can be contacted for more information about the book.



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SINHARAJA: The Living Cathedral of Sri Lanka’s Rainforest Heritage

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Damp and thick undergrowth

When Senior biodiversity scientist Vimukthi Weeratunga speaks of Sinharaja, his voice carries the weight of four decades spent beneath its dripping emerald canopy. To him, Sri Lanka’s last great rainforest is not merely a protected area—it is “a cathedral of life,” a sanctuary where evolution whispers through every leaf, stream and shadow.

 “Sinharaja is the largest and most precious tropical rainforest we have,” Weeratunga said.

“Sixty to seventy percent of the plants and animals found here exist nowhere else on Earth. This forest is the heart of endemic biodiversity in Sri Lanka.”

A Magnet for the World’s Naturalists

Sinharaja’s allure lies not in charismatic megafauna but in the world of the small and extraordinary—tiny, jewel-toned frogs; iridescent butterflies; shy serpents; and canopy birds whose songs drift like threads of silver through the mist.

“You must walk slowly in Sinharaja,” Weeratunga smiled.

“Its beauty reveals itself only to those who are patient and observant.”

For global travellers fascinated by natural history, Sinharaja remains a top draw. Nearly 90% of nature-focused visitors to Sri Lanka place Sinharaja at the top of their itinerary, generating a deep economic pulse for surrounding communities.

A Forest Etched in History

Centuries before conservationists championed its cause, Sinharaja captured the imagination of explorers and scholars. British and Dutch botanists, venturing into the island’s interior from the 17th century onward, mapped streams, documented rare orchids, and penned some of the earliest scientific records of Sri Lanka’s natural heritage.

Smallest cat

These chronicles now form the backbone of our understanding of the island’s unique ecology.

The Great Forest War: Saving Sinharaja

But Sinharaja nearly vanished.

In the 1970s, the government—guided by a timber-driven development mindset—greenlit a Canadian-assisted logging project. Forests around Sinharaja fell first; then, the chainsaws approached the ancient core.

 “There was very little scientific data to counter the felling,” Weeratunga recalled.

“But people knew instinctively this was a national treasure.”

The public responded with one of the greatest environmental uprisings in Sri Lankan history. Conservation icons Thilo Hoffmann and Neluwe Gunananda Thera led a national movement. After seven tense years, the new government of 1977 halted the project.

What followed was a scientific renaissance. Leading researchers—including Prof. Savithri Gunathilake and Prof. Nimal Gunathilaka, Prof. Sarath Kottagama, and others—descended into the depths of Sinharaja, documenting every possible facet of its biodiversity.

Thilak

 “Those studies paved the way for Sinharaja to become Sri Lanka’s very first natural World Heritage Site,” Weeratunga noted proudly.

A Book Woven From 30 Years of Field Wisdom

For Weeratunga, Sinharaja is more than academic terrain—it is home. Since joining the Forest Department in 1985 as a young researcher, he has trekked, photographed, documented and celebrated its secrets.

Now, decades later, he joins Dr. Thilak Jayaratne, the late Dr. Janaka Gallangoda, and Nadika Hapuarachchi in producing, what he calls, the most comprehensive book ever written on Sinharaja.

 “This will be the first major publication on Sinharaja since the early 1980s,” he said.

“It covers ecology, history, flora, fauna—and includes rare photographs taken over nearly 30 years.”

Some images were captured after weeks of waiting. Others after years—like the mysterious mass-flowering episodes where clusters of forest giants bloom in synchrony, or the delicate jewels of the understory: tiny jumping spiders, elusive amphibians, and canopy dwellers glimpsed only once in a lifetime.

The book even includes underwater photography from Sinharaja’s crystal-clear streams—worlds unseen by most visitors.

A Tribute to a Departed Friend

Halfway through the project, tragedy struck: co-author Dr. Janaka Gallangoda passed away.

 “We stopped the project for a while,” Weeratunga said quietly.

“But Dr. Thilak Jayaratne reminded us that Janaka lived for this forest. So we completed the book in his memory. One of our authors now watches over Sinharaja from above.”

Jumping spide

An Invitation to the Public

A special exhibition, showcasing highlights from the book, will be held on 13–14 December, 2025, in Colombo.

“We cannot show Sinharaja in one gallery,” he laughed.

“But we can show a single drop of its beauty—enough to spark curiosity.”

A Forest That Must Endure

What makes the book special, he emphasises, is its accessibility.

“We wrote it in simple, clear language—no heavy jargon—so that everyone can understand why Sinharaja is irreplaceable,” Weeratunga said.

“If people know its value, they will protect it.”

To him, Sinharaja is more than a rainforest.

It is Sri Lanka’s living heritage.

A sanctuary of evolution.

A sacred, breathing cathedral that must endure for generations to come.

By Ifham Nizam

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How Knuckles was sold out

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Knuckles range

Leaked RTI Files Reveal Conflicting Approvals, Missing Assessments, and Silent Officials

“This Was Not Mismanagement — It Was a Structured Failure”— CEJ’s Dilena Pathragoda

An investigation, backed by newly released Right to Information (RTI) files, exposes a troubling sequence of events in which multiple state agencies appear to have enabled — or quietly tolerated — unauthorised road construction inside the Knuckles Conservation Forest, a UNESCO World Heritage site.

At the centre of the unfolding scandal is a trail of contradictory letters, unexplained delays, unsigned inspection reports, and sudden reversals by key government offices.

“What these documents show is not confusion or oversight. It is a structured failure,” said Dilena Pathragoda, Executive Director of the Centre for Environmental Justice (CEJ), who has been analysing the leaked records.

“Officials knew the legal requirements. They ignored them. They knew the ecological risks. They dismissed them. The evidence points to a deliberate weakening of safeguards meant to protect one of Sri Lanka’s most fragile ecosystems.”

A Paper Trail of Contradictions

RTI disclosures obtained by activists reveal:

Approvals issued before mandatory field inspections were carried out

Three departments claiming they “did not authorise” the same section of the road

A suspiciously backdated letter clearing a segment already under construction

Internal memos flagging “missing evaluation data” that were never addressed

“No-objection” notes do not hold any legal weight for work inside protected areas, experts say.

One senior officer’s signature appears on two letters with opposing conclusions, sent just three weeks apart — a discrepancy that has raised serious questions within the conservation community.

“This is the kind of documentation that usually surfaces only after damage is done,” Pathragoda said. “It shows a chain of administrative behaviour designed to delay scrutiny until the bulldozers moved in.”

The Silence of the Agencies

Perhaps, more alarming is the behaviour of the regulatory bodies.

Multiple departments — including those legally mandated to halt unauthorised work — acknowledged concerns in internal exchanges but issued no public warnings, took no enforcement action, and allowed machinery to continue operating.

“That silence is the real red flag,” Pathragoda noted.

“Silence is rarely accidental in cases like this. Silence protects someone.”

On the Ground: Damage Already Visible

Independent field teams report:

Fresh erosion scars on steep slopes

Sediment-laden water in downstream streams

Disturbed buffer zones

Workers claiming that they were instructed to “complete the section quickly”

Satellite images from the past two months show accelerated clearing around the contested route.

Environmental experts warn that once the hydrology of the Knuckles slopes is altered, the consequences could be irreversible.

CEJ: “Name Every Official Involved”

CEJ is preparing a formal complaint demanding a multi-agency investigation.

Pathragoda insists that responsibility must be traced along the entire chain — from field officers to approving authorities.

“Every signature, every omission, every backdated approval must be examined,” she said.

“If laws were violated, then prosecutions must follow. Not warnings. Not transfers. Prosecutions.”

A Scandal Still Unfolding

More RTI documents are expected to come out next week, including internal audits and communication logs that could deepen the crisis for several agencies.

As the paper trail widens, one thing is increasingly clear: what happened in Knuckles is not an isolated act — it is an institutional failure, executed quietly, and revealed only because citizens insisted on answers.

by Ifham Nizam

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Putin in Modi’s India

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Prime Minister Modi with President Putin

That was no ordinary greeting; on the frosty evening of last Thursday, Indian Prime Minister Modi embraced Russian President Vladimir Putin in a bear hug at Delhi airport and, within moments, presented him with a copy of the Bhagavad Gita in Russian. The choice of gift was laden with symbolism—echoes of Robert Oppenheimer, who drew profound philosophical reckoning from the same text, declaring, “Now I am become Death, the destroyer of worlds,” after witnessing the first atomic explosion. Was Modi signaling the weight of nuclear-age responsibility to Putin, or was this a deliberate affirmation of India’s comfort in maintaining ties with a pariah state under global sanctions?

The streets of Delhi, festooned with Russian and Indian flags and dominated by colossal billboards of Modi and Putin, suggested more than ceremonial protocol—it was pageantry of influence, an audacious statement of India’s strategic independence. In that gesture, New Delhi appeared to assert that moral judgment from the West would no longer dictate its choices, and that the Indo-Russian relationship, forged during the Cold War and hardened by decades of defence dependence, remains a pivot capable of unsettling the established order in South Asia and beyond.

Putin’s first visit to India in four years, coinciding with talks in Washington over a possible Ukraine peace framework, came at a time when New Delhi is walking an increasingly delicate tightrope between Moscow and Washington. The optics of the visit—from ceremonial receptions at Rashtrapati Bhavan to summit talks at Hyderabad House—reflected not merely diplomacy but an overt projection of influence. Modi’s presentation of the Bhagavad Gita in Russian was emblematic: a centuries-old text of dharma and duty, layered with the moral weight of choice, now inserted into the theatre of high-stakes realpolitik.

Putin himself, in an interview with India Today, described India as a “major global player, not a British colony,” praising Modi as a “reliable person” who does not succumb to pressure. These words, spoken against the backdrop of US sanctions, EU manoeuvres to leverage frozen Russian assets for Ukraine, and growing Chinese assertiveness, highlight India’s determination to claim agency in a multipolar world where Washington and Brussels no longer set the rules unilaterally.

Historically, the Indo-Russian relationship has oscillated between strategic necessity and opportunism. Declassified CIA documents from the 1980s reveal the delicate dance India played with the USSR during the Cold War. Indira Gandhi’s approach, as the CIA observed, was staunchly nationalist and fiercely protective of India’s regional supremacy. The United States feared that India’s policies towards its neighbours, coupled with its Soviet alignment, could destabilize South Asia while simultaneously granting Moscow a strategic foothold. Today, the echoes of that era reverberate: New Delhi remains Moscow’s top arms buyer, leases nuclear-powered submarines, and maintains energy ties that have drawn ire from Washington, while ensuring that its engagement with Russia does not fully alienate the United States or Western partners.

What is important to note here are the economic metrics. India–Russia trade in FY 2024–25 amounted to approximately USD 68.7 billion, heavily skewed in Moscow’s favour due to energy imports, with a trade deficit of around USD 59 billion. Both Russia and India aim to expand bilateral trade to a target of USD 100 billion by 2030, a goal that falls just two years after the next general elections, when Prime Minister Modi is widely expected to contest again despite the symbolic 75 year age limit for party leadership—a restriction largely treated as political theatre and quickly forgotten. Meanwhile, India continues to negotiate with the United States to mitigate punitive tariffs, including a 25 per cent secondary tariff imposed on India’s purchases of Russian oil. It is also worth noting that India recorded a goods trade surplus of about USD 41.18 billion with the US in FY 2024–25, with exports of USD 86.51 billion and imports of USD 45.33 billion, reflecting strong bilateral trade despite earlier concerns over tariffs. Remittances provide a partial counterweight: total remittances to India reached roughly USD 135.46 billion, including USD 25–30 billion from the US, while Russian remittances are negligible in comparison. This indicates that while India faces challenges in trade metrics, its diaspora injects substantial financial resilience into the economy.

The summit also highlighted defence collaboration in stark terms. India’s $2 billion lease of a Russian nuclear-powered attack submarine, with delivery scheduled for 2028, signals an unprecedented deepening of underwater capabilities. The vessel, unable to enter combat under lease terms, is intended to train crews and refine India’s nuclear submarine operations—a critical step for strategic deterrence in the Indian Ocean amid rising Chinese and US naval competition. Russia, despite sanctions and Western pressure, continues to sustain a military-industrial complex capable of producing tanks, missiles, and drones at accelerating rates. As reports from Ukraine’s Center for Analytical Studies and Countering Hybrid Threats indicate, nearly half of Russian defence enterprises remain unsanctioned, exposing the limitations of Western punitive measures. In this context, India’s engagement with Russian defence capabilities is both a practical necessity and a symbolic assertion that strategic imperatives can outweigh Western orthodoxy.

Sanctions, however, remain a persistent backdrop. The European Union, under Ursula von der Leyen, has attempted to deploy emergency measures to convert frozen Russian assets into loans for Ukraine, challenging EU treaties and raising the prospect of legal confrontations with countries such as Hungary and Belgium. The United States, meanwhile, has explored using the same assets in US-led investment frameworks to facilitate reconstruction or political leverage. India, observing these efforts, has maintained a stance of strategic neutrality—resisting calls to condemn Russia while advocating for diplomacy, and emphasizing that selective sanctioning by Western powers is inconsistent and self-serving. Putin, speaking to India Today, noted that Washington and Moscow presented papers in parallel but reached no compromises, and highlighted that over 90 percent of Russia-India transactions are conducted in national currencies—a subtle yet potent challenge to dollar dominance.

The optics extend into nuclear and high-tech collaboration. India is developing nuclear-capable submarine-launched ballistic missiles, advancing its underwater fleet, and exploring high-tech partnerships with Russia, recalibrating the strategic environment in South Asia. Putin’s rhetoric that “Kiev is the mother of all Russian cities” and his framing of Russia’s role in eastern Ukraine resonate with historical narratives of great power assertion, yet they also serve as a conscious projection of strength aimed at partners like India. Modi’s reception was far from ceremonial; it underlined a shared understanding that global power is increasingly multipolar and that alliances must be flexible, resilient, and insulated from Western censure.

Even in the economic sphere, India challenges conventional assumptions. While the trade deficit with Russia persists due to energy imports, India’s broader engagement with global markets—including remittances from its diaspora and ongoing negotiations with the US—allows New Delhi to balance sovereignty with strategic interest. Putin’s discussions emphasizing bilateral trade growth, high-technology collaboration, and future energy projects further solidify this interdependence. The bottom line is clear: the India-Russia partnership, far from being a relic of Cold War calculations, has evolved into a sophisticated framework for navigating sanctions, economic competition, and regional security challenges, and it may yet redefine the balance of power in South Asia.

by NilaNtha ilaNgamuwa
in New Delhi

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