Features
Searching for George Keyt
By Uditha Devapriya
George Keyt, Sri Lanka’s most celebrated painter, died 30 years ago in 1993. During his life and after his death, he became the subject of several studies by Sri Lankan and foreign scholars. Today his paintings have found their way to some of the biggest art collections in his country, as well as to places like Christie’s and Sotheby’s.
Taken together, these paintings represent some of the finest examples of modern art in Sri Lanka and Asia. They have also become symbols of Asian modernism.
Born in 1901 in the mountainous region of Kandy, some 75 miles from Sri Lanka’s capital, Colombo, George Keyt hailed from a middle-class family that had become thoroughly Westernised and Anglicised. They belonged to the Burgher community, an ethnic group which traces its descent from the Portuguese and the Dutch.
By the 20th century the Burghers had acquired a distinct identity and were dominating professions such as law and medicine. They had acquired a respectable, if intermediate, social position, not unlike the Anglo-Indian community.
Keyt chose to reject this inheritance. Turning away from his Christian and Westernised upbringing, he embraced Buddhism and learnt Sinhalese, the language of Sri Lanka’s ethnic majority, along with Pali and possibly Sanskrit, from Buddhist monks. Refusing to conform to the lifestyle of his peers, he immersed himself in the culture of his land.
Keyt attended Trinity College, the leading school in Kandy, founded by Anglican missionaries in the 19th century. At Trinity he acquired a rather notorious reputation. He found lessons boring and was constantly punished by his teachers for not paying attention. Yet he read widely and was encouraged to read by its principal, Alexander Garden Fraser. A highly unorthodox educationist and something of a nonconformist, Fraser took a great interest in Keyt and allowed him to visit the library. These interventions moulded Keyt.
While he sat in the school library poring over books, the world around him was changing fast. In 1908, seven years after Keyt was born, the Oriental scholar Ananda Coomaraswamy published his work on Kandyan culture, Mediaeval Sinhalese Art.
Keyt read Coomaraswamy’s book and was moved by his insights on Kandyan art and craft. He made it a point to visit the temples of Kandy and to observe their murals. Dismissed as inferior by cultural elites, in Coomaraswamy’s view these murals exemplified the patterns and beliefs of a simple people. For Keyt too they acquired a living relevance. Not surprisingly, in his first few essays and drawings, he focused on Buddhist themes.
In the 1940s Keyt discovered the art and culture of India. At the height of World War II, he travelled there, visited the shrines of Bhubaneswar and Konark, among other places, and forged connections with several Indian artists, including the novelist and activist Mulk Raj Anand and the painter M. F. Husain.
These friendships came to the fore in 1947, when Mulk Raj Anand brought together a group of like-minded personalities of the day to organise an exhibition of Keyt’s paintings at the Convocation Hall of the University of Bombay. These included the European émigrés Walter Langhammer, Rudolf von Leyden, and Emanuel Schlesinger; the nuclear physicist and Renaissance Man Homi Bhabha; the criminal lawyer Karl Khandalavala; the art collector and gallery owner Kekoo Gandhy; and the publisher Manu Thacker.
In his own country, he remained renowned to his last. He lived to see three acclaimed studies on him. In 1950 his close friend Martin Russell wrote George Keyt. It was published by Marg, the art and architecture magazine founded by Mulk Raj Anand.
In 1989 another close friend, the Sri Lankan bibliographer and librarian H. A. I. Goonetileke, published George Keyt: A Life In Art. Goonetileke’s book is concise, and it refers to Keyt’s earliest paintings, which have rarely been evaluated in relation to his wider career. Then, in 1991, the anthropologist Dr Sunil Goonesekera wrote a monograph on him, Intepretations, published by the Institute of Fundamental Studies in Kandy.
Russell, Goonetileke, and Goonesekera all had the chance to meet and converse with Keyt. So did Albert Dharmasiri, a painter-scholar who authored the most recent study, George Keyt: A Portrait of the Artist (National Trust of Sri Lanka, Colombo 2020). Yet perhaps the most comprehensive study on him was written by someone who never met him. In 2017 the Indian art historian Yashodhara Dalmia wrote Buddha to Krishna: Life and Times of George Keyt. Published by Routledge, it remains an indispensable guide to Keyt.
Impeccably researched as these books are, there is much about Keyt we have yet to find out. The image we have of Keyt is incomplete; there is a gread deal more we have to discover about his contribution to modern art, in not just Sri Lanka, but also India.
George Keyt: The Absence of a Desired Image (Taprobane Collection, Colombo 2024) is the latest in what is clearly a bourgeoning literature on Keyt. Written by Dr SinhaRaja Tammita-Delgoda, a leading art historian, the study examines Keyt’s childhood, his engagement with Buddhism and Sinhala culture, and his later immersion in Hinduism. It is an exhaustive study, replete with a comprehensive list of sources, hitherto unpublished works, including paintings and photographs, and interviews with those who knew, or knew of, its subject, including the American anthropologist Dr Ellen Dissanayake and Keyt’s daughter Diana.
Dr SinhaRaja Tammita-Delgoda has authored three major studies on Sri Lankan art and culture so far. In 2003 he was commissioned to write a biography of Stanley Kirinde, another preeminent Sri Lankan painter, who also hailed from Kandy. The World of Stanley Kirinde was published two years later. In 2007 he wrote Ridi Vihare: The Flowering of Kandyan Art, a study of the art and society of the Kandyan Kingdom, the last abode of the kings of Sri Lanka. In 2008 he authored Eloquence in Stone: The Lithic Saga of Sri Lanka, a study of Sri Lanka’s history as reflected in its sculptures and inscriptions. All these works remain comprehensive, definitive guides to the history, culture, art, and society of Sri Lanka.
Described as one of Sri Lanka’s most extensive collections of paintings, art works, artefacts, and other historical objects, the publisher of the study, the Taprobane Collection, owns a number of paintings by Keyt and his contemporaries. It also possesses images, photographs, and material which are crucial to any study of his career. The Collection’s efforts in locating these sources have helped expand the scope of the book.
The Absence of a Desired Image follows a long line of publications on its subject. On its own, it sheds light on four areas relevant to his life and work.
First, in charting Keyt’s evolution as an artist, it stresses his early life, framing it not as a prelude to his later career but as a distinct phase in his whole career. The book also studies in great detail and depth his friendship with the photographer and critic Lionel Wendt. Also hailing from the Burgher community, Lionel Wendt became one of the pioneering avant-garde artists of modern Asia. He was instrumental in introducing to Keyt the latest artistic trends of Europe and the West, just as Keyt was instrumental in introducing Wendt – who was born and raised in Colombo – to the culture, society, and ethos of Kandy.
Second, it features paintings, photographs, images, and illustrations that have never been published before, incorporating archive material collected from several libraries. Third, it sheds light on Keyt’s contribution to cultural modernism in India and Asia. Such aspects have been covered before, but never really followed up or expanded on.
Fourth, last, but not least, it examines publications that have gone out of print or have never been assessed in the context of Keyt’s career. One of the most important in this regard is The Story of India. Published in 1949, the book was illustrated by Keyt in collaboration with the novelist Mulk Raj Anand. Despite it being an Indian subject, Anand decided to entrust the more than 50 drawings in the book to Keyt. This underlies Keyt’s connections with India and how he was received by the literary and artistic community there.
All these put George Keyt: The Absence of a Desired Image apart from many of the studies written on Keyt so far. It strives to go beyond them, to place its subject in the context of his times, to shed light on his career. This has not been an easy task.
What emerges from Sinharaja Tammita-Delgoda’s study of Sri Lanka’s most internationally renowned painter is a complex portrait of the artist. In search of a desired image, it fills several important gaps. The research which has gone into it over the last three years has, hopefully, given Asia and the world a definitive biography.
Uditha Devapriya is an international relations analyst, researcher, and columnist who can be reached at . In 2021 he was employed as the research coordinator for George Keyt: The Absence of a Desired Image. Presently he works as the Chief International Relations Analyst at Factum, an Asia-Pacific focused think-tank based in Colombo, Sri Lanka. He can be contacted for more information about the book.
Features
Meet the women protecting India’s snow leopards
In one of India’s coldest and most remote regions, a group of women have taken on an unlikely role: protecting one of Asia’s most elusive predators, the snow leopard.
Snow leopards are found in just 12 countries across Central and South Asia. India is home to one of the world’s largest populations, with a nationwide survey in 2023 – the first comprehensive count ever carried out in the country – estimating more than 700 animals, .
One of the places they roam is around Kibber village in Himachal Pradesh state’s Spiti Valley, a stark, high-altitude cold desert along the Himalayan belt. Here, snow leopards are often called the “ghosts of the mountains”, slipping silently across rocky slopes and rarely revealing themselves.
For generations, the animals were seen largely as a threat, for attacking livestock. But attitudes in Kibber and neighbouring villages are beginning to shift, as people increasingly recognise the snow leopard’s role as a top predator in the food chain and its importance in maintaining the region’s fragile mountain ecosystem.
Nearly a dozen local women are now working alongside the Himachal Pradesh forest department and conservationists to track and protect the species, playing a growing role in conservation efforts.
Locally, the snow leopard is known as Shen and the women call their group “Shenmo”. Trained to install and monitor camera traps, they handle devices fitted with unique IDs and memory cards that automatically photograph snow leopards as they pass.
“Earlier, men used to go and install the cameras and we kept wondering why couldn’t we do it too,” says Lobzang Yangchen, a local coordinator working with a small group supported by the non-profit Nature Conservation Foundation (NCF) in collaboration with the forest department.
Yangchen was among the women who helped collect data for Himachal Pradesh’s snow leopard survey in 2024, which found that the state was home to 83 snow leopards – up from 51 in 2021.

The survey documented snow leopards and 43 other species using camera traps spread across an area of nearly 26,000sq km (10,000sq miles). Individual leopards were identified by the unique rosette patterns on their fur, a standard technique used for spotted big cats. The findings are now feeding into wider conservation and habitat-management plans.
“Their contribution was critical to identifying individual animals,” says Goldy Chhabra, deputy conservator of forests with the Spiti Wildlife Division.
Collecting the data is demanding work. Most of it takes place in winter, when heavy snowfall pushes snow leopards and their prey to lower altitudes, making their routes easier to track.
On survey days, the women wake up early, finish household chores and gather at a base camp before travelling by vehicle as far as the terrain allows. From there, they trek several kilometres to reach camera sites, often at altitudes above 14,000ft (4,300m), where the thin air makes even simple movement exhausting.
The BBC accompanied the group on one such trek in December. After hours of walking in biting cold, the women suddenly stopped on a narrow trail.
Yangchen points to pugmarks in the dust: “This shows the snow leopard has been here recently. These pugmarks are fresh.”

Along with pugmarks, the team looks for other signs, including scrapes and scent‑marking spots, before carefully fixing a camera to a rock along the trail.
One woman then carries out a “walk test”, crawling along the path to check whether the camera’s height and angle will capture a clear image.
The group then moves on to older sites, retrieving memory cards and replacing batteries installed weeks earlier.
By mid-afternoon, they return to camp to log and analyse the images using specialised software – tools many had never encountered before.
“I studied only until grade five,” says Chhering Lanzom. “At first, I was scared to use the computer. But slowly, we learned how to use the keyboard and mouse.”
The women joined the camera-trapping programme in 2023. Initially, conservation was not their motivation. But winters in the Spiti Valley are long and quiet, with little agricultural work to fall back on.
“At first, this work on snow leopards didn’t interest us,” Lobzang says. “We joined because we were curious and we could earn a small income.”
The women earn between 500 ($5.46; £4) and 700 rupees a day.
But beyond the money, the work has helped transform how the community views the animal.

“Earlier, we thought the snow leopard was our enemy,” says Dolma Zangmo, a local resident. “Now we think their conservation is important.”
Alongside survey work, the women help villagers access government insurance schemes for their livestock and promote the use of predator‑proof corrals – stone or mesh enclosures that protect animals at night.
Their efforts come at a time of growing recognition for the region. Spiti Valley has recently been included in the Cold Desert Biosphere Reserve, a Unesco-recognised network aimed at conserving fragile ecosystems while supporting local livelihoods.
As climate change reshapes the fragile trans-Himalayan landscape, conservationists say such community participation will be crucial to safeguarding species like the snow leopard.
“Once communities are involved, conservation becomes more sustainable,” says Deepshikha Sharma, programme manager with NCF’s High Altitudes initiative.
“These women are not just assisting, they are becoming practitioners of wildlife conservation and monitoring,” she adds.
As for the women, their work makes them feel closer to their home, the village and the mountains that raised them, they say.
“We were born here, this is all we know,” Lobzang says. “Sometimes we feel afraid because these snow leopards are after all predatory animals, but this is where we belong.”
[BBC]
Features
Freedom for giants: What Udawalawe really tells about human–elephant conflict
If elephants are truly to be given “freedom” in Udawalawe, the solution is not simply to open gates or redraw park boundaries. The map itself tells the real story — a story of shrinking habitats, broken corridors, and more than a decade of silent but relentless ecological destruction.
“Look at Udawalawe today and compare it with satellite maps from ten years ago,” says Sameera Weerathunga, one of Sri Lanka’s most consistent and vocal elephant conservation activists. “You don’t need complicated science. You can literally see what we have done to them.”
What we commonly describe as the human–elephant conflict (HEC) is, in reality, a land-use conflict driven by development policies that ignore ecological realities. Elephants are not invading villages; villages, farms, highways and megaprojects have steadily invaded elephant landscapes.
Udawalawe: From Landscape to Island
Udawalawe National Park was once part of a vast ecological network connecting the southern dry zone to the central highlands and eastern forests. Elephants moved freely between Udawalawe, Lunugamvehera, Bundala, Gal Oya and even parts of the Walawe river basin, following seasonal water and food availability.
Today, Udawalawe appears on the map as a shrinking green island surrounded by human settlements, monoculture plantations, reservoirs, electric fences and asphalt.
“For elephants, Udawalawe is like a prison surrounded by invisible walls,” Sameera explains. “We expect animals that evolved to roam hundreds of square nationakilometres to survive inside a box created by humans.”
Elephants are ecosystem engineers. They shape forests by dispersing seeds, opening pathways, and regulating vegetation. Their survival depends on movement — not containment. But in Udawalawa, movement is precisely what has been taken away.
Over the past decade, ancient elephant corridors have been blocked or erased by:
Irrigation and agricultural expansion
Tourism resorts and safari infrastructure
New roads, highways and power lines
Human settlements inside former forest reserves
“The destruction didn’t happen overnight,” Sameera says. “It happened project by project, fence by fence, without anyone looking at the cumulative impact.”
The Illusion of Protection
Sri Lanka prides itself on its protected area network. Yet most national parks function as ecological islands rather than connected systems.
“We think declaring land as a ‘national park’ is enough,” Sameera argues. “But protection without connectivity is just slow extinction.”
Udawalawe currently holds far more elephants than it can sustainably support. The result is habitat degradation inside the park, increased competition for resources, and escalating conflict along the boundaries.
“When elephants cannot move naturally, they turn to crops, tanks and villages,” Sameera says. “And then we blame the elephant for being a problem.”
The Other Side of the Map: Wanni and Hambantota
Sameera often points to the irony visible on the very same map. While elephants are squeezed into overcrowded parks in the south, large landscapes remain in the Wanni, parts of Hambantota and the eastern dry zone where elephant density is naturally lower and ecological space still exists.
“We keep talking about Udawalawe as if it’s the only place elephants exist,” he says. “But the real question is why we are not restoring and reconnecting landscapes elsewhere.”
The Hambantota MER (Managed Elephant Reserve), for instance, was originally designed as a landscape-level solution. The idea was not to trap elephants inside fences, but to manage land use so that people and elephants could coexist through zoning, seasonal access, and corridor protection.
“But what happened?” Sameera asks. “Instead of managing land, we managed elephants. We translocated them, fenced them, chased them, tranquilised them. And the conflict only got worse.”
The Failure of Translocation
For decades, Sri Lanka relied heavily on elephant translocation as a conflict management tool. Hundreds of elephants were captured from conflict zones and released into national parks like Udawalawa, Yala and Wilpattu.
The logic was simple: remove the elephant, remove the problem.
The reality was tragic.
“Most translocated elephants try to return home,” Sameera explains. “They walk hundreds of kilometres, crossing highways, railway lines and villages. Many die from exhaustion, accidents or gunshots. Others become even more aggressive.”
Scientific studies now confirm what conservationists warned from the beginning: translocation increases stress, mortality, and conflict. Displaced elephants often lose social structures, familiar landscapes, and access to traditional water sources.
“You cannot solve a spatial problem with a transport solution,” Sameera says bluntly.
In many cases, the same elephant is captured and moved multiple times — a process that only deepens trauma and behavioural change.
Freedom Is Not About Removing Fences
The popular slogan “give elephants freedom” has become emotionally powerful but scientifically misleading. Elephants do not need symbolic freedom; they need functional landscapes.
Real solutions lie in:
Restoring elephant corridors
Preventing development in key migratory routes
Creating buffer zones with elephant-friendly crops
Community-based land-use planning
Landscape-level conservation instead of park-based thinking
“We must stop treating national parks like wildlife prisons and villages like war zones,” Sameera insists. “The real battlefield is land policy.”
Electric fences, for instance, are often promoted as a solution. But fences merely shift conflict from one village to another.
“A fence does not create peace,” Sameera says. “It just moves the problem down the line.”
A Crisis Created by Humans
Sri Lanka loses more than 400 elephants and nearly 100 humans every year due to HEC — one of the highest rates globally.
Yet Sameera refuses to call it a wildlife problem.
“This is a human-created crisis,” he says. “Elephants are only responding to what we’ve done to their world.”
From expressways cutting through forests to solar farms replacing scrublands, development continues without ecological memory or long-term planning.
“We plan five-year political cycles,” Sameera notes. “Elephants plan in centuries.”
The tragedy is not just ecological. It is moral.
“We are destroying a species that is central to our culture, religion, tourism and identity,” Sameera says. “And then we act surprised when they fight back.”
The Question We Avoid Asking
If Udawalawe is overcrowded, if Yala is saturated, if Wilpattu is bursting — then the real question is not where to put elephants.
The real question is: Where have we left space for wildness in Sri Lanka?
Sameera believes the future lies not in more fences or more parks, but in reimagining land itself.
“Conservation cannot survive as an island inside a development ocean,” he says. “Either we redesign Sri Lanka to include elephants, or one day we’ll only see them in logos, statues and children’s books.”
And the map will show nothing but empty green patches — places where giants once walked, and humans chose. roads instead.
By Ifham Nizam
Features
Challenges faced by the media in South Asia in fostering regionalism
SAARC or the South Asian Association for Regional Cooperation has been declared ‘dead’ by some sections in South Asia and the idea seems to be catching on. Over the years the evidence seems to have been building that this is so, but a matter that requires thorough probing is whether the media in South Asia, given the vital part it could play in fostering regional amity, has had a role too in bringing about SAARC’s apparent demise.
That South Asian governments have had a hand in the ‘SAARC debacle’ is plain to see. For example, it is beyond doubt that the India-Pakistan rivalry has invariably got in the way, particularly over the past 15 years or thereabouts, of the Indian and Pakistani governments sitting at the negotiating table and in a spirit of reconciliation resolving the vexatious issues growing out of the SAARC exercise. The inaction had a paralyzing effect on the organization.
Unfortunately the rest of South Asian governments too have not seen it to be in the collective interest of the region to explore ways of jump-starting the SAARC process and sustaining it. That is, a lack of statesmanship on the part of the SAARC Eight is clearly in evidence. Narrow national interests have been allowed to hijack and derail the cooperative process that ought to be at the heart of the SAARC initiative.
However, a dimension that has hitherto gone comparatively unaddressed is the largely negative role sections of the media in the SAARC region could play in debilitating regional cooperation and amity. We had some thought-provoking ‘takes’ on this question recently from Roman Gautam, the editor of ‘Himal Southasian’.
Gautam was delivering the third of talks on February 2nd in the RCSS Strategic Dialogue Series under the aegis of the Regional Centre for Strategic Studies, Colombo, at the latter’s conference hall. The forum was ably presided over by RCSS Executive Director and Ambassador (Retd.) Ravinatha Aryasinha who, among other things, ensured lively participation on the part of the attendees at the Q&A which followed the main presentation. The talk was titled, ‘Where does the media stand in connecting (or dividing) Southasia?’.
Gautam singled out those sections of the Indian media that are tamely subservient to Indian governments, including those that are professedly independent, for the glaring lack of, among other things, regionalism or collective amity within South Asia. These sections of the media, it was pointed out, pander easily to the narratives framed by the Indian centre on developments in the region and fall easy prey, as it were, to the nationalist forces that are supportive of the latter. Consequently, divisive forces within the region receive a boost which is hugely detrimental to regional cooperation.
Two cases in point, Gautam pointed out, were the recent political upheavals in Nepal and Bangladesh. In each of these cases stray opinions favorable to India voiced by a few participants in the relevant protests were clung on to by sections of the Indian media covering these trouble spots. In the case of Nepal, to consider one example, a young protester’s single comment to the effect that Nepal too needed a firm leader like Indian Prime Minister Narendra Modi was seized upon by the Indian media and fed to audiences at home in a sensational, exaggerated fashion. No effort was made by the Indian media to canvass more opinions on this matter or to extensively research the issue.
In the case of Bangladesh, widely held rumours that the Hindus in the country were being hunted and killed, pogrom fashion, and that the crisis was all about this was propagated by the relevant sections of the Indian media. This was a clear pandering to religious extremist sentiment in India. Once again, essentially hearsay stories were given prominence with hardly any effort at understanding what the crisis was really all about. There is no doubt that anti-Muslim sentiment in India would have been further fueled.
Gautam was of the view that, in the main, it is fear of victimization of the relevant sections of the media by the Indian centre and anxiety over financial reprisals and like punitive measures by the latter that prompted the media to frame their narratives in these terms. It is important to keep in mind these ‘structures’ within which the Indian media works, we were told. The issue in other words, is a question of the media completely subjugating themselves to the ruling powers.
Basically, the need for financial survival on the part of the Indian media, it was pointed out, prompted it to subscribe to the prejudices and partialities of the Indian centre. A failure to abide by the official line could spell financial ruin for the media.
A principal question that occurred to this columnist was whether the ‘Indian media’ referred to by Gautam referred to the totality of the Indian media or whether he had in mind some divisive, chauvinistic and narrow-based elements within it. If the latter is the case it would not be fair to generalize one’s comments to cover the entirety of the Indian media. Nevertheless, it is a matter for further research.
However, an overall point made by the speaker that as a result of the above referred to negative media practices South Asian regionalism has suffered badly needs to be taken. Certainly, as matters stand currently, there is a very real information gap about South Asian realities among South Asian publics and harmful media practices account considerably for such ignorance which gets in the way of South Asian cooperation and amity.
Moreover, divisive, chauvinistic media are widespread and active in South Asia. Sri Lanka has a fair share of this species of media and the latter are not doing the country any good, leave alone the region. All in all, the democratic spirit has gone well into decline all over the region.
The above is a huge problem that needs to be managed reflectively by democratic rulers and their allied publics in South Asia and the region’s more enlightened media could play a constructive role in taking up this challenge. The latter need to take the initiative to come together and deliberate on the questions at hand. To succeed in such efforts they do not need the backing of governments. What is of paramount importance is the vision and grit to go the extra mile.
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