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Dr. SinhaRaja Tammita-Delgoda Art Historian, Adventurer, Author, and Renaissance Man

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A Conversationalist in Ingiriya

PLACES, PEOPLE & PASSIONS (3Ps)

Dr. Chandana (Chandi) Jayawardena DPhil
President – Chandi J. Associates Inc. Consulting, Canada
chandij@sympatico.ca

Profile

SinhaRaja is an explorer and an adventurer who has lived in war zones and reported on wars; he has explored jungles and climbed in the Hindu Kush. Historian, art historian, academic and author, he has produced some of the most important studies in recent years on the art, history, and culture of Sri Lanka. He has also enacted some of its greatest dance rituals and taught the first university course in the west on Sri Lankan Art and Architecture. His first film, the story of an expedition ‘In Search of the Malwatu Oya’, has won five international awards.

SLITHM Graduation 2023 & ‘karandu Atha’

On April 20, 2023. I was seated at a corner of the front row at the BMICH National Convention Centre, with a few veteran hoteliers. We were waiting for the Minister of Tourism to arrive as the chief guest of the annual graduation ceremony of Sri Lanka Institute of Tourism and Hotel Management (SLITHM). Most of the 1,500 seats of the main auditorium were full of relatives of the new graduands, their happy parents and tourism industry leaders.

Getting bored with the long delay, my hotel industry colleague seated next to me, Gemunu Goonewardena, started talking about the roles of elephants in Sri Lanka. “Professor, do you know that elephants working hard in the fields are not used to perform religious tasks like carrying the caskets at pageants?” Annoyed with the delay in commencing the event as advertised, I did not pay much attention to Gemunu’s remark.

“Is that so?”, I made unenthusiastic response. “Yes. For an example, the famous Maligawa tusker Raja of the Temple of the Tooth in Kandy, had very little work to do, except during the annual Kandy Perahera in August. Such tuskers are called with respect, ‘Karandu Atha’” — Gemunu continued to show his knowledge about elephants and our culture.

At that moment I was happy to see the large screen on the stage displaying the arrival of the chief guest and other VIPs welcomed at the entrance and ushered by the Chairman of SLITHM. Kandyan dancers and drummers were performing in front of the slow-moving VIP procession. “Look, the chief guest, that gentleman garlanded with orchids, is not the minister!” Gemunu alerted us.

Apparently, as the minister was too busy to attend the event, SLITHM had arranged a last minute substitute as the chief guest. This gentleman wore a white suit (which reminded me of the prefect’s attire for ceremonies at boys’ schools in Ceylon in 1960s). He appeared prominent among all other VIPs in dark suits, looking distinguished and walking like a king, serious, without a smile on his face. “Professor, look at him. That gentleman is certainly like a ‘Karandu Atha’!”, Gemunu whispered to my ear. I agreed.

A Keynote Speaker Par Excellence

None of veteran hoteliers seated in my row knew of this gentleman – Dr. SinhaRaja Tammita-Delgoda – but we were impressed when he was introduced as an Art Historian, Author, Lecturer, Public Speaker, Academic, Writer, and an award-winning Film-maker. We were even more impressed with his keynote speech – well prepared and well delivered, with a passion. I also liked his given name, the same as the greatest rainforest in Sri Lanka, which is steeped in deep legend and mystery, and since 1988, protected as an UNESCO World Heritage Site. I soon realised that, like the Sinharaja Rainforest, Dr. SinhaRaja Tammita-Delgoda had a mystic personality, which was not easy to analyse.

A Kandyan at a religious event

After nearly four-hours, when the graduation event ended, a few of us were invited to a post-event reception. When I saw the keynote speaker at this reception held in a very small meeting room, attended by about 50 VIPs, I was happy. He was surrounded by a few Colombo socialites who were picking Dr. SinhaRaja Tammita-Delgoda’s brains about topics related to their commercial interests, and close to his heart – horse-riding, eco-tourism, and indigenous food of Sri Lanka.

“Come on, Gemunu, let’s meet this interesting guy.” I approached him with some difficulty. Soon after we introduced ourselves, he introduced the ladies surrounding him to us. Although they were interesting, after greeting them quickly, I zoomed into have a good one-on-one chat with him. I broke the ice with a genuine compliment: “Dr. SinhaRaja Tammita-Delgoda, you delivered an excellent keynote.

Well done! I was inspired by your speech.” I He smiled and said, “Please call me SinhaRaja.” I was thinking that his name was quite a mouthful. Double barrel names are unusual in Sri Lanka, but he is an unusual person. Accomplished and versatile… in fact, truly a Renaissance Man!

After a five-minute chat, owing to some common interests such as art, history, writing, public speaking, lecturing and cinema, we clicked and mutually enjoyed our brief chat. He also liked when I joked about how Gemunu compared him to a ‘Karandu Atha’. Before we parted, we agreed to meet again prior to my return to Canada. Gemunu invited SinhaRaja to join me and two mutual friends for a full-day excursion to ‘Ceylon Culinary Trail’ in Ingiriya in a week’s time, just before my departure from Sri Lanka. SinhaRaja promptly accepted.

The very next day, I shared the links to some of my recent publications with him, and in return, SinhaRaja e-mailed Gemunu and me some links showcasing his recent work, including a YouTube file of his 2019 film: ‘In Search of the Malwatu Oya’ which was an artistic documentary about an adventurous 164-kilometre journey he took on the second longest river in Sri Lanka with a few other adventurers. Starting from the holy mountain of Ritigala, they travelled to the heart of an ancient civilization, the Raja Rata (Land of the Kings) to enter the Bay of Mannar of the Indian Ocean. It is the story of Sri Lanka’s most historic river and the beginning of an ancient civilization. I was not surprised it won five international awards.

‘Ceylon Culinary Trail’ Experience in Ingiriya

A week later, we commenced our trip to Ingiriya early in the morning picking up SinhaRaja at his house near Kotte. Our discussions in the car covered many interesting topics, including poetry. He was thankful when I presented a signed copy of my latest published work: ‘Emotions’ a book of visual poetry. When we arrived at Ingiriya, I realized that Sinharaja was familiar with the customs and rituals of the village, far better than other excursionists there.

After the welcome, and breakfast including dishes made with rare local ingredients, we were taken on a guided tour along a village trail through a rubber plantation. I then realized that SinhaRaja was much physically fitter than the rest of the group from Colombo and Canada! Despite a couple of breaks and drinking some refreshing young and king coconuts in between, we were exhausted by the time we returned to our base in Ingiriya. It was a hot and humid day.

“Sir, you will certainly feel better if you have a dip in this natural pool” – our guide (the husband of the host and cook) showed us a beautiful bathing spot connected to a gently flowing stream towards the Kalu Ganga. Without wasting any time, SinhaRaja got into the water, and we followed him. That cool water and toddy served to make us hungry for a highly anticipated lunch prepared with some ingredients previously unknown to the members of our group.

Topics of Conversation

Over a tasty authentic lunch experience enhanced by singing of old songs and folk poems by our lady host, we did not feel the time pass by. After lunch we engaged in a long conversation about various topics. SinhaRaja listened to our views more than expressing his own. We stayed there chatting for a long time through a sudden welcome downpour that lasted till early evening. It was a wonderful day with some great food for the belly and food for thought.

On our way back to Colombo SinhaRaja and I talked about some common aspects of our lives, the times we both lived and studied in England. I did my three levels of post-secondary education in England over a few decades with long breaks in between. In his case, SinghaRaja has done his bachelor’s, master’s, and doctoral degrees at one go! That was impressive, but I was more fascinated when he told me: “I never went to primary, middle, or upper school. I was home-schooled.”

SinhaRaja was surprised to hear that I was a special apprentice at the Dorchester under the great Chef Anton Mosimann. He was even more surprised to hear that I was a management observer at Le Meridien Piccadilly in London and that hotel’s two-Michelin star restaurant – Oak Room. “I used to dine in that restaurant with a girlfriend during my doctoral studies at the King’s College” he confided.

Our last topic of conversation that day was my wine and spirits studies in Europe. Just before we dropped him off at his house, he was asking me questions about my studies on whisky production in Scotland in 1982, when I was on a UN/ILO Fellowship. “I have a very old bottle of an expensive Japanese whisky, at home, which I’d like to taste with you.” He invited me home. “I was an expert 40 years ago… I don’t drink too much now.” I told him. “I insist my friend. Be my guest!” he persuaded me to spend an hour in his house looking at his collection of books, paintings, and old photographs. The Japanese whisky was also great. After that we kept in touch regularly and I sent him ten questions for this article:

A Connoisseur in Paris

Q: Out of all the places you have visited in Sri Lanka and overseas, what is your favourite and most interesting place?

A: One of the more interesting experiences was journeying to the dry, dusty teak forests of

Western India in search of the Asian Lion. The Gir Forest, in Gujarat, is the home of the

Asian Lion which once roamed the whole of Asia. Hunted to extinction under the British,

Asian Lions were preserved by an Indian prince, in a remote corner of Western India, still relatively unknown.

Q: Out of all the inspiring people you have met, who inspired you most to become an explorer and an adventurer? 

A: Nihal Fernando, Sri Lanka’s greatest photographer. He and his protegee, Luxshman Nadaraja, taught me to see the land, instead of just thinking about it. Through Nihal Fernando I learned that Sri Lankan civilization, its art and architecture was inextricably linked to its environment. One cannot see one without the other.

Q: What was the most memorable experience you had during your undergraduate, graduate and doctoral studies in the United Kingdom?

A: Driving a MG Roadster Classic sports car with the top down in winter. It was memorable

because it gave me pneumonia. The other was being held by my arms and legs by four English thugs, who sang “Michael Row the Boat Ashore” as they banged my head against a car. I was saved by an old lady who attacked them with her umbrella. My other formative memory is discovering the work of Sri Lanka’s two great art historians – Ananda Coomaraswamy and Senake Bandaranayake in the library at the School of Oriental and African Studies.

An Aristocrat at The Derby in Epsom Downs, England

Q: What was the most challenging experience you had as a Visiting Fulbright Scholar in the USA? 

A: Being stopped at Madison airport by security because I was wearing cufflinks. As the alarms went off, everyone screamed “he has metal in his shirt” and pointed their guns

at me. I had to take the cufflinks off and roll them across the floor. Afterwards, they asked me, “What are they for, why are you wearing them”. I said: “To hold my sleeves together” They felt sorry for me. “Son, this is America. We have buttons here!”

Q: As a student of the early phases of British expansion in India during the 18th century, can you single out one main scholarly contribution you have made to the body of knowledge?

A: I made a study of one of the first Englishman to write a history of India.

Q: What were your main discoveries during your time at Ridi Vihare to study medieval Sinhalese culture?

A: Apart from patience, self-control, and self-discipline, I also learned to appreciate Kandyan Art. I grew to realize that it was not “folk art” and began to see it for what it was, a form of miniature painting: meticulous, precise, and controlled.

Q: What was the most challenging experience you had as a reporter during the final stages of Eelam War IV?

A: Trying not to jump into the air when explosions went off near me. The challenge was trying not to show terror in front of men who coped with fear every day.

Q: Can you explain the inspiration for and the most memorable experience during the making of ‘In Search of Malwatu Oya’?

A: The inspiration was the magic of the unknown, of going back into time. Memorable, as we were travelling in long canoes. I have never been so close to so many crocodiles for so long.

Q: What were the different approaches you took in producing two of the great works on Stanley Kirinde and George Keyt?

A: Both are huge ambitious works of art and scholarship. One project was hugely thorough and had great resources behind it. The other was done at the height of Covid, the Aragalaya, a time of no power, no fuel, no food, no order and now, no money.

Keyt was an outsider and a rebel. Kirinde was an insider and like most insiders, he was conservative and more conformist. Kirinde was part of an ancient culture and a living civilization. Keyt was the product of a recent and derivative colonial culture. At a time when colonial culture was dominant, Keyt went out of his way to reject it and embrace a totally different world. This makes him quite unique.

As there have been many studies on Keyt, our objective was to show works of art which were not published before, and which were not widely known. At the same time, we sought to look closely at the influences behind Keyt’s life and art which have not been so well studied and are not so well known.

With Kirinde, almost everyone went out of their way to help. With Keyt it was different. Great international auction houses and collectors all over the world went out of their way to help. However, in Sri Lanka two local organizations went out of their way not to help. One was an organization associated with the legacy of George Keyt, the other was an organization associated with the legacy of Lionel Wendt. Needless to say, both organizations have gone out of their way to assist and work with foreign scholars and experts.

Q: You told me that you do not like to use the term: ‘coffee table books’ in describing your works on Stanley Kirinde and George Keyt. Why?

A: History of Art is a serious intellectual and scholastic discipline, which entails the study and analysis of the visual arts. It seeks to understand art, sculpture, architecture, craft, and decoration, in their cultural and historic context.

The term coffee table is used mainly in Sri Lanka because people do not like to read. Sri Lankans generally prefer books with pictures which they can glance through without too much effort. They then keep them on long low tables for everyone to see. That is why we call them coffee table books. In the rest of the subcontinent, people not only look at the pictures, but they also read about them and think about them.

Next week, 3Ps will feature a Lawyer, CEO, and a Tourism Visionary …



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Building a sustainable future for Sri Lanka’s construction industry

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Sri Lanka’s construction industry has long been a central pillar of sustainable development. From roads and bridges to homes, schools, and hospitals, construction shapes the country’s physical landscape and supports economic progress. As the nation continues to rebuild and modernise, the demand for construction materials and infrastructure keeps rising. However, this growth also brings a significant environmental cost. Cement, steel, bricks, aggregates, and timber all require energy, resources, and transportation, contributing to carbon emissions and environmental damage. If Sri Lanka continues with traditional construction practices, the long-term impact on the environment will be severe.

The encouraging news is that Sri Lanka has many opportunities to adopt more sustainable construction practices while still maintaining the highest standards of quality and safety. Sustainable construction does not mean weaker buildings or lower standards. It means using sustainable materials, reducing waste, improving design, and choosing methods that protect the environment. Many countries have already moved in this direction, and Sri Lanka has the potential to follow the same path with solutions that are practical, affordable, and suitable for local conditions.

A promising option

One promising option is the use of Compressed Earth Blocks (CEB), which are different from the concrete blocks commonly used in Sri Lanka for the past 25 years. CEBs are made from soil mixed with a small amount of stabiliser and pressed using machines. Unlike traditional fired clay bricks, CEBs do not require high-temperature kilns, which consume large amounts of firewood or fossil fuels. This makes CEBs a low-carbon alternative with a much smaller environmental footprint. In Sri Lanka, CEBs are already used in eco-resorts, community housing projects, and environmentally focused developments. They offer good strength, durability, and thermal comfort, making them suitable for many types of buildings. By expanding the use of CEBs, Sri Lanka can reduce energy consumption, lower emissions, and promote locally sourced materials.

Recycled aggregates also offer significant potential for sustainable construction. These materials are produced by crushing concrete, demolition waste, and construction debris. In Sri Lanka, recycled aggregates are already used in road construction, particularly for base and sub-base layers. They are suitable for non-structural building work such as pathways, garden paving, drainage layers, landscaping, and backfilling. Using recycled aggregates reduces the need for newly quarried rock and aggregates, decreases landfill waste, and lowers transportation emissions. With proper quality control and standards, recycled aggregates can become a reliable and widely accepted material in the construction industry.

Timber and sustainability

Timber is another important area where sustainability can be improved. In the past, timber for construction was often taken from natural forests, leading to deforestation and loss of biodiversity. Today, this approach is no longer sustainable. Instead, the focus must shift to legally sourced timber from managed plantations. Sri Lanka’s plantation-grown teak, jak, and kubuk can provide high-quality, legally sourced timber for construction while protecting natural forests and supporting rural economies. Using plantation timber ensures that harvesting is controlled, trees are replanted, and the supply chain remains legal and ethical.

Beyond materials, sustainable construction also involves better design and planning. Buildings that are designed to maximise natural ventilation, daylight, and energy efficiency can significantly reduce long-term operating costs. Simple design improvements such as proper orientation, shading devices, roof insulation, and efficient window placement can reduce the need for artificial cooling and lighting. These measures not only lower energy consumption but also improve indoor comfort for occupants. Sri Lanka’s tropical climate offers many opportunities to incorporate passive design strategies that reduce environmental impact without increasing construction costs.

Waste reduction is another key component of sustainable construction. Construction sites often generate large amounts of waste, including concrete, timber offcuts, packaging, and soil. By adopting better site management practices, recycling materials, and planning construction sequences more efficiently, contractors can reduce waste and save money. Proper waste segregation and recycling can also reduce the burden on landfills and minimise environmental pollution.

Promoting sustainable construction

Public projects such as schools, hospitals, and government buildings can play a leading role in promoting sustainable construction. When government projects adopt greener materials and designs, the private sector follows. This creates a positive cycle where environmentally responsible choices become the industry standard. Public sector leadership can also encourage local manufacturers to produce sustainable materials, improve quality standards, and invest in new technologies.

Sri Lanka also carries a proud and remarkable history in construction, with achievements that continue to inspire the world. The engineering brilliance behind Sigiriya, the advanced urban planning of Polonnaruwa, the precision of the Aukana Buddha statue, and the sophisticated water management systems of ancient tanks and reservoirs all demonstrate the deep knowledge our ancestors possessed. These historic accomplishments show that innovation is not new to Sri Lanka; it is part of our identity. As the world moves toward 2050 with increasing sustainability challenges, Sri Lanka can draw strength from this heritage while embracing modern technologies and sustainable practices. With the combined efforts of skilled professionals, industry experts, academic researchers, and strong government support, the country can introduce new systems that improve efficiency, reduce environmental impact, and strengthen resilience. By working together with determination and sharing knowledge across generations, Sri Lanka’s construction industry can build a future that honours its past while leading the way in sustainable development.

Foundation of sustainable development

Sri Lanka’s construction industry has always been a foundation of sustainable development. Today, it also has the chance to take a leading role in sustainability. By choosing sustainable materials, reducing waste, improving design, and supporting responsible sourcing, the country can build a future that is both modern and environmentally responsible. Sustainability is essential for Sri Lanka’s long-term goals of reducing carbon emissions and limiting the impacts of global warming. As Sri Lanka moves forward, the construction industry must embrace sustainability not only as an environmental responsibility but also as an opportunity to create stronger, smarter, and more resilient buildings for future generations. Sri Lanka has the talent, the heritage, and the technical capacity to shape a more sustainable future, and with the right national direction, the construction industry can become a model for the region. If professionals, policymakers, and communities work together with a shared vision, the country can transform its construction sector into one that protects the environment while supporting long-term progress.

About the Author: P.G.R.A.C. Gamlath Menike,

BSc (Hons) Quantity Surveying (University of Reading, UK), MSc Quantity Surveying (University College of Estate Management, UK), MCIArb, Doctoral Student, Department of Building and Real Estate, The Hong Kong Polytechnic University, Hong Kong, is a Senior Quantity Surveyor: Last Project (2022 -2025) Hong Kong International Airport Terminal 2 Construction Project, Gammon Engineering Construction (Main Contractor).

By P.G. R. A. C. Gamlath Menike

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Palm leaf manuscripts of Sri Lanka – 1

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Palm leaf manuscripts

Palm leaf manuscripts have been in existence in Sri Lanka since ancient times. The two oldest palm-leaf manuscripts found in Sri Lanka today are the Cullavagga Pâli manuscript of the H. C. P. Bell collection, which is held at the Library of the National Museum, Colombo, and the Mahavagga Pâli manuscript in the University of Kelaniya collection. Photocopies of both are available at the Library of the University of Peradeniya. Both are dated to 13 century. Cullavagga manuscript has wooden covers richly decorated in lac with a design of flowers and foliage.

Karmmavibhâga

However, the oldest known Sinhala palm leaf manuscript in the world is the Karmmavibhâga which was found in a Tibet monastery in 1936 by the Indian scholar Rahul Sankrityayan. Rahul Sankrityayan, (1893–1963) former Kedarnath Pandey, was an Indian polymath, who searched out rare Buddhist manuscripts on his travels abroad. Sankrityayan visited Sri Lanka as well. Vidyalankara Pirivena is mentioned.

Sankrityayan visited Tibet several times to collect manuscripts from the Buddhist monasteries there. In May 1936 on his second visit to Tibet, Sankrityayan visited the Sa-skya monastery. The Chag-pe-lha-khang Library in this monastery was specially opened for Sankrityayan.

He stated in his autobiography that when the clouds of dust which greeted this rare opening of its doors had subsided, they beheld rows of open racks where volume on volume of manuscripts were kept. “After rummaging around, I came across palm-leaf manuscripts. They were not wrapped in cloth, but were tied between two wooden planks with holes through them.” Sankrityayan found several important manuscripts he had been looking for, in that collection.

Sankrityayan catalogued fifty-seven manuscripts bound in thirty-eight volumes. The thirty-seventh volume was written in the Sinhala script. Sankrityayan records that this volume contained ninety-seven palm- leaves each of which measured 18 1/4 by 1 1/4 in. (46 x 3 cm.) and that there were seven lines of writing on each folio.

According to Sankrityayan, these Sinhala texts originally belonged to a Sri Lankan monk called Anantaśrî who had come to Tibet in the time of ŚSrî Kîrttidhvaja (Kirti Sri Rajasinha). Analysts noted that Sankrityayan does not give the source of this information and the manuscript makes no mention of Anantaśrî.

Sankrityayan had taken with him to Tibet, one Abeyasinghe, (Abhayasimha) to help him with copying manuscripts. They made hand-copies of the important manuscripts. Abhayasimha had copied about 250 to 350 strophes each day. But he fell ill due to the extreme cold and was sent home in June. Abeyasinghe had written letters home during his stay in Tibet.

Photographs of the manuscripts found during Sankrityayan’s expeditions in Tibet are preserved at the National Archives in Colombo. There is also a copy in Vidyalankara pirivena library The Historical Manuscripts Commission In its 1960/1961 report, drew attention to this manuscript, known as Sa-skya Codex, describing it as “a unique document.” (Annual Report of the Government Archivist 1960/61, 1963)

Sinhala scholar P.E.E. Fernando examined photographs of the Sa-skya Codex at the request of the Historical Manuscripts Commission and assigned it to the 13th century. The Historical Manuscripts Commission, dated it to either twelfth or the thirteenth century.

The Historical Manuscripts Commission observed that this manuscript was of great value for the study of the development of the Sinhala script. Ven. Meda Uyangoda Vimalakîrtti and Nähinne Sominda in their edition of the Karmmavibhâga published in 1961 agreed that the Sa-skya Codex represented an early stage in the evolution of the Sinhala language.

Mahavamsa

The Mahavamsa is considered a unique historical document. There is nothing like it in South Asia, and probably all Asia, with the exception of China. Mahavamsa provides a historical account of events, with emphasis on chronology and dating. This, it appears, was rare at the time.

However, Mahavamsa is not a political history, though that is the popular perception of it. It is a religious history. It was written to record the introduction and entrenchment of Buddhism in the country. Other Buddhist countries, such as Cambodia, Burma and Thailand value the Mahavamsa for this reason. They held copies of the Mahavamsa and used events from it in their temple frescoes.

But Mahavamsa is also an important reference source for reconstructing the political history of Sri Lanka. Political and social facts are included in the Mahavamsa narrative when describing religious events, and this makes the Mahavamsa important for historians. This tradition of history writing, beginning with the earlier Sihala Attakatha and Dipawamsa, it is suggested, started in Sri Lanka in 2nd or 3rd BC.

Today, the Mahavamsa has become a major source of historical information, not only for dating kings, temples and reservoirs, but also for reconstructing ancient Sinhala society. The fact that Kuveni was seated beside a pond, spinning thread has been used to indicate that there was water management and textiles long before Vijaya arrived. Dutugemunu (161-137 BC) paid a salary to the workers building the Maha Thupa. This shows that money was used at the time.

Copies of the Mahavamsa have been treasured and looked after in Sri Lanka for centuries. They have been copied over and over again. The manuscripts were held in temple libraries because the subject of the Mahavamsa was the entrenchment of Buddhism in Sri Lanka.

The Mahavamsa manuscripts did not pop up suddenly during British rule as people seem to think. The British did not ‘discover’ the Mahavamsa. It was there. When the British administration started to take interest in the history of the island, the sangha would have directed them to the Mahavamsa, in the same way that they directed HCP Bell to the ruins in Anuradhapura and the Sigiriya frescoes. HCP Bell did not discover those either.

The British administrators saw the value of the Mahavamsa and copies were sent to libraries abroad. The Bodleian library, Oxford has a well preserved Mahavamsa manuscript, taken from Mulkirigala, which Turner used for his translation. Cambridge has two Mahavamsa manuscripts. The two copies at India Office library, and the copy in East India Library are probably in the British Library today. The Royal Library, Copenhagen, has a copy, consisting of 129 sheets, 12 lines to a leaf, written in good handwriting.

In Sri Lanka there are several copies of the Mahavamsa in the Colombo Museum Library. One copy, known as the ‘Cambodian Mahavamsa ‘is in Cambodian script. University of Peradeniya has at least three copies.

It is interesting to note that the Mahavamsa was known to the Sinhala elite and some had copies in their private libraries. The Historical Manuscripts Commission of the 1930s said in its first report that five copies of the Mahavamsa and a 19th century copy of the Dipawamsa were found in private collections.

The temple libraries had many copies of the Mahavamsa. Some were of very high quality. Wilhelm Geiger had looked at the copies held at Mahamanthinda Pirivena, Matara and Mulkirigala vihara. Asgiriya, Nagolla Vihara and Watagedera Sudarmarama Potgul vihara, Matara, are three of the many libraries that held copies of the Mahavamsa.

Sirancee Gunawardene examined the copy at Mahamanthinda Pirivena, Matara, very closely. She says that it is a very old manuscript. According to its colophon, the manuscript was first copied 400 years ago. It is in a very good state of preservation. It has 232 folios. Each 50 cm long 6.25 wide. Nine lines on each side, in Pali metric verse.

The writer of the manuscripts said that his version was an improvement on the copy. He wrote, “I will recite the Mahavamsa which was compiled by ancient sages. [their version] was too long and had many repetitions. This version is free from such faults, easy to understand and remember. It is handed down from tradition, for arousing serene joy and emotion’ .

The Mahamanthinda manuscript records the continuous history of 23 dynasties from 543 BC to 1758 AD. It refers to the principle of hereditary monarchy as 39 eldest sons of reigning monarch succeeded their fathers to the throne. It highlights the fact that fifteen reigned only for one year, 34 for less than four years, 22 kings were murdered by their successors, 6 were killed during battles, 4 committed suicide, 11 were dethroned.

Mahawansa  as a World Heritage document

An ola manuscript of the Mahavamsa, held in the Main Library of the University of Peradeniya has been recognised by UNESCO as a part of World Heritage. UNESCO announced In 2023 that it has included the Mahavamsa as one of the 64 items of documentary heritage inscribed in the UNESCO’s Memory of the World International Register for 2023. The manuscript is dated to the early 19 century.

The certificate declaring the Mahawansa as a world heritage document was handed to the Chancellor of Peradeniya University by UNESCO Director General, who visited the University in 2024 specially to do so. She also unveiled a plaque marking the declaration.

The story began much earlier. The National Library of Sri Lanka and the Ministry of Buddha Sasana had jointly appointed a 6-member committee headed by Prof Malani Endagamage, to find the best preserved copy of the Mahavamsa in Sri Lanka. This would have been in 2000 or so. For two years, this team had examined copies from over 100 temples nationwide.

Temples around the country yielded copies, crumbling to well-preserved, reported Sunday Times. There was one from the Ridi Vihara that almost made the cut, but four other copies were shortlisted. One from the Dalada Maligawa, Kandy and three manuscripts from the Main Library of the University of Peradeniya. Three academics from the University’s History Department, Professors K.M. Rohitha Dasanayaka, Mahinda Somathilake and U.S.Y. Sahan Mahesh examined the three Peradeniya manuscripts

Dasanayaka said, “We poured over the copies together, and it became clear that one copy stood out. While the other two had numerous inconsistencies, this one, written in a curvy hand, was neat and beautiful. After more than two centuries, the manuscript was still very attractive, with a ‘flaming cinnamon orange’ cover and elegant lettering.

The first section of the manuscript ends with Mahasen (274–301 AD), written by the monk Mahanama. The second part ends at 1815. The author is given as Ven. Thibbotuwawe Buddharakkhita but he was dead by 1815. The final part was probably done by an acolyte. He has done a very neat job, seamlessly adding his bit, concluded Dasanayake.

This manuscript was acquired by the Library of University of Peradeniya when K. D. Somadasa, was the Librarian (1964 – 1970). It is held in the Main Library and its Accession Number is 277587.

National Library & Documentation Services Board of Sri Lanka, which administers the National Library of Sri Lanka submitted a nomination to UNESCO on behalf of this manuscript. UNESCO responded positively to the application.

UNESCO said the Mahavamsa was recognized as one of the world’s longest unbroken historical accounts, presenting Sri Lanka’s history in a chronological order from the 6th century BCE. The authenticity of the facts provided in the document has been confirmed through archaeological research conducted in Sri Lanka and India.

It is an important historical source in South Asia, said UNESCO. It was the first of its kind in South Asia, initiating a mature historiographical tradition. It has contributed singularly to the identity of Emperor Asoka in Indian history. The existence of a number of manuscripts of the Mahavamsa in several countries as well as the transliteration and translation of the text to several Southeast Asian and European languages stand testimony to its immense historical, cultural, literal, linguistic and scholarly values, .” UNESCO press release said.

Further, UNESCO found that this manuscript was correctly conserved at the University Library. The university and its library maintained high standards in safeguarding the palm-leaf manuscripts, preventing deterioration, declared UNESCO. (Continued)

REFERENCES


https://archives1.dailynews.lk/2021/02/25/local/242520/ola-leaf-mahavamsa-be-declared-world-heritage

Sirancee Gunawardana Palm leaf manuscripts of Sri Lanka . 1977 p 41,44-47 , 253 290 292, ,

N. E. I. Wijerathne Methods, Techniques and Challenges in Deciphering the Sa-skaya Codex. Vidyodaya Journal of Humanities and Social Sciences (2025), Vol. 10 (01) https://journals.sjp.ac.lk/index.php/vjhss/article/view/8571/6001

First report of the Historical Manuscripts Commision.1933 SP 9 of 1933. p . 53, 95, 96

https://journals.sjp.ac.lk/index.php/vjhss/article/view/8571/6001https://www.austriaca.at/0xc1aa5572%200x00314cc3.pdf

 https://leftword.com/creator/rahul-sankrityayan/

 https://www.reddit.com/r/IndianHistory/comments/1oc5tc2/in_his_autobiography_meri_jeevan_yatra_rahul/

 https://www.sundaytimes.lk/230910/plus/in-search-of-the-perfect-mahavamsa-531513.html

 https://www.dailymirror.lk/breaking-news/Mahawansa-declared-a-world-heritage/108-287528

 https://mfa.gov.lk/en/visit-of-unesco-dg/

 https://sundaytimes.lk/online/education/UNESCO-ready-to-support-digitalisation-of-Ola-leaf-books/290-1146314

 https://media.unesco.org/sites/default/files/webform/mow001/53_131%252B.pdf

by KAMALIKA PIERIS

 

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A new Sherlock Holmes novel

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Tales of Mystery and Suspense – 1

“The House of Silk” is set in a grim Victorian winter, and moves from Baker Street to a luxurious suburban villa, from dingy pubs to elegant London clubs, from a correction school for boys high on a hill to Dr Silkin’s House of Wonders, which provided noisy low life entertainment. Holmes and Watson went there in search of the House of Silk, a name they had heard when looking into the death of one of Holmes’ Baker Street irregulars (slum children who ferreted out information for him) .

I do not think highly of sequels to books written by highly regarded writers, though I must admit that this dislike is based on just a few samples. But while in England I was given by my former Dean, with a forceful recommendation, a book about a Sherlock Holmes mystery, supposedly written by Dr Watson. I began on it soon after I got back home, and found it difficult to put down, so I suppose I will not look on Anthony Horowitz as an exception to my rule. I may even look out for his efforts at continuing the adventures of James Bond, though I suspect Fleming’s laconic style will be less easy to emulate.

“The House of Silk” is set in a grim Victorian winter, and moves from Baker Street to a luxurious suburban villa, from dingy pubs to elegant London clubs, from a correction school for boys high on a hill to Dr Silkin’s House of Wonders, which provided noisy low life entertainment. Holmes and Watson went there in search of the House of Silk, a name they had heard when looking into the death of one of Holmes’ Baker Street irregulars (slum children who ferreted out information for him). They had asked Holmes’ brother Mycroft for help in finding what and where this was, but he had warned them off, having been himself told by someone very senior in government that it might involve those in very high positions, and further inquiries might prove dangerous.

Needless to say, Holmes does seek further, and is lured to an opium den where he is drugged, to be found outside with a gun in his hand and the body of a girl beside him, the sister of the murdered boy Ross. A passer-by swears he had seen Holmes fire the shot, and the owner of the opium den and a customer swear that Holmes had taken too much opium and left the den in a demented condition. A police inspector who had been passing promptly arrests Holmes and Watson, and even their old acquaintance Inspector Lestrade finds it difficult to get access to him.

Watson eventually gets to see him when he is in the infirmary, after he has been told by a mysterious man that Holmes was going to be murdered before his case could be taken up. The man said he had earlier tried to get Holmes to investigate the House of Silk by sending him a white silk ribbon, such as had later been found tied round the hand of the murdered boy. But, as a criminal himself, he said, he could not reveal more, though he himself was horrified by the business of the House of Silk, which gave criminality a bad name, which is why he wanted it all stopped.

Holmes escapes from the infirmary, with a little help from the doctor whom he had once assisted earlier, right under the nose of the nasty Inspector Harriman. He then joins up with Watson, and having with the help of Lestrade overcome the men designed to kill him at Dr Silkin’s House of Wonders, he sets off, with an even large posse of policemen, to the House of Silk.

After much suspense, the habitues of the House of Silk are arrested, the Inspector having broken his neck in the course of a chase downhill, having fled when his misdeeds were exposed. The mastermind claims that he will not face a trial because of the important people involved, but instead falls down a staircase while in prison and breaks his neck. One of the noblemen involved commits suicide, but another, and the medical man who had sworn he saw Holmes kill the young lady, get off without charge.

But then we revert to the original story, which had involved an art dealer who came to Holmes because he was being followed by someone he thought was an American gangster out for revenge. This was because he had shipped some pictures to an American buyer, and these had been destroyed when a train was held up by an Irish gang and the coach with the safe in it dynamited. The buyer and the dealer had got a private agency to investigate, and this had ended with the gang being killed in a shootout, though one of the twins who led it had escaped. The buyer had subsequently been killed, and Mr Carstairs feared that the twin who survived had followed him to England.

Holmes and Watson went to Carstairs’ house, where they met his wife, whom he had met on the boat back from America, and his sister. Their mother had died some months earlier, when gas had filled her room after the flame had gone out. It transpired that there had been a break in, and some money and a necklace stolen from a safe, and it was in tracing these, through a pawnbroker, that Holmes and Watson had found the American murdered in the hotel where he had been staying.

The leader of the irregulars had come to tell Holmes that they had traced the man to the hotel, and Ross had been left on guard. He seemed terrified when Holmes and Watson and Carstairs turned up, but said he had seen nothing. When the boys had been dismissed, and the room opened up, the man was found dead, the murderer obviously having gained entrance through a window.

Holmes assumed the boy had seen someone he recognized, but he could not be traced, until he was found dead, horribly tortured. The silk band around his wrist then led Holmes to pursue the House of Silk. One of the boys at the school where Ross had been mentioned that he had a sister at a pub, and she, when confronted, asked in fear if they were from the House of Silk and then, having lunged at Watson with a knife, ran off – herself only to be found dead outside the opium den, which prompted the arrest of Holmes.

After the drama at the House of Silk, Holmes and Watson go to the Carstairs household, where he explains exactly what had taken place, identifying the murdered man as not a member of the gang but the head of the private agency which had investigated them. As my Dean told me, Horowitz then ties up all the loose ends with consummate skill, connecting with a fine thread all the malefactors, of various kinds.

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