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Dr. SinhaRaja Tammita-Delgoda Art Historian, Adventurer, Author, and Renaissance Man

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A Conversationalist in Ingiriya

PLACES, PEOPLE & PASSIONS (3Ps)

Dr. Chandana (Chandi) Jayawardena DPhil
President – Chandi J. Associates Inc. Consulting, Canada
chandij@sympatico.ca

Profile

SinhaRaja is an explorer and an adventurer who has lived in war zones and reported on wars; he has explored jungles and climbed in the Hindu Kush. Historian, art historian, academic and author, he has produced some of the most important studies in recent years on the art, history, and culture of Sri Lanka. He has also enacted some of its greatest dance rituals and taught the first university course in the west on Sri Lankan Art and Architecture. His first film, the story of an expedition ‘In Search of the Malwatu Oya’, has won five international awards.

SLITHM Graduation 2023 & ‘karandu Atha’

On April 20, 2023. I was seated at a corner of the front row at the BMICH National Convention Centre, with a few veteran hoteliers. We were waiting for the Minister of Tourism to arrive as the chief guest of the annual graduation ceremony of Sri Lanka Institute of Tourism and Hotel Management (SLITHM). Most of the 1,500 seats of the main auditorium were full of relatives of the new graduands, their happy parents and tourism industry leaders.

Getting bored with the long delay, my hotel industry colleague seated next to me, Gemunu Goonewardena, started talking about the roles of elephants in Sri Lanka. “Professor, do you know that elephants working hard in the fields are not used to perform religious tasks like carrying the caskets at pageants?” Annoyed with the delay in commencing the event as advertised, I did not pay much attention to Gemunu’s remark.

“Is that so?”, I made unenthusiastic response. “Yes. For an example, the famous Maligawa tusker Raja of the Temple of the Tooth in Kandy, had very little work to do, except during the annual Kandy Perahera in August. Such tuskers are called with respect, ‘Karandu Atha’” — Gemunu continued to show his knowledge about elephants and our culture.

At that moment I was happy to see the large screen on the stage displaying the arrival of the chief guest and other VIPs welcomed at the entrance and ushered by the Chairman of SLITHM. Kandyan dancers and drummers were performing in front of the slow-moving VIP procession. “Look, the chief guest, that gentleman garlanded with orchids, is not the minister!” Gemunu alerted us.

Apparently, as the minister was too busy to attend the event, SLITHM had arranged a last minute substitute as the chief guest. This gentleman wore a white suit (which reminded me of the prefect’s attire for ceremonies at boys’ schools in Ceylon in 1960s). He appeared prominent among all other VIPs in dark suits, looking distinguished and walking like a king, serious, without a smile on his face. “Professor, look at him. That gentleman is certainly like a ‘Karandu Atha’!”, Gemunu whispered to my ear. I agreed.

A Keynote Speaker Par Excellence

None of veteran hoteliers seated in my row knew of this gentleman – Dr. SinhaRaja Tammita-Delgoda – but we were impressed when he was introduced as an Art Historian, Author, Lecturer, Public Speaker, Academic, Writer, and an award-winning Film-maker. We were even more impressed with his keynote speech – well prepared and well delivered, with a passion. I also liked his given name, the same as the greatest rainforest in Sri Lanka, which is steeped in deep legend and mystery, and since 1988, protected as an UNESCO World Heritage Site. I soon realised that, like the Sinharaja Rainforest, Dr. SinhaRaja Tammita-Delgoda had a mystic personality, which was not easy to analyse.

A Kandyan at a religious event

After nearly four-hours, when the graduation event ended, a few of us were invited to a post-event reception. When I saw the keynote speaker at this reception held in a very small meeting room, attended by about 50 VIPs, I was happy. He was surrounded by a few Colombo socialites who were picking Dr. SinhaRaja Tammita-Delgoda’s brains about topics related to their commercial interests, and close to his heart – horse-riding, eco-tourism, and indigenous food of Sri Lanka.

“Come on, Gemunu, let’s meet this interesting guy.” I approached him with some difficulty. Soon after we introduced ourselves, he introduced the ladies surrounding him to us. Although they were interesting, after greeting them quickly, I zoomed into have a good one-on-one chat with him. I broke the ice with a genuine compliment: “Dr. SinhaRaja Tammita-Delgoda, you delivered an excellent keynote.

Well done! I was inspired by your speech.” I He smiled and said, “Please call me SinhaRaja.” I was thinking that his name was quite a mouthful. Double barrel names are unusual in Sri Lanka, but he is an unusual person. Accomplished and versatile… in fact, truly a Renaissance Man!

After a five-minute chat, owing to some common interests such as art, history, writing, public speaking, lecturing and cinema, we clicked and mutually enjoyed our brief chat. He also liked when I joked about how Gemunu compared him to a ‘Karandu Atha’. Before we parted, we agreed to meet again prior to my return to Canada. Gemunu invited SinhaRaja to join me and two mutual friends for a full-day excursion to ‘Ceylon Culinary Trail’ in Ingiriya in a week’s time, just before my departure from Sri Lanka. SinhaRaja promptly accepted.

The very next day, I shared the links to some of my recent publications with him, and in return, SinhaRaja e-mailed Gemunu and me some links showcasing his recent work, including a YouTube file of his 2019 film: ‘In Search of the Malwatu Oya’ which was an artistic documentary about an adventurous 164-kilometre journey he took on the second longest river in Sri Lanka with a few other adventurers. Starting from the holy mountain of Ritigala, they travelled to the heart of an ancient civilization, the Raja Rata (Land of the Kings) to enter the Bay of Mannar of the Indian Ocean. It is the story of Sri Lanka’s most historic river and the beginning of an ancient civilization. I was not surprised it won five international awards.

‘Ceylon Culinary Trail’ Experience in Ingiriya

A week later, we commenced our trip to Ingiriya early in the morning picking up SinhaRaja at his house near Kotte. Our discussions in the car covered many interesting topics, including poetry. He was thankful when I presented a signed copy of my latest published work: ‘Emotions’ a book of visual poetry. When we arrived at Ingiriya, I realized that Sinharaja was familiar with the customs and rituals of the village, far better than other excursionists there.

After the welcome, and breakfast including dishes made with rare local ingredients, we were taken on a guided tour along a village trail through a rubber plantation. I then realized that SinhaRaja was much physically fitter than the rest of the group from Colombo and Canada! Despite a couple of breaks and drinking some refreshing young and king coconuts in between, we were exhausted by the time we returned to our base in Ingiriya. It was a hot and humid day.

“Sir, you will certainly feel better if you have a dip in this natural pool” – our guide (the husband of the host and cook) showed us a beautiful bathing spot connected to a gently flowing stream towards the Kalu Ganga. Without wasting any time, SinhaRaja got into the water, and we followed him. That cool water and toddy served to make us hungry for a highly anticipated lunch prepared with some ingredients previously unknown to the members of our group.

Topics of Conversation

Over a tasty authentic lunch experience enhanced by singing of old songs and folk poems by our lady host, we did not feel the time pass by. After lunch we engaged in a long conversation about various topics. SinhaRaja listened to our views more than expressing his own. We stayed there chatting for a long time through a sudden welcome downpour that lasted till early evening. It was a wonderful day with some great food for the belly and food for thought.

On our way back to Colombo SinhaRaja and I talked about some common aspects of our lives, the times we both lived and studied in England. I did my three levels of post-secondary education in England over a few decades with long breaks in between. In his case, SinghaRaja has done his bachelor’s, master’s, and doctoral degrees at one go! That was impressive, but I was more fascinated when he told me: “I never went to primary, middle, or upper school. I was home-schooled.”

SinhaRaja was surprised to hear that I was a special apprentice at the Dorchester under the great Chef Anton Mosimann. He was even more surprised to hear that I was a management observer at Le Meridien Piccadilly in London and that hotel’s two-Michelin star restaurant – Oak Room. “I used to dine in that restaurant with a girlfriend during my doctoral studies at the King’s College” he confided.

Our last topic of conversation that day was my wine and spirits studies in Europe. Just before we dropped him off at his house, he was asking me questions about my studies on whisky production in Scotland in 1982, when I was on a UN/ILO Fellowship. “I have a very old bottle of an expensive Japanese whisky, at home, which I’d like to taste with you.” He invited me home. “I was an expert 40 years ago… I don’t drink too much now.” I told him. “I insist my friend. Be my guest!” he persuaded me to spend an hour in his house looking at his collection of books, paintings, and old photographs. The Japanese whisky was also great. After that we kept in touch regularly and I sent him ten questions for this article:

A Connoisseur in Paris

Q: Out of all the places you have visited in Sri Lanka and overseas, what is your favourite and most interesting place?

A: One of the more interesting experiences was journeying to the dry, dusty teak forests of

Western India in search of the Asian Lion. The Gir Forest, in Gujarat, is the home of the

Asian Lion which once roamed the whole of Asia. Hunted to extinction under the British,

Asian Lions were preserved by an Indian prince, in a remote corner of Western India, still relatively unknown.

Q: Out of all the inspiring people you have met, who inspired you most to become an explorer and an adventurer? 

A: Nihal Fernando, Sri Lanka’s greatest photographer. He and his protegee, Luxshman Nadaraja, taught me to see the land, instead of just thinking about it. Through Nihal Fernando I learned that Sri Lankan civilization, its art and architecture was inextricably linked to its environment. One cannot see one without the other.

Q: What was the most memorable experience you had during your undergraduate, graduate and doctoral studies in the United Kingdom?

A: Driving a MG Roadster Classic sports car with the top down in winter. It was memorable

because it gave me pneumonia. The other was being held by my arms and legs by four English thugs, who sang “Michael Row the Boat Ashore” as they banged my head against a car. I was saved by an old lady who attacked them with her umbrella. My other formative memory is discovering the work of Sri Lanka’s two great art historians – Ananda Coomaraswamy and Senake Bandaranayake in the library at the School of Oriental and African Studies.

An Aristocrat at The Derby in Epsom Downs, England

Q: What was the most challenging experience you had as a Visiting Fulbright Scholar in the USA? 

A: Being stopped at Madison airport by security because I was wearing cufflinks. As the alarms went off, everyone screamed “he has metal in his shirt” and pointed their guns

at me. I had to take the cufflinks off and roll them across the floor. Afterwards, they asked me, “What are they for, why are you wearing them”. I said: “To hold my sleeves together” They felt sorry for me. “Son, this is America. We have buttons here!”

Q: As a student of the early phases of British expansion in India during the 18th century, can you single out one main scholarly contribution you have made to the body of knowledge?

A: I made a study of one of the first Englishman to write a history of India.

Q: What were your main discoveries during your time at Ridi Vihare to study medieval Sinhalese culture?

A: Apart from patience, self-control, and self-discipline, I also learned to appreciate Kandyan Art. I grew to realize that it was not “folk art” and began to see it for what it was, a form of miniature painting: meticulous, precise, and controlled.

Q: What was the most challenging experience you had as a reporter during the final stages of Eelam War IV?

A: Trying not to jump into the air when explosions went off near me. The challenge was trying not to show terror in front of men who coped with fear every day.

Q: Can you explain the inspiration for and the most memorable experience during the making of ‘In Search of Malwatu Oya’?

A: The inspiration was the magic of the unknown, of going back into time. Memorable, as we were travelling in long canoes. I have never been so close to so many crocodiles for so long.

Q: What were the different approaches you took in producing two of the great works on Stanley Kirinde and George Keyt?

A: Both are huge ambitious works of art and scholarship. One project was hugely thorough and had great resources behind it. The other was done at the height of Covid, the Aragalaya, a time of no power, no fuel, no food, no order and now, no money.

Keyt was an outsider and a rebel. Kirinde was an insider and like most insiders, he was conservative and more conformist. Kirinde was part of an ancient culture and a living civilization. Keyt was the product of a recent and derivative colonial culture. At a time when colonial culture was dominant, Keyt went out of his way to reject it and embrace a totally different world. This makes him quite unique.

As there have been many studies on Keyt, our objective was to show works of art which were not published before, and which were not widely known. At the same time, we sought to look closely at the influences behind Keyt’s life and art which have not been so well studied and are not so well known.

With Kirinde, almost everyone went out of their way to help. With Keyt it was different. Great international auction houses and collectors all over the world went out of their way to help. However, in Sri Lanka two local organizations went out of their way not to help. One was an organization associated with the legacy of George Keyt, the other was an organization associated with the legacy of Lionel Wendt. Needless to say, both organizations have gone out of their way to assist and work with foreign scholars and experts.

Q: You told me that you do not like to use the term: ‘coffee table books’ in describing your works on Stanley Kirinde and George Keyt. Why?

A: History of Art is a serious intellectual and scholastic discipline, which entails the study and analysis of the visual arts. It seeks to understand art, sculpture, architecture, craft, and decoration, in their cultural and historic context.

The term coffee table is used mainly in Sri Lanka because people do not like to read. Sri Lankans generally prefer books with pictures which they can glance through without too much effort. They then keep them on long low tables for everyone to see. That is why we call them coffee table books. In the rest of the subcontinent, people not only look at the pictures, but they also read about them and think about them.

Next week, 3Ps will feature a Lawyer, CEO, and a Tourism Visionary …



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Challenges faced by the media in South Asia in fostering regionalism

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Main speaker Roman Gautam (R) and Executive Director, RCSS, Ambassador (Retd) Ravinatha Aryasinha.

SAARC or the South Asian Association for Regional Cooperation has been declared ‘dead’ by some sections in South Asia and the idea seems to be catching on. Over the years the evidence seems to have been building that this is so, but a matter that requires thorough probing is whether the media in South Asia, given the vital part it could play in fostering regional amity, has had a role too in bringing about SAARC’s apparent demise.

That South Asian governments have had a hand in the ‘SAARC debacle’ is plain to see. For example, it is beyond doubt that the India-Pakistan rivalry has invariably got in the way, particularly over the past 15 years or thereabouts, of the Indian and Pakistani governments sitting at the negotiating table and in a spirit of reconciliation resolving the vexatious issues growing out of the SAARC exercise. The inaction had a paralyzing effect on the organization.

Unfortunately the rest of South Asian governments too have not seen it to be in the collective interest of the region to explore ways of jump-starting the SAARC process and sustaining it. That is, a lack of statesmanship on the part of the SAARC Eight is clearly in evidence. Narrow national interests have been allowed to hijack and derail the cooperative process that ought to be at the heart of the SAARC initiative.

However, a dimension that has hitherto gone comparatively unaddressed is the largely negative role sections of the media in the SAARC region could play in debilitating regional cooperation and amity. We had some thought-provoking ‘takes’ on this question recently from Roman Gautam, the editor of ‘Himal Southasian’.

Gautam was delivering the third of talks on February 2nd in the RCSS Strategic Dialogue Series under the aegis of the Regional Centre for Strategic Studies, Colombo, at the latter’s conference hall. The forum was ably presided over by RCSS Executive Director and Ambassador (Retd.) Ravinatha Aryasinha who, among other things, ensured lively participation on the part of the attendees at the Q&A which followed the main presentation. The talk was titled, ‘Where does the media stand in connecting (or dividing) Southasia?’.

Gautam singled out those sections of the Indian media that are tamely subservient to Indian governments, including those that are professedly independent, for the glaring lack of, among other things, regionalism or collective amity within South Asia. These sections of the media, it was pointed out, pander easily to the narratives framed by the Indian centre on developments in the region and fall easy prey, as it were, to the nationalist forces that are supportive of the latter. Consequently, divisive forces within the region receive a boost which is hugely detrimental to regional cooperation.

Two cases in point, Gautam pointed out, were the recent political upheavals in Nepal and Bangladesh. In each of these cases stray opinions favorable to India voiced by a few participants in the relevant protests were clung on to by sections of the Indian media covering these trouble spots. In the case of Nepal, to consider one example, a young protester’s single comment to the effect that Nepal too needed a firm leader like Indian Prime Minister Narendra Modi was seized upon by the Indian media and fed to audiences at home in a sensational, exaggerated fashion. No effort was made by the Indian media to canvass more opinions on this matter or to extensively research the issue.

In the case of Bangladesh, widely held rumours that the Hindus in the country were being hunted and killed, pogrom fashion, and that the crisis was all about this was propagated by the relevant sections of the Indian media. This was a clear pandering to religious extremist sentiment in India. Once again, essentially hearsay stories were given prominence with hardly any effort at understanding what the crisis was really all about. There is no doubt that anti-Muslim sentiment in India would have been further fueled.

Gautam was of the view that, in the main, it is fear of victimization of the relevant sections of the media by the Indian centre and anxiety over financial reprisals and like punitive measures by the latter that prompted the media to frame their narratives in these terms. It is important to keep in mind these ‘structures’ within which the Indian media works, we were told. The issue in other words, is a question of the media completely subjugating themselves to the ruling powers.

Basically, the need for financial survival on the part of the Indian media, it was pointed out, prompted it to subscribe to the prejudices and partialities of the Indian centre. A failure to abide by the official line could spell financial ruin for the media.

A principal question that occurred to this columnist was whether the ‘Indian media’ referred to by Gautam referred to the totality of the Indian media or whether he had in mind some divisive, chauvinistic and narrow-based elements within it. If the latter is the case it would not be fair to generalize one’s comments to cover the entirety of the Indian media. Nevertheless, it is a matter for further research.

However, an overall point made by the speaker that as a result of the above referred to negative media practices South Asian regionalism has suffered badly needs to be taken. Certainly, as matters stand currently, there is a very real information gap about South Asian realities among South Asian publics and harmful media practices account considerably for such ignorance which gets in the way of South Asian cooperation and amity.

Moreover, divisive, chauvinistic media are widespread and active in South Asia. Sri Lanka has a fair share of this species of media and the latter are not doing the country any good, leave alone the region. All in all, the democratic spirit has gone well into decline all over the region.

The above is a huge problem that needs to be managed reflectively by democratic rulers and their allied publics in South Asia and the region’s more enlightened media could play a constructive role in taking up this challenge. The latter need to take the initiative to come together and deliberate on the questions at hand. To succeed in such efforts they do not need the backing of governments. What is of paramount importance is the vision and grit to go the extra mile.

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When the Wetland spoke after dusk

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Environmental groups and representatives

By Ifham Nizam

As the sun softened over Colombo and the city’s familiar noise began to loosen its grip, the Beddagana Wetland Park prepared for its quieter hour — the hour when wetlands speak in their own language.

World Wetlands Day was marked a little early this year, but time felt irrelevant at Beddagana. Nature lovers, students, scientists and seekers gathered not for a ceremony, but for listening. Partnering with Park authorities, Dilmah Conservation opened the wetland as a living classroom, inviting more than a 100 participants to step gently into an ecosystem that survives — and protects — a capital city.

Wetlands, it became clear, are not places of stillness. They are places of conversation.

Beyond the surface

In daylight, Beddagana appears serene — open water stitched with reeds, dragonflies hovering above green mirrors.

Yet beneath the surface lies an intricate architecture of life. Wetlands are not defined by water alone, but by relationships: fungi breaking down matter, insects pollinating and feeding, amphibians calling across seasons, birds nesting and mammals moving quietly between shadows.

Participants learned this not through lectures alone, but through touch, sound and careful observation. Simple water testing kits revealed the chemistry of urban survival. Camera traps hinted at lives lived mostly unseen.

Demonstrations of mist netting and cage trapping unfolded with care, revealing how science approaches nature not as an intruder, but as a listener.

Again and again, the lesson returned: nothing here exists in isolation.

Learning to listen

Perhaps the most profound discovery of the day was sound.

Wetlands speak constantly, but human ears are rarely tuned to their frequency. Researchers guided participants through the wetland’s soundscape — teaching them to recognise the rhythms of frogs, the punctuation of insects, the layered calls of birds settling for night.

Then came the inaudible made audible. Bat detectors translated ultrasonic echolocation into sound, turning invisible flight into pulses and clicks. Faces lit up with surprise. The air, once assumed empty, was suddenly full.

It was a moment of humility — proof that much of nature’s story unfolds beyond human perception.

Sethil on camera trapping

The city’s quiet protectors

Environmental researcher Narmadha Dangampola offered an image that lingered long after her words ended. Wetlands, she said, are like kidneys.

“They filter, cleanse and regulate,” she explained. “They protect the body of the city.”

Her analogy felt especially fitting at Beddagana, where concrete edges meet wild water.

She shared a rare confirmation: the Collared Scops Owl, unseen here for eight years, has returned — a fragile signal that when habitats are protected, life remembers the way back.

Small lives, large meanings

Professor Shaminda Fernando turned attention to creatures rarely celebrated. Small mammals — shy, fast, easily overlooked — are among the wetland’s most honest messengers.

Using Sherman traps, he demonstrated how scientists read these animals for clues: changes in numbers, movements, health.

In fragmented urban landscapes, small mammals speak early, he said. They warn before silence arrives.

Their presence, he reminded participants, is not incidental. It is evidence of balance.

Narmadha on water testing pH level

Wings in the dark

As twilight thickened, Dr. Tharaka Kusuminda introduced mist netting — fine, almost invisible nets used in bat research.

He spoke firmly about ethics and care, reminding all present that knowledge must never come at the cost of harm.

Bats, he said, are guardians of the night: pollinators, seed dispersers, controllers of insects. Misunderstood, often feared, yet indispensable.

“Handle them wrongly,” he cautioned, “and we lose more than data. We lose trust — between science and life.”

The missing voice

One of the evening’s quiet revelations came from Sanoj Wijayasekara, who spoke not of what is known, but of what is absent.

In other parts of the region — in India and beyond — researchers have recorded female frogs calling during reproduction. In Sri Lanka, no such call has yet been documented.

The silence, he suggested, may not be biological. It may be human.

“Perhaps we have not listened long enough,” he reflected.

The wetland, suddenly, felt like an unfinished manuscript — its pages alive with sound, waiting for patience rather than haste.

The overlooked brilliance of moths

Night drew moths into the light, and with them, a lesson from Nuwan Chathuranga. Moths, he said, are underestimated archivists of environmental change. Their diversity reveals air quality, plant health, climate shifts.

As wings brushed the darkness, it became clear that beauty often arrives quietly, without invitation.

Sanoj on female frogs

Coexisting with the wild

Ashan Thudugala spoke of coexistence — a word often used, rarely practiced. Living alongside wildlife, he said, begins with understanding, not fear.

From there, Sethil Muhandiram widened the lens, speaking of Sri Lanka’s apex predator. Leopards, identified by their unique rosette patterns, are studied not to dominate, but to understand.

Science, he showed, is an act of respect.

Even in a wetland without leopards, the message held: knowledge is how coexistence survives.

When night takes over

Then came the walk: As the city dimmed, Beddagana brightened. Fireflies stitched light into darkness. Frogs called across water. Fish moved beneath reflections. Insects swarmed gently, insistently. Camera traps blinked. Acoustic monitors listened patiently.

Those walking felt it — the sense that the wetland was no longer being observed, but revealed.

For many, it was the first time nature did not feel distant.

Faunal diversity at the Beddagana Wetland Park

A global distinction, a local duty

Beddagana stands at the heart of a larger truth. Because of this wetland and the wider network around it, Colombo is the first capital city in the world recognised as a Ramsar Wetland City.

It is an honour that carries obligation. Urban wetlands are fragile. They disappear quietly. Their loss is often noticed only when floods arrive, water turns toxic, or silence settles where sound once lived.

Commitment in action

For Dilmah Conservation, this night was not symbolic.

Speaking on behalf of the organisation, Rishan Sampath said conservation must move beyond intention into experience.

“People protect what they understand,” he said. “And they understand what they experience.”

The Beddagana initiative, he noted, is part of a larger effort to place science, education and community at the centre of conservation.

Listening forward

As participants left — students from Colombo, Moratuwa and Sabaragamuwa universities, school environmental groups, citizens newly attentive — the wetland remained.

It filtered water. It cooled air. It held life.

World Wetlands Day passed quietly. But at Beddagana, something remained louder than celebration — a reminder that in the heart of the city, nature is still speaking.

The question is no longer whether wetlands matter.

It is whether we are finally listening.

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Cuteefly … for your Valentine

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Indunil with one of her creations

Valentine’s Day is all about spreading love and appreciation, and it is a mega scene on 14th February.

People usually shower their loved ones with gifts, flowers (especially roses), and sweet treats.

Couples often plan romantic dinners or getaways, while singles might treat themselves to self-care or hang out with friends.

It’s a day to express feelings, share love, and make memories, and that’s exactly what Indunil Kaushalya Dissanayaka, of Cuteefly fame, is working on.

She has come up with a novel way of making that special someone extra special on Valentine’s Day.

Indunil is known for her scented and beautifully turned out candles, under the brand name Cuteefly, and we highlighted her creativeness in The Island of 27th November, 2025.

She is now working enthusiastically on her Valentine’s Day candles and has already come up with various designs.

“What I’ve turned out I’m certain will give lots of happiness to the receiver,” said Indunil, with confidence.

In addition to her own designs, she says she can make beautiful candles, the way the customer wants it done and according to their budget, as well.

Customers can also add anything they want to the existing candles, created by Indunil, and make them into gift packs.

Another special feature of Cuteefly is that you can get them to deliver the gifts … and surprise that special someone on Valentine’s Day.

Indunil was originally doing the usual 9 to 5 job but found it kind of boring, and then decided to venture into a scene that caught her interest, and brought out her hidden talent … candle making

And her scented candles, under the brand ‘Cuteefly,’ are already scorching hot, not only locally, but abroad, as well, in countries like Canada, Dubai, Sweden and Japan.

“I give top priority to customer satisfaction and so I do my creative work with great care, without any shortcomings, to ensure that my customers have nothing to complain about.”

Indunil creates candles for any occasion – weddings, get-togethers, for mental concentration, to calm the mind, home decorations, as gifts, for various religious ceremonies, etc.

In addition to her candle business, Indunil is also a singer, teacher, fashion designer, and councellor but due to the heavy workload, connected with her candle business, she says she can hardly find any time to devote to her other talents.

Indunil could be contacted on 077 8506066, Facebook page – Cuteefly, Tiktok– Cuteefly_tik, and Instagram – Cuteeflyofficial.

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