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Art as a medium of #Breakingthebias

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The Museum of Modern and Contemporary Art Sri Lanka’s current exhibition “Encounters” aims to structure a sequence of changing displays that bring together six encounters between artworks and ephemera from the 1950s to the present. The exhibition questions if a chance encounter between one thing and another alters how something familiar or commonplace is otherwise seen? Can two artworks placed side by side reveal something new about each of them? Putting on another set of lenses, one can argue that through the artwork and ephemera on display that the presence of women and their representation in society is boldly and sometimes subtly expressed. In conjunction with International Women’s Day and the theme #Breakthebias, “Encounters” highlights the presence of women and brings to focus the breaking of bias subconsciously and consciously in Sri Lanka.

A stark reflection of this can be observed in the first body of artworks, artefacts and literary publications that highlight the events from the 5th Non-Aligned Summit Conference held in Colombo in 1976. In 1961, against the brewing Cold War tensions between pro-Soviet or pro-American countries, a coalition of nations formed the Non-Aligned Movement (NAM) to recognize their shared independence struggles. Sirimavo Bandaranaike at the time was Prime Minister of Sri Lanka and was Chairman of the summit. Specially produced stamps with the portrait of Sirimavo Bandaranaike were issued at that period and one could question in today’s context if this was done with a view of breaking a bias in terms of the fact that was the world’s first female prime minister, when she became Prime Minister of Sri Lanka in 1960, going on to server three terms in national politics: 1960–1965, 1970–1977 and 1994–2000. The BMICH was gifted to Sri Lanka in 1970 by the Chinese Premier Zhou Enlai (1898–1976) in response to a request from then Prime Minister of Sri Lanka Sirimavo Bandaranaike for a fully equipped conference hall as part of her preparations to host the conference. The stamp serves as a reminder of the strong diplomatic ties between nations amidst the tensions and the strength of a leader hosting the summit in this instance Prime Minister Sirimavo Bandaranaike. Here again, the symbolism of these acts showcases the constant presence of female leadership within a perceived patriarchal society.

Another set of poignant artworks representing the family unit from the 1950s to the present day with a painting by George Keyt (1901–1993) from 1952 of an agricultural family pounding paddy, its vivid colours and stylised figures contrasts with the realistically observed working-class family by Asai Rasiah (1946–2020) from 1970. Both paintings describe the family in relation to acts of labour, with the female figure additionally involved with the labour of motherhood. In contrast and by extension, the works by Richard Gabriel (1924–2016) and Susiman Nirmalavasan (b. 1982) convey what happens and what is yearned for when a family unit is torn apart, by internal or external disputes. All these bodies of work when viewed together and separately bring the audience’s attention to the women in the family and one may sense the enormous role of the woman being in the labour of love for her family or being the missing link that connects and builds society at large.

Art has always been a medium of expression that has captured the essence of any community or society. #Breakingthebias will only be further enhanced and realized if we continue to allow for varying mediums of art to be showcased especially those that capture and frame how women have been represented in society. The Museum of Contemporary Modern Art Sri Lanka aims to continue the dialogue and discussion around all things gender, keeping an open mind through the varying artists and artforms that come through its doors.

The Museum of Modern and Contemporary Art Sri Lanka is a cultural initiative focused on building a museum of modern and contemporary art for the country and fostering learning and engagement for as wide a public as possible. Alongside its curated exhibitions and education programmes, the museum is the first publicly accessible trilingual venue of its kind in Sri Lanka. For more information, visit www.mmca-srilanka.org or follow them on Facebook www.facebook.com/mmcasrilanka and Instagram https://www.instagram.com/mmcasrilanka/ for updates.



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David Pieris Automobiles opens Sri Lanka’s first GWM Flagship Experience Centre

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Rohana Dissanayake, Group Chairman and Managing Director, David Pieris Group of Companies along with Mahesh Gunathilake, Director, David Pieris Automobiles (Private) cutting the ribbon to open GWM Flagship Experience Centre at the Access Tower, Union Place, Colombo

David Pieris Automobiles (Private) Limited (DPA), the four-wheeler sales arm of the David Pieris Group, announced the opening of its state-of-the-art GWM Flagship Experience Centre at 250, Access Tower 03, Union Place, Colombo 02, marking a significant milestone in the evolution of Sri Lanka’s automotive retail landscape.

The newly opened flagship facility is designed to deliver a truly world-class automotive experience, showcasing the latest innovations and technologies from GWM, one of the world’s leading automobile manufacturers. As the first and only vehicle experience centre of its kind in Sri Lanka, it offers customers an immersive journey that goes beyond the traditional showroom concept. Visitors can explore GWM’s premium range of SUVs and electric vehicles, including the HAVAL H6 HEV, HAVAL H6 PHEV, HAVAL H6 GT PHEV, TANK 300 HEV and TANK 500 HEV, while enjoying dedicated vehicle demonstration zones, test-drive opportunities, and a host of innovative customer engagement experiences designed to redefine the vehicle purchasing journey. GWM’s product portfolio in Sri Lanka will be further expanded in the coming months with the introduction of several new models, including a range of fully electric vehicles.

With a legacy spanning over four decades, the David Pieris Group has earned a reputation as one of Sri Lanka’s most trusted automotive organisations, particularly for its comprehensive after-sales support and customer service excellence. Strengthening its commitment to GWM customers, DPA has already established a dedicated, state-of-the-art GWM service centre at No. 75, Hyde Park Corner, Colombo 02, supported by an expanding network of authorised service dealers across the island to ensure convenient and reliable customer care.

Commenting on the opening, Mahesh Gunathilake, Director, David Pieris Automobiles, stated: “The opening of the GWM Flagship Experience Centre represents a significant milestone in our journey with the GWM brand in Sri Lanka. This is the country’s first dedicated state-of-the-art experience centre for GWM vehicles, offering customers the opportunity to experience world-class automotive technology, premium comfort and advanced safety features. GWM has successfully redefined modern mobility by delivering high-end luxury and innovation at an affordable price point, and we are proud to bring this exceptional experience to Sri Lankan motorists.”

The opening of the flagship facility further reinforces David Pieris Automobiles’ commitment to expanding GWM’s presence in Sri Lanka while providing customers with an unmatched ownership experience backed by the Group’s renowned sales and after-sales expertise.(DPA)

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Sri Lanka’s culinary strengths engagingly explored

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Issue no.1 of a ground-breaking journal on Sri Lankan food and culture has just been launched and it’s such an engaging ‘read’ that it just cannot be put down by the reader until s/he reaches the last word in the publication. Titled ‘ROOTED’ it is a publication of Rooted Publications Pvt. Ltd. Colombo (www.rootedsrilanka.com).

This is no run-of-the-mill journal on local ‘culinary delights’. It is a profoundly empathetic, sensitive exploration of the uniqueness of Sri Lankan food and the cultures of the country. In other words, it’s a close, appreciative examination of what makes the native food of Sri Lanka and its cultures special and hard to replicate and replace.

Writers of the arrestingly illustrated articles in ‘ROOTED’ have apparently spared no pains to travel the length and breadth of Sri Lanka to unravel, with mesmeric pleasure, the food and drink offers at the heart of Sri Lankan cuisine. The food connoisseur has all his curiosities satisfied in the journal and cannot prevent his taste buds from being stimulated on reading the contents of the journal.

Regardless of geographical or physical location what Sri Lanka has to offer its own people or the visitor to the country by way of particularly indigenous dishes and meal spreads are made to come alive in these pages. The connoisseurs and food experts are taken on an entrancing journey into homes transformed into family restaurants, aromatic eateries and bustling market places with sizzling catch along the sea coast of the island to its interior in this appetizing survey of Sri Lankan food.

What is distinct in terms of food and drink to the different ethnicities and cultures of the land are rendered in larger-than-life eye-catching portrayals via the pen and the lens. Consequently the journal not only celebrates food but also its distinctive cultural roots and identities. That is, people are serenaded alongside food.

In the process, the ‘ambul thials’, the ‘ala thel and brinjal badums’, the ‘thilapia curries’, the multifarious, ‘mouth-burning sambols’ and heady ‘Arrack shots’ experimentally mixed, to name just a few such offers of food and drink with a uniquely Sri Lankan stamp on them, are made to come alive in ‘ROOTED’.

The magazine has been put together by an editorial team headed by editors Chadini Fernando, Vidya Balachander and they need to be commended on a job well done.

By Lynn Ockersz

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MO Marketplace App: A space for women to sell in Sri Lanka

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The team behind the current success of 14,000 registered users

In Sri Lanka, selling something has always carried an unspoken risk for women. Share your number with a stranger. Arrange a meeting. Handle cash. Hope for the best.

MO Marketplace, live since June 2024, has removed every one of those friction points. Buyers and sellers on the platform never need to exchange personal contact details. Payments are held in escrow until delivery is confirmed. Pickup and drop-off is managed entirely by MO. Two people can complete a transaction from start to finish without ever speaking directly to each other.

For women running home-based businesses or women simply have too many clothes and things, that architecture is not a convenience. It is a fundamental shift in what is possible.

The evidence is in the listings. Clothing, fashion, and home goods dominate the platform, categories overwhelmingly driven by female sellers and buyers. From home-based clothing traders to small lifestyle businesses operating out of living rooms across Colombo, women are using MO to participate in commerce on their own terms, without compromising safety or privacy.

The platform has recorded 45,000 downloads and 14,000 registered users in 18 months, with peak monthly active users of 15,000. Commissions are capped at a flat 10%, significantly below the 15% to 30% charged by dominant platforms, making it accessible for small and micro sellers.

Coming mid-2026, AI tools will automatically generate listing descriptions and enhance product images, removing two of the most common barriers to getting started as a seller. Video selling is also on its way.

Sri Lanka has no shortage of entrepreneurial women. Until now it lacked a platform designed around how they actually need to trade.

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