Life style
A Sri Lankan story: Oddamavadi: The untold story – one year later
In the midst of a global pandemic that disrupted every facet of human life, Sri Lanka enacted a policy that struck at the very heart of one community’s spiritual and cultural identity. The mandatory cremation rule for COVID-19 victims, enforced from March 2020, not only caused profound psychological trauma but also ignited a national conversation on religious freedom, state accountability, and the limits of public health policy.
In 2023, a group of Sri Lankan creatives came together to document this controversial period in Oddamavadi – The Untold Story—a compelling book and documentary that blend personal testimony, visual storytelling, and investigative insight. It aims not just to record a dark chapter, but to urge reflection, justice, and reconciliation.
Aman Ashraff, director and producer of the searing documentary, ‘Oddamavadi: The Untold Story’, under the banner of Black Coffee Films, doesn’t mince his words when he explains why this story needed to be told. “Such an unlawful act against humanity took place in this country,” he says, his voice calm but resolute. “We had to record it for posterity.”
The government’s policy, introduced under public health regulations at the height of the pandemic, was seen by critics as both medically unjustified and religiously insensitive. Islam mandates burial, and for many Muslim families, the idea of cremation was both spiritually devastating and culturally alien.
The decision drew criticism from the international medical community, including statements from the World Health Organization (WHO), which said burial of COVID-19 victims posed no significant public health risk. Nonetheless, the policy remained in place for nearly a year before being revised in early 2021.
During that time, Oddamavadi—a remote village in the Eastern Province—was designated as the only site in Sri Lanka where Muslim COVID-19 victims could be buried, subjecting families to long, emotionally wrenching journeys and often preventing them from participating in funerals.
Ashraff’s determination to capture and immortalise this dark chapter of Sri Lankan history was not born out of vengeance, but a fierce loyalty to truth and humanity. The film and accompanying book were designed not merely to expose, but to educate — to serve as a cautionary record for future generations and governments. “We did not serve any political machinery of any kind,” he insists. “We merely wished to ensure that this dark episode in the history of Sri Lanka was recorded and enshrined in some way so that such atrocities never happen again.”
“Listen. Just listen.”
The road to Oddamavadi – The Untold Story was paved with mistrust, fear, and pain. The Muslim community, still nursing unhealed wounds, was reluctant to speak. “By nature, the norm of the community is to remain very private,” Ashraff explains. “To sort of not speak out on such issues for fear of persecution, or whatever other reason there may exist.”
Building trust became the first monumental task. Ashraff reached out — not with cameras or scripts — but with empathy and patience. “We had to earn their trust,” he says. “To show them that we would do right by their stories, that we would document their suffering with dignity and integrity.”
He did not do it alone. Ashraff rallied a team of extraordinary individuals who understood the gravity of the task at hand. Most of them, he points out with pride, were not from the Muslim community. “We had Buddhists, Christians, Burghers, Tamils — a complete mix. This was a Sri Lankan story put together by Sri Lankans for Sri Lanka.”He speaks with particular reverence and pride of creative collaborators Roshanara De Mel and David Blacker — both veterans in the advertising world and long-time colleagues. “Having worked with them over the years,” Ashraff says, “Their creativity was matched by their compassion.” He continues, “In their words, their acts, their views, I saw their humanity,” he says. “And their concern for justice and fairness — for people of all walks of life.”
“There was life in every sentence. And a soul in every frame.”
To Roshanara De Mel, this was a divine charge. “If the writer or photographer is doing it merely for monetary gain, you can always tell. But when they are truly affected by what they have seen, almost every sentence is written with deep reflection, with a deep sense of responsibility.” De Mel continues, “It takes a toll on you. Sitting with the grief and pain of those who suffered deeply because of the cremation-only policy… On one hand, it triggers the fears and anxieties of the horror that was COVID-19. On the other, there is the sense of injustice and outrage at such a discriminatory policy,” she told The Sunday Island.
That responsibility was not taken lightly.
“The story is what is important,” David Blacker says. “Whether you’re a writer, filmmaker or photojournalist—find the core of what makes a story important. And then be unabashed in telling it like it is.” Blacker continues, “As a photographer, it was important that I represented the feelings, emotions, and stories of the victims accurately… and the challenge was to not be exploitative in my attempt to create a striking image,” he said.
While some might expect visual storytelling to lean on neutrality, Blacker made a conscious decision to center the humanity of the subjects over traditional notions of objectivity.
His photographs, included in the book, reflect quiet devastation—elderly parents staring into the distance, children sitting beside symbolic graves, and the bleak, windswept terrain of Oddamavadi itself. These images, paired with testimonies and essays, create a layered narrative that speaks not just to grief, but also to strength and resistance.
What sets Oddamavadi apart is not just the painful truth it reveals — but the love and care with which that truth is handled. Many of the extended team members worked pro bono. “They said, ‘Look, if we do not contribute to this project, we’re failing as Sri Lankans.’”
A Nation Awakens
The responses to the film have been as complex as the country it documents. Some within the Muslim community were suspicious, accusing the filmmakers of having a political agenda.
“Some Muslims said this was unnecessary dredging of an unpleasant episode and that it’s best left alone,” Blacker says. He continues, “But I maintain that the recording of history, and the explaining of context, is invaluable in preventing it being repeated.”
Others — victims’ families and everyday Sri Lankans from all faiths — responded with heartbreaking gratitude.
“One individual was unable to speak because she was overwhelmed with emotion, so she sent her feedback as a text message. Even there though, you could feel the emotions etched in every word” Ashraff recollects. “Another stated, ‘I’m ashamed to be a Buddhist because when I see what has transpired here, I just feel so ashamed,’ That is not an easy thing to say,” Ashraff reflects.
This, he believes, is the true power of storytelling — to awaken empathy, to stir reflection, to demand action. “If the work we have done has made people ask the question — ‘Have I been complicit by being silent?’ — then I think we have accomplished something monumental.”
Blacker adds, “I hope it will contribute to an understanding that the letter of the law must be tempered with empathy,” he said. “That we need a more secular state in our policymaking—even as we recognize the religious and cultural identities of our people.”
A Story Larger Than Themselves
Ashraff’s voice (and that of his colleagues) carry both fatigue and fulfillment when he speaks of the toll the project has taken. It was not something he had planned. “Oddamavadi was not part of a larger canvas. It just… fell into my lap.”
Would he do it again? Perhaps. But not simply as “a Muslim communications professional who handles only Muslim affairs.” If there is another story worth telling — one that demands conscience and clarity — he may rise to meet it.
But for now, he has done what many would not dare. And he has done it with integrity.
A Final Word
If he were to offer one piece of advice to others seeking to tell such stories, it would be this: “Don’t be too eager to force your personal opinion into a story. Listen to what the subject/s of the story wish to say. These are not commercial films. These are real stories that have affected real people.”
By Ifham Nizam ✍️
Life style
Sri Lanka eyes conservation-led tourism boost as Gehan urges integrated approach
Sri Lanka could unlock a powerful new economic pathway by integrating biodiversity, archaeology and cultural heritage into a single conservation-driven tourism model, according to author, banker and naturalist Gehan de Silva Wijeyeratne.
Speaking to The Island, de Silva Wijeyeratne said the country possesses a rare convergence of natural and historical assets that, if strategically presented, could reposition Sri Lanka as a leading global destination for nature and heritage tourism.
“At the moment, these elements exist, but they are not fully connected,” he said. “What Sri Lanka has is extraordinary—a complete story of life, from ancient history to modern biodiversity. The opportunity is to bring that together in a way that creates value.”
His remarks come at a time when policymakers are seeking sustainable avenues to revive the economy, with tourism identified as a key growth sector. De Silva Wijeyeratne is currently researching his next book, ‘Enchanting Sri Lanka’ to be published by John Beaufoy Publishing in the UK.
He said his recent field visit reinforced the untapped potential of integrated landscapes—particularly in the eastern region around Trincomalee.
He spent four days in Trincomalee with Hiran and Hashan Coory, two members of the senior leadership in Jetwing Hotels. Commenting on the visit, he said “Within a short distance, you have forests, marine ecosystems, archaeological sites and protected areas. This is not about isolated attractions—it’s about creating a connected experience that can compete globally.”
He noted that such an approach could continue to transform Sri Lanka’s tourism model beyond traditional beach-centric travel. “You can offer visitors wildlife, marine biodiversity and ancient history in a single journey,” he said. “That’s a very powerful proposition.”
Speaking more on Trincomalee’s potential, he said the combination of ancient history, the more recent colonial history and buildings, the beautiful beaches and coves, the snorkelling and marine mammal watching combined with the potential to create a huge national park that will have large mammals on the doorstep of the city means Trincomalee can become the city with the greatest tourism potential of any city in Sri Lanka.
“A vast national park on the scale of better-known parks such as Wilpattu and Yala can be created by connecting the forest reserves which stretch from Kantalai and through to the Naval Headworks Sanctuary, almost to the borders of the Trincomalee town” he says. “A new national park could be constructed with a network of safari roads and water holes and grass plains to increase the prey density for iconic mammals like the leopard. Trincomalee can then become a top land safari destination with an entrance gate to a national park just 15 minutes drive from the town. No other city will be able to rival it for land safaris, marine safaris, ancient and colonial history, staggering views and beaches and the heady mix of various ethnic groups with their religious beliefs, cuisine and arts. Trincomalee could overshadow every other city in Sri Lanka for tourism if developed properly”.
De Silva Wijeyeratne emphasised that conservation must be positioned not as a constraint, but as an economic enabler. “If you encourage and enable responsible visitation, it brings revenues to these areas,” he said. “That supports conservation and also creates livelihoods for local communities.”
However, he cautioned that development must be carefully managed to avoid damaging sensitive ecosystems. “You need development that is sensitive to these landscapes and the proper infrastructure to manage visitation,” he said. “The value lies in preserving what is already there.”
In addition to tourism, de Silva Wijeyeratne highlighted the need to strengthen Sri Lanka’s conservation capacity through international collaboration. He has proposed the introduction of a special visa to attract experienced global conservationists willing to work on a voluntary basis.
He referenced his article ‘A visa for bringing in expertise and expanding tourism’ which was published in The Island on Friday, 23 May, 2025, and is available online. In this he proposes a special visa to address four strands – volunteering, internships, academic exchange and short term study. The idea is that the visa should be as easy as to obtain an online tourist visa, but the visitor can now apply for a longer term visa for a declared purpose, such as volunteering.
He was careful to emphasise that the proposed visa is not for paid work and does not give the visitor special rights, and any relevant permits and permission need be obtained by the local partner. “There are people with 30 or 40 years of experience in research and conservation who would gladly come to Sri Lanka and contribute” he said. “If we create a proper framework, they can work with local organisations, share knowledge and build expertise.” Such a system, he stressed, would not undermine local employment. “These are unpaid roles—they are not taking jobs away. Furthermore, they will help locals to upskill,” he said. “They are helping to strengthen the system.”
De Silva Wijeyeratne also underscored the importance of science communication in driving conservation outcomes. Drawing from his recent lecture to the Wildlife and Nature Protection Society, he said public understanding of biodiversity remains limited, particularly when it comes to foundational elements, such as plant life. “In my recent lecture I started with plants because they are often overlooked,” he said. “In Sri Lanka we have the descendants of ancient plant groups, like lycophytes and bryophytes, as well as an abundance of the relatively more modern flowering plants (or angiosperms). They all form the basis of all ecosystems.” Sri Lankan researchers would benefit from international collaborations to describe and study the ecology of species found in Sri Lanka. As an example of the gaps in our knowledge, he pointed that it is hard to find online even a species inventory of Sri Lankan species of Lycophytes.
He further highlighted the interconnected nature of life, pointing to the role of microscopic organisms. “Every cell in our body contains mitochondria, and that DNA originated from bacteria,” he said. “So we are, in a sense, composite organisms built on ancient biological relationships. “This perspective, he said, is critical to fostering a deeper appreciation of biodiversity and the need for its conservation. “If people understand how interconnected life is, they begin to value it differently,” he said.
De Silva Wijeyeratne’s ongoing research for ‘Enchanting Sri Lanka,’ to be published by John Beaufoy Publishing, also touches on Sri Lanka’s layered history, including its colonial past. During his recent visit to Trincomalee, he visited the grave of Rear Admiral Charles Austen, the brother of renowned novelist Jane Austen. “I read in the Bradt Guide to Sri Lanka that her brother was buried in the Esplanade Cemetery. There was an article online by Nishan Fernando in the Sunday Times where he describes how, in 1984, he and his father, Admiral Clancy Fernando, located the grave. Fernando wrote of the burial ground on the Esplanade in the middle of Trincomalee town, opposite the beautiful horseshoe shaped Dutch Bay.”
After a false start at another cemetery, using Google maps, de Silva Wijeyeratne with others, including Hiran and Hashan Cooray, some of the senior team from Jetwing Hotels, visited St. Stephan Cemetery which is around 400 meters from the Maritime and Naval History Museum. ‘We found the grave as described in the Sunday Times article by Nishan Fernando. But talking to various hoteliers and people in tourism in Trincomalee, we were struck by how many people were unaware of its existence. Hopefully, knowing that the grave of Rear Admiral Charles Austen, brother of Jane Austen, is roughly in the middle of St. Stephan Cemetery, in Trincomalee, will help others, with an interest in Jane Austen, to locate it.”
During his time in Trincomalee, with the Jetwing Hotels team, de Silva Wijeyeratne also visited Mederigiriya, Seruwila and Velgam Vehera. They encountered elephants on their visits to Seruwila and Velgam Vehera. “That brief visit alone shows how rich and complex Sri Lanka’s story is,” he said. “It spans pre-colonial, colonial and post-colonial periods.” For de Silva Wijeyeratne, the challenge now lies in translating this richness into a coherent national narrative. “This country has everything—biodiversity, ancient civilisation, marine ecosystems, etc.,” he said. “Few places in the world can offer such an all-round package.”
He stressed that aligning conservation with tourism and knowledge-sharing could deliver long-term benefits. “It’s about connecting the dots,” he said. “If we do that successfully, Sri Lanka can position itself as a world-class destination, while protecting its natural and cultural heritage.” As the country looks to rebuild and diversify its economy, de Silva Wijeyeratne’s message is clear: Conservation, when strategically integrated, could become one of Sri Lanka’s strongest assets. (Pictures courtesy Gehan de Silva) Wijeyeratne
By Ifham Nizam
Life style
Bringing the flavours and spirit of Jaffna to life
Long before the first dish was placed at the Jaffna food festival at Cinnamon Bentota Beach, a dedicated team of staff and culinary staff journeyed to Jaffna.
In the North they stepped out of professional hotels and into homes, road side eateries and bustling local markets. They observed, listened and, most importantly, tasted. The experience was as much about unlearning as it was learning.
They spent time with local people, women who have perfected their craft over decades, fishermen who spoke of the day’s fresh catch, spice vendors who explained the subtle difference in dried chillies and roasted blends.
They saw the liberal use of black peppers, tamarind and the depth of roasted curry powders.
In the end, what the team brought back from the North was not just technique or taste, it was perspective. What stayed most was the spirit of Jaffna, its people resourceful grounded and deeply connected to roots.
And so when the festival came to life in Bentota, it was not just a recreation, it was a reflection. They realised the heart of Jaffna is not only in its flavours but in its people.
Cinnamon Bentota Beach — signature selection celebrated the rich heritage, vibrant culture, and authentic cuisine of Northern Sri Lanka with its signature “Jaffna Night” recently. The evening was a heartfelt journey into Jaffna’s traditions, inviting guests to experience the warmth, flavours, and stories of this remarkable region.
- Time honoured rituals
- Jaffna’s bold flavours
- Warm welcome from heart of southern hospitality
- General Manager welcoming guests
Guests were welcomed with the traditional greetings, followed by religious rituals that set the evening in a meaningful cultural context. The highlight was the launch of the “Jaffna Culinary Journey” video series, capturing the resort team’s immersive exploration of Jaffna’s culinary landscape and community life.
From preparing local delicacies alongside villagers, to stepping into traditional homes, participating in early morning poojas, and wandering bustling fish markets; vegetable markets, the team discovered that Jaffna’s cuisine is inseparable from its identity, history, and community spirit.
Cinnamon Bentota Beach — Signature Selection shared reflections on the journey, emphasising how meaningful experiences can preserve and honour cultural heritage. The evening culminated in the official launch of the Jaffna Food Festival at the resort – a continuation of the journey that brings authentic Jaffna flavours and stories directly to guests in Bentota.
“Jaffna Night” was more than a culinary celebration; it was a testament to connection, culture, and the shared joy of learning through food and tradition.
By Zanita Careem
Life style
Sun Siyam Pasikudah paves the way in sustainability
Sun Siyam Pasikudah has added another milestone to its growing list of achievements by earning the prestigious Travel Gold Certification, a recognition that reflects the resort’s dedication to exceptional hospitality, high service standards and memorable guest experience. At this resort, sustainability isn’t just a concept it is a commitment. So driving eco conscious change, behind the scenes, is Chaminda Upul Kumara, shaping a hospitality experience where luxury meets responsibility .
Q: Sun Siyam Pasikudah has earned Travelife Gold Certification, covering 147 criteria, from energy and water to wildlife and community welfare. What did that journey genuinely push the property and the wider group to do differently?
A: Earning Travelife Gold was never just about getting the certificate. Working through 147 criteria covering energy, water, waste, wildlife, and community welfare made us look hard at ourselves and ask whether we were truly doing enough in each of those areas.
What it really pushed us to do was move beyond compliance. We tightened our conservation practices, improved how we manage waste, and put more deliberate effort into biodiversity and community programmes. But perhaps the most meaningful shift was weaving sustainability into the guest experience itself, making it visible and accessible without ever compromising on comfort or quality.
At the group level, Pasikudah became a working model. The practices we refined here have since been adapted and adopted across our other properties, creating a culture where sustainability is not a side project managed by one department but something that shapes how every team member thinks and works. It reinforced what Sun Siyam Care stands for: that responsible hospitality is not a goal we work towards. It is simply who we are.
Q: Most of the Sun Siyam story has been written in the Maldives. How does Pasikudah write its own chapter, given how different the setting, the coastline, and the community around it are?
A: When the civil conflict in Sri Lanka’s Eastern Province ended in 2009, our founder Ahmed Siyam Mohamed saw something in Pasikudah Bay that many others had not yet noticed. The calm, shallow waters and unspoiled beaches were extraordinary, but he also saw a region ready for renewal and an opportunity to be part of that through responsible tourism.
The property opened in 2014 as a 34-room luxury boutique resort, quietly introducing refined hospitality to Sri Lanka’s east coast. Then came COVID-19 and the country’s economic crisis, two of the hardest back-to-back challenges any hospitality business could face. Rather than simply wait it out, General Manager Mohamed Arshed Refai led a comprehensive transformation of the property.
The refurbishment was guided by international design firm Studio 67, but its real character came from a very deliberate decision: every single material used was locally sourced, and Sri Lankan artisans and craftspeople were involved throughout the process. It was not just a renovation. It was a recommitment to the region and the people in it.
That is what sets Pasikudah apart within the Sun Siyam family. The Maldives properties have their own extraordinary identity, but Pasikudah’s chapter is distinctly Sri Lankan. From post-conflict rebuilding to post-crisis renewal, it is a story of courage, community, and the belief that investing in a place means investing in its people.
Q:There is an organic farm on the property growing over 38 varieties of fruits, vegetables, and herbs. Tell us about that. It feels like it says something bigger about how the resort thinks about its place here.
A: The farm is a fairly direct expression of how we think about our responsibility to this place. At least 30 percent of our menu is plant-based, and being able to grow a meaningful portion of that on the property makes that commitment tangible rather than theoretical. Guests receive their welcome drinks made with fruit grown here. The chefs know exactly where their produce comes from and what it took to grow it.
We also have what we call climate-conscious dishes on the menu, options designed around sustainable food principles that prompt guests to think about what they are eating and where it originated. Beyond the farm itself, we source a significant share of our ingredients from local farmers and producers in the surrounding community. That reduces food miles and carbon emissions, but it also means the resort is actively supporting the local food economy rather than bypassing it.
Put simply, the farm is not a marketing feature. It reflects a commitment to operating in a way that is connected to this land and these communities, rather than sitting apart from them.
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