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“Dadayama” and the Sinhala middle – cinema

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By Uditha Devapriya

In a long, thoughtful article on Vasantha Obeyesekere in the Daily Mirror two years ago (“Versatile Filmmaker Vasantha Obeysekera’s Dadayama“, August 6, 2022), D. B. S. Jeyaraj remembers going to watch Dadayama with Ajith Samaranayake for the first time. This was 1983, a few months before the riots; political turmoil had become a fact of life, but people went in large numbers to theatres. Dadayama was no exception.

“When we went to the Regal Theatre, the show had already started running to a full house. Furthermore, tickets to the next show were also sold out. There were long lineups of ticket holders waiting to see the next show of the film. The chances of seeing the film that evening or night were extremely remote.”

The most obvious reason for the full and packed audiences, of course, was the experience Obeyesekere’s film had offered spectators. In the context of the Sri Lankan cinema, there had not been a film like it before. It represented not only the peak of the Sinhala cinema of the 1980s, but as importantly, the high point of the middlebrow-masscult culture of that decade. By now, the divide between box-office success and critical appeal that had prevailed and, in a way, defined the cinema in the 1960s and 1970s had faded away. What was once considered as lowbrow entertainment had become middlebrow art. The old middlebrow, by contrast, had become the new highbrow.

Against this backdrop, what Vasantha Obeyesekere did was to subvert the tropes of popular cinema, using the motifs of the mainstream as a vehicle for serious themes. Obeyesekere figured in among a group of ambitious filmmakers – among them, H. D. Premaratne and Vijaya Dharma Sri – who had emerged in the 1970s thanks to the policies of the National Film Corporation, and had taken it on themselves to question the conventions and frontiers of their medium. In doing so, they carved a space for themselves.

Dadayama was far from the first film that exemplified this trend. Nor was it Obeyesekere’s first work to take a step in that direction. Before Dadayama, he made Palagetiyo. And before Palagetiyo, he made Diyamanthi, a slick neo-Hitchcockian thriller which steered clear of the song-and-dance sequences of mainstream Sinhala films, yet, somehow, managed to keep audiences entertained. Diyamanthi, in turn, followed a long line of films that began with H. D. Premaratne’s Sikuruliya and Apeksha, and Vijaya Dharma Sri’s Duhulu Malak.

For all intents and purposes, these were films that examined “serious” themes, political or otherwise. Yet they did so while featuring some of the most melodramatic, contrived storylines that could ever be concocted. Sikuruliya, for instance, borrows its plot from the Ummagga Jatakaya and every other trope of Sinhala romance films. Yet, crucially, it subverts those tropes. In a typical Sinhala film, the forlorn girl – played here by the highly versatile Swineetha Weerasinghe – would not take it upon herself to elope with another man on the day of her wedding: she would invariably wait for someone to rescue her. Yet here, she does what she pleases with various men who enter her life.

Apeksha takes this a step ahead by confronting social class, a theme that had never been addressed with any modicum of intelligence in a mainstream Sinhala film. In popular Sinhala cinema, class served as a backdrop, or at best a prop. The rich man would invariably be the villain, the poor boy the hero, and the (almost always rich) girl would be saved by the latter from the clutches of the former. Apeksha ends on that note: it culminates in a predictable fistfight between hero and villain. But the rich, depraved villain does not entirely become a villain: at certain points, such as when he visits a singer at a bar he has fallen in love with, we feel the director is trying to humanise him.

Vijaya Dharma Sri’s Duhulu Malak tackles a more controversial and difficult theme: adultery. As the film scholar Laleen Jayamanne notes, Duhulu Malak became “perhaps the first Sri Lankan film to present adultery in a manner that makes it seem visually pleasurable.” This was no mean achievement, and it cannot be undermined. However, Dharma Sri worked at a time when adultery could not be presented in any visually pleasing way without making concessions to the box-office. For that reason, Duhulu Malak has the cake and eats it too: it sympathises with the woman who faces a stark choice between her husband and her lover, yet satisfies the moral brigade by making her return to her husband.

Parithyagaya

Both Premaratne and Dharma Sri spent the rest of their careers making films that addressed one difficult theme after another, within an essentially commercial framework. To their credit, this formula never backfired on them. Premaratne, for one, managed to make a series of hits in the most unlikely and impossible settings.

Two of his films, Devani Gamana and Palama Yata, were released in that interregnum between the ethnic riots and the second JVP insurrection. Both performed well at the box-office. Then, in 1997, when the trauma of the insurrection had begun to fade away, he made Visidela, which confronted the insurgency as in unfolds in an otherwise quaint, nondescript Sinhala village.

It is against this backdrop that one should note Obeyesekere’s achievement. Obeyesekere fundamentally belongs to the middle-cinema space, but his films are not of the same mould as Premaratne’s and Dharma Sri’s. Premaratne and Dharma Sri ostensibly steered clear of political themes, though of course one can argue that there is nothing apolitical about the themes they explored.

Obeyesekere, however, is more of a political radical: he questions norms and conventions by first making us idealise them before shattering all illusions we have of them. In this regard, his treatment of class in Palagetiyo is different to Premaratne’s approach to it in Apeksha: unlike the latter, in which the two lovers reconcile, in Palagetiyo the romance eventually takes second place to the harsh realities of class.

As I mentioned earlier, Dadayama was far from the first film which epitomised the middle-cinema space of the 1970s and 1980s. Yet it was unprecedented in its own way. For the first time in a Sinhala film, we are seeing tropes of the popular cinema being presented before our eyes, only to be shattered like the shards of glass that rain down on the camera and the screen in that final encounter between the protagonist and antagonist.

Obeyesekere made sure to include his actors in this scheme. To give the best example, he conjures Irangani Serasinghe out of the blue, presents her as the sweet, idealised mother-type so strongly associated with her, and then destroys that image of her by making her a chain-smoking brothel owner. During a conversation I had with her 10 years ago, Serasinghe recalled being showered by letters from outraged fans: “They all asked me, ‘Why did you take on that role, why did you set such a bad example for our children?’” She seemed visibly distraught. Obeyesekere’s ruse had worked.

It goes without saying that Vasantha Obeyesekere never again reached the heights he did with Dadayama. Kadapathaka Chaya comes a close second, but it is too long, and at one level derivative of Dadayama, to rise on its own. His last great work, Dorakada Marawa, bears comparisons with Dadayama and Palagetiyo. Yet by the time of its release, the Sinhala cinema had moved on to its next phase, marked by the entry of a new and different – a more politically inclined – generation of directors. Premaratne and Dharma Sri continued to make films. Yet they had to give way to a new order.

For better or worse, the Sinhala middle-cinema of the 1970s and 1980s no longer exists. Most of its best and brightest purveyors, including not just Obeyesekere, Dharma Sri, and Premaratne, but also to a considerable extent Sumitra Peries, have long passed away. Yet in that interregnum, that middle-cinema space provided both directors and audiences a chance to confront, address – and even resolve – some of the more pressing issues from that time.

One wonders whether the present culture in Sri Lanka – with its emphasis on low budgets, on avant-gardism, on lavish funding – has made us less appreciative of the cinema’s potential to raise awareness of important issues within mainstream audiences.

Perhaps what we need to do is to return to that earlier mode of filmmaking. In doing so, we can redefine, even revolutionise, the Sinhala cinema, tapping into its potential as the most popular and the most populist of the arts in this country. Films are, essentially, communal experiences. What the likes of Premaratne and Obeyesekere taught us is that this does not preclude directors from examining serious themes, and that mass audiences can be made to respond to them – as the 1970s and 1980s illustrated well enough.

Uditha Devapriya is a writer, researcher, and analyst based in Sri Lanka who contributes to a number of publications on topics such as history, art and culture, politics, and foreign policy. He can be reached at .



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Democracy faces tougher challenges as political Right beefs-up presence

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An anti-Hamas people’s protest in the Gaza. (BBC)

It is becoming increasingly evident that the democracy-authoritarianism division would be a major polarity in international politics going forward. It shouldn’t come as a surprise if quite a few major states of both East and West gain increasing inspiration from the ‘world’s mightiest democracy’ under President Donald Trump from now on and flout the core principles of democratic governance with impunity.

It is the political Right that would gain most might in this evolving new scheme of things. Whether it be the US itself, France, Israel or Turkey, to name just a few countries in the news, it is plain to see that the Right is unleashing its power with hardly a thought for the harm being done to key democratic institutions and norms.

In fact, Donald Trump and his Republican hard liners led from the front, so to speak, in this process of unleashing the power of the Right in contemporary times. It remains a very vital piece of history that the Right in the US savaged democracy’s most valued institutions on January 6, 2021, when it ran amok with the tacit backing of Trump in the US Capitol.

What was being challenged by the mob most was the ‘will of the people’ which was manifest in the latter’s choice of Joe Biden as US President at the time. To date Trump does not accept that popular verdict and insists that the election in question was a flawed one. He does so in the face of enlightened pronouncements to the contrary.

The US Right’s protégé state, Israel, is well on course to doing grave harm to its democratic institutions, with the country’s judiciary being undermined most. To cite two recent examples to support this viewpoint, the Israeli parliament passed a law to empower the country’s election officials to appoint judges, while Prime Minister Netanyahu has installed the new head of the country’s prime security agency, disregarding in the process a Supreme Court decision to retain the former head.

Such decisions were made by the Netanyahu regime in the face of mounting protests by the people. While nothing new may be said if one takes the view that Israel’s democratic credentials have always left much to be desired, the downgrading of a democratic country’s judiciary is something to be sorely regretted by democratic opinion worldwide. After all, in most states, it is the judiciary that ends up serving the best interests of the people.

Meanwhile in France, the indications are that far Right leader Marine Le Pen would not be backing down in the face of a judicial verdict that pronounces her guilty of corruption that may prevent her from running for President in 2027. She is the most popular politician in France currently and it should not come as a surprise if she rallies further popular support for herself in street protests. Among other things, this will be proof of the growing popular appeal of the political Right. Considering that France has been a foremost democracy, this is not good news for democratic opinion.

However, some heart could be taken from current developments in the Gaza and Turkey where the people are challenging their respective dominant governing forces in street protests largely peacefully. In the Gaza anti-Hamas protests have broken out demanding of the group to step down from power, while in Turkey, President Erdogan’s decades-long iron-fist rule is being challenged by pro-democracy popular forces over the incarceration of his foremost political rival.

Right now, the Turkish state is in the process of quashing this revolt through a show of brute force. Essentially, in both situations the popular demand is for democracy and accountable governance and such aims are generally anathema in the ears of the political Right whose forte is repressive, dictatorial rule.

The onus is on the thriving democracies of the world to ensure that the Right anywhere is prevented from coming to power in the name of the core principles and values of democracy. Right now, it is the European Union that could fit into this role best and democratic opinion is obliged to rally behind the organization. Needless to say, peaceful and democratic methods should be deployed in this historic undertaking.

Although the UN is yet to play an effective role in the current international situation, stepped up efforts by it to speed up democratic development everywhere could yield some dividends. Empowerment of people is the goal to be basically achieved.

Interestingly, the Trump administration could be seen as being in league with the Putin regime in Russia at present. This is on account of the glaringly Right wing direction that the US is taking under Trump. In fact, the global balance of political forces has taken an ironic shift with the hitherto number one democracy collaborating with the Putin regime in the latter’s foreign policy pursuits that possess the potential of plunging Europe into another regional war.

President Trump promised to bring peace to the Ukraine within a day of returning to power but he currently is at risk of cutting a sorry figure on the world stage because Putin is far from collaborating with his plans regarding Ukraine. Putin is promising the US nothing and Ukraine is unlikely to step down from the position it has always held that its sovereignty, which has been harmed by the Putin regime, is not negotiable.

In fact, the China-Russia alliance could witness a firming-up in the days ahead. Speculation is intense that the US is contemplating a military strike on Iran, but it would face strong opposition from China and Russia in the event of such an adventurist course of action. This is on account of the possibility of China and Russia continuing to be firm in their position that Western designs in the Gulf region should be defeated. On the other hand, Iran could be expected to hit back strongly in a military confrontation with the US.

Considering that organizations such as the EU could be expected to be at cross-purposes with the US on the Ukraine and connected questions, the current world situation could not be seen as a replication of the conventional East-West polarity. The East, that is mainly China and Russia, is remaining united but not so the West. The latter has broadly fragmented into a democratic states versus authoritarian states bipolarity which could render the international situation increasingly unstable and volatile.

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Chikungunya Fever in Children

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Chikungunya fever, a viral disease transmitted by mosquitoes, poses a significant health concern, particularly for children. It has been around in Sri Lanka sporadically, but there are reports of an increasing occurrence of it in more recent times. While often associated with debilitating joint pain in adults, its manifestations in children can present unique challenges. Understanding the nuances of this disease is crucial for effective management and prevention.

Chikungunya fever is caused by the chikungunya virus (CHIKV), an alphavirus transmitted to humans through the bites of infected Aedes aegypti and Aedes albopictus mosquitoes. These are the same mosquitoes that transmit dengue and Zika viruses, highlighting the overlapping risks in many areas of the world. It is entirely possible for chikungunya and dengue to co-circulate in the same area, leading to co-infections in individuals.

When a mosquito bites a person infected with CHIKV, it ingests the virus. After a period of growth and multiplication of the virus within the mosquito, the virus can be transmitted to another person through subsequent bites. Therefore, the mosquito acts as a vector or an intermediate transmitting agent that spreads the disease, but not as a reservoir of the disease. The spread of chikungunya is influenced by environmental factors that support mosquito breeding, such as stagnant water and warm climates. Urbanization and poor sanitation can exacerbate the problem by creating breeding grounds for these mosquitoes.

The clinical presentation of chikungunya in children can vary, ranging from mild to severe. While some infected children may even be asymptomatic and be normal for all intents and purposes, others can experience a range of symptoms, including a sudden onset of high fever, a common initial symptom. Pain in the joints of the body, while being a hallmark of chikungunya in adults, may be less pronounced in children. However, they can still experience significant discomfort and this must be kept in mind during processes of diagnosis and treatment. It is also important to remember that joint pains can present in various forms, as well as in different locations of the body. There is no characteristic pattern or sites of involvement of joints. Muscle aches and pains can accompany the fever and joint pain as well. A headache, too, could occur at any stage of the disease. Other symptoms may include nausea, vomiting, and fatigue as well.

A reddish elevated rash, referred to in medical jargon as a maculopapular rash, is frequently observed in children, sometimes more so than in adults. While chikungunya is known to cause such a rash, there is a specific characteristic related to nasal discoloration that is worth noting. It is called the “Chik sign” or “Brownie nose” and refers to an increased darkening of the skin, particularly on the nose. This discolouration just appears and is not associated with pain or itching. It can occur during or after the fever, and it can be a helpful clinical sign, especially in areas with limited diagnostic resources. While a generalised rash is a common symptom of chikungunya, a distinctive darkening of the skin on the nose is a particular characteristic that has been observed.

In some rare instances, particularly in infants and very young children, chikungunya can lead to neurological complications, such as involvement of the brain, known as encephalitis. This is associated with a change in the level of alertness, drowsiness, convulsions and weakness of limbs. Equally rarely, some studies indicate that children can experience bleeding tendencies and haemorrhagic manifestations more often than adults.

Diagnosis is typically made through evaluating the patient’s symptoms and medical history, as well as by special blood tests that can detect the presence of CHIKV antibodies (IgM and IgG) or the virus itself through PCR testing.

There is no specific antiviral treatment for chikungunya. Treatment focuses on relieving symptoms and allowing the body to recover on its own. Adequate rest is essential for recovery, and maintaining hydration is crucial, especially in children with fever. Paracetamol in the correct dosage can be used to reduce fever and pain. It is important to avoid aspirin, as it can increase the risk of a further complication known as Reye’s syndrome in children. In severe cases, hospitalisation and supportive care may be necessary.

While most children recover from chikungunya without any major issues, some may experience long-term sequelae. Joint pain can persist for months or even years in some individuals, impacting their quality of life. In rare cases, chikungunya can lead to chronic arthritis. Children that have suffered from neurological complications can have long term effects.

The ultimate outcome or prognosis for chikungunya in children is generally favourable. Most children recover fully within a few days or a couple of weeks. However, the duration and severity of symptoms can vary quite significantly.

Prevention is key to controlling the spread of chikungunya. Mosquito control is of paramount importance. These include eliminating stagnant water sources where mosquitoes breed, using mosquito repellents, wearing long-sleeved clothing and pants, using mosquito nets, especially for young children and installing protective screens on windows and doors. While a chikungunya vaccine is available, its current use is mainly for adults, especially those traveling to at risk areas. More research is being conducted for child vaccinations.

Chikungunya outbreaks can strain healthcare systems and have significant economic consequences. Public health initiatives aimed at mosquito control and disease surveillance are crucial for preventing and managing outbreaks.

Key considerations for children are that some of them, especially infants and young children, are more vulnerable to severe chikungunya complications and early diagnosis and supportive care are essential for minimising the risk of long-term sequelae. Preventing mosquito bites is the most effective way to protect children from chikungunya. By understanding the causation, clinical features, treatment, and prevention of chikungunya, parents, caregivers, and healthcare professionals can work together to protect children from this illness that could sometimes be quite debilitating.

Dr B. J. C. Perera 

MBBS(Cey), DCH(Cey), DCH(Eng), MD(Paed), MRCP(UK), FRCP(Edin), FRCP(Lond), FRCPCH(UK), FSLCPaed, FCCP, Hony. FRCPCH(UK), Hony. FCGP(SL)

Specialist Consultant Paediatrician and Honorary Senior Fellow, Postgraduate Institute of Medicine, University of Colombo, Sri Lanka.

Joint Editor, Sri Lanka Journal of Child Health and Section Editor, Ceylon Medical Journal

Founder President, Sri Lanka College of Paediatricians – 1996-97)

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The Great and Little Traditions and Sri Lankan Historiography

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Prof. Obeyesekere

Power, Culture, and Historical Memory:

(Continued from yesterday)

Newton Gunasinghe, a pioneering Sri Lankan sociologist and Marxist scholar, made significant contributions to the study of culture and class in Sri Lanka by incorporating the concepts of great and little traditions within an innovative Marxist framework. His theoretical synthesis offered historians a fresh perspective for evaluating the diversity of past narratives.

At the same time, Michel Foucault’s philosophical intervention significantly influenced the study of historical knowledge. In particular, two of his key concepts have had a profound impact on the discipline of history:

1. The relationship between knowledge and power – Knowledge is not merely an objective truth but a manifestation of the power structures of its time.

2. The necessity of considering the ‘other’ in any conceptual construction – Every idea or framework takes shape in relation to its opposite, highlighting the duality inherent in all intellectual constructs.

These concepts challenged historians to rethink their approaches, prompting them to explore the dynamic interplay between knowledge, power, and culture. The existence of Little Tradition prompted historians to pay attention to ‘other’ histories.

The resurgence of ethnic identities and conflicts has brought renewed attention to the dichotomy of culture, steering the discourse in a new direction. The ethnic resurgence raises three key issues. First, the way non-dominant cultures interpret the past often differs from the narratives produced by dominant cultures, prompting the question: What is historical truth? Second, it underscores the importance of studying the histories of cultural identities through their own perspectives. Finally, and most importantly, it invites reflection on the relationship between ‘Little Traditions’ and the ‘Great Tradition’—how do these ‘other’ histories connect to broader historical narratives?

When the heuristic construct of the cultural dichotomy is applied to historical inquiry, its analytical scope expands far beyond the boundaries of social anthropology. In turn, it broadens the horizons of historical research, producing three main effects:

1. It introduces a new dimension to historical inquiry by bringing marginalised histories to the forefront. In doing so, it directs the attention of professional historians to areas that have traditionally remained outside their scope.

2. It encourages historians to seek new categories of historical sources and adopt more innovative approaches to classifying historical evidence.

3. It compels historians to examine the margins in order to gain a deeper understanding of the center.

The rise of a new theoretical school known as Subaltern Studies in the 1980s provided a significant impetus to the study of history from the perspective of marginalised and oppressed groups—those who have traditionally been excluded from dominant historical narratives and are not linked to power and authority. This movement sought to challenge the Eurocentric and elitist frameworks that had long shaped the study of history, particularly in the context of colonial and postcolonial societies. The writings of historians such as Ranajit Guha and Eric Stokes played a pioneering role in opening up this intellectual path. Guha, in particular, critiqued the way history had been written from the perspective of elites—whether colonial rulers or indigenous upper classes—arguing that such narratives ignored the agency and voices of subaltern groups, such as peasants, laborers, and tribal communities.

Building upon this foundation, several postcolonial scholars further developed the critical examination of power, knowledge, and representation. In her seminal essay Can the Subaltern Speak?, Gayatri Chakravorty Spivak questioned whether marginalized voices—especially those of subaltern women—could truly be represented within dominant intellectual and cultural frameworks, or whether they were inevitably silenced by hegemonic. Another major theorist in this field, Homi Bhabha, also focused on the relationship between knowledge and social power relations. His analysis of identity formation under colonialism revealed the complexities of power dynamics and how they persist in postcolonial societies.

Together, these scholars significantly reshaped historical and cultural studies by emphasising the voices and experiences of those previously ignored in dominant narratives. Their work continues to influence contemporary debates on history, identity, and the politics of knowledge production.

The Sri Lankan historiography from very beginning consists of two distinct yet interrelated traditions: the Great Tradition and the Little Traditions. These traditions reflect different perspectives, sources, and modes of historical transmission that have influenced the way Sri Lanka’s past has been recorded and understood. The Great Tradition refers to the formal, written historiography primarily associated with elite, religious, and state-sponsored chronicles. The origins of the Great Tradition of historiography directly linked to the introduction of Buddhism to the island by a mission sent by Emperor Asoka of the Maurya dynasty of India in the third century B.C. The most significant sources in this tradition include the Mahāvaṃsa, Dīpavaṃsa, Cūḷavaṃsa, and other Buddhist chronicles that were written in Pali and Sanskrit. These works, often compiled by Buddhist monks, emphasise the island’s connection to Buddhism, the role of kingship, and the concept of Sri Lanka as a sacred land linked to the Buddha’s teachings. The Great Tradition was influenced by royal patronage and aimed to legitimise rulers by presenting them as protectors of Buddhism and the Sinhala people.

In contrast, the Little Tradition represents oral histories, folk narratives, and local accounts that were passed down through generations in vernacular languages such as Sinhala and Tamil. These traditions include village folklore, ballads, temple stories, and regional histories that were not necessarily written down but played a crucial role in shaping collective memory. While the Great Tradition often portrays a centralised, Sinhala-Buddhist perspective, the Little Tradition captures the diverse experiences of various communities, including Tamils, Muslims.

What about the history of those who are either unrepresented or only marginally represented in the Great Tradition? They, too, have their own interpretations of the past, independent of dominant narratives. Migration from the four corners of the world did not cease after the 3rd century BC—so what about the cultural traditions that emerged from these movements? Can we reduce these collective memories solely to the Sokari Nadagams?

The Great Traditions often celebrate the history of the ruling or majority ethnic group. However, Little Traditions play a crucial role in preserving the historical memory and distinct identities of marginalised communities, such as the Vedda and Rodiya peoples. Beyond caste history, Little Traditions also reflect the provincial histories and historical memories of peripheral communities. Examples include the Wanni Rajawaliya and the Kurunegala Visthraya. The historical narratives presented in these sources do not always align with those of the Great Tradition.

The growth of caste histories is a key example of Little Historical Traditions. Jana Wansaya remains an important source in this context. After the 12th century, many non-Goigama castes in Sri Lanka preserved their own oral historical traditions, which were later documented in written form. These caste-based histories are significant because they provide a localised, community-centered perspective on historical developments. Unlike the dominant narratives found in the Great Tradition, they capture the social, economic, and cultural transformations experienced by different caste groups. For instance, the Karava, Salagama, and Durava castes have distinct historical narratives that have been passed down through generations.

Ananda S. Kulasuriya traced this historical tradition back to the formal establishment of Buddhism, noting that it continued even after the decline of the Polonnaruwa Kingdom. He identified these records as “minor chronicles” and classified them into three categories: histories of the Sangha and Sasana, religious writings of historical interest, and secular historical works. According to him, the first category includes the Pujavaliya, the Katikavatas, the Nikaya Sangrahaya, and the Sangha Sarana. The second category comprises the Thupavamsa, Bodhi Vamsa, Anagatha Vamsa, Dalada Sirita, and Dhatu Vamsa, along with the two Sinhalese versions of the Pali Hatthavanagalla Vihara Vamsa, namely the Ehu Attanagalu Vamsa and the Saddharma Ratnakaraya. The third category consists of works that focus more on secular events than religious developments, primarily the Rajavaliya. Additionally, this category includes the Raja Ratnakaraya and several minor works such as the Sulu Rajavaliya, Vanni Rajavaliya, Alakesvara Yuddhaya, Sri Lanka Kadaim Pota, Kurunegala Vistaraya, Buddharajavaliya, Bamba Uppattiya, Sulu Pujavaliya, Matale Kadaim Pota, Kula Nitiya, and Janavamsaya (Kulasuriya, 1978:5). Except for a few mentioned in the third category, all other works are products of the Great Historical tradition.

Over the last few decades, Gananath Obeyesekera has traversed the four corners of Sri Lanka, recovering works of the Little Historical Traditions and making them accessible for historical inquiry, offering a new lens through which to reread Sri Lankan history. Obeyesekera’s efforts to recover the Little Historical Traditions remind us that history is never monolithic; rather, it is a contested space where power, culture, and memory continuously shape our understanding of the past. By bringing the Little Historical Traditions into the fold of Sri Lankan historiography, Obeyesekera challenges us to move beyond dominant narratives and embrace a more pluralistic understanding of the past. The recovery of these traditions is not just an act of historical inquiry but a reminder that power shapes what we remember—and what we forget. Sri Lankan history, like all histories, is a dialogue between great and little traditions and it is to engage both of them. His latest work, The Doomed King: A Requiem for Sri Vikrama Rajasinghe, is a true testament to his re-reading of Sri Lankan history.

BY GAMINI KEERAWELLA

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