Features
Douglas Ranasinghe: Second to none
By Uditha Devapriya
Sena, the protagonist of Madawala S. Ratnayake’s Akkara Paha, embodies for me the hopes and frustrations of the rural Sinhala youth after 1956. Lester James Peries selected Milton Jayawardena, then an unknown player, for the role in his adaptation. Days after he finalised the casting he was visited by Vijaya Kumaratunga.
I think it was a blessing, for both Milton and Vijaya, that the former got to play the character and the latter did not, because Vijaya would have been too brash to depict Sena’s failings and defeatism. Sena is an eminently passive character, whose role in the film is to be used and guided by every other character, in particular the woman who ends up as his destroyer, Theresa, and his friend in the first half of the story, Samare.
Theresa was played by the underrated Janaki Kurukulasuriya, who left the industry soon afterwards, while Samare was played by Douglas Ranasinghe, who stayed in the industry and remains there today. His performance in Peries’s film was so assertive, so unlike the more nuanced, gentle characters he would get to play later, that no less a person than the director remarked that he had great difficulty saving the protagonist from him. This view has been shared by Philip Cooray in his book, The Lonely Artist.
Most of our supporting actors from the earliest days graduated into stars, especially Joe Abeywickrama. Some of them, however, remained behind, perhaps because that’s where they were meant to be: think of D. R. Nanayakkara. Douglas Ranasinghe belongs to neither category, strictly speaking, and for this reason he has managed to distinguish himself. And in distinguishing himself, he has managed to transcend his limitations.
Ranasinghe got to be the secondary player, the supporting actor, in whatever film he was cast in. This has been his biggest strength and limitation, though within his limitations he gives out the best he could. You feel that some of his performances – think of Siridasa from Viragaya – are so calculated that they rise above the main actor. Then you feel that his other performances – think of Kulageya – have him as a side player, whose main function is to propel the narrative, or – think of Aravinda from Yuganthaya here – to serve as the voice of the establishment, of sanity, of plain common sense.
He was born in Kurunegala and was initially sent to the game iskole, the hodiya panthiya. From the hodiya panthiya he was sent to St Anne’s College, where he grew to dote on athletics and other sports. At school he ended up as a Prefect.
“St Anne’s was a missionary school, but unlike today missionary schools took in quite a number of non-Christians. In fact one of my schoolmates was Wijeratne Warakagoda, who was my senior, and who later left to Ananda College.”
Apparently his first love had been the military. This encouraged him to apply for the post of Police Sub Inspector. Failing twice, he succeeded on the third attempt, and was drafted for a training course at Kalutara. By then he had also decided to join Law College.
“Acting never really figured in my scheme. That’s not to say that I shirked the performing arts, but in my day, films and plays were at best leisure activities, never career options. By default, as professions, we had either the government service, the Civil Service, or fields like law, medicine, accountancy, and of course engineering.”
Ranasinghe’s forays into the performing arts were quite accidental. A series of encounters led him to his friend Sathischandra Edirisinghe, who asked Ranasinghe to take his place and play his role, that of a Corporal, in a production of Hunuwataye Kathawa.
“The training course in Kalutara was delayed by three months. Sathis aiya had done me a favour years earlier. I was only too happy to help him out.”
It was a rather auspicious debut, since after seeing his performance, Lester James Peries asked after him, took him in, and cast him opposite Milton Jayawardena in Akkara Paha. Jayasena had, naturally enough, been suspicious.
“He laughed and told Lester, ‘Now, now, you are taking all my good actors away!’”
His role as Samare had been his second, after G. D. L. Perera’s Romeo Juliet Kathawak, released in 1968 but filmed after Akkara Paha. The film is remembered for the Sunil Shantha classic that Ranasinghe croons with a guitar, My Dreams Are Roses. As for Akkara Paha, he remembers his experiences working under Lester Peries with nostalgia.
“With ‘Maestro’, you have got to be sure of what you do. He never bosses you around, but that doesn’t mean you can be complacent or that you can forget your cues. He expects something from you, and opts for three takes. When all three are done, you go for the final take. Because nothing escapes his eyes, you need to remember all three.”
What of his career after these two roles? After taking part in a short film titled Bhavana, directed by the great Paul Zils and entered into the Berlin Film Festival of 1970/1971, he chose to leave for England for a three-year course at the London Film School. The decision, he tells me, was both conscious and spontaneous.
“I left behind a career in law just so I could learn more about filmmaking and acting. At the end of those years, I was asked to stay back and take part in stage productions, to get involved with the Royal Shakespearean Company. But I became homesick. So I came back. Had I stayed behind, I would have been a different man. Who can tell?”
In this second phase after his return, Ranasinghe becomes more restrained in his acting. He has by now weeded out the emotional hysterics which marked out Romeo Juliet Kathawak and Akkara Paha. Those three years in London had clearly helped.
Opposite his co-stars, he has distinguished himself well: Richard de Zoysa, Chitra Vakishta, and Somi Ratnayake in Yuganthaya; Sanath Gunathilake and Sriyani Amarasena in Viragaya; Vasanthi Chathurani, Sriyani, Lucky Dias, and Tony Ranasinghe in Kulageya. We see him in glimpses now: Siddhartha Gautama, Aloko Udapadi, and Dharma Yuddhaya. In his recent performances he has mellowed well. His most distinctive features, in particular his square, firm jaw, continue to lend him both credibility and force.
Yet for some reason, to me at least, his performance as Aravinda in Yuganthaya doesn’t come out as convincingly as his roles in Viragaya or Kulageya. In Martin Wickramasinghe’s novel, Aravinda is a flawed antihero, a parvenu who wishes to join the upper classes. Lester Peries finds an equivalent, somehow, for Ranasinghe through sequences which have him silently wondering through his village and through scenes of him cautioning Malin (Richard de Zoysa) against the latter’s radical tendencies. But we never get used to his performance, because in his other roles he does not caution against rebellion but eventually sides with the rebel. In Yuganthaya, by contrast, he sides with the Establishment.
It is of course a tragedy at one level, but I think we have ignored Ranasinghe’s versatility. For one thing, in addition to film, he has operated in theatre, television, and radio. Not every actor in Sri Lanka has aspired for, much less taken part in, all these fields, which is why his involvement in them throughout his career deserves scrutiny. A comprehensive biography or autobiography has clearly become a need of the hour.
The writer is an international relations analyst, independent researcher, and freelance columnist who can be reached at .
Features
US’ drastic aid cut to UN poses moral challenge to world
‘Adapt, shrink or die’ – thus runs the warning issued by the Trump administration to UN humanitarian agencies with brute insensitivity in the wake of its recent decision to drastically reduce to $2bn its humanitarian aid to the UN system. This is a substantial climb down from the $17bn the US usually provided to the UN for its humanitarian operations.
Considering that the US has hitherto been the UN’s biggest aid provider, it need hardly be said that the US decision would pose a daunting challenge to the UN’s humanitarian operations around the world. This would indeed mean that, among other things, people living in poverty and stifling material hardships, in particularly the Southern hemisphere, could dramatically increase. Coming on top of the US decision to bring to an end USAID operations, the poor of the world could be said to have been left to their devices as a consequence of these morally insensitive policy rethinks of the Trump administration.
Earlier, the UN had warned that it would be compelled to reduce its aid programs in the face of ‘the deepest funding cuts ever.’ In fact the UN is on record as requesting the world for $23bn for its 2026 aid operations.
If this UN appeal happens to go unheeded, the possibilities are that the UN would not be in a position to uphold the status it has hitherto held as the world’s foremost humanitarian aid provider. It would not be incorrect to state that a substantial part of the rationale for the UN’s existence could come in for questioning if its humanitarian identity is thus eroded.
Inherent in these developments is a challenge for those sections of the international community that wish to stand up and be counted as humanists and the ‘Conscience of the World.’ A responsibility is cast on them to not only keep the UN system going but to also ensure its increased efficiency as a humanitarian aid provider to particularly the poorest of the poor.
It is unfortunate that the US is increasingly opting for a position of international isolation. Such a policy position was adopted by it in the decades leading to World War Two and the consequences for the world as a result for this policy posture were most disquieting. For instance, it opened the door to the flourishing of dictatorial regimes in the West, such as that led by Adolph Hitler in Germany, which nearly paved the way for the subjugation of a good part of Europe by the Nazis.
If the US had not intervened militarily in the war on the side of the Allies, the West would have faced the distressing prospect of coming under the sway of the Nazis and as a result earned indefinite political and military repression. By entering World War Two the US helped to ward off these bleak outcomes and indeed helped the major democracies of Western Europe to hold their own and thrive against fascism and dictatorial rule.
Republican administrations in the US in particular have not proved the greatest defenders of democratic rule the world over, but by helping to keep the international power balance in favour of democracy and fundamental human rights they could keep under a tight leash fascism and linked anti-democratic forces even in contemporary times. Russia’s invasion and continued occupation of parts of Ukraine reminds us starkly that the democracy versus fascism battle is far from over.
Right now, the US needs to remain on the side of the rest of the West very firmly, lest fascism enjoys another unfettered lease of life through the absence of countervailing and substantial military and political power.
However, by reducing its financial support for the UN and backing away from sustaining its humanitarian programs the world over the US could be laying the ground work for an aggravation of poverty in the South in particular and its accompaniments, such as, political repression, runaway social discontent and anarchy.
What should not go unnoticed by the US is the fact that peace and social stability in the South and the flourishing of the same conditions in the global North are symbiotically linked, although not so apparent at first blush. For instance, if illegal migration from the South to the US is a major problem for the US today, it is because poor countries are not receiving development assistance from the UN system to the required degree. Such deprivation on the part of the South leads to aggravating social discontent in the latter and consequences such as illegal migratory movements from South to North.
Accordingly, it will be in the North’s best interests to ensure that the South is not deprived of sustained development assistance since the latter is an essential condition for social contentment and stable governance, which factors in turn would guard against the emergence of phenomena such as illegal migration.
Meanwhile, democratic sections of the rest of the world in particular need to consider it a matter of conscience to ensure the sustenance and flourishing of the UN system. To be sure, the UN system is considerably flawed but at present it could be called the most equitable and fair among international development organizations and the most far-flung one. Without it world poverty would have proved unmanageable along with the ills that come along with it.
Dehumanizing poverty is an indictment on humanity. It stands to reason that the world community should rally round the UN and ensure its survival lest the abomination which is poverty flourishes. In this undertaking the world needs to stand united. Ambiguities on this score could be self-defeating for the world community.
For example, all groupings of countries that could demonstrate economic muscle need to figure prominently in this initiative. One such grouping is BRICS. Inasmuch as the US and the West should shrug aside Realpolitik considerations in this enterprise, the same goes for organizations such as BRICS.
The arrival at the above international consensus would be greatly facilitated by stepped up dialogue among states on the continued importance of the UN system. Fresh efforts to speed-up UN reform would prove major catalysts in bringing about these positive changes as well. Also requiring to be shunned is the blind pursuit of narrow national interests.
Features
Egg white scene …
Hi! Great to be back after my Christmas break.
Thought of starting this week with egg white.
Yes, eggs are brimming with nutrients beneficial for your overall health and wellness, but did you know that eggs, especially the whites, are excellent for your complexion?
OK, if you have no idea about how to use egg whites for your face, read on.
Egg White, Lemon, Honey:
Separate the yolk from the egg white and add about a teaspoon of freshly squeezed lemon juice and about one and a half teaspoons of organic honey. Whisk all the ingredients together until they are mixed well.
Apply this mixture to your face and allow it to rest for about 15 minutes before cleansing your face with a gentle face wash.
Don’t forget to apply your favourite moisturiser, after using this face mask, to help seal in all the goodness.
Egg White, Avocado:
In a clean mixing bowl, start by mashing the avocado, until it turns into a soft, lump-free paste, and then add the whites of one egg, a teaspoon of yoghurt and mix everything together until it looks like a creamy paste.
Apply this mixture all over your face and neck area, and leave it on for about 20 to 30 minutes before washing it off with cold water and a gentle face wash.
Egg White, Cucumber, Yoghurt:
In a bowl, add one egg white, one teaspoon each of yoghurt, fresh cucumber juice and organic honey. Mix all the ingredients together until it forms a thick paste.
Apply this paste all over your face and neck area and leave it on for at least 20 minutes and then gently rinse off this face mask with lukewarm water and immediately follow it up with a gentle and nourishing moisturiser.
Egg White, Aloe Vera, Castor Oil:
To the egg white, add about a teaspoon each of aloe vera gel and castor oil and then mix all the ingredients together and apply it all over your face and neck area in a thin, even layer.
Leave it on for about 20 minutes and wash it off with a gentle face wash and some cold water. Follow it up with your favourite moisturiser.
Features
Confusion cropping up with Ne-Yo in the spotlight
Superlatives galore were used, especially on social media, to highlight R&B singer Ne-Yo’s trip to Sri Lanka: Global superstar Ne-Yo to perform live in Colombo this December; Ne-Yo concert puts Sri Lanka back on the global entertainment map; A global music sensation is coming to Sri Lanka … and there were lots more!
At an official press conference, held at a five-star venue, in Colombo, it was indicated that the gathering marked a defining moment for Sri Lanka’s entertainment industry as international R&B powerhouse and three-time Grammy Award winner Ne-Yo prepares to take the stage in Colombo this December.
What’s more, the occasion was graced by the presence of Sunil Kumara Gamage, Minister of Sports & Youth Affairs of Sri Lanka, and Professor Ruwan Ranasinghe, Deputy Minister of Tourism, alongside distinguished dignitaries, sponsors, and members of the media.
According to reports, the concert had received the official endorsement of the Sri Lanka Tourism Promotion Bureau, recognising it as a flagship initiative in developing the country’s concert economy by attracting fans, and media, from all over South Asia.
However, I had that strange feeling that this concert would not become a reality, keeping in mind what happened to Nick Carter’s Colombo concert – cancelled at the very last moment.
Carter issued a video message announcing he had to return to the USA due to “unforeseen circumstances” and a “family emergency”.
Though “unforeseen circumstances” was the official reason provided by Carter and the local organisers, there was speculation that low ticket sales may also have been a factor in the cancellation.
Well, “Unforeseen Circumstances” has cropped up again!
In a brief statement, via social media, the organisers of the Ne-Yo concert said the decision was taken due to “unforeseen circumstances and factors beyond their control.”
Ne-Yo, too, subsequently made an announcement, citing “Unforeseen circumstances.”
The public has a right to know what these “unforeseen circumstances” are, and who is to be blamed – the organisers or Ne-Yo!
Ne-Yo’s management certainly need to come out with the truth.
However, those who are aware of some of the happenings in the setup here put it down to poor ticket sales, mentioning that the tickets for the concert, and a meet-and-greet event, were exorbitantly high, considering that Ne-Yo is not a current mega star.
We also had a cancellation coming our way from Shah Rukh Khan, who was scheduled to visit Sri Lanka for the City of Dreams resort launch, and then this was received: “Unfortunately due to unforeseen personal reasons beyond his control, Mr. Khan is no longer able to attend.”
Referring to this kind of mess up, a leading showbiz personality said that it will only make people reluctant to buy their tickets, online.
“Tickets will go mostly at the gate and it will be very bad for the industry,” he added.
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