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Lester , Underrated : Akkara Paha

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Akkara Paha

By Uditha Devapriya

Akkara Paha (1969) contains perhaps the saddest and most poignant finale in any of Lester James Peries’s films. Ajith Samaranayake distilled it brilliant in his tribute to Madawala S. Ratnayake, who wrote the novel.

Here were dreamy young antiheroes seemingly without a purpose in life, fascinated by their own sexual urges but gripped by a sense of futility and self-pity.

Sena, the protagonist of Akkara Paha, is one such antihero. Poor but intelligent, sharp but sensitive, he finds himself in a totally different environment after securing a scholarship to an elite school in Kandy. Unaccustomed to life in the city, he strikes up a friendship with a girl at his boarding. The friendship later grows into a romance.

Eventually, he realises his limitations: he is far more intelligent than anyone in his class, but a bounder in their scheme of things. He responds to this by rebelling against his own inheritance, first by abandoning the girl he fell in love with in his village, and then by neglecting his studies and pining after the girl at the boarding.

This recklessness costs him everything and brings him no consolation. He does all he can to impress the girl, Theresa, played by Janaki Kurukulasuriya, even raiding into the family till and getting what little money his sister, played in her second film role by Malini Fonseka, has saved to buy Theresa expensive perfumes. Theresa initially humours him. Yet after a while she loses interest in him and begins an affair with a rich cousin.

His sexual awakening leads Sena to much disappointment, and he soon abandons his studies and tries his hand at manual employment. He finds a job at a sawmill. Yet having been shielded from hard work by his father – who has staked everything on him getting a middle-class education and securing a white-collar job – he becomes sick and is sent to hospital. It is there that his family discover what he has done with his life and to his future.

The ending unfolds in the backdrop of these tragedies, but it is not a tragic ending. Spurred by his father’s indebtedness, Sena’s family have by now moved to a State colonisation scheme. Sena’s sister has fallen in love with a neighbour. The two of them decide to marry. Meanwhile, Sena rekindles his romance with his village sweetheart, Sandha, and in doing so returns, in a manner of speaking, to the world he abandoned.

The final scene, played against a slow, haunting poem sung by Amaradeva, underscores this process of departure and return, of abandoning the past and returning to it. Sena and Sandha wave goodbye to Sena’s sister and her husband. The two of them then walk back, heads bowed down, uncertain of their future, but somewhat hopeful.

Rathnayake’s novel wraps up differently, with the sister talking about Sena with their mother after her wedding, and her revealing that he intends to marry someone. The mother is distraught: he has already ruined his life for a girl, and is worried he may ruin what’s left of it for another. She changes after hearing who his intended bride is: Sandha.

By only hinting at Sena’s reconciliation with Sandha and the possibility of their marriage, Lester Peries ends the story on a more poignant, subtle note. It is not like the ending in Golu Hadawatha, where the spurned lover forgives the girl who rejected him, or in Nidhanaya, where the husband finally realises his love for his wife. What makes Akkara Paha one of Lester’s better films – and one of his more sensitive works – is the lack of certainty about Sena’s fate. Ratnayake is more definite, concrete. Lester is anything but.

Akkara Paha was the second of a trilogy of films that Lester Peries did for Ceylon Theatres. The trilogy, taken as a whole, remains a landmark in the Sinhala cinema, because on no other occasion did a prominent director, of his standing, get such a lucrative offer from a leading film company. Until then the theatres had pitted themselves against his work: according to his biographer A. J. Gunawardena, they refused to lend his team lighting equipment for Gamperaliya because of fears that his work would undermine theirs. By the latter part of the decade, however, things had begun to change.

Ceylon Theatres’ arrangement with Lester showed what could be achieved if the resources of commerce were put in the service of art. Yet of the three films he did – the other two being Golu Hadawatha (1968) and Nidhanaya (1970), the latter acknowledged as his best work – Akkara Paha remains curiously neglected and underrated. Though it travelled to the West – it was one of seven films by Lester screened at the Museum of Modern Art in New York, where among other things he met the formidable Pauline Kael – and won praise from foreign critics, it never got the reputation it deserved at home.

What makes this more curious is the film’s achievement. In no other work of his does Lester probe into the lives of the Sinhalese peasantry with as much poignancy as he does in Akkara Paha. While the film does exude what his critics saw as his bourgeois humanist tendencies – a charge levelled with equal vigour at his contemporary Satyajit Ray, who at the time was making his Calcutta trilogy, set against the backdrop of the Naxalite uprising in the city – it does not romanticise, still less glamourise, its subject.

Lester

All that, in turn, underscores an even more remarkable achievement. In the history of the Sinhala cinema, Akkara Paha may have been the first film to depict the contradiction between the material ambitions and the lived experiences of the Sinhala Buddhist rural youth. Lester does not really explore these tensions, or predict their unravelling in later years, particularly in April 1971. But compared with his other two Ceylon Theatres films – in particular Golu Hadawatha, which again delves into the Sinhala middle-class – Akkara Paha engages with the discontent and frustrations of the rural youth.

We do not really know what Lester’s response to the April 1971 insurrection was. What we do know is that by that point, a new and more radical group of filmmakers had begun to criticise him for what they saw as his bourgeois humanism.

Around this time the leftwing Bengali filmmaker Mrinal Sen was berating Satyajit Ray on similar grounds as well. Yet whereas Ray – who was as representative of the Bengali bourgeoisie as Lester was of the Sinhala bourgeoisie – made the Calcutta Trilogy – which underscored his sympathy for the radical youth in light of the Naxalite insurgency – Lester went his own way. At the time of the 1971 insurrection, while the likes of Dharmasena Pathiraja were making Ahas Gawwa, he was directing Desa Nisa.

In that regard, I see Akkara Paha as his most radical work yet, more radical than Yuganthaya, which as Pathiraja pointed out for me in an interview years ago was marred by a somewhat jaundiced view of politics. The film predicts the radicalisation of the Sinhala youth though it steps away from engaging with that completely. Like Para Dige, Pathiraja’s best work and in my view his most underrated, the protagonist does not face a clear future at the end: like the protagonist in Pathiraja’s film, he and his fiancée stare into the distance, although unlike in Para Dige they turn back and return home.

It is this act of turning back which, at one level, may have won for Lester censure from his more radical critics. I disagree with those who portray Lester as a conservative artiste. But that does not undermine their fundamental point: that at a time of great political ferment and artistic rebellion, his films seemed to be out of step with the times. Perhaps it is this led critics to perceive a drop in quality in his later work, starting from Desa Nisa. That this drop transpired immediately after his Ceylon Theatres trilogy is telling.

Whatever the reason may have been for the film’s lack of success, Akkara Paha marks an important point in Lester’s career. It is poignant, haunting, tragic, and redeeming. Between the romanticism of Golu Hadawatha and the nihilism of Nidhanaya, it occupies a twilight world. Admittedly, the story is optimistic, and in its ending, somewhat naïve: the novel is more concrete and direct. But it is suffused with a humanism that transcends its limitations. Above all, it is vintage Lester James Peries: life-affirming, ever hopeful.

Uditha Devapriya is a writer, researcher, and analyst who writes on topics such as history, art and culture, politics, and foreign policy. He is one of the two leads in U & U, an informal art and culture research collective. He can be reached at udakdev1@gmail.com.



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Trump’s tariffs, AKD’s gazette and Sri Lanka’s diplomatic slumber

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“We are rather respectable in Colombo. We go to bed fairly early, and we remain there till morning. “

According to Sri Lanka’s diplomatic folklore, the late S.W. R. D. Bandaranaike uttered these words while explaining the reasons for Sri Lanka’s abstention on the UN resolution condemning the Soviet invasion of Hungary. Apparently, SWRD’s foreign ministry officials were asleep at home when the diplomatic cable seeking instructions was received from New York. In those days, there were no cell phones, Internet, or even fax or telex machines. The diplomatic cables were sent through post offices. Decoding them was a slow and time-consuming process. Thus, the government could not provide appropriate instructions to our mission in New York in time, and the Sri Lankan delegation abstained on that sensitive UN vote.

Sri Lanka’s Absence from Section 301 Consultations

But then, how does one explain Sri Lanka’s absence from the crucial bilateral consultation held in Washington by the Office of the United States Trade Representative (USTR) during March-April on “Forced Labour” under the Section 301 of the US Trade Act of 1974? Didn’t our foreign and trade ministries send appropriate instructions to Washington in time? Even if the instructions from the foreign ministry were transmitted to our embassy in Washington by pigeon carriers, there was enough time for Sri Lanka to participate in those meetings.

In March, the USTR initiated these 301 investigations on 60 trading partners, and invited all of them for confidential consultations. Out of the 60, 46 participated in these consultations. Sri Lanka was not one of them. Other countries that didn’t participate in these consultations included China, Russia, and Venezuela! In addition to that, the Section 301 Committee conducted a public hearing with interested parties on April 28 and 29. Washington-based diplomats, representatives from few trade ministries as well as representatives from many foreign trade associations and chambers participated in these hearings. Sri Lanka was once again conspicuously absent.

As a result, when the USTR published the proposed forced labour tariffs on June 2nd, Sri Lanka ended up with a 12.5% duty. Pakistani and Indonesian diplomats participated in these consultations and took appropriate follow-up measures, and managed to enter the 10% duty category. As even a threat of a modest tariff hike could disrupt supply chains and reduce competitiveness, particularly in an industry such as garments, I discussed this issue on 15 June and underscored the importance of Sri Lanka’s participation at the next hearing, which was scheduled to be held from July 7th .

Awakening from Diplomatic Slumber and AKD’s Gazette

Fortunately, Sri Lanka finally awoke from weeks of diplomatic slumber, and Ambassador Mahinda Samarasinghe participated in the public hearing on 9 July, and promised, “…. · We have agreed to the text in our negotiations with the USTR on forced labour, …. The gazette as we speak is being printed and I’m getting the gazette tomorrow morning, and the gazette will be shared with USTR as I get it“.

As promised, President Anura Kumara Dissanayake issued a gazette on 10 July banning the imports of goods produced by forced labour. These new regulations are very similar to what Pakistan and Indonesia enacted in April, after their consultations with USTR in March. Why couldn’t we do it in April? Why did we wait till the very last minute?

Challenges ahead

“War is too important to be left to generals alone,” is a famous saying attributed to former French Premier Georges Clemenceau. Similarly, monitoring our main markets is too important to be left to diplomats alone. The United States is the largest single-country market for Sri Lanka. Therefore, Sri Lankan trade chambers and associations should become more proactive in these markets and participate in these events. For example, the chairman of the Pakistani apparel exporters association participated in the April hearings. Similarly, representatives from the Indian Agricultural and Processed Food Products Export Development Authority, the Federation of Indian Chambers of Commerce and Industry, the Confederation of Indian Industry, and Reliance Industries also participated in July hearings. At an event where each speaker is given only five minutes (strictly enforced), having a number of speakers from a country is an advantage. The presence of industry representatives in these kinds of events also help them understand the market dynamics and the future challenges. This is important, particularly because there will be many more challenges with Trump’s tariffs.

With the gazette issued on 10 July, Sri Lanka has imposed a prohibition on the importation of goods produced with forced labour. Now, the challenge will be to effectively enforce the prohibition. And what are the goods produced with forced labour? The USTR list only focuses on aluminum, cotton, electronics, lithium-ion batteries, rice, and tobacco. However, according to the U.S. Department of Labour, the list is much longer. Hence, this list may change continuously during the next two years and tariffs may fluctuate once again.

So, this is definitely not the time to slumber.

(The writer, a retired public servant, can be reached at senadhiragomi@gmail.com)

by Gomi Senadhira ✍️

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Tales of Mystery and Suspense 10 Casino for Sale

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After the overwhelming grotesquerie of J K Rowling’s latest Cormoran Strike novel (written, I should have noted, as the others were, under the pseudonym Robert Galbraith), I thought I should return to the world of fun, and also a much shorter description since this thriller moves quickly without the layers of detail that Rowling engages in.

I then move to the second comic thriller by Caryl Brahms and S J Simon. This, their second story to feature Vladimir Stroganoff and Adam Quill, was Casino for Sale, as lunatic a romp as the first, though without the emphasis on the ballet that characterized A Bullet in the Ballet.

This one begins with the impresario Stroganoff buying a casino cheap from Baron Sam de Rabinovich, only to find that it was a rundown place, not the grand casino of La Bazouche, a resort on the Frenc+h Riviera, as he had initially thought. The grand one belonged to Lord Buttonhooke, and Stroganoff could  not compete, until he thought of bringing the Ballet Stroganoff to the casino – which of course leads to Buttonhooke deciding to have ballet performances in his Casino too.

Stroganoff invites Quill to visit him, which Quill decides to do since he has left Scotland Yard, having come into a legacy. No one believes this, and he has to face questions as to what he did to have been sacked, with sympathy for having been found out.

Caryl and Simon

The day he arrives in La Bazouche there is a murder, of a vitriolic critic called Citrolo, in Stroganoff’s office. He had been going to write a damning review of the opening night of the ballet and Stroganoff, when he realizes Citrolo cannot be swayed, drugs him and dictates the review himself to the papers. He leaves Citrolo sleeping and finds him shot the next morning, whereupon he decides to muddy the waters and leave a suicide note and lots of other murder weapons. So much overkill, as it were, of course ensures that he is arrested.

But the excitable French detective who makes the arrest follows up his suggestion that Buttonhooke was also involved, and so the two casino owners find themselves in cells next door to each other, with the detective Gustave quite happy to provide creature comforts for a fee.

Quill decides he must investigate, and finds Gustave most cooperative, since he has a laid back attitude to work. So it is Quill that finds a notebook which makes it clear Citrolo is an accomplished blackmailer, and that there are lots of possible murderers, including Stroganoff’s croupier, who was crooked, Rabinovich, who was now working for Buttonhooke, a confidence trickster called Kurt Kukumber, whose prospectus for a dud gold mine was found in the office and Prince Alexis Artishok who was engaged in a deal to buy diamonds from the ballerina Dyra Dyrakova.

Stroganoff had been trying to get Dyrakova to dance for him, but having done so previously she had refused. But then to Stroganoff’s chagrin she agreed to dance for Buttonhooke. The clearly crooked Artishok had told Buttonhooke’s mistress Sadie Souse, who was not very bright, that Dyrakova possessed diamonds she was willing to sell cheap, and Sadie was determined to have them.

Quill meanwhile finds out that there was a secret passage to Stroganoff’s office, the obvious solution to what had begun as a locked room mystery, and that this was known by almost everyone apart from Stroganoff himself. And then Rabinovich is murdered, just after Gustave had released his two original suspects, leading him to blame Quill for having insisted on that and thus allowing them to kill again.

Soon afterwards Dyrakova arrives, and the town is full of posters announcing that she will appear in the casinos, elaborate posters for either one, since Stroganoff is determined that she will dance for him, and if she does not come willingly, he has devised a scheme to make her do so unwillingly. So, though Buttonhooke has her taken off to his yacht immediately she arrives at the station, Quill along with Arenskaya gets her into a launch and to Stroganoff’s casino, where she performs to tumultuous applause, not knowing for whom she is dancing.

When Quill asked her about the diamonds, she said she had sold them long ago, and that gave Quill the solution to the mystery. Rabinovich had known about this, and Artishok had killed him to prevent Sadie learning it from him, he had killed Citrolo who had recognized him for an accomplished card sharper, not a Russian prince at all. But before he is arrested, he gets away in a boat, and the police launch that pursues him is on the point of catching him up when it runs out of petrol.

Again, lots of excitement, and entertaining references  – Gustave grows marrows – and if not quite as brilliant as its predecessor, Casino was certainly a delightful read.

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The challenge of being positive about SAARC

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The RCSS forum addressed by SAARC Secretary General Ambassador Md. Golam Sarwar in progress. (Pic courtesy RCSS)

It was a few years back that a former President of Sri Lanka took it on himself to pronounce SAARC ‘dead’. Since then there have been other sections of Sri Lankan opinion that have joined the critics of SAARC and taken the solemn stance that SAARC has indeed died what may be called a natural death.

Their fatalism is understandable. SAARC has failed to meet at heads of government or state level for the past several years to take the SAARC process notably forward. Regional cooperation has more or less been only an appealing idea. No substantive concrete projects have taken off to make the idea a hard reality. ‘Inner paralysis’ seems to be SAARC’s lot. Hence the fatalism in these circles.

However, being one of the worst cash-strapped regions of the world and a teemingly populated one with people virtually left to their devices, what choices do the ‘SAARC Eight’ have other than to try their best to band together and continue with their cooperation efforts, however small they may be?

There is no escaping the mounting debt trap for many of these countries and bankrupt Sri Lanka is a glaring example, but ‘throwing in the towel’ and abandoning themselves entirely to the diktats of the strongest economies and their agencies will prove a ‘living death’ for many countries in the SAARC fold.

The gains may be meagre but giving-up on SAARC cooperation in full would prove self-defeating for the organization and South Asia. Right now, the collective intention ought to be to salvage what the region could from the tenuous cooperative efforts. Moreover, such initiatives could go some distance to generate a degree of goodwill among the Eight and help in sustaining a dialogue process.

Given this backdrop it proved ‘a stich in time’ for the Regional Centre for Strategic Studies (RCSS), Colombo, to recently host the SAARC Secretary General Ambassador Md. Golam Sarwar to a round table discussion on the unifying potential of SAARC and its future possibilities, besides other related issue areas.

Held on June 24th and moderated by RCSS Executive Director and former ambassador Ravinatha Aryasinha, the forum brought together a vibrant, wide ranging audience comprising academicians, diplomats, senior public servants, civil society activists and many others. Following the presentation by Ambassador Golam Sarwar titled, ‘Reigniting SAARC: Achievements, Challenges and the Way Ahead’, a lively Q&A followed.

The above forum could be described as an act of lighting the proverbial ‘candle’ rather than ‘cursing the darkness.’ It surely is a ‘darkness’ that could be seen as daunting considering that the region’s pivotal powers, India and Pakistan, are failing to act in a spirit of accord but are engaged in bitter finger-pointing on a number of questions of vital importance to SAARC.

On the other hand, what is the rest of the region doing to bring the above sides together? It is disappointing that to date the rest of SAARC has failed to launch a major diplomatic drive to bring peace between the feuding regional heavyweights. It needs to act without delay and establish its earnestness and this effort would need to prove SAARC’s staying power in the unfolding months and even years.

In assessing SAARC’s seeming failure local opinion in particular has failed to factor in what could be described as weak leadership. Since Sheikh Mujibur Rahman of Bangladesh, the founding father of SAARC, the region has failed to produce a visionary leader who could advance the SAARC cause with charisma and drive.

Among other reasons, weak leadership accounts considerably for the faltering and stuttering status, as it were, of SAARC. Badly needed are leaders who could go the extra mile, think less of narrow national interests and work diligently towards the collective well being of the region but SAARC’s millions of ordinary people have been made to wait in vain for leaders of such stature. Instead, they have been burdened with politicians who seem to be relishing the apparently moribund state of SAARC.

Looking back, it could be said that it was the dynamic leadership factor that led to the launching of the Non-Aligned Movement and for its sustenance for a few decades. True, it could be seen in some quarters that NAM is no more, but as in the case of SAARC, the former too has been unfortunate to be burdened over the years with politicians who lack the vision and drive to unflaggingly advance the fortunes of the South. NAM and SAARC lack the dynamism and vision of leaders of the stature of Jawaharlal Nehru, for example, to give them the required guidance and intellectual depth.

The reasons are complex for there not being among us currently political leaders with the vision and the steadfast commitment to advance the legitimate interests of the South. However, it could be stated with conviction that the majority of Southern leaders have too easily caved in to the demands of the global North and its financial agencies.

These leaders have failed to see, for instance, that the largely market economy oriented Northern governments would not view with favour a centrist economic model that attaches priority to the interests of the dis-empowered publics of the South. This realization ought to have dawned on the current government in Sri Lanka, for instance, some while ago but it has no choice but to abide by IMF dictates since economic survival at present is unthinkable without the latter’s succour.

Accordingly for SAARC this should be the time for some soul-searching. Priority needs to be attached to ending the feuding between India and Pakistan since at present the material fortunes of the region hinge largely on these regional giants giving peaceful relations among them a try. This is no easy challenge to meet but some daring, visionary diplomacy needs to take hold among the rest of SAARC.

There is some sense in SAARC bringing the peoples of the region together through programs that address their best collective interests. A meeting of minds among SAARC nations could enable SAARC and its agencies to build a region-wide people’s movement for progressive political and economic change that could in turn lead to the region’s political leaders sensitizing themselves more to the neglected needs of their publics.

However, the time is ‘now’ for the initiation of these progressive changes and the voice of SAARC well wishers would need to drown out those of their critics.

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