Features
Douglas Ranasinghe: Second to none
By Uditha Devapriya
Sena, the protagonist of Madawala S. Ratnayake’s Akkara Paha, embodies for me the hopes and frustrations of the rural Sinhala youth after 1956. Lester James Peries selected Milton Jayawardena, then an unknown player, for the role in his adaptation. Days after he finalised the casting he was visited by Vijaya Kumaratunga.
I think it was a blessing, for both Milton and Vijaya, that the former got to play the character and the latter did not, because Vijaya would have been too brash to depict Sena’s failings and defeatism. Sena is an eminently passive character, whose role in the film is to be used and guided by every other character, in particular the woman who ends up as his destroyer, Theresa, and his friend in the first half of the story, Samare.
Theresa was played by the underrated Janaki Kurukulasuriya, who left the industry soon afterwards, while Samare was played by Douglas Ranasinghe, who stayed in the industry and remains there today. His performance in Peries’s film was so assertive, so unlike the more nuanced, gentle characters he would get to play later, that no less a person than the director remarked that he had great difficulty saving the protagonist from him. This view has been shared by Philip Cooray in his book, The Lonely Artist.
Most of our supporting actors from the earliest days graduated into stars, especially Joe Abeywickrama. Some of them, however, remained behind, perhaps because that’s where they were meant to be: think of D. R. Nanayakkara. Douglas Ranasinghe belongs to neither category, strictly speaking, and for this reason he has managed to distinguish himself. And in distinguishing himself, he has managed to transcend his limitations.
Ranasinghe got to be the secondary player, the supporting actor, in whatever film he was cast in. This has been his biggest strength and limitation, though within his limitations he gives out the best he could. You feel that some of his performances – think of Siridasa from Viragaya – are so calculated that they rise above the main actor. Then you feel that his other performances – think of Kulageya – have him as a side player, whose main function is to propel the narrative, or – think of Aravinda from Yuganthaya here – to serve as the voice of the establishment, of sanity, of plain common sense.
He was born in Kurunegala and was initially sent to the game iskole, the hodiya panthiya. From the hodiya panthiya he was sent to St Anne’s College, where he grew to dote on athletics and other sports. At school he ended up as a Prefect.
“St Anne’s was a missionary school, but unlike today missionary schools took in quite a number of non-Christians. In fact one of my schoolmates was Wijeratne Warakagoda, who was my senior, and who later left to Ananda College.”
Apparently his first love had been the military. This encouraged him to apply for the post of Police Sub Inspector. Failing twice, he succeeded on the third attempt, and was drafted for a training course at Kalutara. By then he had also decided to join Law College.
“Acting never really figured in my scheme. That’s not to say that I shirked the performing arts, but in my day, films and plays were at best leisure activities, never career options. By default, as professions, we had either the government service, the Civil Service, or fields like law, medicine, accountancy, and of course engineering.”
Ranasinghe’s forays into the performing arts were quite accidental. A series of encounters led him to his friend Sathischandra Edirisinghe, who asked Ranasinghe to take his place and play his role, that of a Corporal, in a production of Hunuwataye Kathawa.
“The training course in Kalutara was delayed by three months. Sathis aiya had done me a favour years earlier. I was only too happy to help him out.”
It was a rather auspicious debut, since after seeing his performance, Lester James Peries asked after him, took him in, and cast him opposite Milton Jayawardena in Akkara Paha. Jayasena had, naturally enough, been suspicious.
“He laughed and told Lester, ‘Now, now, you are taking all my good actors away!’”
His role as Samare had been his second, after G. D. L. Perera’s Romeo Juliet Kathawak, released in 1968 but filmed after Akkara Paha. The film is remembered for the Sunil Shantha classic that Ranasinghe croons with a guitar, My Dreams Are Roses. As for Akkara Paha, he remembers his experiences working under Lester Peries with nostalgia.
“With ‘Maestro’, you have got to be sure of what you do. He never bosses you around, but that doesn’t mean you can be complacent or that you can forget your cues. He expects something from you, and opts for three takes. When all three are done, you go for the final take. Because nothing escapes his eyes, you need to remember all three.”
What of his career after these two roles? After taking part in a short film titled Bhavana, directed by the great Paul Zils and entered into the Berlin Film Festival of 1970/1971, he chose to leave for England for a three-year course at the London Film School. The decision, he tells me, was both conscious and spontaneous.
“I left behind a career in law just so I could learn more about filmmaking and acting. At the end of those years, I was asked to stay back and take part in stage productions, to get involved with the Royal Shakespearean Company. But I became homesick. So I came back. Had I stayed behind, I would have been a different man. Who can tell?”
In this second phase after his return, Ranasinghe becomes more restrained in his acting. He has by now weeded out the emotional hysterics which marked out Romeo Juliet Kathawak and Akkara Paha. Those three years in London had clearly helped.
Opposite his co-stars, he has distinguished himself well: Richard de Zoysa, Chitra Vakishta, and Somi Ratnayake in Yuganthaya; Sanath Gunathilake and Sriyani Amarasena in Viragaya; Vasanthi Chathurani, Sriyani, Lucky Dias, and Tony Ranasinghe in Kulageya. We see him in glimpses now: Siddhartha Gautama, Aloko Udapadi, and Dharma Yuddhaya. In his recent performances he has mellowed well. His most distinctive features, in particular his square, firm jaw, continue to lend him both credibility and force.
Yet for some reason, to me at least, his performance as Aravinda in Yuganthaya doesn’t come out as convincingly as his roles in Viragaya or Kulageya. In Martin Wickramasinghe’s novel, Aravinda is a flawed antihero, a parvenu who wishes to join the upper classes. Lester Peries finds an equivalent, somehow, for Ranasinghe through sequences which have him silently wondering through his village and through scenes of him cautioning Malin (Richard de Zoysa) against the latter’s radical tendencies. But we never get used to his performance, because in his other roles he does not caution against rebellion but eventually sides with the rebel. In Yuganthaya, by contrast, he sides with the Establishment.
It is of course a tragedy at one level, but I think we have ignored Ranasinghe’s versatility. For one thing, in addition to film, he has operated in theatre, television, and radio. Not every actor in Sri Lanka has aspired for, much less taken part in, all these fields, which is why his involvement in them throughout his career deserves scrutiny. A comprehensive biography or autobiography has clearly become a need of the hour.
The writer is an international relations analyst, independent researcher, and freelance columnist who can be reached at .
Features
Trump’s tariffs, AKD’s gazette and Sri Lanka’s diplomatic slumber
“We are rather respectable in Colombo. We go to bed fairly early, and we remain there till morning. “
According to Sri Lanka’s diplomatic folklore, the late S.W. R. D. Bandaranaike uttered these words while explaining the reasons for Sri Lanka’s abstention on the UN resolution condemning the Soviet invasion of Hungary. Apparently, SWRD’s foreign ministry officials were asleep at home when the diplomatic cable seeking instructions was received from New York. In those days, there were no cell phones, Internet, or even fax or telex machines. The diplomatic cables were sent through post offices. Decoding them was a slow and time-consuming process. Thus, the government could not provide appropriate instructions to our mission in New York in time, and the Sri Lankan delegation abstained on that sensitive UN vote.
Sri Lanka’s Absence from Section 301 Consultations
But then, how does one explain Sri Lanka’s absence from the crucial bilateral consultation held in Washington by the Office of the United States Trade Representative (USTR) during March-April on “Forced Labour” under the Section 301 of the US Trade Act of 1974? Didn’t our foreign and trade ministries send appropriate instructions to Washington in time? Even if the instructions from the foreign ministry were transmitted to our embassy in Washington by pigeon carriers, there was enough time for Sri Lanka to participate in those meetings.
In March, the USTR initiated these 301 investigations on 60 trading partners, and invited all of them for confidential consultations. Out of the 60, 46 participated in these consultations. Sri Lanka was not one of them. Other countries that didn’t participate in these consultations included China, Russia, and Venezuela! In addition to that, the Section 301 Committee conducted a public hearing with interested parties on April 28 and 29. Washington-based diplomats, representatives from few trade ministries as well as representatives from many foreign trade associations and chambers participated in these hearings. Sri Lanka was once again conspicuously absent.
As a result, when the USTR published the proposed forced labour tariffs on June 2nd, Sri Lanka ended up with a 12.5% duty. Pakistani and Indonesian diplomats participated in these consultations and took appropriate follow-up measures, and managed to enter the 10% duty category. As even a threat of a modest tariff hike could disrupt supply chains and reduce competitiveness, particularly in an industry such as garments, I discussed this issue on 15 June and underscored the importance of Sri Lanka’s participation at the next hearing, which was scheduled to be held from July 7th .
Awakening from Diplomatic Slumber and AKD’s Gazette
Fortunately, Sri Lanka finally awoke from weeks of diplomatic slumber, and Ambassador Mahinda Samarasinghe participated in the public hearing on 9 July, and promised, “…. · We have agreed to the text in our negotiations with the USTR on forced labour, …. The gazette as we speak is being printed and I’m getting the gazette tomorrow morning, and the gazette will be shared with USTR as I get it“.
As promised, President Anura Kumara Dissanayake issued a gazette on 10 July banning the imports of goods produced by forced labour. These new regulations are very similar to what Pakistan and Indonesia enacted in April, after their consultations with USTR in March. Why couldn’t we do it in April? Why did we wait till the very last minute?
Challenges ahead
“War is too important to be left to generals alone,” is a famous saying attributed to former French Premier Georges Clemenceau. Similarly, monitoring our main markets is too important to be left to diplomats alone. The United States is the largest single-country market for Sri Lanka. Therefore, Sri Lankan trade chambers and associations should become more proactive in these markets and participate in these events. For example, the chairman of the Pakistani apparel exporters association participated in the April hearings. Similarly, representatives from the Indian Agricultural and Processed Food Products Export Development Authority, the Federation of Indian Chambers of Commerce and Industry, the Confederation of Indian Industry, and Reliance Industries also participated in July hearings. At an event where each speaker is given only five minutes (strictly enforced), having a number of speakers from a country is an advantage. The presence of industry representatives in these kinds of events also help them understand the market dynamics and the future challenges. This is important, particularly because there will be many more challenges with Trump’s tariffs.
With the gazette issued on 10 July, Sri Lanka has imposed a prohibition on the importation of goods produced with forced labour. Now, the challenge will be to effectively enforce the prohibition. And what are the goods produced with forced labour? The USTR list only focuses on aluminum, cotton, electronics, lithium-ion batteries, rice, and tobacco. However, according to the U.S. Department of Labour, the list is much longer. Hence, this list may change continuously during the next two years and tariffs may fluctuate once again.
So, this is definitely not the time to slumber.
(The writer, a retired public servant, can be reached at senadhiragomi@gmail.com)
by Gomi Senadhira ✍️
Features
Tales of Mystery and Suspense 10 Casino for Sale
After the overwhelming grotesquerie of J K Rowling’s latest Cormoran Strike novel (written, I should have noted, as the others were, under the pseudonym Robert Galbraith), I thought I should return to the world of fun, and also a much shorter description since this thriller moves quickly without the layers of detail that Rowling engages in.
I then move to the second comic thriller by Caryl Brahms and S J Simon. This, their second story to feature Vladimir Stroganoff and Adam Quill, was Casino for Sale, as lunatic a romp as the first, though without the emphasis on the ballet that characterized A Bullet in the Ballet.
This one begins with the impresario Stroganoff buying a casino cheap from Baron Sam de Rabinovich, only to find that it was a rundown place, not the grand casino of La Bazouche, a resort on the Frenc+h Riviera, as he had initially thought. The grand one belonged to Lord Buttonhooke, and Stroganoff could not compete, until he thought of bringing the Ballet Stroganoff to the casino – which of course leads to Buttonhooke deciding to have ballet performances in his Casino too.
Stroganoff invites Quill to visit him, which Quill decides to do since he has left Scotland Yard, having come into a legacy. No one believes this, and he has to face questions as to what he did to have been sacked, with sympathy for having been found out.
The day he arrives in La Bazouche there is a murder, of a vitriolic critic called Citrolo, in Stroganoff’s office. He had been going to write a damning review of the opening night of the ballet and Stroganoff, when he realizes Citrolo cannot be swayed, drugs him and dictates the review himself to the papers. He leaves Citrolo sleeping and finds him shot the next morning, whereupon he decides to muddy the waters and leave a suicide note and lots of other murder weapons. So much overkill, as it were, of course ensures that he is arrested.
But the excitable French detective who makes the arrest follows up his suggestion that Buttonhooke was also involved, and so the two casino owners find themselves in cells next door to each other, with the detective Gustave quite happy to provide creature comforts for a fee.
Quill decides he must investigate, and finds Gustave most cooperative, since he has a laid back attitude to work. So it is Quill that finds a notebook which makes it clear Citrolo is an accomplished blackmailer, and that there are lots of possible murderers, including Stroganoff’s croupier, who was crooked, Rabinovich, who was now working for Buttonhooke, a confidence trickster called Kurt Kukumber, whose prospectus for a dud gold mine was found in the office and Prince Alexis Artishok who was engaged in a deal to buy diamonds from the ballerina Dyra Dyrakova.
Stroganoff had been trying to get Dyrakova to dance for him, but having done so previously she had refused. But then to Stroganoff’s chagrin she agreed to dance for Buttonhooke. The clearly crooked Artishok had told Buttonhooke’s mistress Sadie Souse, who was not very bright, that Dyrakova possessed diamonds she was willing to sell cheap, and Sadie was determined to have them.
Quill meanwhile finds out that there was a secret passage to Stroganoff’s office, the obvious solution to what had begun as a locked room mystery, and that this was known by almost everyone apart from Stroganoff himself. And then Rabinovich is murdered, just after Gustave had released his two original suspects, leading him to blame Quill for having insisted on that and thus allowing them to kill again.
Soon afterwards Dyrakova arrives, and the town is full of posters announcing that she will appear in the casinos, elaborate posters for either one, since Stroganoff is determined that she will dance for him, and if she does not come willingly, he has devised a scheme to make her do so unwillingly. So, though Buttonhooke has her taken off to his yacht immediately she arrives at the station, Quill along with Arenskaya gets her into a launch and to Stroganoff’s casino, where she performs to tumultuous applause, not knowing for whom she is dancing.
When Quill asked her about the diamonds, she said she had sold them long ago, and that gave Quill the solution to the mystery. Rabinovich had known about this, and Artishok had killed him to prevent Sadie learning it from him, he had killed Citrolo who had recognized him for an accomplished card sharper, not a Russian prince at all. But before he is arrested, he gets away in a boat, and the police launch that pursues him is on the point of catching him up when it runs out of petrol.
Again, lots of excitement, and entertaining references – Gustave grows marrows – and if not quite as brilliant as its predecessor, Casino was certainly a delightful read.
Features
The challenge of being positive about SAARC
It was a few years back that a former President of Sri Lanka took it on himself to pronounce SAARC ‘dead’. Since then there have been other sections of Sri Lankan opinion that have joined the critics of SAARC and taken the solemn stance that SAARC has indeed died what may be called a natural death.
Their fatalism is understandable. SAARC has failed to meet at heads of government or state level for the past several years to take the SAARC process notably forward. Regional cooperation has more or less been only an appealing idea. No substantive concrete projects have taken off to make the idea a hard reality. ‘Inner paralysis’ seems to be SAARC’s lot. Hence the fatalism in these circles.
However, being one of the worst cash-strapped regions of the world and a teemingly populated one with people virtually left to their devices, what choices do the ‘SAARC Eight’ have other than to try their best to band together and continue with their cooperation efforts, however small they may be?
There is no escaping the mounting debt trap for many of these countries and bankrupt Sri Lanka is a glaring example, but ‘throwing in the towel’ and abandoning themselves entirely to the diktats of the strongest economies and their agencies will prove a ‘living death’ for many countries in the SAARC fold.
The gains may be meagre but giving-up on SAARC cooperation in full would prove self-defeating for the organization and South Asia. Right now, the collective intention ought to be to salvage what the region could from the tenuous cooperative efforts. Moreover, such initiatives could go some distance to generate a degree of goodwill among the Eight and help in sustaining a dialogue process.
Given this backdrop it proved ‘a stich in time’ for the Regional Centre for Strategic Studies (RCSS), Colombo, to recently host the SAARC Secretary General Ambassador Md. Golam Sarwar to a round table discussion on the unifying potential of SAARC and its future possibilities, besides other related issue areas.
Held on June 24th and moderated by RCSS Executive Director and former ambassador Ravinatha Aryasinha, the forum brought together a vibrant, wide ranging audience comprising academicians, diplomats, senior public servants, civil society activists and many others. Following the presentation by Ambassador Golam Sarwar titled, ‘Reigniting SAARC: Achievements, Challenges and the Way Ahead’, a lively Q&A followed.
The above forum could be described as an act of lighting the proverbial ‘candle’ rather than ‘cursing the darkness.’ It surely is a ‘darkness’ that could be seen as daunting considering that the region’s pivotal powers, India and Pakistan, are failing to act in a spirit of accord but are engaged in bitter finger-pointing on a number of questions of vital importance to SAARC.
On the other hand, what is the rest of the region doing to bring the above sides together? It is disappointing that to date the rest of SAARC has failed to launch a major diplomatic drive to bring peace between the feuding regional heavyweights. It needs to act without delay and establish its earnestness and this effort would need to prove SAARC’s staying power in the unfolding months and even years.
In assessing SAARC’s seeming failure local opinion in particular has failed to factor in what could be described as weak leadership. Since Sheikh Mujibur Rahman of Bangladesh, the founding father of SAARC, the region has failed to produce a visionary leader who could advance the SAARC cause with charisma and drive.
Among other reasons, weak leadership accounts considerably for the faltering and stuttering status, as it were, of SAARC. Badly needed are leaders who could go the extra mile, think less of narrow national interests and work diligently towards the collective well being of the region but SAARC’s millions of ordinary people have been made to wait in vain for leaders of such stature. Instead, they have been burdened with politicians who seem to be relishing the apparently moribund state of SAARC.
Looking back, it could be said that it was the dynamic leadership factor that led to the launching of the Non-Aligned Movement and for its sustenance for a few decades. True, it could be seen in some quarters that NAM is no more, but as in the case of SAARC, the former too has been unfortunate to be burdened over the years with politicians who lack the vision and drive to unflaggingly advance the fortunes of the South. NAM and SAARC lack the dynamism and vision of leaders of the stature of Jawaharlal Nehru, for example, to give them the required guidance and intellectual depth.
The reasons are complex for there not being among us currently political leaders with the vision and the steadfast commitment to advance the legitimate interests of the South. However, it could be stated with conviction that the majority of Southern leaders have too easily caved in to the demands of the global North and its financial agencies.
These leaders have failed to see, for instance, that the largely market economy oriented Northern governments would not view with favour a centrist economic model that attaches priority to the interests of the dis-empowered publics of the South. This realization ought to have dawned on the current government in Sri Lanka, for instance, some while ago but it has no choice but to abide by IMF dictates since economic survival at present is unthinkable without the latter’s succour.
Accordingly for SAARC this should be the time for some soul-searching. Priority needs to be attached to ending the feuding between India and Pakistan since at present the material fortunes of the region hinge largely on these regional giants giving peaceful relations among them a try. This is no easy challenge to meet but some daring, visionary diplomacy needs to take hold among the rest of SAARC.
There is some sense in SAARC bringing the peoples of the region together through programs that address their best collective interests. A meeting of minds among SAARC nations could enable SAARC and its agencies to build a region-wide people’s movement for progressive political and economic change that could in turn lead to the region’s political leaders sensitizing themselves more to the neglected needs of their publics.
However, the time is ‘now’ for the initiation of these progressive changes and the voice of SAARC well wishers would need to drown out those of their critics.
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