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The Popular Sinhala Cinema : Rukmani Devi; Mohideen Baig ; Gamini Fonseka

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by Laleen Jayamanne

Rukmani Devi, the first star of the Sinhala cinema and incomparable singer with a unique voice, originally known as Daisy Rasamma Daniel, was a Tamil Christian. It was well known that she couldn’t read or write Sinhala and that her dialogue and lyrics were written in English. Al-Haj Mohideen Baig, who sang some of the most cherished, perennial popular Sinhala film songs (including Budhu Gee), wrote down the Sinhala lyrics in his mother tongue, Urdu. The multilingual Mohideen Baig came to Lanka in 1932 for his brother’s funeral and stayed on. With the guidance of Mohammed Gauss at Columbia records, he began singing on radio soon after. In India he had sung Ghazals in Urdu in his village Salem and also Hindi and Tamil songs.

Once film production began in Lanka, he had a long career as a backup singer, starting with Asokamala (1947). His powerful, textured voice was unique just like Rukmani Devi’s, which made their songs immensely popular. Also, he acted as a beggar in Sujatha (53), walking across landscapes, singing melancholy shoka gee, commenting on the action. His love songs with Rukmani Devi are some of the most heartfelt songs of longing (viraha), in films like Nalagana (1960), which I heard as a child, at the proletarian Gamini theatre Maradana, where their songs blared out vibrating the small theatre and our hearts. Listening to the songs now on YouTube, those memories flood my thoughts (as I write), as only music can, though the films themselves are a faint memory. Gamini was among several Tamil owned cinemas burned down in July 83 race riots.

Here, I wish focus on Rukmani Devi and Baig Master’s careers within the multi-ethnic composition of the Lankan film industry. Gamini Fonseka will make a guest appearance here as a trilingual Sinhala star who built a Tamil fan base. I examine the period from Rukmani Devi’s starring role in the very first Sinhala film Kadawuna Produwa (Broken Promise) in 1947, going beyond her accidental tragic death in 1978, to the murdering of the director K. Vanket in July 83, and concluding with the assassination of the pioneering film producer and entrepreneur, K. Gunaratnam in 1989, by a JVP gunman.

I do this so as to understand anew the cultural value of the early Lankan hybrid popular cinema and its cross-cultural heritage of songs, its multi-ethnic history, through reading and listening carefully to several of its most ardent cinephiles and researchers. They are a group of older, now retired journalists who are in fact the first generation of Sinhala cinephiles and writers of the Lankan cinema, such as A.D. Ranjith Kumara, Sunil Mihindukula former editors of Saraswiya, Ranjan de Silva, Ananda Padmasiri and Ariyasiri Withanage, who have conducted research into those critically maligned early films, their songs and the mass audience and have helped create a film culture through their writing and programming of film songs.

As cinephiles and collectors, their passion for that popular cinema of the past remains undiminished even in retirement. I came across them through a series of informative programmes on Independent Television Network (ITN), directed by Indrasiri Suraweera (available on YouTube). Their careful historical research into the musical traditions of the films, and generosity of spirit should inspire younger generations of critics and intellectuals to do more historical and theoretical work on the Lankan cinema more broadly and not forget its hybrid foundations. It is a cinema I enjoyed as a child, but studied critically while writing my doctorate on female representation in these films. Also, because most of these men were trained as journalists on radio and the print media, they are highly disciplined concise speakers (unlike us verbose academics), so it was a pleasure to listen to them exploring an undervalued period of Lankan mass cultural history. This history has an important relationship to Sinhala Buddhist Nationalism and its relation to the ethnic minorities of the country as well.

A Feminist Perspective on Rukmani Devi’s Career

Rukmani Devi died in a car crash in the early hours of one morning in October 1978. She had been travelling all night from Matara to Negombo, after having sung at a carnival variety show there. While there are numerous accounts of her death in all its detail and of the mass funeral and public mourning recorded on film, there is no discussion of why she was travelling such a long distance all night, from Matara to Negombo, after a ‘hard day’s work…’. As far as I know there is no critical analysis of what happened to her career at midlife and how that might have had some connection to the circumstances leading to that fatal accident. Her career trajectory from super-stardom as both an actress and singer from the 1940s, mingling with political and business leaders and some of the major Indian film stars, appearing on the cover of the Indian film magazine Film Fare, and a long recording and singing career, starting as a girl, from 1938, to end up singing in a variety show down South, is surely an index of the precariousness of her life. Her financial insecurity was also true of the lives of many other people who had worked in the film industry (including technicians, directors, main and supporting actors), in the first decades of Lankan cinema. This dark history should also be included as an essential part of what is often referred to (with pride), by some Sinhala critics as, Sinhala sinamawe wansa kathawa (the illustrious genealogy of the Sinhala cinema).

That Rukmani Devi lived an independent personal life as a professional woman in Lanka, starting quite young as an actress, on stage and film in the late 1940s, strikes me as an important aspect of her career, though the roles available to her on film reinforced feudal patriarchal values. The film Samiya Birindage Deviyaya (The Husband is the Wife’s God, 1963, WMS Tampo), stands as one of the most extreme examples of these oppressive values. It’s been referred to as a ‘women’s picture’, one which ‘they like to watch crying’, said one Sinhala male critic. Hollywood called their version ‘the weepies’, a profitable melodramatic genre targeting the new female spectator-consumer, who attended matinees.

The panellists, Ranjith Kumara has written a book on Rukmani Devi and Ranjan de Silva is a collector of her gramophone records and the song sheets of that era. He is also knowledgeable about Indian musical traditions such as the Raga based Hindustani music and popular Bajan and Ghazal songs for instance. He could hear their precise influences on the best of the early Sinhala film songs and how the originals were adapted and modified, rather than simply copied in the best examples. Appreciating the high quality of the Indian originals, he didn’t simply dismiss the early songs as ‘bad’ just because their origins were ‘Indian’.

His ideas on adaptation are sophisticated and can be used to revise dogmatic views on the early film songs. Most entries on the web simply list Rukmani Devi’s’ films with plot summaries without an analysis of her roles, some even extending her film list to dates well after her death, perhaps their dates of exhibition!

I can find no discussion on how her career ended in sharp decline, and what that means about the economically precarious state of some of the personnel, both men and women in the film industry of that time. There is plenty of adulation and appreciation of Rukmani Devi now as a singer, especially at anniversaries. People still listen to her songs and know her ‘legend’, and sing her songs, but with voices that are very high-pitched and ‘thin’, without her rich timbre nor the wide range of her voice and intensity of feeling. These innate qualities prompted one critic to suggest that she might have been able to sing Western opera as well. There is an unfortunate absence of an account of her as a pioneering female professional actress and singer, the challenges she faced (as a modern high profiled Tamil woman), all of which I think merit research, especially by feminist scholars and critics.

A useful thesis or two may be formulated and written on this and related topics at one of our universities. The existing research by Ranjith Kumara and Ranjan de Silva and younger critics and researchers should be drawn on and extended from a feminist perspective on ‘women and work’ and ‘female representation’ on film. There are a few books written by these older cinephiles, which must be collectors’ items by now. There is a small book by Sarath Ranaweera on Master Baig.

The fact that Rukmani Devi returned to the stage to perform in Dhamma Jargoda’s Vesmuhunu (an adaptation of A street car named desire by Tennessee Williams), either in 69 or 70, was mentioned by Ranjith Kumara, along with a significant anecdote. He said that just before she went on stage to perform as an aristocratic lady (originally Blanche du Bois in Williams’ play), she had insisted on showing her respect to Dhamma in the traditional Sinhala manner of bowing to him by going down on her hands and knees at his feet.

Ranjith Kumara mentions this because, as he rightly says, it was an unusual gesture for a Christian such as Rukmani Devi to perform. Certainly, in our catholic villages, stretching from Uswatakeiyawa to Negombo (Rukmani’s home town with Eddy Jayamanne), there was never such a practice and it still remains quite a foreign gesture to me, though I do appreciate the idea of ‘guru bhakti’ which encodes Rukmani Devi’s gesture. Ranjith Kumara elaborates on this, saying that it was Dhamma’s Shilpiya manasa (artistic intelligence) that Rukmani bowed to. One could take up this fascinating anecdote, told with such perspicacity, a little further.

Cultural Capital: Rukmani Devi and Irangani Serasinghe

I happened to have seen some of the rehearsals of Dhamma’s Vesmuhunu, as an inaugural student of the Art Centre Theatre Studio of 1970/71. If I remember right, Dhamma also did a version of it with Irangani Serasinghe simultaneously, alternating between these two brilliant Lankan actors. Some of us saw both rehearsals in Harrold Peiris’s large open garage at Alfred House, where our workshops were held, before the Lionel Wendt complex was refurbished to house the workshop. So, Rukmani’s unusual gesture of gratitude to Dhamma, I imagine, is because someone of his stature in Lankan theatre had finally given her the gift of playing a serious dramatic role in a modern play. The actress who started her career in the popular Tower Hall Nurti plays of the 40s and the Minerva theatre of B.A.W. Jayamanne, was finally given the opportunity to act in a modern western classic. Kumara also mentioned how much Rukmani Devi appreciated being able to act in Lester James Peries’ Ahasin Polowata (From the Sky to the Earth) where the Nimal Mendis song she sang won her a posthumous award.

There are several other famous global super stars who have yearned recognition and respect as ‘serious’ actors. The most famous of course being Marlin Monroe who produced The Prince and the Showgirl just so she could act with the famous British Shakespearean actor, Lawrence Olivier, while she was still married to Arthur Miller the famous American playwright. For unusually gifted super stars such as these, popularity alone is insufficient, knowing full well how ephemeral, limited and confining their popular ‘sexy’ image is for them, they longed for something more durable to work on, something with cultural and intellectual capital, one might now say.

Perhaps reading Rukmani’s autobiography (Mage Jeevitha Vitti), might provide more leads into the intricate intersections between her life and work, which in her case are especially inseparable, unlike that of any other Lankan film star I know of. Her use of the word ‘vitti’ (information), rather than ‘katha’ (story) suggests that she knew how to protect herself, her privacy. Rukmani Devi’s career started with her elopement and marriage, while still a minor, and she never stopped working in the dominant language which was not her mother tongue, having done only a few performances in Tamil. Whereas, many Lankan Sinhala female stars have left their careers at the height of their popularity to get married and have a family. Most memorably Jeevarani Kurukulasuriya (who formed such a popular romantic duo with Gamini Fonseka, our first male action hero), abandoned her career at marriage.

Dharmasena Pathiraja’s comments, at the official celebration held by the then president Maithripala Sirisena (along with the former president Chandrika Bandaranayaka), to mark the 50th anniversary of his professional work in the Lankan film industry, are relevant in thinking about Rukmani Devi’s predicament. He undercut the idea that he had worked ‘professionally’ in the ‘Lankan film industry’. He asked, rhetorically but politely:

“What Industry? How can there be an industry without capital, if there is no professional stability and proper infrastructure? When we look at the sad last days of Rukmani Devi, Domi Jayawardhana and Eddie Jayamanne, how can we speak of an industry? I wasn’t a filmmaker professionally, was anyone able to make a living professionally? I made a living by teaching as a lecturer from 1968-2008. (Maha lokuwata, arambaye sita karmanthayak gana katha keruwath, ape athdakeema anuwa wurthiya sthawarathwayk nathnam kohomada karmanthayak thienne!) The people who say there is an industry are the exhibitors and some producers.”

These starkly realist comments may be taken as an important starting point for future research into the economic, cultural and biographical histories of stars of the Lankan cinema, by young scholars. Clearly, Pathiraja knew from within what exactly had happened to these once very popular actors late in their lives. Perhaps it’s not too late yet to do some oral history before those with personal memory and deep knowledge of the vital early decades also pass away.

I remember visiting Master Hugo Fernando (who did comic routines with his little knot of hair tied at the back and large umbrella tucked under his arm), to talk about the ethos of the old days, which he did so graciously. Kumara and de Silva’s research is indispensable in this regard. Irangani Serasinghe would probably welcome a chance to talk about working with both Dhamma and Rukmani on the same play simultaneously, a most unusual experiment only he could have devised. I feel, in doing so, he was paying homage to two of Lanka’s uniquely popular actors from vastly different social worlds and actorly traditions, with very different cultural capital.

There is a strange symmetry in their career trajectories, but going in opposite directions. Irangani became a beloved house hold name only after the advent of the teledramas once Television was introduced in the late 70s. Prior to that, her acting began at the University Dram Soc where she famously played the heroine in the Greek classic Antigone. After her training at Royal Academy of Dramatic Art, she acted in the English language theatre and in the films of Lester beginning with Rekava (1956). Her repertoire included Shakespeare, Chekov, Lorca, Brecht and others. This also led her to play in Sinhala theatre as well.

During this time, she was recognised as one of our finest actors in both languages, but was not a household name as her work was consistently on the English stage. In contrast, Rukmani was a national figure of great adoration as an actress and singer on film and radio starting from the 40s. While Irangani worked in the domain of high-culture, Rukmani Devi created a Lankan popular mass culture (with Master Baig and others), through her films and songs. But with each change of taste, fashion and the fact of ageing, her film appeal diminished. But her resilience at self-reinvention is evident when she joined the group Los Cabelleros, singing Sinhala pop songs to Latin rhythms, with a show in Jaffna where she sang in Tamil.

I wonder if her Sinhala fans were curious enough to ask her to sing in Tamil as well. In her later years she longed to perform in work that was considered intellectually serious, engaged art. And this chance she did get but belatedly with Dhamma, while Irangani, through her later work in tele-dramas and films, has been able to continue her career well into her 90s and also become a cherished ‘national treasure’. Just as some critics dismissed the early Sinhala films dependent on Indian models, there are those who are critical of many teledramas for their low quality and diluting of popular taste and powers of discrimination. Unlike Irangani’s, Rukmani’s career trajectory marks a sad decline, as Pathiraja stated so forcefully. Therefore, all the massive outpouring of love and grief at her death is no compensation for the loss of worthwhile work. After all she died at only 55 with so much untapped creativity still left.

I am not alone in thinking that Lanka failed this rare artist of national and international stature, as it did Master Mohideen Baig (but more of him later). A visiting Indian star on hearing Rukmani Devi sing had said that, had she been born in India she would have been far more famous. Perhaps like the iconic singer Latha Mangeshkar, of whom Kumar Shahani once said: ‘If India has a heart, then that would be Latha Mangeshkar.’ Singing melancholy songs (Shoka Geetha), but with poetic lyrics written especially for her in Tamil and Sinhala, Rukmani Devi might have become, for all of us, (irrespective of our ethnic differences), Lanka’s sole soulful female voice. Baig Master was the only singer who sang with Mangeshkar, who also sang a song in Sinhala.

Rukmani Devi’s unerring ear meant that she could ‘pass’ as Sinhala, without a trace of her Tamil mother tongue inflecting her enunciation of the words. This ability was not a matter of aesthetics alone within the history of race relations in modern Sri Lanka, then Ceylon. In fact, the ability to pronounce ‘correctly’ the Sinhala word for bucket as ‘baldi’, became a sign of one’s ethnic identity during anti-Tamil riots in July 83. Saying ‘valdi’ instead of ‘baldi’ resulted even in death.

Mohideen Baig, a Muslim, who sang duets with Rukmani Devi, did so with a slight Urdu inflected accent and yet he was an essential part of Sinhala cinema and radio with mass appeal for much of the early period. Together, they evoked a haunting feeling of pathos tinged with a melancholy mood (viraha), in many of their songs, most especially in Jeevana me gamana sansare (samsare of this life’s journey).

Muttusamy and Rocksamy were the leading composers of music for the songs in Sinhala, though there were many other Tamil and Muslim musicians working in the industry as well. Even after better educated writers of lyrics entered the industry these highly skilled musicians continued to compose for them. For example, while Karunaratna Abeysekara wrote the lyrics for Kurul Badda the music was by Muttusamy. Rocksamy composed the music for Dharmasena Pathiraja’s great Tamil language film Ponmani, a truly innovative score in that the main song in the Karnataka idiom is repeated as a refrain, creating an emotional commentary on the main violent action. He also played the saxophone which was banned by the Sinhala nationalists at Radio Ceylon as being a brass Western instrument!

To be continued…



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Features

When floods strike: How nations keep food on the table

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Floods in Colombo. Image couretesy WB

Insights from global adaptation strategies

Sri Lanka has been heavily affected by floods, and extreme flooding is rapidly becoming one of the most disruptive climate hazards worldwide. The consequences extend far beyond damaged infrastructure and displaced communities. The food systems and supply networks are among the hardest hit. Floods disrupt food systems through multiple pathways. Croplands are submerged, livestock are lost, and soils become degraded due to erosion or sediment deposition. Infrastructural facilities like roads, bridges, retail shops, storage warehouses, and sales centres are damaged or rendered inaccessible. Without functioning food supply networks, even unaffected food-producing regions struggle to continue daily lives in such disasters. Poor households, particularly those dependent on farming or informal rural economies, face sharp food price increases and income loss, increasing vulnerability and food insecurity.

Many countries now recognie that traditional emergency responses alone are no longer enough. Instead, they are adopting a combination of short-term stabilisation measures and long-term strategies to strengthen food supply chains against recurrent floods. The most common immediate response is the provision of emergency food and cash assistance. Governments, the World Food Programme, and other humanitarian organisations often deliver food, ready-to-eat rations, livestock feed, and livelihood support to affected communities.

Alongside these immediate measures, some nations are implementing long-term strategic actions. These include technology- and data-driven approaches to improve flood preparedness. Early warning systems, using satellite data, hydrological models, and advanced weather forecasting, allow farmers and supply chain operators to prepare for potential disruptions. Digital platforms provide market intelligence, logistics updates, and risk notifications to producers, wholesalers, and transporters. This article highlights examples of such strategies from countries that experience frequent flooding.

China: Grain Reserves and Strategic Preparedness

China maintains a large strategic grain reserve system for rice, wheat, and maize; managed by NFSRA-National Food and Strategic Reserves Administration and Sinograin (China Grain Reserves Corporation (Sinograin Group), funded by the Chinese government, that underpins national food security and enables macro-control of markets during supply shocks. Moreover, improvements in supply chain digitization and hydrological monitoring, the country has strengthened its ability to maintain stable food availability during extreme weather events.

Bangladesh: Turning Vulnerability into Resilience

In recent years, Bangladesh has stood out as one of the world’s most flood-exposed countries, yet it has successfully turned vulnerability into adaptive resilience. Floating agriculture, flood-tolerant rice varieties, and community-run grain reserves now help stabilise food supplies when farmland is submerged. Investments in early-warning systems and river-basin management have further reduced crop losses and protected rural livelihoods.

Netherlands, Japan: High-Tech Models of Flood Resilience

The Netherlands offers a highly technical model. After catastrophic flooding in 1953, the country completely redesigned its water governance approach. Farmland is protected behind sea barriers, rivers are carefully controlled, and land-use zoning is adaptive. Vertical farming and climate-controlled greenhouses ensure year-round food production, even during extreme events. Japan provides another example of diversified flood resilience. Following repeated typhoon-induced floods, the country shifted toward protected agriculture, insurance-backed farming, and automated logistics systems. Cold storage networks and digital supply tracking ensure that food continues to reach consumers, even when roads are cut off. While these strategies require significant capital and investment, their gradual implementation provides substantial long-term benefits.

Pakistan, Thailand, Indonesia, and Vietnam: Reform in Response to Recurrent Floods

In contrast, Pakistan and Thailand illustrate both the consequences of climate vulnerability and the benefits of proactive reform. The 2022 floods in Pakistan submerged about one-third of the country, destroying crops and disrupting trade networks. In response, the country has placed greater emphasis on climate-resilient farming, water governance reforms, and satellite-based crop monitoring. Pakistan as well as India is promoting crop diversification and adjusting planting schedules to help farmers avoid the peak monsoon flood periods.

Thailand has invested in flood zoning and improved farm infrastructure that keep markets supplied even during severe flooding. Meanwhile, Indonesia and Vietnam are actively advancing flood-adapted land-use planning and climate-resilient agriculture. For instance, In Vietnam’s Mekong Delta, pilot projects integrate flood-risk mapping, adaptive cropping strategies, and ecosystem-based approaches to reduce vulnerability in agricultural and distribution areas. In Indonesia, government-supported initiatives and regional projects are strengthening flood-risk-informed spatial planning, adaptive farming practices, and community-based water management to improve resilience in flood-prone regions. (See Figure 1)

The Global Lesson: Resilience Requires Early Investment

The global evidence is clear: countries that invest early in climate-adaptive agriculture and resilient logistics are better able to feed their populations, even during extreme floods. Building a resilient future depends not only on how we grow food but also on how we protect, store, and transport it. Strengthening infrastructure is therefore central to stabilising food supply chains while maintaining food quality, even during prolonged disruptions. Resilient storage systems, regional grain reserves, efficient cold chains, improved farming infrastructure, and digital supply mapping help reduce panic buying, food waste, and price shocks after floods, while ensuring that production capacity remains secure.

Persistent Challenges

However, despite these advances, many flood-exposed countries still face significant challenges. Resources are often insufficient to upgrade infrastructure or support vulnerable rural populations. Institutional coordination across the agriculture, disaster management, transport, and environmental sectors remains weak. Moreover, the frequency and scale of climate-driven floods are exceeding the design limits of older disaster-planning frameworks. As a result, the gap between exposure and resilience continues to widen. These challenges are highly relevant to Sri Lanka as well and require deliberate, gradual efforts to phase them out.

The Role of International Trade and global markets

When domestic production falls in such situations, international trade serves as an important buffer. When domestic production is temporarily reduced, imports and regional trade flows can help stabilise food availability. Such examples are available from other countries. For instance, In October 2024, floods in Bangladesh reportedly destroyed about 1.1 million tonnes of rice. In response, the government moved to import large volumes of rice and allowed accelerated or private-sector imports of rice to stabilize supply and curb food price inflation. This demonstrates how, when domestic production fails, international trade/livestock/food imports (from trade partners) acted as a crucial buffer to ensure availability of staple food for the population. However, this approach relies on well-functioning global markets, strong diplomatic relationships, and adequate foreign exchange, making it less reliable for economically fragile nations. For example, importing frozen vegetables to Sri Lanka from other countries can help address supply shortages, but considerations such as affordability, proper storage and selling mechanisms, cooking guidance, and nutritional benefits are essential, especially when these foods are not widely familiar to local populations.

Marketing and Distribution Strategies during Floods

Ensuring that food reaches consumers during floods requires innovative marketing and distribution strategies that address both supply- and demand-side challenges. Short-term interventions often include direct cash or food transfers, mobile markets, and temporary distribution centres in areas where conventional marketplaces become inaccessible. Price stabilisation measures, such as temporary caps or subsidies on staple foods, help prevent sharp inflation and protect vulnerable households. Awareness campaigns also play a role by educating consumers on safe storage, cooking methods, and the nutritional value of unfamiliar imported items, helping sustain effective demand.

Some countries have integrated technology to support these efforts; in this regard, adaptive supply chain strategies are increasingly used. Digital platforms provide farmers, wholesalers, and retailers with real-time market information, logistics updates, and flood-risk alerts, enabling them to reroute deliveries or adjust production schedules. Diversified delivery routes, using alternative roads, river transport, drones, or mobile cold-storage units, have proven essential for maintaining the flow of perishable goods such as vegetables, dairy, and frozen products. A notable example is Japan, where automated logistics systems and advanced cold-storage networks help keep supermarkets stocked even during severe typhoon-induced flooding.

The Importance of Research, Coordination, and Long-Term Commitment

Global experience also shows that research and development, strong institutional coordination, and sustained national commitment are fundamental pillars of flood-resilient food systems. Countries that have successfully reduced the impacts of recurrent floods consistently invest in agricultural innovation, cross-sector collaboration, and long-term planning.

Awareness Leads to Preparedness

As the summary, global evidence shows that countries that act early, plan strategically, and invest in resilience can protect both people and food systems. As Sri Lanka considers long-term strategies for food security under climate change, learning from flood-affected nations can help guide policy, planning, and public understanding. Awareness is the first step which preparedness must follow. These international experiences offer valuable lessons on how to protect food systems through proactive planning and integrated actions.

(Premaratne (BSc, MPhil, LLB) isSenior Lecturer in Agricultural Economics Department of Agricultural Systems, Faculty of Agriculture, Rajarata University. Views are personal.)

Key References·

Cabinet Secretariat, Government of Japan, 2021. Fundamental Plan for National Resilience – Food, Agriculture, Forestry and Fisheries / Logistics & Food Supply Chains. Tokyo: Cabinet Secretariat.

· Delta Programme Commissioner, 2022. Delta Programme 2023 (English – Print Version). The Hague: Netherlands Delta Programme.

· Hasanuddin University, 2025. ‘Sustainable resilience in flood-prone rice farming: adaptive strategies and risk-sharing around Tempe Lake, Indonesia’, Sustainability. Available at: https://www.mdpi.com/2071-1050/17/6/2456 [Accessed 3 December 2025].

· Mekong Urban Flood Resilience and Drainage Programme (TUEWAS), 2019–2021. Integrated urban flood and drainage planning for Mekong cities. TUEWAS / MRC initiative.

· Ministry of Agriculture and Rural Affairs, People’s Republic of China, 2025. ‘China’s summer grain procurement surpasses 50 mln tonnes’, English Ministry website, 4 July.

· National Food and Strategic Reserves Administration (China) 2024, ‘China purchases over 400 mln tonnes of grain in 2023’, GOV.cn, 9 January. Available at: https://english.www.gov.cn/archive/statistics/202401/09/content_WS659d1020c6d0868f4e8e2e46.html

· Pakistan: 2022 Floods Response Plan, 2022. United Nations / Government of Pakistan, UN Digital Library.

· Shigemitsu, M. & Gray, E., 2021. ‘Building the resilience of Japan’s agricultural sector to typhoons and heavy rain’, OECD Food, Agriculture and Fisheries Papers, No. 159. Paris: OECD Publishing.

· UNDP & GCF, 2023. Enhancing Climate Resilience in Thailand through Effective Water Management and Sustainable Agriculture (E WMSA): Project Factsheet. UNDP, Bangkok.

· United Nations Development Programme (UNDP), 2025. ‘Rice Bank revives hope in flood hit hill tracts, Bangladesh’, UNDP, 19 June.

· World Bank, 2022. ‘Bangladesh: World Bank supports food security and higher incomes of farmers vulnerable to climate change’, World Bank press release, 15 March.

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Can we forecast weather precisely?

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“Even the flap of a butterfly in one corner of the world could cause a cyclone in a distant location weeks later “Edward Lorenz - American mathematician and meteorologist.

Weather forecasts are useful. People attentively listen to them but complain that they go wrong or are not taken seriously. Forecasts today are more probabilistically reliable than decades ago. The advancement of atmospheric science, satellite imaging, radar maps and instantly updated databases has improved the art of predicting weather.

Yet can we predict weather patterns precisely? A branch of mathematics known as chaos theory says that weather can never be foretold with certainty.

The classical mechanics of Issac Newton governing the motion of all forms of matter, solid, liquid or gaseous, is a deterministic theory. If the initial conditions are known, the behaviour of the system at later instants of time can be precisely predicted. Based on this theory, occurrences of solar eclipses a century later have been predicted to an accuracy of minutes and seconds.

The thinking that the mechanical behaviour of systems in nature could always be accurately predicted based on their state at a previous instant of time was shaken by the work of the genius French Mathematician Henri Poincare (1864- 1902).

Eclipses are predicted with pinpoint accuracy based on analysis of a two-body system (Earth- Moon) governed by Newton’s laws. Poincare found that the equivalent problem of three astronomical bodies cannot be solved exactly – sometimes even the slightest variation of an initial condition yields a drastically different solution.

A profound conclusion was that the behaviour of physical systems governed by deterministic laws does not always allow practically meaningful predictions because even a minute unaccountable change of parameters leads to completely different results.

Until recent times, physicists overlooked Poincare’s work and continued to believe that the determinism of the laws of classical physics would allow them to analyse complex problems and derive future happenings, provided necessary computations are facilitated. When computers became available, the meteorologists conducted simulations aiming for accurate weather forecasting. The American mathematician Edward Lorenz, who turned into a reputed meteorologist, carried out such studies in the early 1960s, arrived at an unexpected result. His equations describing atmospheric dynamics demonstrated a strange behaviour. He found that even a minute change (even one part in a million) in initial parameters leads to a completely different weather pattern in the atmosphere. Lorenz announced his finding saying, A flap of a butterfly wing in one corner of the world could cause a cyclone in a far distant location weeks later! Lorenz’s work opened the way for the development branch of mathematics referred to as chaos theory – an expansion of the idea first disclosed by Henri Poincare.

We understand the dynamics of a cyclone as a giant whirlpool in the atmosphere, how it evolves and the conditions favourable for their origination. They are created as unpredictable thermodynamically favourable relaxation of instabilities in the atmosphere. The fundamental limitations dictated by chaos theory forbid accurate forecasting of the time and point of its appearance and the intensity. Once a cyclone forms, it can be tracked and the path of movement can be grossly ascertained by frequent observations. However, absolutely certain predictions are impossible.

A peculiarity of weather is that the chaotic nature of atmospheric dynamics does not permit ‘long – term’ forecasting with a high degree of certainty. The ‘long-term’ in this context, depending on situation, could be hours, days or weeks. Nonetheless, weather forecasts are invaluable for preparedness and avoiding unlikely, unfortunate events that might befall. A massive reaction to every unlikely event envisaged is also not warranted. Such an attitude leads to social chaos. The society far more complex than weather is heavily susceptible to chaotic phenomena.

by Prof. Kirthi Tennakone (ktenna@yahoo.co.uk)

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When the Waters Rise: Floods, Fear and the ancient survivors of Sri Lanka

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A fresh water tank as a Mugger habitat (Photo- Anslem de Silva)

The water came quietly at first, a steady rise along the riverbanks, familiar to communities who have lived beside Sri Lanka’s great waterways for generations. But within hours, these same rivers had swollen into raging, unpredictable forces. The Kelani Ganga overflowed. The Nilwala broke its margins. The Bentara, Kalu, and Mahaweli formed churning, chocolate-brown channels cutting through thousands of homes.

When the floods finally began to recede, villagers emerged to assess the damage, only to be confronted by another challenge: crocodiles. From Panadura’s back lanes to the suburbs of Colombo, and from the lagoons around Kalutara to the paddy fields of the dry zone, reports poured in of crocodiles resting on bunds, climbing over fences, or drifting silently into garden wells.

For many, these encounters were terrifying. But to Sri Lanka’s top herpetologists, the message was clear: this is what happens when climate extremes collide with shrinking habitats.

“Crocodiles are not invading us … we are invading floodplains”

Sri Lanka’s foremost crocodile expert, Dr. Anslem de Silva, Regional Chairman for South Asia and Iran of the IUCN/SSC Crocodile Specialist Group, has been studying crocodiles for over half a century. His warning is blunt.

“When rivers turn into violent torrents, crocodiles simply seek safety,” he says. “They avoid fast-moving water the same way humans do. During floods, they climb onto land or move into calm backwaters. People must understand this behaviour is natural, not aggressive.”

In the past week alone, Saltwater crocodiles have been sighted entering the Wellawatte Canal, drifting into the Panadura estuary, and appearing unexpectedly along Bolgoda Lake.

“Saltwater crocodiles often get washed out to sea during big floods,” Dr. de Silva explains. “Once the current weakens, they re-enter through the nearest lagoon or canal system. With rapid urbanisation along these waterways, these interactions are now far more visible.”

This clash between wildlife instinct and human expansion forms the backdrop of a crisis now unfolding across the island.

A conflict centuries old—now reshaped by climate change

Sri Lanka’s relationship with crocodiles is older than most of its kingdoms. The Cūḷavaṃsa describes armies halted by “flesh-eating crocodiles.” Ancient medical texts explain crocodile bite treatments. Fishermen and farmers around the Nilwala, Walawe, Maduganga, Batticaloa Lagoon, and Kalu Ganga have long accepted kimbula as part of their environment.

But the modern conflict has intensified dramatically.

A comprehensive countrywide survey by Dr. de Silva recorded 150 human–crocodile attacks, with 50 fatal, between 2008 and 2010. Over 52 percent occurred when people were bathing, and 83 percent of victims were men engaged in routine activities—washing, fishing, or walking along shallow margins.

Researchers consistently emphasise: most attacks happen not because crocodiles are unpredictable, but because humans underestimate them.

Yet this year’s flooding has magnified risks in new ways.

“Floods change everything” — Dr. Nimal D. Rathnayake

Herpetologist Dr. Nimal Rathnayake says the recent deluge cannot be understood in isolation.

“Floodwaters temporarily expand the crocodile’s world,” he says. “Areas people consider safe—paddy boundaries, footpaths, canal edges, abandoned land—suddenly become waterways.”

Once the water retreats, displaced crocodiles may end up in surprising places.

“We’ve documented crocodiles stranded in garden wells, drainage channels, unused culverts and even construction pits. These are not animals trying to attack. They are animals trying to survive.”

According to him, the real crisis is not the crocodile—it is the loss of wetlands, the destruction of natural river buffers, and the pollution of river systems.

“When you fill a marsh, block a canal, or replace vegetation with concrete, you force wildlife into narrower corridors. During floods, these become conflict hotspots.”

Arm attacked by a crocodile (Photo – Anslem de Silva)

The leg is the part of the body most often targeted. (Photo – Anslem de Silva)

Past research by the Crocodile Specialist Group shows that more than 300 crocodiles have been killed in retaliation or for meat over the past decade. Such killings spike after major floods, when fear and misunderstanding are highest.

“Not monsters—ecosystem engineers” — Suranjan Karunaratne

On social media, flood-displaced crocodiles often go viral as “rogue beasts.” But conservationist Suranjan Karunaratne, also of the IUCN/SSC Crocodile Specialist Group, says such narratives are misleading.

“Crocodiles are apex predators shaped by millions of years of evolution,” he says. “They are shy, intelligent animals. The problem is predictable human behaviour.”

In countless attack investigations, Karunaratne and colleagues found a repeated pattern: the Three Sames—the same place, the same time, the same activity.

“People use the same bathing spot every single day. Crocodiles watch, learn, and plan. They hunt with extraordinary patience. When an attack occurs, it’s rarely random. It is the culmination of observation.”

He stresses that crocodiles are indispensable to healthy wetlands. They: control destructive catfish populations, recycle nutrients, clean carcasses and diseased fish, maintain biodiversity, create drought refuges through burrows used by amphibians and reptiles.

“Removing crocodiles destroys an entire chain of ecological services. They are not expendable.”

Karunaratne notes that after the civil conflict, Mugger populations in the north rebounded—proof that crocodiles recover when given space, solitude, and habitat.

Nimal D. Rathnayake

Floods expose a neglected truth: CEEs save lives—if maintained In high-risk communities, Crocodile Exclusion Enclosures (CEEs) are often the only physical barrier between people and crocodiles. Built along riverbanks or tanks, these enclosures allow families to bathe, wash, and collect water safely.

Yet Dr. de Silva recounts a tragic incident along the Nilwala River where a girl was killed inside a poorly maintained enclosure. A rusted iron panel had created a hole just large enough for a crocodile to enter.

“CEEs are a life-saving intervention,” he says. “But they must be maintained. A neglected enclosure is worse than none at all.”

Despite their proven effectiveness, many CEEs remain abandoned, broken or unused.

Climate change is reshaping crocodile behaviour—and ours

Sri Lanka’s floods are no longer “cycles” as described in folklore. They are increasingly intense, unpredictable and climate-driven. The warming atmosphere delivers heavier rainfall in short bursts. Deforested hillsides and filled wetlands cannot absorb it.

Rivers swell rapidly and empty violently.

Crocodiles respond as they have always done: by moving to calmer water, by climbing onto land, by using drainage channels, by shifting between lagoons and canals, by following the shape of the water.

But human expansion has filled, blocked, or polluted these escape routes.

What once were crocodile flood refuges—marshes, mangroves, oxbow wetlands and abandoned river channels—are now housing schemes, fisheries, roads, and dumpsites.

Garbage, sand mining and invasive species worsen the crisis

The research contained in the uploaded reports paints a grim but accurate picture. Crocodiles are increasingly seen around garbage dumps, where invasive plants and waste accumulate. Polluted water attracts fish, which in turn draw crocodiles.

Excessive sand mining in river mouths and salinity intrusion expose crocodile nesting habitats. In some areas, agricultural chemicals contaminate wetlands beyond their natural capacity to recover.

In Borupana Ela, a short study found 29 Saltwater crocodiles killed in fishing gear within just 37 days.

Such numbers suggest a structural crisis—not a series of accidents.

Unplanned translocations: a dangerous human mistake

For years, local authorities attempted to reduce conflict by capturing crocodiles and releasing them elsewhere. Experts say this was misguided.

“Most Saltwater crocodiles have homing instincts,” explains Karunaratne. “Australian studies show many return to their original site—even if released dozens of kilometres away.”

Over the past decade, at least 26 Saltwater crocodiles have been released into inland freshwater bodies—home to the Mugger crocodile. This disrupts natural distribution, increases competition, and creates new conflict zones.

Living with crocodiles: a national strategy long overdue

All three experts—Dr. de Silva, Dr. Rathnayake and Karunaratne—agree that Sri Lanka urgently needs a coordinated, national-level mitigation plan.

* Protect natural buffers

Replant mangroves, restore riverine forests, enforce river margin laws.

* Maintain CEEs

They must be inspected, repaired and used regularly.

* Public education

Villagers should learn crocodile behaviour just as they learn about monsoons and tides.

* End harmful translocations

Let crocodiles remain in their natural ranges.

* Improve waste management

Dumps attract crocodiles and invasive species.

* Incentivise community monitoring

Trained local volunteers can track sightings and alert authorities early.

* Integrate crocodile safety into disaster management

Flood briefings should include alerts on reptile movement.

“The floods will come again. Our response must change.”

As the island cleans up and rebuilds, the deeper lesson lies beneath the brown floodwaters. Crocodiles are not new to Sri Lanka—but the conditions we are creating are.

Rivers once buffered by mangroves now rush through concrete channels. Tanks once supporting Mugger populations are choked with invasive plants. Wetlands once absorbing floodwaters are now levelled for construction.

Crocodiles move because the water moves. And the water moves differently today.

Dr. Rathnayake puts it simply:”We cannot treat every flooded crocodile as a threat to be eliminated. These animals are displaced, stressed, and trying to survive.”

Dr. de Silva adds:”Saving humans and saving crocodiles are not competing goals. Both depend on understanding behaviour—ours and theirs.”

And in a closing reflection, Suranjan Karunaratne says:”Crocodiles have survived 250 million years, outliving dinosaurs. Whether they survive the next 50 years in Sri Lanka depends entirely on us.”

For now, as the waters recede and the scars of the floods remain, Sri Lanka faces a choice: coexist with the ancient guardians of its waterways, or push them into extinction through fear, misunderstanding and neglect.

By Ifham Nizam

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