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Unravelling artistic thread with Dr Ayesha Wickramasinghe

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By Zanita Careem

Dr. Ayesha Wickramasinghe, who is the champion of the National Crafts Council plays a pivotal role in promoting and developing the local handicrafts. She has served as a Senior Lecturer at the University of Moratuwa specialising in Design and Production development since 2006. With her wealth of experience, she brings extensive professional expertise in Brand Promotion and Design from Sri Lanka, the United Kingdom and the United States. An old girl from Southlands College Galle, she graduated with first class honors in fashion design and production development from the University of Moratuwa. She also , holds a postgraduate degree from London and a doctorate from the University of the Visual and Performing Arts, Sri Lanka.

Stepping away from the techdriven expectations often tied to her generation, she believed craft wasnt just art, it was life and identity. In a world of hush and rush, deadlines and competition, her journey reminds of the beauty of persistence,creativity and the simple joy of doing what we love!In this interview, Ayesha explains the trajectory of her career, her work, inspiration and her empowering story.

Your journey?

My journey is rooted in a deep appreciation for tradition, artistry, and cultural identity. Growing up in Weragoda, a village in the Galle District, I was immersed in a lifestyle shaped by community, nature, and craft. These early experiences inspired my academic and professional path—first as a designer and educator, and now as Chairperson of the National Crafts Council of Sri Lanka.

Where did your interest in craft and making come from?

My interest stems from home and heritage. My mother, a primary school teacher, introduced me to flat pattern cutting and early creative expression. Surrounded by traditional crafts and nature, I grew up observing weaving, embroidery, and natural colors—realizing that craft wasn’t just art, it was life and identity.

Can you tell us about your academic and creative background?

I began my education at St. Theresa’s Primary School, later moving to Southlands College, Galle. After excelling in Bio-Science for A/Ls, I pursued a Bachelor of Design in Fashion Design and Product Development degree at the University of Moratuwa, graduating with First Class Honours and receiving a Gold Medal. I completed Master of Arts in Fashion Technology at the London College of Fashion, University of the Arts, London and completed my doctorate (PhD) focused on the evolution of women’s clothing in Sri Lanka. As a Senior Lecturer, my work blends fashion, textile, crafts, heritage, culture, and sustainability.

Your career as an artist?

Though I identify more as a researcher and creative practitioner, art has always shaped my work. Childhood memories of weaving tools from my grandmother’s old handloom center, along with a fascination for color in nature, designing, sculpting and paintings, fueled my artistic exploration. My projects bridge design and heritage, often reviving traditional techniques through a contemporary lens.

Your work with the Crafts Council of Sri Lanka?

As Chairperson of the National Crafts Council (NCC), I help lead efforts to preserve and promote Sri Lanka’s craft heritage while supporting over 20,000 artisans. From craft village development to initiatives like Shilpa Abhimani, the craftsmen training programmes, market access, and connecting crafts with tourism and younger generations.

What are your thoughts on the significance of crafts, heritage, and culture?

Craft is the soul of a nation—it links hands, minds, and hearts. It teaches patience, creativity, and cultural identity. Our heritage is rich with around over 30 craft traditions, and integrating craft education can instill pride and resilience in today’s fast-paced world.

Are we doing enough as a country to preserve our culture and heritage?

While commendable efforts are underway, there’s more to be done. Preservation must be embedded in education, policy, and public mindset. True change comes when people value their own culture and products—embracing what the world now calls “hyper-localism.”

Can traditional crafts find their niche in modern interiors?

Absolutely. Traditional crafts bring warmth, character, and authenticity to contemporary spaces. If artisans understand current market trends and adapt their presentation, these crafts can thrive in modern design contexts undoubtedly.

How can we create deeper awareness and appreciation of crafts?

Storytelling and education are key. People need to understand the time, skill, and meaning behind handmade work. Platforms like exhibitions, documentaries, media and school programs can help build this appreciation and pride in our own heritage.

Thoughts on national funding for art?

National funding is essential and should be seen as an investment in cultural and economic sustainability. Strategic public-private partnerships can support artisans, drive innovation, and promote cultural tourism to boost the national economy.

What are the key challenges facing artisans today?

Artisans face raw material shortages, policies, limited market access, undervaluation of their work, and weak generational continuity. Economic instability often discourages youth from joining the sector and lack of research and development initiatives for craft sector is crucial. These challenges need integrated solutions.

Where do you see the Sri Lankan craft industry heading?

With the right support, Sri Lankan crafts are poised for a revival. As global demand grows for sustainability and authenticity, our heritage can shine—offering rich stories and concepts, sustainable raw material and packaging, skilled and high-quality artistry, and cultural depth to the world.



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Life style

Emirates marks a significant milestone

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Introducing A 350 on Colombo route

It was a breathtaking afternoon when Emirates welcomed the Sri Lankan media and industry leaders aboard its Airbus 350 to offer a taste of Emirates luxury travel experience recently.

This marked a significant milestone introducing an exciting new dimension in air travel to and from the destination of Colombo .

This aircraft combines next generation cabin design and exceptional passenger comfort paired with outstanding onboard services . Speaking to the media and industrial leaders, Esa Sulaiman Ahamed Senior Vice President West Asia and Indian Ocean Commercial Operations at Emirates said this new aircraft will bring a fresh experience to the Sri Lankan travellers. We’ve been in the market for 30 years, and he reaffirmed thier dedication to boost regional connectivity and tourism by deploying the A350 on the Colombo route. He highlighted that the introduction of A350 the largest aircraft in the Emirates fleet,to the Colombo route was a significant milestone

Emirates created a benchmark in air travelrecently by presenting the first experience on the Colombo Dubai route the A 350 which will now operate six days a week.

Emirates Premium economy was quite a luxury with interiors in cream coloured leather and wood panelling similar to the Business Class. The elegant cream and bronze cabin was accented with the significant ghaf tree motif Each 195 inch seat was designed to provide maximum comfort and supported with six way adjustable headrests and a generous recline.

Each seat has a wide screen, in addition to in seat charging points and a wood finished side cocktail table One of the hostesses gave the media an insight into the premium class dining experience. She said “There is a welcome drink served in fine glassware and a selection of meals made with seasonal ingredients served on Royal Doultan Cliver tableware with stainless cutlery. Premium economy customers are also offered an extended list of beverages she added. She highlighted its advanced features ,including mood lighting,noise reduction technology and the airlines award winning inflight entertainment system

The Emirates A350 aircraft offers three cabin classes with 32 next generation business class seats, 21 premium economy and 259 economy class seats.

This airline also showcased the latest in cabin innovation and all in all what we saw was maximum customer comfort. The other notable features included a newly designed more comfortable economy class ,upgraded business class and premium economy cabins with ultra responsive touchscreen, extra high quality high ceilings with wider aisles in all classes and faster wi-fi with uninterrupted across all A350 destinations all designed to make every journey a blend of style, comfort and sophiticated elegance. We were infomed that Emirates has 65 A350s joining its fleet in the years to come.

Emirates began operation in Sri Lanka in April 1986 and they have always supported the country’s tourism and expat industries with passenger and cargo services.

By Zanita Careem

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Behind the sparkle

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Nabeela Yaseen, founder of Stoned Jewellery shares her creative journeyfrom design inspiration to building a popular brand of her own Her exotic pieces of jewellery on display reflected her artistry and passion that defines her brand.

Nabeela Yaseen

Recently she had an exclusive Mother’s Day celebration with a display of her Stoned Jewellery collection at The Design Collective situated at Kirillapone . On display, were jewellery zones of beautifully crafted intricate jewellery with memory making experiences The atmosphere and ambience that was created that evening were of beauty, gratitude and sparkle.

The concept of Stoned Jewellery was established in 2019 by Nabeela Yaseen. The celebrations for Mothers Day at the Design Collective was titled “Get Mum Stoned” this dazzling soiree brought together great moments, a sense of camaraderie and of course a gemstone gift for every mum.

In true stoned style, the celebration that evening reflected individuality of each mother’s love to every daughteror son From customised keepsakes to heartfelt notes from their children, every gift was more than just a stone, but had a emotional story woven into it. There was also personalised jewellery zones where each mum received a gem stone with a momento in addition to memory making booths that turned emotions into tangible keepsakes,

We believe jewellery is more than an adornment, its connection, identity and magic have a powerful emotional appeal said Nabeela. This mothers’s day event event is our way of honouring the love of every mum said the founder. Stoned jewellery as told by Nabeela is a brand uprooted in emotion, individuality and conscious craftsmanship. Our designs are inspired by stones and stories . Our timeless pieces speak not just shine.

She stressed that the mission of the brand is to make every woman feel great in her own skin.

 

(ZC)

Pix by Thushara Attapathu

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Saving Sri Lanka’s vanishing wild

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Nations Trust WNPS monthly lecture

Time is Running Out: Saving Sri Lanka’s vanishing wild from elephants to wildcats, from vanishing forests to fading oceans, and the silent extinction of endemics — Sri Lanka’s natural heritage is on the brink, and time is running out to save it lead by Prof. Sevvandi Jayakody, Prof. Enoka Kudavidanage, Prof Sampath Seneviratne and Jehan CanagaRetna,

Joined by project field researchers Gihani Hettiarachchi, Pavithra Attanayake, Thilina M. Kumarasiri and Upuli Madarasinghe 6 pm, Thursday, 22 May 2025, Jasmine Hall, BMICH

The WNPS calls on conservationists and changemakers to join a bold conversation about the future of Sri Lanka’s biodiversity.

Time is Running Out: Saving Sri Lanka’s Vanishing Wild

. This lecture will spotlight four critical, high-stakes conservation battles unfolding right now: the escalating Human-Elephant Conflict, the silent vanishing of Sri Lanka’s majestic wildcats, the urgent need for ecosystem restoration on land and sea, and the race against extinction for the country’s unique endemic species.

But this is no dry recital of facts. This will be a thought-provoking, no-holds-barred session that challenges, inspires, and empowers every participant. You’ll hear about real-world solutions driven by science, fieldwork, and community action — and most importantly, how you can be part of the fight.

This is not a lecture for the sidelines. It’s a rallying cry. Because when it comes to conservation in Sri Lanka, inaction is extinction.

The time to get involved, to act, to protect, and to restore, is now. Because for our wildlife, our forests, our oceans, and our children’s future — time really is running out.

Prof. Sevvandi Jayakody Chair of Sri Lanka’s National Mangrove Expert Committee and Marine Conservation Lead at WNPS, Sevvandi is a driving force behind blue carbon and mangrove restoration initiatives.

Prof. Enoka Kudavidanage

A respected conservation biologist and Co-Chair of the WNPS Wild Cats Subcommittee, she brings deep expertise in Sri Lanka’s ecosystem dynamics.

Prof. Sampath Seneviratne

Attached to the University of Colombo. He also is a research scientist, a forester, a conservationist, and a public communicator. He loves birding, tracking wildlife & planting.

Jehan CanagaRetna Immediate Past President of WNPS, Jehan is a seasoned conservation advocate. A passionate voice for human-elephant coexistence, Jehan chairs the WNPS HEC Subcommittee​.

With sharing of insights from the field work on key conservation initiatives Gihani Hettiarachchi Project Coordinator researching human-wildlife coexistence, Gihani leads leopard conservation efforts with a people-focused approach through WNPS–LOLC.

Pavithra Attanayake Senior Executive at WNPS PLANT

, Pavi drives science-based, community-led ecosystem restoration and education with over eight years’ experience.

Thilina M. Kumarasiri Biologist and MPhil researcher,

Thilina leads mangrove restoration work, championing blue carbon ecosystem conservation in Sri Lanka.

Upuli Madarasinghe Field officer at the HEC Centre,

Upuli bridges communities and conservation, pioneering grassroots solutions to human-elephant conflict.

This lecture will be held on 22nd May g-et inspired by science, stories from the field, and real-world solutions. Be part of the change — before time runs out

The lecture is supported by Nations Trust Bank and is open to both members and non members, Entrance Free

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