Life style
The ‘living canvas’ – that is Galle Fort
By Zinara Rathnayake
Galle Literary Festival’s Art Trail features
exhibitions, open houses and artists’ tours and turns Sri Lanka’s Galle Fort into ‘living canvas’
Staged alongside the Galle Literary Festival in Sri Lanka, the Art Trail has art shows, open houses and artists’ tours and makes a ‘living canvas’ of Galle FortGalle is a gateway to explore the island’s south coast, with its lavishly decorated homes, resorts and hotels designed by eminent Sri Lankan architects
“No other place in the whole island represents the trouser-wearing, cricket-watching modern Sri Lankan like Galle Fort,” says tour guide Shanjei Perumal, founder of Galle Fort Walks.
Perumal leads his guests along the ramparts of the 17th-century UNESCO Heritage site, which overlooks the Indian Ocean in southern Sri Lanka, and through its narrow, cobblestone streets, past sun-dappled, bougainvillea-draped walls and serendipitously placed bicycles that make for irresistible photo opportunities.
Perumal says that the fort, with its art deco spaces and mix of European and Moorish architecture, continues to inspire the art and design of contemporary Sri Lanka.
That influence will be in focus this month along the Art Trail, which is being hosted alongside the Galle Literary Festival (January 25 to 28) and turns Galle Fort into a “living canvas”.
The trail will take in hotels, Dutch-era mansions and residential homes hosting exhibitions by local and international artists, workshops and meet-and-greet events.
The trail shows how art creates an “alternative experience for tourists to explore the country in a more exciting manner”, says Azara Jaleel, editor-in-chief of Sri Lanka’s Artra Magazine, which is a co-host of the event.
Jaleel says the Art Trail aims to capture the resilience of Sri Lankans, who have had a lot to contend with, including deadly Easter 2019 bombings and a devastating economic collapse.
“We want to show how within the place of pain and paranoia, you can see emerging artists who are resilient, capturing the beauty of the country,” Jaleel says.
And there are few better venues in Sri Lanka in which to display art that not only survives, but also thrives, than Galle Fort.
The Galle peninsula was an important trading hub, ruled by the Portuguese in the 16th century and in the 17th century by the Dutch, who built a fortified city, housing 500 families and administrative buildings.
The British took over the island’s coastal belt in the late 18th century.
Much of the fortified city remains, within which are hotels and restaurants with charming courtyards sandwiched between residential buildings, schools, banks, jeweller’s shops and century-old family-run breakfast restaurants.
“I find Galle Fort very significant because of how it’s taken meaning over the years,” says Jaleel, explaining the influences bestowed by colonial powers and Arab traders, and how the district shelters a small but harmonious community, with churches, Buddha images, Hindu temples and mosques standing side by side within its walls.
“And today, it’s also home to antique shops and jewellers, and the expat community conducting interesting art galleries,” she says.
One of the latter is Stick No Bills, a producer of stylized poster art representing various cities and countries. The company’s flagship store has been housed in the Fort since 2011.
Co-founder Meg Gage Williams explains that Stick No Bills was born during the years of recovery that followed the devastating Indian Ocean tsunami in 2004 and a nearly three-decade-long civil conflict on the island.

Lunuganga, on the banks of Sri Lanka’s Dedduwa Lake, was the country residence of architect Geoffrey Bawa.
“Our image library speaks of natural beauty, hope, playfulness, and of overcoming adversity, which are a part of every Sri Lankan,” says Williams.
One of the boutique’s bestselling posters is called Enfield Ride, Island Wide and features a motorcycle rider racing down a winding road with an Indiana Jones-style map in one corner charting his route from “Ceylon’s” tea plantations to the paddy fields and on to the coast.
As integral as Galle Fort is, where art and design are concerned the island’s southern coastal region – the “multicultural powerhouse of Sri Lanka”, as Williams describes it – has a lot more to offer.
A stay here is as close as one gets to Sri Lanka’s architectural soul.
About 60km up the west coast from Galle is the town of Bentota, which was home to the late Geoffrey Bawa, Sri Lanka’s most celebrated architect.
Here Bawa (1919-2003) turned a dilapidated six-hectare (15-acre) rubber estate on the banks of Dedduwa Lake into his country residence, Lunuganga, with intimate nooks, frangipani gardens, muraled walls and decorative antiques.
Today Lunuganga, where Bawa lived for four decades, is a boutique hotel. Guided tours of the estate pass through Bawa’s original suite, with its private courtyard and a plunge pool.
“Every corner here unveils an insight into [Bawa’s] design philosophies and mastery,” says Johanna Jameel, group operations manager at Teardrop Hotels, which operates the hotel.
“Lunuganga was his passion, but most important, a place where his work continued, and in many ways continues to this day. A stay here is as close as one gets to Sri Lanka’s architectural soul.”
Villa No 5 was the former home of late artist Ena de Silva, which was dismantled in Colombo and re-assembled in the grounds of Lunuganga.
Further north, visitors can tour Brief Garden. Designed by the late landscape architect Bevis Bawa, Geoffrey’s brother, the estate includes the artist’s former residence and garden, with bathing spaces enclosed in ivy-covered walls, ponds and culs-de-sac.
A 20-minute ride away, past paddy fields and country gardens, is Cinnamon Bentota Beach, another Geoffrey Bawa-designed hotel that makes an eye-catching first impression; in this case with a large, vivid ceiling tapestry of Ena de Silva’s batik art, completed with wax-resist dyeing.
Elsewhere, spaces are dedicated to the works of home-grown artists such as the late Barbara Sansoni, who designed a handloom ceiling for the hotel’s bar, and Ismeth Raheem, a writer and architect who also paints panels.
Early 2023 saw the opening of Kayaam House, a boutique beachside resort to the east of Galle. The work of local architect Sudesh Nanayakkara, the house mimics a sanctuary with the concept of “space” as the core design philosophy, with many nooks and crannies offering guests immersion into the surroundings.
With Dutch and Portuguese architectural influences, the house blends modern Sri Lankan aesthetics with open arches, cane lights and Persian blue-painted window panes.
While coconut palms frame the hotel’s large pool against the backdrop of the Indian Ocean, open spaces are adorned with antiques from all over the island; the spa entrance, for example, is flanked by a vibrant antique temple door from Jaffna.
With its nuanced history, legacy buildings and contemporary-design-led art galleries, the south coast of Sri Lanka makes for a perfect art and design getaway.
(South China Morning Post)
Pics by Zinara Rathnayake
Life style
Elegant threads of tradition: Darshi Batik at Sheraton
As the Colombo skyline softens into golden hour “Sundown with Buddhi Batiks “at Sheraton Colombo unfolded as a seamless blend of heritage and contemporary elegance – an experience that felt both intimate and visually striking.
The evening drew a crowd that reflected the very essence of the brand it celebrated refined, creative and deeply connected with flowing silhouettes, to cultural and the quiet hum of conversation over curated cocktails.
Buddhi Batiks with Darshi Keerthisena is a label celebrated for transforming Sri Lankan batik into modern, wearable art. Her story telling through fabric where each piece reflected craftsmanship, culture, and a contemporary design language. The collection leaned into effortless elegance, resort ready kaftans, structured yet fluid dresses and statement pieces that moved as beautifully as they look. The atmosphere was electrifying. Guest sipped on delicated curated cocktails as soft music hummed in the background, creating an ambience that felt both exclusive and deeply relaxed.
More than aesthetics, Buddhi Batiks tells stores. Each motif, each gradation of colour carried a sense of place and memory.
Buddhi Batiks is proof that fashion can honour heritage without compromising on glamour, with every brush stroke of wax and every hand dyed.
The event, aptly named Sundown, was an ode to the timeless elegance of Sri Lankan craftsmanship, seamless fabrics woven into contemporary silhouettes that speak to a global sensibility.
The collection by Buddhi Batiks drew inspiration from Sri Lanka’s natural landscape, from the shimmering coastlines to the lush inland jungle, translated into vivid patterns and textures on display.
- High Commissioner of Indonesia in Sri Lanka- Dewi Gustina Tobing
- Every fold tells a story
The brand celebrated Sri Lankan’s rich artistic legacy while embracing a global fashion vision.
There are designers who wear fashion and then there are designers who live fashion, Darshi Keerthisena, creative director and CEO of Buddhi Batiks, belongs to the latter. She hasn’t merely followed a family tradition. She has reimagined it, transforming Sri Lankan batiks from a cultural craft into a globally resonant fashion statement. Under Dharshi’s leadership, Buddhi Batiks has evolved far beyond traditional cotton saris. She has introduced silk, geogette and satin as canvasses for Batik, infusing pieces with contemporary silhouettes and subtle, sophisticated colour stories that appeal to international design sensibilities. Her innovations have taken batik onto global platforms.
Darshi’s innovation isn’t only stylistic, it is ethical. She has championed sustainable practises, such as digital printing on recycled textiles and eco friendly dyes, while keeping handmade batik at the heart of the brand.
Her career has been marked by accolades and awards Dharshi’s vision for batik is expansive. She sees it not just on runaway gowns or resort wear, but translated into interiors, accessories and everyday life, capable of transcending borders while keeping the soul of Sri Lankan artisan’s heritage alive.
Sheraton Colombo Sri Lanka’s most prestigious 5-star hotels with Paul Sun, General Manager and his dedicated team, [played a key role and the hotel’s assistance went beyond providing a venue, it was a seamless blend of hospitality, event management and creative support.
By Zanita Careem
Life style
Farzana redefining power and purpose for women
Farzana Baduel stands as a powerful voice in global communication and a passionate advocate for women’s empowerment making her perspective especially relevant on International Women’s Day. As CEO of Curzon PR,in UK she has built a career defined by influence, resilience and purpose championing the advancement of women’s leadership.
(Q) How would you describe the role of women in the UK today and how does it compare to women’s role in Sri Lanka?
(A) Women in the UK today hold positions of real influence across politics, business, media, academia and the creative industries. There are strong legal protections around equality and conversations about gender parity have become mainstream. But equality in law does not always translate to equality in lived experience, particularly when it comes to pay gaps, the weight of childcare, and who actually occupies the most senior positions.
Sri Lanka presents a genuinely fascinating paradox. It elected the world’s first female Prime Minister in 1960, yet many women still face structural and cultural constraints, especially outside urban centres. What strikes me about Sri Lankan women is their extraordinary resilience and entrepreneurial spirit, often demonstrated within more traditional frameworks. That combination of ambition and adaptability is something I find deeply impressive.
Both countries are progressing. But both still have considerable work to do.
(Q) Are there areas where UK women face challenges that Sri Lankan women may not, or vice versa?
(A) In the UK, one of the most persistent challenges is what I would describe as the double burden: professional ambition sitting alongside disproportionate domestic responsibility. There is also the very modern pressure of digital culture, the weight of image, comparison, online abuse and public scrutiny that affects women in ways men rarely experience to the same degree.
In Sri Lanka, the challenges tend to be more structural. Economic instability, limited access to opportunity in rural areas, and in some cases stronger social conservatism around gender roles all shape what is possible for women. And yet extended family networks in Sri Lanka can offer something many women in the UK genuinely lack: built in childcare, intergenerational support, a community that holds you.
The pressures differ. But the underlying theme is remarkably consistent. Women everywhere are negotiating expectations that men are simply not asked to meet.
(Q) How do you define what it means to be a woman today, and have there been moments where your gender shaped your opportunities or challenges?
(A) To me, being a woman today means navigating complexity with strength. It means holding ambition and empathy in the same space without apologising for either. It means being commercially sharp and emotionally intelligent. Above all, it means resilience.
There have certainly been moments in my career where being a woman changed the dynamic in a room, particularly in senior advisory spaces involving government or corporate leadership. Early on, I sometimes had to prove competence before being taken seriously. Over time I came to understand that credibility does not come from changing who you are. It comes from deep expertise and calm authority.
Gender shapes experience. But it does not have to define potential.
(Q) How can women lift each other up in workplaces, communities and society at large?
(A) By being genuinely generous with opportunity. Sponsorship matters far more than mentorship. It is powerful when senior women actively advocate for other women in rooms those women are not in. That kind of invisible advocacy changes careers.
By rejecting scarcity thinking. There is not only one seat at the table.
And by modelling integrity. When women support each other publicly and privately, it does not just help individuals. It changes workplace cultures entirely.
(Q) Do you believe women are getting enough representation in leadership roles? If not, what needs to change?
(A) Progress has been made. But representation at the very top, in boardrooms and in global political leadership, remains deeply uneven. And the solution is not simply about recruiting more women. It is about changing the systems they are recruited into: flexible leadership structures, normalised parental leave for both men and women, transparent promotion criteria, and zero tolerance for the kind of subtle bias that is so easy to dismiss but so corrosive over time.
Representation is not about optics. It is about influence. Those are not the same thing.
(Q) What societal expectations or stereotypes have you personally encountered as a woman?
(A) The most persistent one is the idea that women must choose between warmth and authority, that being decisive risks being labelled difficult. Men are rarely subjected to that framing. A decisive man is simply a leader.
There is also the expectation that women should balance everything effortlessly, as though the juggle should be invisible. The reality is that balance is dynamic, often imperfect, and occasionally held together by nothing more than determination and strong coffee.
(Q) What challenges do women face in accessing healthcare or support, and how can society improve this?
(A) Even in developed countries, women’s health is frequently under researched and under prioritised, particularly around reproductive health, menopause and mental health. This is not a niche issue. It affects half the population.
Improvement requires sustained investment in research, workplace policies that recognise women’s health realities, and a collective willingness to remove the stigma that still clings to these conversations. Health is not a private inconvenience. It is a public priority.
(Q) Do you feel women are encouraged enough to pursue their passions alongside family and work responsibilities?
(A) The encouragement exists in rhetoric. The practical support frequently does not. True encouragement requires structural foundation: affordable childcare, flexible working arrangements, and a cultural acceptance that ambition in women is not selfish. It is not something that requires justification.
Women should never feel they must apologise for aspiration.
(Q) How do media portrayals of women impact society’s perception of them?
(A) Media shapes norms in ways we often do not notice until we look back. When women are portrayed primarily through the lens of appearance, domestic roles or conflict narratives, it quietly narrows the public imagination about what leadership looks like.
When media platforms showcase women as thinkers, strategists, innovators and policymakers, something opens up, especially for young girls who are watching and deciding, consciously or not, what is possible for them. Representation shapes expectation. That is not a small thing.
(Q) What changes would you most like to see for women in the next decade?
(A) Economic parity, not just participation. Greater support for women entrepreneurs. More women shaping foreign policy and global governance. A healthier and kinder public discourse online.
But most importantly, I would like to see confidence. Young women growing up without internalised limits, without the quiet voice that tells them to take up less space. That, more than any policy change, is what transforms the next generation.
(Q) And finally, how do you define what it means to be a woman today?
(A) To be a woman today is to stand fully in your capability without shrinking for anyone’s comfort. It is to embrace both strength and compassion, not as opposites but as complements. It is to define yourself rather than accept the definitions others impose upon you.
And perhaps most importantly, it is to leave the path a little wider for the women who come after you.
Life style
From Hanoi to Colombo: Women leading change across borders
Grace, resilience and quiet determination define the women of both Vietnam and Sri Lanka, two nations bound not only by rich cultural heritage, but by the enduring strength of their women. As the world marked International Women’s Day, the interview with the Vietnamese Ambassador in Sri Lanka offers a compelling lens into how tradition and modernity intervine to shape the lives of women across these societies Women in Vietnam and Sri Lanka continue to redifine their roles, balancing family, career and ambition with remarkable pause. While their journeys were shaped by distinct histories and cultural naunces there is a shared narrative of perseverance, adaptability and progress. In this interview the envoy reflects on these parallels and contrasts, offering insight into the evolving status of women. The challenges, they face and the inspiring strides being made towards equality.
Q How would you describe the role of women in Vietnam compared to Sri Lankan women?
A Women in Vietnam and Sri Lanka share many important similarities. In both societies, women are known for their diligence, resilience, and strong sense of responsibility toward family and community. Having experienced periods of war, conflict, and economic hardship, women in both countries deeply understand the values of sacrifice, solidarity, and perseverance. They often carry multiple roles at the same time—caregivers, income earners, and community supporters. In both countries, there has been an increasingly active participation of women in the workforce, including trade, manufacturing, SMEs, as well as in the leadership. It is meaningful to recognize these shared qualities that quietly but steadily contribute to social stability and national development.
Q From your personal experience, what defines a modern woman in your country?
A From my personal experience, a modern woman is someone who strives for balance rather than choosing between roles. She values education, independence, and self-development, while remaining deeply committed to her family and social responsibilities. She is confident, adaptable, and increasingly comfortable using technology and global networks. At the same time, she respects cultural values and traditions, selecting what is meaningful rather than rejecting them entirely. Modern women today are not defined only by career success, but by their ability to manage multiple responsibilities with empathy, resilience, and purpose.
Q Have you seen a significant change in women’s roles over the past decade?
A Yes, there have been noticeable and positive changes over the past decade. More women are pursuing higher education, entering diverse professional fields, and participating actively in economic and social life. Attitudes toward women’s leadership and decision-making roles have gradually improved, especially among younger generations. At the same time, women continue to shoulder major responsibilities within the family. This dual role has become more visible and more openly discussed. While challenges remain, the growing recognition of women’s contributions—both at work and at home—reflects a meaningful shift toward a more inclusive understanding of development.
Q Women in Vietnam are often visible in trade and entrepreneurship. How does this compare with Sri Lanka?
A Women in both Vietnam and Sri Lanka demonstrate a strong entrepreneurial spirit, particularly in trade, services, and family-based businesses. Many women engage in economic activities not only for personal ambition, but also to support their families and contribute to their communities. In both countries, women entrepreneurs are known for their adaptability, hard work, and practical approach to business. While the scale and sectors may differ, the underlying motivation and resilience are remarkably similar. With better access to finance, markets, and mentoring, women in both societies have great potential to further expand their entrepreneurial impact.
Q Do you think society equally values women’s economic contributions in both countries?
A Societal recognition of women’s economic contributions has improved, but full equality has not yet been achieved in either country. Women’s income is increasingly important for household stability, yet their unpaid care work often remains invisible. Professional success is respected, but women are still expected to prioritize family responsibilities. This creates pressure to constantly balance multiple roles. It is important to acknowledge that true equality means valuing both paid and unpaid work, and creating supportive environments that allow women to contribute economically without compromising their well-being or family life.
Q Vietnam has relatively strong female participation in governance. What drives this? Why is female representation still low in Sri Lanka?
A Both Vietnam and Sri Lanka recognize the importance of women’s participation in governance, and both have many capable women leaders. Differences in representation are largely shaped by institutional structures and political culture rather than women’s ability or commitment. Where supportive frameworks, mentoring, and clear pathways exist, women are more likely to enter public leadership.
In Sri Lanka, many talented women also serve their communities in different ways, though public roles can be more demanding to combine with family responsibilities. Creating more supportive and flexible pathways can help more women step forward and share their perspectives, enriching decision-making and social cohesion.
Q What are the most pressing issues women still face today?
A One of the most pressing challenges women face today is achieving a healthy balance between work, family responsibilities, and personal life. Women continue to carry a disproportionate share of caregiving and household duties, even when they are fully engaged in professional work. Gender inequality in wages, leadership opportunities, and decision-making persists. Social expectations often require women to excel in all areas simultaneously, creating emotional and physical strain. Addressing these issues requires not only policy support—such as childcare and flexible work—but also cultural change that encourages shared responsibility and mutual respect.
Q Do globalization and social media help accelerate gender equality?
A Globalization and social media can play a positive role in accelerating gender equality by expanding access to information, markets, and role models. They allow women to connect, learn, and express their voices beyond traditional boundaries. Many women entrepreneurs and professionals have benefited from digital platforms. However, these tools also bring challenges, including online harassment and unrealistic social pressures. Their impact depends on how responsibly they are used and supported. When combined with education, digital literacy, and safeguards, globalization and social media can become powerful tools for women’s empowerment.
Q How do you see the future of women evolving in the next 10 years?
A Over the next decade, I expect women to play an even more visible role in leadership, entrepreneurship, and innovation. Flexible work models and digital technologies will help more women participate in the economy while managing family responsibilities. Younger generations are already embracing more balanced views on gender roles and shared caregiving. While challenges will remain, especially in achieving true equality, the overall direction is positive. With sustained support from institutions, families, and society, women’s contributions will continue to shape more inclusive and resilient communities.
Q What can Sri Lanka learn from Vietnam in terms of empowering women economically?
A Sri Lanka can draw useful lessons from Vietnam’s emphasis on integrating women into value chains, supporting small businesses, and linking skills training with market access. Practical support—such as simplified procedures, access to finance, and business networks—helps women move from informal activities to sustainable enterprises. Equally important is recognizing women’s economic roles publicly and socially. Empowerment is most effective when economic opportunity is combined with family support and social respect. These shared principles are especially meaningful and highlight when celebrated International Women’s Day on 8 March.
By Zanita Careem
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