Connect with us

Life style

The ‘living canvas’ – that is Galle Fort

Published

on

The Galle Literary Festival is promoting Sri Lanka’s varied arts scene. Its Art Trail includes exhibitions, artist walks and open houses and turns Galle Fort into a “living canvas”. an antique shop inside the fort.

By Zinara Rathnayake

Galle Literary Festival’s Art Trail features
exhibitions, open houses and artists’ tours and turns Sri Lanka’s Galle Fort into ‘living canvas’

Staged alongside the Galle Literary Festival in Sri Lanka, the Art Trail has art shows, open houses and artists’ tours and makes a ‘living canvas’ of Galle FortGalle is a gateway to explore the island’s south coast, with its lavishly decorated homes, resorts and hotels designed by eminent Sri Lankan architects

“No other place in the whole island represents the trouser-wearing, cricket-watching modern Sri Lankan like Galle Fort,” says tour guide Shanjei Perumal, founder of Galle Fort Walks.

Perumal leads his guests along the ramparts of the 17th-century UNESCO Heritage site, which overlooks the Indian Ocean in southern Sri Lanka, and through its narrow, cobblestone streets, past sun-dappled, bougainvillea-draped walls and serendipitously placed bicycles that make for irresistible photo opportunities.

Perumal says that the fort, with its art deco spaces and mix of European and Moorish architecture, continues to inspire the art and design of contemporary Sri Lanka.

That influence will be in focus this month along the Art Trail, which is being hosted alongside the Galle Literary Festival (January 25 to 28) and turns Galle Fort into a “living canvas”.

The trail will take in hotels, Dutch-era mansions and residential homes hosting exhibitions by local and international artists, workshops and meet-and-greet events.

The ceiling tapestry inside Cinnamon Bentota Beach hotel was designed by batik artist Ena de Silva

The trail shows how art creates an “alternative experience for tourists to explore the country in a more exciting manner”, says Azara Jaleel, editor-in-chief of Sri Lanka’s Artra Magazine, which is a co-host of the event.

Jaleel says the Art Trail aims to capture the resilience of Sri Lankans, who have had a lot to contend with, including deadly Easter 2019 bombings and a devastating economic collapse.

“We want to show how within the place of pain and paranoia, you can see emerging artists who are resilient, capturing the beauty of the country,” Jaleel says.

And there are few better venues in Sri Lanka in which to display art that not only survives, but also thrives, than Galle Fort.

The Galle peninsula was an important trading hub, ruled by the Portuguese in the 16th century and in the 17th century by the Dutch, who built a fortified city, housing 500 families and administrative buildings.

The British took over the island’s coastal belt in the late 18th century.

Brief Garden, home and estate of the late landscape architect Bevis Bawa, in Sri Lanka.

Much of the fortified city remains, within which are hotels and restaurants with charming courtyards sandwiched between residential buildings, schools, banks, jeweller’s shops and century-old family-run breakfast restaurants.

“I find Galle Fort very significant because of how it’s taken meaning over the years,” says Jaleel, explaining the influences bestowed by colonial powers and Arab traders, and how the district shelters a small but harmonious community, with churches, Buddha images, Hindu temples and mosques standing side by side within its walls.

“And today, it’s also home to antique shops and jewellers, and the expat community conducting interesting art galleries,” she says.

One of the latter is Stick No Bills, a producer of stylized poster art representing various cities and countries. The company’s flagship store has been housed in the Fort since 2011.

Co-founder Meg Gage Williams explains that Stick No Bills was born during the years of recovery that followed the devastating Indian Ocean tsunami in 2004 and a nearly three-decade-long civil conflict on the island.

Lunuganga, on the banks of Sri Lanka’s Dedduwa Lake, was the country residence of architect Geoffrey Bawa.

“Our image library speaks of natural beauty, hope, playfulness, and of overcoming adversity, which are a part of every Sri Lankan,” says Williams.

One of the boutique’s bestselling posters is called Enfield Ride, Island Wide and features a motorcycle rider racing down a winding road with an Indiana Jones-style map in one corner charting his route from “Ceylon’s” tea plantations to the paddy fields and on to the coast.

As integral as Galle Fort is, where art and design are concerned the island’s southern coastal region – the “multicultural powerhouse of Sri Lanka”, as Williams describes it – has a lot more to offer.

A stay here is as close as one gets to Sri Lanka’s architectural soul.

About 60km up the west coast from Galle is the town of Bentota, which was home to the late Geoffrey Bawa, Sri Lanka’s most celebrated architect.

Here Bawa (1919-2003) turned a dilapidated six-hectare (15-acre) rubber estate on the banks of Dedduwa Lake into his country residence, Lunuganga, with intimate nooks, frangipani gardens, muraled walls and decorative antiques.

Today Lunuganga, where Bawa lived for four decades, is a boutique hotel. Guided tours of the estate pass through Bawa’s original suite, with its private courtyard and a plunge pool.

“Every corner here unveils an insight into [Bawa’s] design philosophies and mastery,” says Johanna Jameel, group operations manager at Teardrop Hotels, which operates the hotel.

“Lunuganga was his passion, but most important, a place where his work continued, and in many ways continues to this day. A stay here is as close as one gets to Sri Lanka’s architectural soul.”

Villa No 5 was the former home of late artist Ena de Silva, which was dismantled in Colombo and re-assembled in the grounds of Lunuganga.

Further north, visitors can tour Brief Garden. Designed by the late landscape architect Bevis Bawa, Geoffrey’s brother, the estate includes the artist’s former residence and garden, with bathing spaces enclosed in ivy-covered walls, ponds and culs-de-sac.

A 20-minute ride away, past paddy fields and country gardens, is Cinnamon Bentota Beach, another Geoffrey Bawa-designed hotel that makes an eye-catching first impression; in this case with a large, vivid ceiling tapestry of Ena de Silva’s batik art, completed with wax-resist dyeing.

Elsewhere, spaces are dedicated to the works of home-grown artists such as the late Barbara Sansoni, who designed a handloom ceiling for the hotel’s bar, and Ismeth Raheem, a writer and architect who also paints panels.

Early 2023 saw the opening of Kayaam House, a boutique beachside resort to the east of Galle. The work of local architect Sudesh Nanayakkara, the house mimics a sanctuary with the concept of “space” as the core design philosophy, with many nooks and crannies offering guests immersion into the surroundings.

With Dutch and Portuguese architectural influences, the house blends modern Sri Lankan aesthetics with open arches, cane lights and Persian blue-painted window panes.

While coconut palms frame the hotel’s large pool against the backdrop of the Indian Ocean, open spaces are adorned with antiques from all over the island; the spa entrance, for example, is flanked by a vibrant antique temple door from Jaffna.

With its nuanced history, legacy buildings and contemporary-design-led art galleries, the south coast of Sri Lanka makes for a perfect art and design getaway.

(South China Morning Post)

Pics by Zinara Rathnayake



Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Life style

What I Do, What I Love: A Life Shaped by Art, Wilderness and Truth

Published

on

In a country where creative pursuits are often treated as indulgences rather than vocations, Saman Halloluwa’s journey stands apart — carved patiently through brushstrokes, framed through a camera lens, and articulated through the written word. Painter, wildlife and nature photographer, and independent environmental journalist, Halloluwa inhabits a rare space where art, ecology and social responsibility converge.

His relationship with art began not in galleries or exhibitions, but in a classroom. From his school days, drawing was not simply a subject but an instinct — a language through which he learned to observe, interpret and respond to the world around him. Under the guidance of two dedicated mentors, Ariyaratne Guru Mahathaya and Gunathilaka Guru Mahathaya, he honed both skill and discipline. Those early lessons laid the foundation for a lifelong engagement with visual storytelling.

“His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes.”

That commitment eventually materialised in two solo art exhibitions. The first, held in 2012, marked his formal entry into Sri Lanka’s art scene. The second, staged in Colombo in 2024, was a more mature statement — both in content and confidence. Featuring nearly fifty paintings, the exhibition drew an encouraging public response and reaffirmed his place as an artist with a distinct visual voice.

His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes. There is restraint in his use of form and colour, and an underlying dialogue between memory and space. Yet, despite positive reception, Halloluwa speaks candidly about the structural challenges faced by artists in Sri Lanka. Recognition remains limited; fair valuation even rarer.

“This is not merely an artistic issue,” he observes. “It is a social and economic problem.”

In Sri Lanka, art is often viewed through the lens of affordability rather than artistic merit. Many approach a painting by first calculating the contents of their wallet, not the value of the idea or labour behind it. In contrast, he notes, art in Europe and many other regions is treated as cultural capital — an investment in identity, history and thought. Until this mindset shifts, local artists will continue to struggle for sustainability.

The decisive push toward wildlife photography came from Professor Pujitha Wickramasinghe, a close friend who recognised both Halloluwa’s observational skills and his affinity with nature. From there, the journey deepened under the mentorship of senior wildlife photographer Ravindra Siriwardena.

Both mentors, he insists, deserve acknowledgment not merely as teachers but as ethical compasses. In a field increasingly driven by competition and spectacle, such grounding is invaluable.

Saman Halloluwa

Wildlife photography, Halloluwa argues, is among the most demanding visual disciplines. It cannot be improvised or rushed. “This is an art that demands restraint,” he says.

Among all subjects, elephants hold a special place in his work. Photographing elephants is not merely about proximity or scale, but about understanding behaviour. Observing social patterns, movement, mood and interaction transforms elephant photography into a constantly evolving challenge. It is precisely this complexity that draws him repeatedly to them.

Halloluwa is cautiously optimistic about the current surge of interest in wildlife photography among Sri Lankan youth. Opportunities have expanded, with local and international competitions, exhibitions and platforms becoming more accessible. However, he issues a clear warning: passion alone is not enough

Sri Lanka, he believes, is uniquely positioned in the global nature photography landscape. Few countries offer such concentrated biodiversity within a compact geographical area. This privilege, however, carries responsibility. Nature photography should not merely aestheticise wildlife, but foster respect, aware ness and conservation.

Parallel to his visual work runs another equally significant pursuit — environmental journalism. For the past seven to eight years, Halloluwa has worked as an independent environmental journalist, giving voice to ecological issues often sidelined in mainstream discourse. His entry into the field was guided by Thusara Gunaratne, whose encouragement he acknowledges with gratitude.

An old boy of D.S. Senanayake College, Colombo, Halloluwa holds a Diploma in Writing and Journalism from the University of Sri Jayewardenepura and has completed journalism studies at the Sri Lanka Press Institute. He is currently pursuing an Advanced Certificate in Wildlife Management and Conservation at the Open University of Sri Lanka — a testament to his belief that learning must remain continuous, especially in a rapidly changing ecological landscape.

Outside his professional life, he enjoys cricket, rugby and badminton. Yet even leisure intersects with responsibility. He is a founding member and former president of the D.S. Senanayake College Old Boys’ Wildlife Forum, an active member of Wild Tuskers Sri Lanka, and a contributor to several independent environmental and wildlife volunteer organisations. In an era dominated by speed, spectacle and short attention spans, Saman Halloluwa’s journey unfolds differently. It is deliberate, reflective and rooted in values. Through art, he captures memory and form. Through photography, he frames life beyond human control. Through journalism, he asks uncomfortable but necessary questions.

“What I do, what I love” is not fashion here.

It is conviction — patiently lived, quietly asserted, and urgently needed in a country still learning how to value its artists, its environment and its truth.

By Ifham Nizam ✍️

Continue Reading

Life style

Shaping the future of style

Published

on

Pride, passion and professionalism

Ramani Fernando Sunsilk Hair and Beauty Academy

Ramani Fernando Sunsilk Hair and Beauty Academy marked their graduation of their latest cohort of aspiring hair professionals in a ceremony held at Kingsbury Hotel.

Senaka de Silva, creative force behind Ramani’s shows

For over two decades, the Ramani Fernando Sunsilk Hair and Beauty Academy has stood as a beacon of excellence in beauty education in Sri Lanka. Founded by industry icon Ramani Fernando, the Academy has built a reputation for producing highly skilled professionals who go on to make their mark in salons, both locally and internationally. As the newly minted graduates step out into the world, they carry forward not just certificates, but also the promise of creative authority and personal empowerment.

The chief guest for the occasion was Rosy Senanayake, a long-standing supporter of the Academy’s mission. Addressing the graduates her message echoed her enduring belief that the beauty industry is not merely about aesthetic but about. confidence, self-worth and future leaders.

Over months of rigorous training, these young professionals honed their skills in cutting colouring, styling and contemporary artistry readying themselves to set trends rather than follow them.

Each graduate walked the stage with confidence, their dedication signalling a promising future for Sri Lanka’s beauty and fashion industry! With this new generation of stylists preparing to raise the standard of professional hairstyling.

Ramani Fernando, addressing the audience reflected on the academy’s mission to cultivate not only skills but vision and confidence in every student.

She urged the graduates to embrace continuous learning to take risks with creativity .The world of beauty is ever evolving, stay curious, stay bold and never underestimate the power of your talent, she added emphasising the importance of confidence, discipline and passion in carving a successful career in shaping the future of style.

These graduates are stepping into a world of endless possibilities. They are future of the country, who will carry a forward legacy of creativity. Behind every successful graduate at Sun silk Hair Academy stands a team dedicated to excellence. While Ramani Fernando serves as a visionary Principal and it is Lucky Lenagala, her trusted person who ensures that the academy runs seemingly.

From overseeing training sessions to guiding students, through hands on practice, Lucky plays a pivotal role in shaping the next generation of hairstylists.

Kumara de Silva, who has been the official compere Ramani’s, Hair graduation ceremony, from inception has brought energy, poise and professionalism. The Sunsilk Hair Academy is a celebration of talent and mentor ship for the graduates stepping confidentially into the next chapter of their careers, ready to make their mark on Sri Lanka beauty landscape

A moment of pride Ramani with chief guest Rosy Senanayake

Statement in style

Gliding in romance and sophistication

Pix by Thushara Attapathu

By Zanita Careem ✍️

Continue Reading

Life style

Capturing the spirit of Christmas

Published

on

Romesh Atapaattu, overseas the magic behind every cut and style at Capello salons

During this season, Romesh Atapattu’s Capello Salon buzzes with a unique energy – a blend of festive excitement and elegance. Clients arrive with visions of holiday parties, office soirees, seeking looks that capture both glamour and individuality. The salon itself mirrors this celebrity mood. Warm lights, tasteful festive décor create an atmosphere where beauty and confidence flourish.

Romesh Atapattu himself curates the festive décor, infusing the space with his signature sense of style. His personal eye ensures that the décor complements the salon’s modern interiors.

As Colombo slips effortlessly into its most glamorous time of year, the Christmas season brings with it more than twinkling lights and celebrity soirees – it signals a transformation season at salons across the city. Capello salons are no exception.

At the heart of this festive beauty movement is Romesh Atapattu of Capello salons, a name synonymous with refined hair artistry, modern elegance and personalised style.

Christmas is about confidence and celebration. Romesh believes ‘People want to look their best without losing who they are”. Our role is to enhance, not overpower. This philosophy is evident in the salon’s seasonal approach.

Beyond trends, what sets Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role in creating the best for Romesh.

Stepping into Romesh’s salon during the Christmas season is an experience in itself. The space hums with festive energy while maintaining an atmosphere of calm sophistication.

The décor embraces the Christmas spirit with understated elegance. Tastefully adorned décor, beautiful Xmas tree, soft gold and ivory tones, and gentle hints of red are woven seamlessly into the salon’s contemporary design.

His staff, known for their warmth and professionalism also plays a key role in shaping the salon’s atmosphere—friendly, stylish and always welcoming. The Capello staff combine skill and creativity to deliver results that have a lasting impression.

Beyond trends, what sets Romesh Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role.

He is a professional who blends technical mastery with a deeply personal approach to style. His dedicated team of skilled professionals, operate with quiet confidence ensuring styles that create an atmosphere of trust, turning every appointment into a personalised and memorable experience.

(ZC) ✍️

Pic by Rohan Herath

Continue Reading

Trending