Midweek Review

The Broken Promise of the Lankan Cinema:

Published

10 months ago

2025/04/30

Asoka & Swarna’s Thrilling-Melodrama – Part III

“‘Dr. Ranee Sridharan,’ you say. ‘Nice to see you again.’

The woman in the white sari places a thumb in her ledger book, adjusts her spectacles and smiles up at you. ‘You may call me Ranee. Helping you is what I am assigned to do,’ she says. ‘You have seven moons. And you have already waisted one.’”

The Seven Moons of Maali Almeida

by Shehan Karunatilaka (London: Sort of Books, 2022. p84)

(Continued from yesterday)

Rukmani’s Stardom & Acting Opportunity

Rukmani Devi is still remembered for her incomparable singing voice and her studio photograph by Ralex Ranasinghe with its hint of Film Noir mystery and seduction, and for the role of Blanch Dubois she played in Dhamma Jagoda’s Vesmuhunu, an adaptation of Tennessee Williams’ A Streetcar Named Desire. This is a role she shared on alternate nights with Irangani Serasinghe in the late 60s or early 70s. (See my Island Essays, 2024, p114) She was immensely happy to be able to act in a modern western classic directed by a visionary theatre director like Dhamma Jagoda and it was to his credit that he chose to give her that role when all acting roles had dried up for her. I observed those rehearsals held at Harrold Peiris’ open garage.

I, too, am happy that Swarna has had a chance to perform again in her 70s. The question is, how exactly has she used that very rare opportunity to act in a film that has doubled its production cost within two months, and now showing in private screenings in multiplexes in Australia with English subtitles, with ambitions to be shown on Netflix and Amazon Prime. These outlets also now fund films and make challenging mini-series. Rani has clearly been produced and marketed with this global distribution in mind. How does this important fact affect Swarna’s style of acting and the aesthetics of Asoka’s script, are the questions I wish to explore in the final section of this piece.

A Sensational-Thrilling Political & Family Melodrama

‘Melodrama’ is a popular genre with a history that goes back to 19th century theatre in the west and with the advent of film, Hollywood took it up as it offered a key set of thrilling devices known as ‘Attractions’, for structuring and developing a popular genre cinema. The word ‘Melodrama’ is a compound of the Greek word for music ‘melos’ and drama as an action, with the connotation of a highly orchestrated set of actions. The orchestration (not only with sound but also the speed and rhythm of editing, dramatic expressive lighting, ‘histrionic’ acting, etc.,) always reaches toward thrilling climaxes and at times exaggerated display of emotions. The plots are sensational, propelled by coincidences and written to reach climaxes and dramatic reversals of fortune, and sudden revelations. Hollywood was famous for its happy endings with resolution of the dramatised conflicts, while Hindi melodramas and Lankan copies often ended sadly.

In the history of cinema there are highly sophisticated melodramas within Hollywood, classical Hindi cinema and also in European art cinema. Rainer Werner Fassbinder was one of the German directors who developed a modern ‘Brechtian-Melodrama’ of extraordinary political and aesthetic power in the 70s. And of course, there are very poorly conceived melodramas too like many of the Sinhala films which were copies of Indian prototypes. Melodramatic devices inflect the different genres of Hollywood, for example the Gangster Film, the Western and created durable genre types in character, e.g. the Gangster, the Lonesome Cowboy and Indians; all national stereotypes, one embodying the underbelly of American capitalism, an anti-hero and the other the American hero actualising The American Dream. ‘The Indian,’ merely the collateral damage of this phantasy!

When the stories were centred on women the genre classification was ‘Women’s Melodrama’ as it dealt with interpersonal relations, conflicts, and sadness centred on the home primarily. Feminist film theory has developed a vast archive of scholarship on the melodramatic genre, cross-culturally, with a special focus on Hollywood and Hindi cinema decades prior to the formation we now call Bollywood, made with transnational capital and global reach. It was assumed that the audience for the family melodramas was female and that as women, we enjoy crying at the cinema, hence the condescending name ‘The Weepies’. I cut my scholarly/critical teeth studying these much-maligned melodramatic films for my doctorate, which I had enjoyed while growing up in a long-ago Ceylon.

Asoka’s Melodramatic Turn

Asoka in Alborada, but more so in Rani has made melodramatic films with his own ‘self-expressive’ variations on the structure, with an ‘Art Cinema’ gloss. He has said that Rani is more like Alborada and unlike his previous films made during the civil war. This is quite obvious. Though the advertising tag line for Alborada claimed it as a ‘Poetic film that Neruda never made’ it was a straightforward narrative film. I have argued in a long essay (‘Psycho-Sexual Violence in the Sinhala Cinema: Parasathumal & Alborada’, in Lamentation of the Dawn, ed. S. Chandrajeewa, 2022, also tr. into Sinhala, 2023), that the staging of the rape of the nameless, silent, Dalit woman is conceived in a melodramatic manner playing it for both critique and exciting thrills. This is a case of both having his cake and eating it.

Swarna’s Melodramatic Turn

The film appears to be constructed, plotted melodramatically, to demonstrate Swarna’s ability to perform dramatic scenes of high excitement in areas of taboo, the opportunity for which is unavailable to a Sinhala actress, in a Sinhala film, playing the role of a Sinhala Buddhist mother, who has lost her son to an act of terror unleashed by the Sinhala-Buddhist State terror and Sinhala-Buddhist JVP.

In short, Swarna has been given the opportunity to demonstrate how well she can perform a range of Melodramatic emotions that go from say A to, say D. She has been given the chance to move smoothly from English to Sinhala as the middle classes do; use the two most common American expletives which are part of the American vernacular; drink for pleasure but also to the point of getting drunk; offer alcohol to her baffled domestic worker; coax her son and friends to drink; dance with them in an inebriated state; pour alcohol, whisky, not arrack, like one would pour water from a bottle; chain smoke furiously; dash a full mug of tea on the floor in a rage; crumple on the floor sobbing uncontrollably; shout at her loyal aid Karu; speak with sarcasm to a police officer insisting that she is ‘Dr Manorani …’ not ‘Miss or Mrs’, like feminists did back in the day; chat intimately with a minister of the government; look angrily and scowl at President Premadasa when he comes to the funeral house to condole with her; stage Richard’s funeral in a Catholic church with a stain glass window of the Pieta; to quote a well-known Psalm of David from the Bible, ‘Oh Absalom my son, Oh my son!’; etc.

Rani is Swarna’s chance to show that she can perform in ways that no Sinhala script has allowed a Sinhala actor to do up to now, that is, behave like the Sinhala cinema’s fantasy of how the upper-class Anglophone Lankan women behave. In short not unlike, but much worse, than the ‘bad girls’ in the Sinhala melodramatic genre cinema who always ended up in a Night Club, the locus of licentiousness that tempt them. I am thinking of Pitisara Kella from the 50s and a host of other films. Sinhala cinema simply cannot convincingly present the upper-class English-speaking milieu, with any nuance and conviction, it just feels very stilted, poorly acted therefore. Saying this is not class snobbery on my part. Even Lester James Peries from this very upper class and a Roman Catholic, in Delowak Atara couldn’t do it with Irangani Serasinghe and others. The dialogue meant to be serious or just plain normal sounded stilted and even funny. But when Lester did the Walauwa as in Nidhahanaya, it was brilliant, one of our classics. Brecht it was who said (on the eve of WW2, creating a Modern Epic mode of theatre in exile, that it’s not easy to make drama about current events. It’s much easier to look back with nostalgia at a genteel aristocratic Sinhala past for sure.

In taking the opportunity to explore kinetic and emotional behaviour considered to be taboo for a Sinhala woman, a fantasy Tamil woman has been fabricated. The plot of Rani is constructed by Asoka to provide Swarna the opportunity to indulge in these very taboos. In short, the fictional Tamil Rani offers Swarna an acting opportunity to improve her career prospects in the future. In so doing she has weakened her ability, I fear, to evolve as an actress.

A Domestic Melodrama: The House Suspended in a Void

If Swarna so desired, if the script ‘allowed her’ to, she could have tried to develop a quieter, more restrained and therefore a more powerful Rani. A friend of the family, when asked, said that, “The most striking feature of Manorani was her quiet, confident dignity, before and after Richard.” To testify to such a person, Asoka and Swarna could have asked the obvious question, did she have any close friendships formed as undergraduates, who supported her during this tragedy, as there certainly were cherished friends who shared her grief. After all, she was among the elite first generations of Ceylonese women to enter University in the 1940, to medical school at that!

Asoka and Swarna have entrapped their Rani in a vacuum of a house, friendless, with a little cross on Richard’s wall to signify religion. A lot of effort has gone into the set decoration and art direction of the house, as in Alborada, to stage a fantasy/phantasy melodramatic scenario. There is no real sensory, empathetic feel and understanding of the ethos (character), of this urbane Anglophone Ceylonese-Lankan mother and son, hence the fictionalised scenarios feel synthetic, cosmetic in the best traditions of the Sinhala genre cinema’s representation of the ‘excessive and even grotesque upper-class’. Except, here the Realism of the mise-en-scene (the old-world airy house and furniture and composition of the visual components) makes claims to a realist authenticity. A little modest research would have shown that Manorani and Richard moved from one rented apartment to another in the last few years of his life and when he was abducted, lived on the upper-floor of a house, in a housing estate in Rajagiriya. Asoka said in an interview that it wasn’t possible to find in Colombo the kind of old house they required for Rani. So, they went out of town to find the ideal house suited to stage their phantasy.

I suspect that it was Swarna who called shots this time, not Asoka who was recovering from a serious illness. He said that she brought the project to him and the producer and that he had no idea of making a film on Manorani, but added that he wrote the script within 3 months. I suspect that this Rani, (this out of control, angry, scowling, bad tempered, lamenting, hysterical Rani, reaching for the alcohol and cigarettes to assuage her grief, performing one sensational, thrilling melodramatic turn after another), was Swarna’s conception, her version of Manorani that she has nursed for 28 long years. Had she resisted this temptation to display her high-intensity acting-out skills yet again, she might just have been able to tap unsuspected resources within herself which she may still have as a serious actress. Its these latent affective depths that Rukmani Devi undoubtedly tapped when she was invited to play the drunken and lost Blanche Dubois, in A Streetcar Named Desire in Sinhala, as a desperate, drunken, aristocratic lady, in Dhamma Jagoda’s Vesmuhunu (1971?).

Jagoda / Irangani

It is reported that before going on stage, Rukmani Devi went on her hands and knees to pay her respects to Dhamma, not as feudal act of deference but to acknowledge his Shilpiya Nuwana, craft knowledge/intelligence’, as one very perceptive Sinhala critic put it. That gesture of Vandeema was foreign to the Tamil Christian Rukmani Devi, but nevertheless it shows her sense of immense gratitude to Dhamma for having taken her into a zone of expression (a dangerous territory emotionally for dedicated vulnerable actors), that she had never experienced before, so late in her life. But ‘late’ is relative to gender, then she was only in her 50s!

Challenge is what serious actors yearn for, strange beings who may suggest to us intensities that sustain and amplify life, all life. Swarna might usefully think about Rukmani Devi, her life and her star persona as a Tamil star in countless sarala Sinhala films, in whose shadow and echo every single Sinhala actress has entered the limelight, Swarna more so now than any other!

As for Asoka, he needs to rest and take care of himself before he commits himself to this recent track of films which are yielding less and less with each of the two films done back to back. His body of work is too important to trash it with this kind of half thought out ‘Tales of Sound and Fury’, which is a precise definition of Melodrama at its best. This film, alas, is not one of those.

That young Tamil women, often silent and traumatised, appeared following Sinhala soldiers in Lankan ‘civil-war cinema’ of the modernists, all male, is a troubling phenomenon. A ‘Sinhala Orientalism’, an exoticising of Tamil and Dalith young women as Other, is at work in some of the civil war films, as in Alborada and Rani. And then this very elevation always leads to unleashing psycho/sexual and/or other forms of violence, because the elevation (Mother Goddess in Alborada) only feeds violent male psychosexual phantasies, which in the Sinhala cinema often leads to the violence of rape and other forms of violence towards women, both Tamil and Sinhala. (To be continued)

by Laleen Jayamanne

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Midweek Review

Fonseka clears Rajapaksas of committing war crimes he himself once accused them of

Published

3 days ago

2026/02/25

Sahan Weerasooriya

With Sri Lanka’s 17th annual war victory over separatist Tamil terrorism just months away, warwinning Army Chief, Field Marshal Sarath Fonseka (Dec. 06, 2005, to July 15, 2009) has significantly changed his war narrative pertaining to the final phase of the offensive that was brought to an end on May 18, 2009.

The armed forces declared the conclusion of ground operations on that day after the entire northern region was brought back under their control. LTTE leader Velupillai Prabhakaran, hiding within the secured area, was killed on the following day. His body was recovered from the banks of the Nanthikadal lagoon.

With the war a foregone conclusion, with nothing to save the increasingly hedged in Tigers taking refuge among hapless Tamil civilians, Fonseka left for Beijing on May 11, and returned to Colombo, around midnight, on May 17, 2009. The LTTE, in its last desperate bid to facilitate Prabhakatan’s escape, breached one flank of the 53 Division, around 2.30 am, on May 18. But they failed to bring the assault to a successful conclusion and by noon the following day those fanatical followers of Tiger Supremo, who had been trapped within the territory, under military control, died in confrontations.

During Fonseka’s absence, the celebrated 58 Division (formerly Task Force 1), commanded by the then Maj. Gen. Shavendra Silva, advanced 31/2 to 4 kms and was appropriately positioned with Maj. Gen. Kamal Gunaratne’s 53 Division. The LTTE never had an opportunity to save its leader by breaching several lines held by frontline troops on the Vanni east front. There couldn’t have been any other option than surrendering to the Army.

The Sinha Regiment veteran, who had repeatedly accused the Rajapaksas of war crimes, and betraying the war effort by providing USD 2 mn, ahead of the 2005 presidential election, to the LTTE, in return for ordering the polls boycott that enabled Mahinda Rajapaksa’s victory, last week made noteworthy changes to his much disputed narrative.

GR’s call to Shavendra What did the former Army Commander say?

* The Rajapaksas wanted to sabotage the war effort, beginning January 2008.

* In January 2008, Mahinda Rajapaksa, Defence Secretary Gotabaya Rajapaksa and Navy Commander VA Wasantha Karannagoda, proposed to the National Security Council that the Army should advance from Vavuniya to Mullithivu, on a straight line, to rapidly bring the war to a successful conclusion. They asserted that Fonseka’s strategy (fighting the enemy on multiple fronts) caused a lot of casualties.

* They tried to discourage the then Lt. Gen. Fonseka

* Fonseka produced purported video evidence to prove decisive intervention made by Defence Secretary Gotabaya Rajapaksa on the afternoon of May 17. The ex-Army Chief’s assertion was based on a telephone call received by Maj. Gen. Shavendra Silva from Gotabaya Rajapaksa. That conversation had been captured on video by Swarnavahini’s Shanaka de Silva who now resides in the US. He had been one of the few persons, from the media, authorised by the Army Headquarters and the Defence Ministry to be with the Army leadership on the battlefield. Fonseka claimed that the videographer fled the country to escape death in the hands of the Rajapaksas. It was somewhat reminiscent of Maithripala Sirisena’s claim that if Rajapaksas win the 2015 Presidential election against him he would be killed by them.

* Shanaka captured Shavendra Silva disclosing three conditions laid down by the LTTE to surrender namely (a) Their casualties should be evacuated to Colombo by road (b) They were ready to exchange six captured Army personnel with those in military custody and (c) and the rest were ready to surrender.

* Then Fonseka received a call from Gotabaya Rajapaksa, on a CDMA phone. The Defence Secretary issued specific instructions to the effect that if the LTTE was to surrender that should be to the military and definitely not to the ICRC or any other third party. Gotabaya Rajapaksa, one-time Commanding Officer of the 1st battalion of the Gajaba Regiment, ordered that irrespective of any new developments and talks with the international community, offensive action shouldn’t be halted. That declaration directly contradicted Fonseka’s claim that the Rajapaksas conspired to throw a lifeline to the LTTE.

Fonseka declared that the Rajapaksa brothers, in consultation with the ICRC, and Amnesty International, offered an opportunity for the LTTE leadership to surrender, whereas his order was to annihilate the LTTE. The overall plan was to eliminate all, Fonseka declared, alleging that the Rajapaksa initiated talks with the LTTE and other parties to save those who had been trapped by ground forces in a 400 m x 400 m area by the night of May 16, among a Tamil civilian human shield held by force.

If the LTTE had agreed to surrender to the Army, Mahinda Rajapaksa would have saved their lives. If that happened Velupillai Prabhakaran would have ended up as the Chief Minister of the Northern Province, he said. Fonseka shocked everyone when he declared that he never accused the 58 Division of executing prisoners of war (white flag killings) but the issue was created by those media people embedded with the military leadership. Fonseka declared that accusations regarding white flag killings never happened. That story, according to Fonseka, had been developed on the basis of the Rajapaksas’ failed bid to save the lives of the LTTE leaders.

Before we discuss the issues at hand, and various assertions, claims and allegations made by Fonseka, it would be pertinent to remind readers of wartime US Defence Advisor in Colombo Lt. Col. Lawrence Smith’s June 2011 denial of white flag killings. The US State Department promptly declared that the officer hadn’t spoken at the inaugural Colombo seminar on behalf of the US. Smith’s declaration, made two years after the end of the war, and within months after the release of the Darusman report, dealt a massive blow to false war crimes allegations.

UN Secretary-General Ban Ki-moon, in 2010, appointed a three-member Panel of Experts, more like a kangaroo court, consisting of Marzuki Darusman, Yasmin Sooka, and Steven Ratner, to investigate war crimes accusations.

Now Fonseka has confirmed what Smith revealed at the defence seminar in response to a query posed by Maj. General (retd.) Ashok Metha of the IPKF to Shavendra Silva, who had been No 02 in our UN mission, in New York, at that time.

White flag allegations

‘White flag’ allegations cannot be discussed in isolation. Fonseka made that claim as the common presidential candidate backed by the UNP-JVP-TNA combine. The shocking declaration was made in an interview with The Sunday Leader Editor Frederica Jansz published on Dec. 13, 2009 under ‘Gota ordered them to be shot – General Sarath Fonseka.’

The ‘white flag’ story had been sensationally figured in a leaked confidential US Embassy cable, during Patricia Butenis tenure as the US Ambassador here. Butenis had authored that cable at 1.50 pm on Dec. 13, 2009, the day after the now defunct The Sunday Leader exclusive. Butenis had lunch with Fonseka in the company of the then UNP Deputy Leader Karu Jayasuriya, according to the cable. But for the writer the most interesting part had been Butenis declaration that Fonseka’s advisors, namely the late Mangala Samaraweera, Anura Kumara Dissanayake (incumbent President) and Vijitha Herath (current Foreign Minister) wanted him to retract part of the story attributed to him.

Frederica Jansz fiercely stood by her explosive story. She reiterated the accuracy of the story, published on Dec. 13, 2009, during the ‘white flag’ hearing when the writer spoke to her. There is absolutely no reason to suspect Frederica Jansz misinterpreted Fonseka’s response to her queries.

Subsequently, Fonseka repeated the ‘white flag’ allegation at a public rally held in support of his candidature. Many an eyebrow was raised at The Sunday Leader’s almost blind support for Fonseka, against the backdrop of persistent allegations directed at the Army over Lasantha Wickrematunga’s killing. Wickrematunga, an Attorney-at-Law by profession and one-time Private Secretary to Opposition Leader Sirimavo Bandaranaike, was killed on the Attidiya Road, Ratmalana in early January 2009.

The Darusman report, too, dealt withthe ‘white flag’ killings and were central to unsubstantiated Western accusations directed at the Sri Lankan military. Regardless of the political environment in which the ‘white flag’ accusations were made, the issue received global attention for obvious reasons. The accuser had been the war-winning Army Commander who defeated the LTTE at its own game. But, Fonseka insisted, during his meeting with Butenis, as well as the recent public statement that the Rajapaksas had worked behind his back with some members of the international community.

Fresh inquiry needed

Fonseka’s latest declaration that the Rajapaksas wanted to save the LTTE leadership came close on the heels of Deputy British Prime Minister David Lammy’s whistle-stop visit here. The UK, as the leader of the Core Group on Sri Lanka at the Geneva-based United Nations Human Rights Council, spearheads the campaign targeting Sri Lanka.

Lammy was on his way to New Delhi for the AI Impact Summit. The Labour campaigner pushed for action against Sri Lanka during the last UK general election. In fact, taking punitive action against the Sri Lankan military had been a key campaign slogan meant to attract Tamil voters of Sri Lankan origin. His campaign contributed to the declaration of sanctions in March 2025 against Admiral of the Fleet Wasantha Karannagoda, General (retd) Shavendra Silva, General (retd) Jagath Jayasuriya and ex-LTTE commander Karuna, who rebelled against Prabhakaran. Defending Shavendra Silva, Fonseka, about a week after the imposition of the UK sanctions, declared that the British action was unfair.

But Fonseka’s declaration last week had cleared the Rajapaksas of war crimes. Instead, they had been portrayed as traitors. That declaration may undermine the continuous post-war propaganda campaign meant to demonise the Rajapaksas and top ground commanders.

Canada, then a part of the Western clique that blindly towed the US line, declared Sri Lanka perpetrated genocide and also sanctioned ex-Presidents Mahinda Rajapaksa and Gotabaya Rajapaksa. Other countries resorted to action, though such measures weren’t formally announced. General (retd) Jagath Dias and Maj. Gen (retd) Chagie Gallage were two of those targeted.

Against the backdrop of Fonseka’s latest claims, in respect of accountability issues, the urgent need to review action taken against Sri Lanka cannot be delayed. Although the US denied visa when Fonseka was to accompany President Maithripala Sirisena to the UN, in Sept. 2016, he hadn’t been formally accused of war crimes by the western powers, obviously because he served their interests.

On the basis of unsubstantiated allegations that hadn’t been subjected to judicial proceedings, Geneva initiated actions. The US, Canada and UK acted on those accusations. The US sanctioned General Shavendra Silva in Feb. 2020 and Admiral Karannagoda in April 2023.

What compelled Fonseka to change his narrative, 18 years after his Army ended the war? Did Fonseka base his latest version solely on Shanaka de Silva video? Fonseka is on record as claiming that he got that video, via a third party, thereby Shanaka de Silva had nothing to do with his actions.

DNA and formation of DP

Having realised that he couldn’t, under any circumstances, reach a consensus with the UNP to pursue a political career with that party, Fonseka teamed up with the JVP, one of the parties in the coalition that backed his presidential bid in 2010. Fonseka’s current efforts to reach an understanding with the JVP/NPP (President Anura Kumara Dissanayake is the leader of both registered political parties) should be examined against the backdrop of their 2010 alliance.

Under Fonseka’s leadership, the JVP, and a couple of other parties/groups, contested, under the symbol of the Democratic National Alliance (DNA) that had been formed on 22 Nov. 2009. but the grouping pathetically failed to live up to their own expectations. The results of the parliamentary polls, conducted in April 2010, had been devastating and utterly demoralising. Fonseka, who polled about 40% of the national vote at the January 2010 presidential election, ended up with just over 5% of the vote, and the DNA only managed to secure seven seats, including two on the National List. The DNA group consisted of Fonseka, ex-national cricket captain Arjuna Ranatunga, businessman Tiran Alles and four JVPers. Anura Kumara Dissanayake was among the four.

Having been arrested on February 8, 2010, soon after the presidential election, Fonseka was in prison. He was court-martialed for committing “military offences”. He was convicted of corrupt military supply deals and sentenced to three years in prison. Fonseka vacated his seat on 7 Oct .2010. Following a failed legal battle to protect his MP status, Fonseka was replaced by DNA member Jayantha Ketagoda on 8 March 2011. But President Mahinda Rajapaksa released Fonseka in May 2012 following heavy US pressure. The US went to the extent of issuing a warning to the then SLFP General Secretary Maithripala Sirisena that unless President Rajapaksa freed Fonseka he would have to face the consequences (The then Health Minister Sirisena disclosed the US intervention when the writer met him at the Jealth Ministry, as advised by President Rajapaksa)

By then, Fonseka and the JVP had drifted apart and both parties were irrelevant. Somawansa Amarasinghe had been the leader at the time the party decided to join the UNP-led alliance that included the TNA, and the SLMC. The controversial 2010 project had the backing of the US as disclosed by leaked secret diplomatic cables during Patricia Butenis tenure as the US Ambassador here.

In spite of arranging the JVP-led coalition to bring an end to the Rajapaksa rule, Butenis, in a cable dated 15 January 2010, explained the crisis situation here. Butenis said: “There are no examples we know of a regime undertaking wholesale investigations of its own troops or senior officials for war crimes while that regime or government remained in power. In Sri Lanka this is further complicated by the fact that responsibility for many of the alleged crimes rests with the country’s senior civilian and military leadership, including President Rajapaksa and his brothers and opposition candidate General Fonseka.”

Then Fonseka scored a major victory when Election Commissioner Mahinda Deshapriya on 1 April, 2013, recognised his Democratic Party (DNA was registered as DP) with ‘burning flame’ as its symbol. There hadn’t been a previous instance of any service commander registering a political party. While Fonseka received the leadership, ex-Army officer Senaka de Silva, husband of Diana Gamage ((later SJB MP who lost her National List seat over citizenship issue) functioned as the Deputy Leader.

Having covered Fonseka’s political journey, beginning with the day he handed over command to Lt. Gen. Jagath Jayasuriya, in July, 2009, at the old Army Headquarters that was later demolished to pave the way for the Shangri-La hotel complex, the writer covered the hastily arranged media briefing at the Solis reception hall, Pitakotte, on 2 April, 2023. Claiming that his DP was the only alternative to what he called corrupt Mahinda Rajapaksa’s government and bankrupt Ranil Wickremesinghe-led Opposition, a jubilant Fonseka declared himself as the only alternative (‘I am the only alternative,’ with strapline ‘SF alleges Opposition is as bad as govt’. The Island, April 3, 2013).

Fonseka had been overconfident to such an extent, he appealed to members of the government parliamentary group, as well as the Opposition (UNP), to switch allegiance to him. As usual Fonseka was cocky and never realised that 40% of the national vote he received, at the presidential election, belonged to the UNP, TNA and the JVP. Fonseka also disregarded the fact that he no longer had the JVP’s support. He was on his own. The DP never bothered to examine the devastating impact his 2010 relationship with the TNA had on the party. The 2015 general election results devastated Fonseka and underscored that there was absolutely no opportunity for a new party. The result also proved that his role in Sri Lanka’s triumph over the LTTE hadn’t been a decisive factor.

RW comes to SF’s rescue

Fonseka’s DP suffered a humiliating defeat at the August 2015 parliamentary polls. The outcome had been so bad that the DP was left without at least a National List slot. Fonseka was back to square one. If not for UNP leader and Prime Minister Ranil Wickremesinghe, Fonseka could have been left in the cold. Wickremesinghe accommodated Fonseka on their National List, in place of SLFPer M.K.D.S. Gunawardene, who played a critical role in an influential section of the party and the electorate shifting support to Maithripala Sirisena. Gunawardena passed away on 19 January, 2016. Wickremesinghe and Fonseka signed an agreement at Temple Trees on 3 February, 2016. Fonseka received appointment as National List MP on 9 February, 2016, and served as Minister of Regional Development and, thereafter, as Minister of Wildlife and Sustainable Development, till Oct. 2018. Fonseka lost his Ministry when President Sirisena treacherously sacked Wickremesinghe’s government to pave the way for a new partnership with the Rajapaksas. The Supreme Court discarded that arrangement and brought back the Yahapalana administration but Sirisena, who appointed Fonseka to the lifetime rank of Field Marshal, in recognition of his contribution to the defeat of terrorism, refused to accommodate him in Wickremesinghe’s Cabinet. The President also left out Wasantha Karannagoda and Roshan Goonetilleke. Sirisena appointed them Admiral of the Fleet and Marshal of Air Force, respectively, on 19, Sept. 2019, in the wake of him failing to secure the required backing to contest the Nov. 2019 presidential election.

Wickremesinghe’s UNP repeatedly appealed on behalf of Fonseka in vain to Sirisena. At the 2020 general election, Fonseka switched his allegiance to Sajith Premadasa and contested under the SJB’s ‘telephone’ symbol and was elected from the Gampaha district. Later, following a damaging row with Sajith Premadasa, he quit the SJB as its Chairman and, at the last presidential election, joined the fray as an independent candidate. Having secured just 22,407 votes, Fonseka was placed in distant 9th position. Obviously, Fonseka never received any benefits from support extended to the 2022 Aragalaya and his defeat at the last presidential election seems to have placed him in an extremely difficult position, politically.

Let’s end this piece by reminding that Fonseka gave up the party leadership in early 2024 ahead of the presidential election. Senaka de Silva succeeded Fonseka as DP leader, whereas Dr. Asosha Fernando received appointment as its Chairman. The DP has aligned itself with the NPP. The rest is history.

By Shamindra Ferdinando

Midweek Review

Strengths and weaknesses of BRICS+: Implications for Global South

Published

3 days ago

2026/02/25

Sahan Weerasooriya

The 16th BRICS Summit, from 22 to 24 October 2024 in Kazan, was attended by 24 heads of state, including the five countries that officially became part of the group on 1 January: Saudi Arabia, the United Arab Emirates, Iran, Egypt and Ethiopia. Argentina finally withdrew from the forum after Javier Milei’s government took office in 2023.

In the end, it changed its strategy and instead of granting full membership made them associated countries adding a large group of 13 countries: two from Latin America (Bolivia and Cuba), three from Africa (Algeria, Nigeria, Uganda) and eight from Asia (Belarus, Indonesia, Kazakhstan, Malaysia, Thailand, Turkey, Uzbekistan and Vietnam). This confirms the expansionary intent of the BRICS, initiated last year and driven above all by China, which seeks to turn the group into a relevant multilateral forum, with focus on political than economic interaction, designed to serve its interests in the geopolitical dispute with the United States. This dispute however is not the making of China but has arisen mainly due to the callous bungling of Donald Trump in his second term in office.

China has emerged as the power that could influence the membership within the larger group more than its rival in the region, India. Obviously, the latter is concerned about these developments but seems powerless to stop the trend as more countries realize the need for the development of capacity to resist Western dominance. India in this regard seems to be reluctant possibly due to its defence obligations to the US with Trump declaring war against countries that try to forge partnerships aiming to de-dollarize the global economic system.

The real weakness in BRICS therefore, is the seemingly intractable rivalry between China and India and the impact of this relationship on the other members who are keen to see the organisation grow its capacity to meet its stated goals. China is committed to developing an alternative to the Western dominated world order, particularly the weaponization of the dollar by the US. India does not want to be seen as anti-west and as a result India is often viewed as a reluctant or cautious member of BRICS. This problem seems to be perpetuated due to the ongoing border tensions with China. India therefore has a desire to maintain a level playing field within the group, rather than allowing it to be dominated by Beijing.

Though India seems to be committed to a multipolar world, it prefers focusing on economic cooperation over geopolitical alignment. India thinks the expansion of BRICS initiated by China may dilute its influence within the bloc to the advantage of China. India fears the bloc is shifting toward an anti-Western tilt driven by China and Russia, complicating its own strong ties with the West. India is wary of the new members who are also beneficiaries of China’s Belt and Road Initiative. While China aims to use BRICS for anti-Western geopolitical agendas, India favors focusing on South-South financial cooperation and reforming international institutions. Yet India seems to be not in favour of creating a new currency to replace the dollar which could obviously strengthen the South-South financial transactions bypassing the dollar.

Moreover, India has explicitly opposed the expansion of the bloc to include certain nations, such as Pakistan, indicating a desire to control the group’s agenda, especially during its presidency.

In this equation an important factor is the role that Russia could play. The opinion expressed by the Russian foreign minister in this regard may be significant. Referring to the new admissions the Russian Foreign Minister Sergey Lavrov has said: “The weight, prominence and importance of the candidates and their international standing were the primary factors for us [BRICS members]. It is our shared view that we must recruit like-minded countries into our ranks that believe in a multipolar world order and the need for more democracy and justice in international relations. We need those who champion a bigger role for the Global South in global governance. The six countries whose accession was announced today fully meet these criteria.”

The admission of three major oil producing countries, Saudi Arabia, Iran and UAE is bound to have a significant impact on the future global economic system and consequently may have positive implications for the Global South. These countries would have the ability to decisively help in creating a new international trading system to replace the 5 centuries old system that the West created to transfer wealth from the South to the North. This is so because the petro-dollar is the pillar of the western banking system and is at the very core of the de-dollarizing process that the BRICS is aiming at. This cannot be done without taking on board Saudi Arabia, a staunch ally of the west. BRICS’ expansion, therefore, is its transformation into the most representative community in the world, whose members interact with each other bypassing Western pressure. Saudi Arabia and Iran are actively mending fences, driven by a 2023 China-brokered deal to restore diplomatic ties, reopen embassies, and de-escalate regional tensions. While this detente has brought high-level meetings and a decrease in direct hostility rapprochement is not complete yet and there is hope which also has implications, positive for the South and may not be so for the North.

Though the US may not like what is going on, Europe, which may not endorse all that the former does if one is to go by the speech delivered by the Canadian PM in Brazil recently, may not be displeased about the rapid growth of BRICS. The Guardian UK highlighted expert opinion that BRICS expansion is rather “a symbol of broad support from the global South for the recalibration of the world order.” A top official at the Konrad Adenauer Foundation, Caroline Kanter has told the daily, “It is obvious that we [Western countries] are no longer able to set our own conditions and standards. Proposals will be expected from us so that in the future we will be perceived as an attractive partner.” At the same time, the bottom line is that BRICS expansion is perceived in the West as a political victory for Russia and China which augurs well for the future of BRICS and the Global South.

Poor countries, relentlessly battered by the neo-liberal global economy, will greatly benefit if BRICS succeeds in forging a new world order and usher in an era of self-sufficiency and economic independence. There is no hope for them in the present system designed to exploit their natural resources and keep them in a perpetual state of dependency and increasing poverty. BRICS is bound to be further strengthened if more countries from the South join it. Poor countries must come together and with the help of BRICS work towards this goal.

by N. A. de S. Amaratunga