Features
Sybil : the colourful nonconformist
Sybil Wettasinghe was not merely an example of an imaginative, quality illustrator of her generation, but much more. A journalist, a creative artist, a woman of many roles, she was a trendsetting global-Lankan. As the first death anniversary of this well known writer/illustrator approaches, we remember her life and times.
by Randima Attygalle
The six-year-old Sybil de Silva who left Gintota for her English convent education in Colombo with a head full of ‘aththamma’s folk tales’ and memories of Seedakka’s hopper-making and Yakdehi Muththa’s devil dancing found wrestling with forks and spoons in her convent refectory a futile effort. She wouldn’t compromise the flavour of her favourite lunch of rice with prawns and murunga and would wait till the nuns left the dining room and relish the meal, eating with her fingers amid protests from her schoolmates who would threaten to report her! During art class, she would horrify the Irish nuns at Holy Family Convent, Bambalapitiya, replicating her sculptor-grandfather’s female figures.
Despite resistance from school, teachers and her mother, Sybil continued to defend her dream of becoming a professional painter. She was not impressed by her mother’s efforts to make her an architect. Her father who encouraged his daughter’s art, submitted her work for an exhibition at the Colombo Art Gallery. The 15-year-old’s work impressed H.D. Sugathapala, Headmaster of the Royal Primary School, who handpicked Sybil to illustrate his Nava Maga Standard 5 Reader. The book which launched her artistic career was also the first book to be printed in colour here in Sri Lanka.
‘Sybil’ was a prophetess in Greek mythology – a woman who claimed to be able to interpret the wishes of the gods through their oracles. But this Sybil Wettasinghe was her own prophet. She was a rebel too. At 19, she knew she was ready for much more than pottering around with paint and brushes. Journalism was her next calling. It was on April 1, 1948 that draped in a new saree her mother had bought for the occasion, her hair in a formal konde, the 19-year-old was presented to D.B.Dhanapala, the Chief Editor of Lankadeepa.
The youngest and the only female staffer then at Lankadeepa, she was assigned a weekly ‘Saturday Strip’, giving life to characters and tales from her Gintota childhood. “Most readers believed the creator of this strip of folk poems and illustrations was a man, misreading my name and when news spread that it was a young girl, there were inquisitive visitors to the Lankadeepa office,” she once recounted.
The visits ended when Dhanapala ran a newspaper account of his gifted new recruit with her photograph. Turning a deaf ear to those who urged the editor to ‘drill some sense’ to the girl who was sketching ‘gibberish, nonsensical figures’, he cheered her on to discover her own metier, never altering her style to please the masses. “Some even proposed Heywood mentoring for me and Mr. Dhanapala wouldn’t hear any of it,” the self-taught artist would say.
Bored with just her weekly Lankadeepa strip and with enough time to spare to buy books with her monthly salary of Rs. 60, Sybil one day boldly strode into the offices of Sita Jayawardena who compiled the then Times of Ceylon Women’s Page and asked for additional work. Soon she was illustrating Sooty Banda’s caricatures of Colombo socialites for The Times.
Moving to the newly launched Janatha Sinhala evening paper of the Lake House Group in 1952 was a turning point for Sybil both personally and professionally. While the Chief Editor Denzil Peiris gave her free rein, young Chief Sub Editor, Dharmapala Wettasinghe implored her to write a children’s story for his sake! Not only was a story born which still keeps girdling the globe, but a romance too bloomed culminating in the nuptial knot between Dharmapala Wettasinghe and Sybil de Silva in 1955. “He was my best fan and my best critic,” Sybil would often say and credit her fame as a globally acclaimed writer to her late husband.
The children’s story Kuda Hora (Umbrella Thief) which Sybil initially wrote and illustrated for ‘his sake’ in the Janatha, became a book which is now translated into several languages. In Japan it was once judged the best foreign book published there and also the most popular children’s book. At a time when Sinhala literature for children meant direct translations of European children’s stories and school texts with a ‘scattering of illustrations’, Kuda Hora with its unforgettable antics of the mischievous monkey ushered a new era in children’s literature. Critic Regi Siriwardena once remarked that, ‘Kuda Hora was the first Sinhala book to completely marry words and pictures.’
‘Kosgama kuda ne, minissu kuda dekalawath ne’
(Kosgama people don’t have umbrellas nor have they ever seen any) set the scene for Kuda Hora. From Habarala leaves which served as umbrellas, a half eaten bunch of bananas in the village tea kiosk, the bulath heppuwa, hiramanaya to the cat on the Sinhala ulu-tiled roof, all her work breathed and celebrated the Sri Lankan flavour at its best. She often lamented that these ‘roots’ were missing in most contemporary Sri Lankan children’s literature.
Challenging the West-aping, servile mentality, the writer who defined the shape and form of Sri Lanka’s children’s literature for nearly 70 years, was bold enough to question, “why glorify apple trees and snow-capped mountains when we are part of a rich heritage.” In all her scores of much loved books including Hoity the Fox, Weniyan kalu weniyan, Sooththara Puncha, Runaway Beard, Poddai-Poddi and Meti gedara lamai, the authentic Sri Lankan flavour had been her credo. In a digital era where aththamma’s kitchen is only an image from the past, ‘googled’ and found, her documentation of an era gone by is priceless. Moreover her work impel a generation living in a cultural vacuum to revisit a value system fast eroding.
Sybil’s proficiency in English, her convent education and her exposure to English speaking circles of Colombo did not drive her to become yet another Anglo-Sri Lankan, a trait she shared with her journalist-husband. On the contrary, she would be skeptical of elaborate hats, gowns and parasols. Her social satire built around the character of Kusumalatha which she wrote and illustrated for the Sarasaviya paper was an index of this. In taking the authentic Sri Lankan landscape in which a distinct value system thrived, to the global platform, she would not compromise her style for any affinity with a particular ideology. For this, she was lauded by the world. She was one of the earliest Lankan writers and illustrators to go international long before ‘international citizenry’ became a buzz word.
Besides several state literary awards, and honorary titles, her work won a number of coveted international awards including the Nikkei Asia Prize for Culture 2012, Isabel Hutton Prize for Asian Women Writers, the Best Foreign Book Award in Japan in 1986 (for Kuda Hora). Her documentation of her childhood- Child in Me won the Gratiaen Prize for the most Creative English Book in 1995. She also won a Guinness world record in 2020 with her book Wonder Crystal a few months before her death at the age of 92, for having the most number of alternative endings which were solicited from young readers.
Accepting the Nikkei Asia Prize 2012 in Tokyo in recognition of her ‘magnificent contribution to enrich people’s lives in the region’ and first time bestowed on a Sri Lankan, Sybil remarked that although she had five grandchildren of her own, she considered all the world’s children hers. “Children are the spice of my life,” she remarked. Deeply moved by her love for children, Nikkei Inc. President & CEO Tsuneo Kita noted that her presence ‘bestowed a magical atmosphere’ at the event.
A woman with a fiercely independent mind who called herself her own ‘best friend’, Sybil did not bend the rules by which she lived. This was true of her artistic style as well. While most of her contemporaries would align themselves with a particular ‘school’, Sybil remained unaware of ‘current trends’ as she hardly stepped into Colombo’s galleries. She was never an understudy. “It never bothered me not to belong to any school or group,” she would say. With only her artistic DNA in her, the gene passed down by her sculptor-grandfather, Sybil went on to evolve her style of ‘talking pictures’ enthused by the fine nuances of a childhood spent in the South and people and places of her everyday life. A strong promoter of nurturing the inherent talent of children and allowing it to evolve naturally, she believed that ‘green skies’ and ‘blue trees’ were very much a part of this process.
Knowing Aunty Sybil or Sybil nenda as a nation of children called her, was a journey of discovery. Her cozy little home was my sanctuary. With each passing hour in her wise, wonderful company I rediscovered a phenomenal woman of iron will living in a slight frame. Seated at her weathered kitchen-table, I would spend many happy hours with her. “If only this table could talk,” she would often gleefully tell me. From the cat family which she lured with her ‘magical recipe’ of milk, sprats and bread to floating saucepans in her flooded drawing room (as a result of a tap left running throughout the night) her mischievous wit offered me constant amusement. Neither of us had any inkling that the breakfast of kiribath, lunumiris, ginger-tea and hakuru she treated me to a few weeks before her death was to be our last shared meal.
There were ‘story times’ too when the child in me would surface true to her mantra that ‘there is a wonder child living in all of us’. I would sit at her feet, she in her rocking chair telling me stories in her beautifully modulated story-teller voice. The one of the mermaid living six lives and realizing she is made only to be a mermaid remains one of my favourites. “A child is like that, we cannot make them live the lives we want, we have no right to realize our unrealized dreams through them, for they have their own destined paths,” she would tell me in the end. Then there were stories to which I was treated beyond her illustrated pages; trials and tribulations of a mother and a career woman, her measure of hurt and betrayal and so much more.
Long before ‘work-life balance’ for women was heard of, at a time when most of her contemporaries would abandon their vocations to raise a family, Sybil juggled both. To use a present day cliché, she ‘shattered the glass ceiling’ unconsciously. She was among the pioneering professional Sri Lankan women to have pioneered a path that generations of young women could follow. When her husband, the famous editor, Dharmapala Wettasinghe, became a political victim and lost his job, it was Sybil, then a mother of four young children, who kept the home fires burning. The batik business she set up during their dark hour not only helped her make ends meet but eventually rose to be an enterprise in which many took delight.
Sybil herself was a chronicle of history, her life intersecting with almost a century of changing socio-political and cultural milieu of the nation. Soon to turn 93, Sybil nenda kept herself busy at her desk everyday immersed in the child’s world, surrounded by her pots of ink and birds who would chirp outside her window. A verse from her popular book Child in Me would resonate;
A child and a grown up
Live as one
In perfect, perfect harmony
Within me.
She remained the six-year-old ‘Gintota girl’ until the very end…..
Features
The significance of “Control” in foreign relations
Foreign Relations are all about “Control” particularly in the context of Relations between Major Powers such as the USA, China and India and small sovereign States such as Sri Lanka. While in the case of such relations, benefits to both parties are inevitable, the need to do so is invariably driven by the national interests of the Major Powers because their interests far outweigh those of small States. This mismatch of interests is what calls for “Control” of relations by Major Powers
The advice to Sri Lanka by Foreign Relations experts thus far has been to balance challenges arising from such Relations, not realising that the compulsions driven by the interests of Major Powers are such that balancing by itself does not have the needed capabilities to overcome the consequences arising from Major Power Rivalries; a fact evidenced by the recent Middle East war.
For instance, the need for the USA to strengthen the capabilities of the Sri Lankan Navy is driven by the strategic location of Sri Lanka since it is the gateway to the Indo-Pacific. Notwithstanding such motivations, it cannot be denied that the infrastructure provided to Sri Lanka’s Navy was handy to meet internal challenges as it was during the final stages of the Armed Conflict to destroy arsenals of the LTTE out at sea and the capacity to meet both external and internal threats to and within Sri Lanka.
Similarly, one of China’s primary interests is its Belt and Road Initiative. Towards this end, China has established a solid foot print in Sri Lanka by building and owning solid infrastructure projects for 99 years and more, if it is in China’s interest. However, although benefits from such projects cannot be denied, the open question is whether their scale was established to suit China’s interests or sought by Sri Lanka to suit Sri Lanka’s interests. For instance, the offer to build a 200,000 barrels a day Refinery by Sinopec of China has more to do with serving China’s interests, in view of the decision by the Sri Lankan Government to expand the Refinery at Sapugaskanda to 100,000 barrels a day.
In the case of India, the issues are more complex arising from Sri Lanka’s proximity to India, the cultural and historical heritage shared by both and the presence of the Tamil community in both countries. Consequently, India is extremely conscious of the need to keep a sharp eye and “Control” developments taking place in Sri Lanka in respect of Sri Lanka’s relations with Major Powers. This concern is driven by the notion that the territorial security of India is dependent on Sri Lanka’s Relations with Major Powers; a concern that arises from India’s past territorial history where the territory of India was transformed from a motley group of Princely States into one unified sub-continent and then partitioned into two Nation States under the British Raj. Consequently, the present territory of India has been in existence only since its independence from Colonial Rule in 1947. Hence, the fear of history repeating itself is driven by internal compulsions and by external interventions.
US – SRI LANKA RELATIONS
Against the background of Geopolitical interests presented above, Sri Lanka adopted the Policy of Neutrality in 2019 and this Government continues to exercise and live by its Internationally recognised principles, as it did when Sri Lanka denied landing rights to US Aircraft during the Middle East conflict. Sri Lanka’s Foreign Minister stated that Sri Lanka was “always neutral” when he met the US Assistant Secretary of State for South and Central Asian Affairs to convey Sri Lanka’s appreciation for the assistance rendered to procure fuel during the Middle East crisis and for the maritime vessels and aircraft gifted to Sri Lanka (Daily News, June 23, 2026).
In the meantime, The Island has reported that the “US declares SLN its Indo-Pacific Partner” (June 25, 2026). A statement issued by the US Embassy in Colombo quotes the Assistant Secretary of State as having stated: “Today, we announced the delivery of US satellite communication technology to the Sri Lankan Navy, our Indo-Pacific partner: This secure, real-time connection—representing a transformational upgrade for the Sri Lankan Navy-– will be available aboard their entire fleet of offshore patrol vessels…” (Ibid).
There is no doubt whatsoever that these assets would collectively boost the capabilities of the SL Navy to “strengthen maritime domain awareness, improve operational coordination, support emergency response, help interdict vessels engaged in illicit trafficking etc.” (Ibid). However, the unilateral declaration by US that the SL Navy is a “Indo-Pacific Partner” of the US has NO validity unless such a declaration has the approval of the SL Government. Furthermore, such an approval by the SL Government would compromise its Policy of Neutrality to which the country has pledged.
Therefore, the declaration should be accompanied with a caveat, that being, that the partnership should NOT extend to the entirety of the Indo-Pacific but be limited to Sri Lanka’s Exclusive Economic Zone (EEC). It is only then that the SL Government is Internationally entitled to exercise its rights as a Neutral State, namely, to protect its territory under the UN Law of the Sea. Furthermore, considering the extent of Sri Lanka’s EEC in relation to the extent of the Indian Ocean, the Partnership would be proportionate.
CHINA – SRI LANKA RELATIONS
China’s interest is to consolidate its interests in its Belt and Road Initiative. Towards this end it has attempted to exercise “Control” over Sri Lanka by offering infrastructure projects of a scale that benefits China rather than Sri Lanka as evidenced by the example of the offer by Sinopec Refinery cited above. This example demonstrate that Sri Lanka should be faulted for accepting projects offered without question and when questioned, based on local evaluations of scale to meet Sri Lankan needs as in the case of the existing Refinery at Sapugaskanda, the scale of projects become significantly less. The lesson to be learnt from this experience is that no project offered should be accepted without question in respect of its suitability to Sri Lanka in all respects, if Sri Lanka is not to become a victim of self-inflicted debt traps.
INDIA –SRI LANKA RELATIONS
How India “Controls” Sri Lanka is by making Sri Lanka politically and economically vulnerable and dependent on India, not only through physical connectivity, but also by being a handmaiden in internal political arrangements where power is devolved to Provinces that are a threat to Sri Lanka’s territorial integrity (13th Amendment) and also by focusing development that benefit the Tamil community in Sri Lanka. The end result is to keep relations between communities in Sri Lanka on the “boil”, much against the interests of Sri Lanka to function as a united Nation State.
The proposal to connect Sri Lanka with India with under-water pipelines to transfer petroleum products from the Middle East and Power Grids would make Sri Lanka vulnerable and dependent on India as Germany was with Natural Gas from Russia when Nord-Stream I and II were sabotaged. Similarly, the road access through a Land Bridge connecting India and Sri Lanka would legalize access between the two countries that today takes place illegally because of the disparity in wages and livelihoods.
Despite such possible outcomes, there is a concerted effort by individuals and a body of NGOs who are of the opinion that it is in the best interests of Sri Lanka for Sri Lanka to hitch its wagons to the rising star of India. Others are grateful to India as the first responder to Sri Lanka at times of need, mindless of the weekly destruction of Sri Lanka’s marine resources etc. caused by thousands of fishing boats from India resorting to illegal fishing practices whose value over the years are beyond assessment.
CONCLUSIION
The reason for the recent conflict in the Middle East is all about “Control” of Nation States by Major Powers in pursuit of their Geopolitical interests. The need to “Control” Sri Lanka by the US is because of Sri Lanka’s location to the Indo-Pacific and by China because Sri Lanka is a vital link to its Belt and Road Initiative. On the other hand, Relations with India are influenced and guided by India’s obsession with the sustainability of its territorial integrity because that is what makes India a Major Power. The survival of Sri Lanka in such a complex background depends on how astutely Sri Lanka protects its Policy of Neutrality.
By Neville Ladduwahetty
Features
“Sir”: A prefix or a suffix in Sri Lanka?
The word “Sir” is classically and linguistically associated with Great Britain and His Majesty’s English Language. As an esteemed prefix, it generally refers to a Knight, but very strictly speaking, that is perhaps a rather narrow and restricted synonym. While a Knight of the British Empire is the most common type of knight people encounter today, Great Britain actually has several different orders of knighthood, as well as an ancient rank that does not belong to any such order at all.
When someone is dubbed a knight in Britain and referred to as “Sir” X, Y or Z, they generally fall into one of three categories. The first is a Knight Bachelor, undoubtedly the oldest rank. This is the most common form of knighthood awarded for public service, arts, or science. In that context, one should think of Sir Elton John, Sir Paul McCartney, or Sir Ian McKellen. It is not a part of an explicit “Order”, like that of the British Empire. It is the oldest mechanical form of knighthood, dating back to the 13th century under King Henry III. The recipients are simply styled as Sir, followed by the first name, such as Sir Ian, without any post-nominal letters like KBE or OBE attached to the end of their name.
The second is a Knight Commander of the Most Excellent Order of the British Empire (KBE). This is a specific group, established relatively recently in 1917 by King George V, to fill a gap for rewarding civilian and military effort during World War I. To qualify to be called “Sir” within this specific order, a man must be appointed as a Knight Commander (KBE) or a Knight Grand Cross (GBE).
The third is a group of Chivalric Orders, the so-called Elite and Ancient Orders. Several highly exclusive, ancient orders of knighthood sit much higher in precedence than the Order of the British Empire. These include the Most Noble Order of the Garter, the pinnacle of British honours founded in 1348, and scrupulously limited to the Monarch, the Prince of Wales, and only 24 other companion members. Then there is the Most Ancient and Most Noble Order of the Thistle, the highest chivalric honour in Scotland. The last of this group is the Most Honourable Order of the Bath; typically awarded to high-ranking military officers and senior civil servants.
The Summary Rule of this entire scenario is that every Knight of the British Empire (KBE) is a British Knight, but not every British Knight is a Knight of the British Empire. If you see a modern British knight who does not have military or diplomatic ties, odds are high that they are actually a Knight Bachelor.
With reference to the title of this presentation, now for the flip side of this, as we see things in our region of the globe. In Great Britain, it is the standard form of address to refer to a Knight as Sir John, Sir Ian etc. However, in Sri Lanka, as well as in the Indian sub-continent, very often people use the word “Sir” as a suffix or a postfix to honour someone and frequently use “X Sir”; the name followed by the word “Sir” as a suffix or postfix.
It is a fascinating linguistic oddity, and Sri Lanka is definitely not alone in this, and most definitely, we are second to none in that outlook. While using “Sir” as a suffix or postfix (e. g., De Silva Sir, Nihal Sir) completely cartwheels over the standard British etiquette, where “Sir” must strictly prefix a first name. This charming practice of using it as a suffix is actually widespread across South Asia and parts of Southeast Asia. It is a classic example of dialectal crossbreeding, where local grammatical structures and cultural norms go to the extent of rewriting even the rules of the standard English as a language.
In a very broad sense, this phenomenon is very definitely seen in the Indian Subcontinent (E.g. Sri Lanka, India, Bangladesh, Nepal, Bhutan and Pakistan). This is arguably where the “Name + Sir” phenomenon is largest and perhaps even the strongest. Across Sri Lanka, India and Bangladesh, you will constantly hear people refer to superiors, teachers, or public figures as Karu Sir, Vijay Sir, Sachin Sir, Shahrukh Sir, or Ahmad Sir, etc.
Then there is the Indian “Ji” Factor: In Indian languages like Hindi or Punjabi, it is a strict cultural taboo to call an elder or a superior by their bare name. People naturally append the respectful suffix “Ji” (e. g., Gandhi-ji, Sharma-ji). It is then no surprise at all that when switching to English, the Indian mind seamlessly swaps the local suffix Ji for the English honorific Sir, thereby turning Vijay-ji into Vijay Sir.
In Hong Kong, a very specific variation of this exists within the police force and civil service. Influenced by decades of British administration, mixed with Cantonese naming customs, junior officers and the public address superiors by their surname followed by “Sir”, such as “Wong-Sir” or “Chan-Sir“. There is even a universal colloquial generic term, “Ah-Sir“, used commonly to address male police officers or teachers.
In the Philippines, while the syntax is slightly different, the sheer density of “Sir/Madam, Ma’am” usage matches that of Sri Lanka. Filipinos deeply value hierarchical courtesy. While they might say “Sir Jason“, it is incredibly common to use “Sir” almost like a pronoun or a mid-sentence suffix punctuation mark when addressing superiors, bosses, or clients, to ensure that respect is suitably maintained conscientiously.
The mismatch between British English and South/Southeast Asian English comes down to how different native cultures view status and intimacy. In South Asia, especially in Sri Lanka, there is the Linguistic Tradition of the suffix, where an extension in the nation’s own language is inserted into a word to enhance its status. In languages like Sinhala (-thuma / –mahathmaya), in Tamil (-ayyah / –avargal), and in Hindi (-ji), respect is always attached to the end of a name. It simply means that forcefully bringing a sleek word that implies social deference to the front, like Sir John, feels syntactically peculiar or even inappropriate to a native speaker of these local languages.
The “First Name Dilemma” is another type of rather quaint occurrence. In the West, calling your boss simply “John” is seen as a gesture that is egalitarian, free and open. In South Asia, calling an elder or superior by their first name feels somewhat jarringly rude. Conversely, using just “Mr Perera” can also feel too cold, official and even distant. “Perera Sir” or “Silva Sir” strikes the perfect culturally mitigatory concession, as it maintains a warm, personal connection by using the surname while also overtly and safely conveying a layer of professional public respect by adding the word “Sir” as a suffix or a postfix.
Yet for all that, it is worth noting that fundamentally, all languages are symbolic expressions of human thought and human intelligence. Whether expressed as spoken, written or sign language, all dialects are means of human communication. The type of words like “Sir” that we use in the English Language and the real context in which they are used indicate our thoughts in our human intellect. When they are used appropriately, they reflect our commitment to uninhibited respect and even admiration. While the British people and even their Monarch might feel quite a bit confused to hear someone called “Perera Sir”, right across Sri Lanka and its neighbouring nations. Yet for all that, it is simply the most natural and fusion technique to bridge and integrate traditional deference and admiration with modern expressive English.
by Dr B. J. C. Perera
Specialist Consultant Paediatrician and Honorary Senior Fellow,
Postgraduate Institute of Medicine, University of Colombo, Sri Lanka.
An independent freelance correspondent.
Features
The Murder Room
Tales of Mystery and Suspense – 8
The Murder Room gets its title from a room of that name in a museum dedicated to Victorian memorabilia, including famous murders, which are featured in that room. But the first murder in the story occurs outside, when one of the trustees, who had been against renewing the lease of the building – which would have meant the museum having to close – is set on fire when he comes to the museum late one evening to pick up the car in which he went away for weekends. This was a regular habit, and the murderer had obviously lain in wait, with a can of petrol, and set him on fire.
I took several books with me when I went to England earlier this year, but as usual I read hardly any of them, finding enough and more of interest in the shelves of those I stayed with. My first stop was at New College, where, as on several previous occasions I stayed in what is known as the Bishop’s Room, on the topmost storey of the Warden’s Lodgings. Sadly, I shall not stay there again, for my friend who has been Warden there for a decade now, Miles Young, retires this year.
The bookshelves there have much of interest though on the last couple of occasions I have concentrated on the detective stories, which Miles says are not his, but came with the house. The second I read this time was by the generally workmanlike P. D. James, whose Adam Dalgliesh is in the long line of whimsical but efficient detectives that has Hercule Poirot at its head. Though I had not been impressed by the one novel I read, featuring James’ female detective, Dalgliesh, I liked it, and this novel confirmed my affection.
The Murder Room
gets its title from a room of that name in a museum dedicated to Victorian memorabilia, including famous murders, which are featured in that room. But the first murder in the story occurs outside, when one of the trustees, who had been against renewing the lease of the building – which would have meant the museum having to close – is set on fire when he comes to the museum late one evening to pick up the car in which he went away for weekends. This was a regular habit, and the murderer had obviously lain in wait, with a can of petrol, and set him on fire.
The other two trustees, his brother and his sister, obviously benefited from his death, for they promptly renewed the lease. The employees of the museum also clearly benefited, for they had all found some sort of refuge here. These included the caretaker/cleaner, who lived in a cottage on the premises, a manager who was unpaid but used the place for his research, the receptionist, who also looked after the flat at the museum which was used by the sister, and two volunteers plus a gardener’s boy.
The caretaker, Tally, came across the fire before discovery had been intended, for an evening class everyone knew she went to on Fridays had been cancelled. On her way in she was knocked off her bicycle by a speeding car, the driver of which stopped to make sure she was safe, before speeding off again. She manages then to summon everyone else, including Dalgliesh, who had visited the museum for the first time a few days earlier, brought by a friend who relished its strange attractions.
The museum has to be closed for a few days while investigations are carried out, but in the course of them the friend brings some transatlantic visitors, and when they are in the Murder Room a chest (in which a body had been supposed to have been hidden in Victorian times) is opened, and a body found there. That murder, the autopsy indicated, had taken place around the time of the first murder.
The body was that of a girl who had attended a finishing school part-owned by the Dupayne sister. When Tally, by chance, sees the man who had knocked her down, and identifies him as a Lord who was known for his philanthropy, Dalgliesh realises that there are wheels within wheels here. The Lord confesses that he belonged to a group that met for promiscuous sex in the flat, and that he had planned to meet the girl there but she had not turned up.
Lord Martlesham, when the girl failed to appear, thought he should get away after the fire broke out. It was then that he had bumped into Tally, and his stopping to make sure she was all right indicated that he could not have been the murderer. Dalgliesh then deduced that the murderer had seen the girl at the window of the murder room, from which she must have seen the preparations for the murder. That was why she too had been killed.
Dalgliesh then has a fair idea of who the murderer was, but in waiting for proof, he leaves room for yet another murder to happen. For Tally, who had been mulling over something said on the night of the murder, asking about the petrol that caused the fire, realized that she had not mentioned petrol herself. This happened on her way back to her cottage, and not having a phone herself she goes into the museum to call, and then gets back to her cottage and locks herself in.
But then she hears her cat howling and goes out to find him strung up. She cuts him down, but when she goes back to the cottage the murderer is waiting and knocks her down. That happens in the section called The Third Victim, but this is in fact a boy on a motorbike knocked down by the speeding car of the escaping murderer. So Dalgliesh is able to effect an arrest when he turns up as summoned, and fortunately is in time to resuscitate Tally and send her to hospital.
The reason for the murder and the identity of its perpetrator are then fairly straightforward, though the background to the second murder introduces an element of loose living that contrasts with the Victorian age, or at least the image it projected – undercut though that is by the murders highlighted in the Murder Room with their sexual overtones.
And there is another louche element in the adventures of the gardener’s boy, who lives with a Major who is homosexual, though he declares, truthfully it seems, that he was not attracted at all to the boy but had given him shelter because of his vulnerability. He is generally charming, but capable of rages, in one of which he knocked down the major, though he was forgiven. He had taken shelter with Tally, who was fond of him but decided she preferred to live alone, which was why she had sent him away the day before she was attacked.
The murdered brother was a psychiatrist, and it turns out that the mysterious weekends he spent away from his London home were spent at country inns, where he took long walks to clear his mind of the demons his practice kept bringing into it. His profession also contributed to his death, in addition to his standing in the way of the museum continuing to exist, for one of his patients, connected to the murderer, had set fire to herself.
Solid plotting, with all the loose ends tied up, of incidents and the bizarre cast of characters.
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