Midweek Review

Power of colour beyond visual appeal and aesthetic beauty

Published

8 months ago

2025/04/23

Blue lights (R) at the Woodside LIRR train station in New York (Source: https://commons.wikimedia.org/wiki/File:Woodside_LIRR_Blue_Lights_on_platform_.jpg )

Use of colours in pre-historic era

Humans have been long fascinated by colour, which has played a significant role since the beginning of human civilization. Ancient people had painted caves even before they settled in houses. Cave paintings were created during the stone age from 10,000 to 40,000 years ago. Primitive artists used natural materials available to them to mark their territory, beautify their surroundings, and tell their stories. For thousands of years, paints were handmade from ground mineral-based pigments. Ochre, a natural pigment which comes in shades of red, yellow, orange and brown, was the first pigment used by humans, in the Middle Stone Age of Africa. Ochre, also called hematite, is found all over the world and has been used by nearly every prehistoric culture, whether as paint on caves and building walls, for staining of pottery or other types of artifacts, or as part of a burial ritual or body painting.

Man’s irresistible desire to create pigments was not without untoward consequences. For instance, in 1,775, Carl Wilhelm Scheele, a Swedish chemist, invented a bright green pigment, but it was laced with the deadly poisonous chemical arsenic; it was cheap to produce, but dangerous for artists and patrons alike. However, the French emperor Napoleon Bonaparte was so fascinated by and passionate about this colour, he wanted his bedroom wallpaper painted with Scheele’s Green. Historians believe that the green pigment used in the wallpaper caused his untimely death in 1821 at the age of 51 due to cancer. By the end of the 19th century, Paris Green—a mixture of copper and arsenic—replaced Scheele’s Green as a more durable alternative, enabling Claude Monet, Paul Cézanne, and Pierre-Auguste Renoir to create vivid, emerald landscapes. It is also toxic, and thus has also been used as a rodenticide and insecticide. The blindness which Monet subsequently succumbed to may have been due to the toxicity of Paris Green, which was banned in the 1960s.

The Egyptians artists added binders such as eggs, resins and beeswax to pigments so that the paint would adhere to plaster and began painting on it. Hence, Egyptian tombs made of limestone were covered with plaster that was painted using six colours: charcoal black, red ochre, yellow orpiment, brown ochre, blue azurite, and green malachite. Natural mineral pigments were dug from the earth and shaped into sticks that were used as chalks by artists including Leonardo da Vinci, Michelangelo, and Rembrandt. Dyes made from plants were also used in artwork in the Mediterranean region. By the mid-nineteenth-century, watercolors became available for sale to the public. Since the 1940s, technological advances have produced synthetic pigments and chemical processes for paint making which greatly contributed to expanding the once mineral-based limited colour palette to all the colours of the rainbow. Since then, colour-based industries have grown progressively in the world and the worth of the paint and coatings industry and of colour cosmetics industries in 2023 amounted to around $ 180 billion and $ 80 billion, respectively.

Physics of colour and vision

In the 1660s, English physicist and mathematician, Isaac Newton, demonstrated that clear white light was composed of seven visible colours. Johann Wolfgang von Goethe in 1810 published his treatise on the nature, function, and psychology of colours titled “Theory of Colours”. One of his most radical points was a refutation of Newton’s ideas about the colour spectrum, suggesting that darkness is an active ingredient rather than the mere passive absence of light. Though his work was dismissed by a large segment of the scientific community, it remained of intense interest to a cohort of prominent philosophers and physicists, including Arthur Schopenhauer, Kurt Gödel, and Ludwig Wittgenstein.

Colour springs from the alchemy of light and perception. Light, an ethereal wave of electromagnetic radiation, spans a spectrum visible to human eyes from approximately 380 to 750 nanometers. As light touches an object, it may be reflected, absorbed, or transmitted, with the reflected wavelengths crafting the hue perceived by the eye. This interaction is interpreted by the brain, transforming raw light into the rich palette of the world around us.

The human eye, a wondrous instrument, houses three types of photoreceptor cells known as cones, each attuned to different wavelengths of light:

S Cones: Sensitive to short wavelengths, peaking around 420 nm, endowing us with the perception of blue.

M Cones: Responsive to medium wavelengths, peaking around 534 nm, allowing us to see green.

L Cones: Tuned to long wavelengths, peaking around 564 nm, revealing the red hues.

Human beings can only see the colours that these receptors can receive. Together, these cones create a symphony of signals that the brain harmonises into the countless colours we perceive, enabling us to distinguish millions of shades.

Nature’s creatures possess a diversity of vision, often surpassing human capabilities. Birds and insects, for instance, enjoy a tetrachromatic[DC1] vision (having four types of cone cells in the eye to perceive colour), with an additional type of cone sensitive to ultraviolet (UV) light, unveiling a hidden spectrum invisible to human eyes. Many bird species use UV signals for mating, navigation, and foraging.

Colours are ‘illusions’

People are quite interested in and passionate about colours; thus, they generally make an initial judgment about a product, person, or environment within 90 seconds, and a significant proportion of this assessment, i.e. 60-90%, is based on colour. This shows how strong the influence of colour on perception and decision-making is. Despite this extraordinary experience of colour perception, all colours are ‘illusions’ in the sense that they do not belong to objects independently of how these are perceived. Neither objects nor lights are coloured ‘in themselves’, but are seen as coloured as a result of neural processes and perceptual mechanisms. In fact, the physical properties of colours are different from the way colours are perceived. For example, take a yellow sunflower; it absorbs the blue, red and other colour energy waves, and then reflects back wavelengths that appear yellow. The colour receptors in our eyes then translate the flower’s wavelength into its colour and send that to our brain.

Blue colours in animals are not caused by chemical pigments, but rather by physics and the way light bounces off a surface. Blue-winged butterflies have layered nanostructures on their wing scales that manipulate light layers, cancelling out certain colours and projecting the fluorescent blue colour that we see; thus, they are called structural colours. Another classic example of structural coloration is the peacock’s feather. The microscopic structures in the feathers manipulate light to produce brilliant blues and greens that shift and change as the viewing angle alters. Thus, blue butterflies, roses, and peacocks aren’t actually blue and our eyes have duped us (Fig. 1).

Effects of colour on human behaviour and wellbeing

People have long understood the power of colour over moods and well-being. Colour was used in ancient Egypt, China, and Greece to evoke emotions, aid in spiritual practices, and treat a variety of conditions. Many ancient civilizations, such as the Egyptians and Chinese, embraced the belief that colours possessed healing properties and could be harnessed for therapeutic purposes. This practice, known as chromotherapy, involved the use of specific hues to treat various ailments and promote overall well-being.

Colour is a multidimensional concept which goes beyond visual appeal and aesthetic beauty. It encompasses physical, psychological, cultural, symbolic, artistic, aesthetic and scientific dimensions, including physiological. The aesthetic beauty of colour has added a mesmerizing and exciting tapestry to nature and it is inconceivable to imagine a world without colour. Leigh Hunt (1784–1859), prolific English poet and journalist, said “Colours are the smiles of nature”.

Colour can affect humans in manifold ways ranging from psychological, physiological, cognitive to emotional, behavioural, healing etc., thereby having a profound influence on their mood, creativity, productivity, health and happiness. In addition, it has a remarkable power not only to heal, rejuvenate and inspire, but also to instill a sense of peace and harmony in us. Colour is also a powerful means of communication and a defining aspect of human experience, influencing our perceptions and preferences, and interactions with the world. Therefore, extensive studies have been carried out on those aspects which have led to the emergence of disciplines such as Colour Psychology, Colour Chemistry, Colour Therapy and Visual Ergonomics. Colour can potentially be a powerful source of inspiration, delight, tranquility and solace when used in the right manner for the right place for the right purpose.

However, people generally apply colours purely based on the visual and aesthetic appeal, without a proper understanding of the profound impact that colour can have on people – their performance, experience and wellbeing. Therefore, the use of the right colour for a given place is crucially important in order to provide a more relaxed, congenial and harmonious living environment which goes beyond the aesthetic appeal. Here, it is important to explore the world of colour psychology without diving into technicalities

The colours you choose for your walls, furniture, and the decorations of your bedroom can influence your mood. A bedroom painted in calming tones, e.g. in light blue, might help you to unwind, and create a feeling of serenity. It is not recommended to paint the bedrooms in dark shades of blue as it could interfere with sleep. Similarly, the blue light emitted by electronic screens could produce a similar effect. Therefore, it is not advisable to work on the computer or watch film on electronic screens for long hours prior to retiring to bed. Because the blue light gives the impression to the brain that it is daytime, the body stops releasing the sleep hormone Melatonin. On the other hand, light shades of amber may promote the release of Melatonin helping us to wind down and prepare for sleep in nature’s way.

Feeling relaxed

As blue light causes people to feel relaxed, it has led countries to add blue street lights in order to decrease suicide rates. In 2000, the city of Glasgow installed blue street lighting in certain neighborhoods and subsequently reported the anecdotal finding of reduced crime in these areas. A railroad company in Japan installed blue lighting on its stations in October 2009 in an effort to reduce the number of rail suicide attempts (Fig. 2). Blue is often associated with calmness and serenity and is not naturally associated with food; hence, it can make food appear less appetizing and appealing and reduce the desire to eat. Therefore, blue is generally considered an appetite suppressant and eating off a blue plate could help to reduce overweight and obesity.

Walls of cafés are generally painted in warm, earthy tones like brown or terracotta which evoke a sense of comfort and homeliness. It helps the customers to settle in with a cup of coffee and a good book to spend some relaxing and rewarding time in a congenial ambience. On the other hand, some fast-food chains use red and yellow in their logos and external and internal walls in order to create a vibrant and exciting environment. It not only attracts attention, promotes quick decision making and creates a sense of excitement and urgency, but also stimulates appetite and encourages lively discussion. Though such colours attract both children and adults to fast-food restaurants, they may not wish to stay long in such an ambience after partaking of food, unlike in a coffee shop. Similarly, a kitchen with lively colours could energize you during meal preparation. (Figure 2)

Blue-winged butterfly (Source: https://pixabay.com/photos/butterfly-insect-animal-142506/) (left) and peacock (Source: https://www.photowall.co.uk/peacock-feathers-poster ) (right)

Even when designing websites, careful attention is paid not only to aesthetics, but to emotions that need to be evoked. When a company designs a new website, it carefully selects colours with this in mind. They might use blue for trust, green for growth, and orange for enthusiasm, creating a website that feels inviting and reliable while encouraging action. Architect William Ludlow advocated pale pastel blues and greens in hospitals for therapeutic purposes. The walls of hospitals are often painted in soft, calming colours like pale green or light blue which help to reduce stress and create a healing environment.

Colour can enhance or impair learning, morale, performance and the behaviour of students. It can affect students’ attention span, and perception of time. Visual stimulation rewires the brain, making stronger connections while fostering visual thinking, problem solving and creativity. It has been shown that the cold-coloured walls, such as blue and green, produced the highest levels of relaxation and pleasure, while the warm-colored walls such as yellow and red had the better attention and learning performance. And the white-walled classroom had the lowest subjective evaluation and the worst learning performance. Classrooms when painted with bright yellow — the colour of happiness and optimism – spark creativity and enthusiasm and makes learning more joyful. That’s why some educational spaces use yellow in order to foster a lively and energetic environment. School buses are generally painted yellow the world over for safety and visibility. Yellow colour is in the middle of the visible spectrum so that it strikes the cones (photoreceptors) of the eyes from both sides equally. That makes it almost impossible for anyone to miss a school bus even when it’s in one’s peripheral vision or under poor day light conditions or in bad weather.

Fitness spaces

Exercise rooms and fitness spaces are generally painted in bright orange which exudes energy, motivation and vitality, encouraging movement and activity. It helps to keep the energy high and spirits lifted. Studies have shown that red causes a significantly greater response in heart rate, respiration, brain wave activity, and other nervous system functions than green or blue. In addition, red decreases the perceived size of rooms and space and prompts a sense of warmth. Lush greenery in a park or a natural habitat has a refreshing and rejuvenating effect, creating a sense of harmony and tranquility. Besides, the choice of colour of clothing reflects and affects your mood and if you are feeling upbeat and confident, you might pick a vibrant red shirt or dress. On the other hand, if you seek comfort and tranquility, you may settle for soothing shades of blue, green, etc.

Choice of colour for prisons is of prime importance as it affects the mood of inmates. When colour is used properly in prisons and jails, it can lessen overall tension and conflicts and make the places more comfortable for the inmates to live and work in. Based on the research carried out, bright colours are recommended in the prison, with green and blue colours being the best rated because people perceive them as soothing, stimulating, pleasant and safe. Yellow is also acceptable because the prisoners perceive it as a bright and cheerful colour. Painting the walls of the room with soft shades of yellow and green (kiwi color) was seen by the prisoners as “refreshing”. In all these cases, colour psychology is at play.

Therefore, colours play a significant role in shaping how we feel and behave; thus, they are not just pretty hues, but are the emotions painted onto the canvas of our lives. Hence, colour psychology is like a storyteller that sets the mood and tone of a space, a product, or even a piece of clothing. It’s the silent language that whispers to our emotions, shaping our experiences without us even realizing it. However, these associations between colours and emotions are not universal, but are influenced by cultural, historical, and personal factors. Understanding colour psychology can help individuals and businesses harness the power of colour to evoke specific emotions and convey messages effectively. Whether in branding, interior design, fashion, or art, colour plays a central role in shaping our perceptions and experiences. It’s a fascinating aspect of our world that continues to intrigue and inspire creativity in various fields.

Further information in this regard is found in the book titled “The Power of Colour: Enhancing Human Wellbeing and Unleashing Human Potential” edited by Ranjith Senaratne and Raj Somadeva. It emanated from a conference conducted by the Sri Lanka Association for the Advancement of Science and includes contributions from a multidisciplinary team comprising artists, architects, engineers, biologists, environmentalists, psychiatrists, musicians and scientists.

Concluding remarks

Though the manifold effects of colour on humans have been recognized from time immemorial, there is very little appreciation and understanding of those effects on humankind and how these effects could be harnessed to enhance and enrich human wellbeing, including life experience, productivity, performance, satisfaction, memory and creativity. Because of the significance of colour on humans, disciplines such as Colour Psychology, Colour Chemistry, Colour Therapy and Visual Ergonomics have emerged which have assumed considerable importance in day-to-day life.

A good grasp of Colour Psychology helps to create a psychologically satisfying, aesthetically pleasing, vibrant and energetic space, or a calm and tranquil environment by selecting the appropriate shades of colours depending on the need and occasion. This is crucially important in a fiercely competitive globalized environment characterized by anxiety, tension, disquiet and chaos where people are leading a stressful, restless and agitated life in a fast-paced world. In the circumstances, creating a relaxed, congenial and harmonious environment at home as well as at the workplace by painting the living and working environment with appropriate hues is of prime importance.

This need is paramount and should be addressed as a matter of great importance. Then only could we embark upon a colorful journey and paint our world with appropriate vibrant hues in order to unearth the boundless potential and transformative power that lies within us. However, there is a dearth of competent professionals, particularly in Sri Lanka who can proffer the right advice and guidance to clients in selecting appropriate colours for specific places such as the living room, bedroom, dining room, reading room, exercise room etc. in homes and public places such as hospitals, restaurants, coffee shops, gymnasiums theatres, prisons etc. for the human wellbeing. This issue has been further exacerbated due to hardly any academic interaction and collaboration, particularly between the Faculties of Arts, Science and Medicine.

The course unit system (CUS) developed in the USA enables students to pick and choose course modules from diverse fields so as to create complementarity and synergy; this in turn, leads to producing well-rounded and well-grounded creative graduates equipped with multiple competencies to address real-world issues more effectively. Though the CUS was introduced in our universities over 20 years ago, because of the heavy compartmentalization and fragmentation, course modules for degree programmed of a given faculty have been selected mainly from among the modules offered by the faculty concerned, thereby not deriving the key expected benefits from the CUS. Consequently, Sri Lankan universities have been hardly able to develop any cross-faculty academic programmed such as Colour Psychology, Colour Therapy, Music Therapy and such like. Therefore, it is imperative to make necessary interventions so as to facilitate and promote interfaculty degree programmed in Sri Lanka universities, paving the way for the development of such academic offerings jointly by the Faculties of Arts, Science, Medicine, Architecture etc. Moreover, cooperation and collaboration between faculties are needed to effectively address complex real-world issues such as SDGs which demand a holistic trans-disciplinary systems approach. Hence, the earlier such interventions are made, the better.

by Emeritus Professor
Ranjith Senaratne
University of Ruhuna, (ransen.ru@gmail.com)

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Midweek Review

Year ends with the NPP govt. on the back foot

Published

5 days ago

2025/12/24

Sahan Weerasooriya

President Dissanayake addresses Parliament as PM Dr. Harini Amarasuriya looks on. Dissanayake is the leader of both the JVP and NPP

The failure on the part of the Janatha Vimukthi Peramuna (JVP)-led National People’s Power (NPP) government to fulfil a plethora of promises given in the run up to the last presidential election, in September, 2024, and a series of incidents, including cases of corruption, and embarrassing failure to act on a specific weather alert, ahead of Cyclone Ditwah, had undermined the administration beyond measure.

Ditwah dealt a knockout blow to the arrogant and cocky NPP. If the ruling party consented to the Opposition proposal for a Parliamentary Select Committee (PSC) to probe the events leading to the November 27 cyclone, the disclosure would be catastrophic, even for the all-powerful Executive President Anura Kumara Dissanayake, as responsible government bodies, like the Disaster Management Centre that horribly failed in its duty, and the Met Department that alerted about the developing storm, but the government did not heed its timely warnings, directly come under his purview.

The NPP is on the back foot and struggling to cope up with the rapidly developing situation. In spite of having both executive presidency and an overwhelming 2/3 majority in Parliament, the government seems to be weak and in total disarray.

The regular appearance of President Dissanayake in Parliament, who usually respond deftly to criticism, thereby defending his parliamentary group, obviously failed to make an impression. Overall, the top NPP leadership appeared to have caused irreparable damage to the NPP and taken the shine out of two glorious electoral victories at the last presidential and parliamentary polls held in September and November 2024 respectively.

The NPP has deteriorated, both in and out of Parliament. The performance of the 159-member NPP parliamentary group, led by Prime Minister Dr. Harini Amarasuriya, doesn’t reflect the actual situation on the ground or the developing political environment.

Having repeatedly boasted of its commitment to bring about good governance and accountability, the current dispensation proved in style that it is definitely not different from the previous lots or even worse. (The recent arrest of a policeman who claimed of being assaulted by a gang, led by an NPP MP, emphasised that so-called system change is nothing but a farce) In the run-up to the November, 2024, parliamentary polls, President Dissanayake, who is the leader of both the JVP and NPP, declared that the House should be filled with only NPPers as other political parties were corrupt. Dissanayake cited the Parliament defeating the no-confidence motions filed against Ravi Karunanayake (2016/over Treasury Bond scams) and Keheliya Rambukwella (2023/against health sector corruption) to promote his argument. However, recently the ongoing controversy over patient deaths, allegedly blamed on the administration of Ondansetron injections, exposed the government.

Mounting concerns over drug safety and regulatory oversight triggered strong calls from medical professionals, and trade unions, for the resignation of senior officials at the National Medicines Regulatory Authority (NMRA) and the State Pharmaceutical Corporation (SPC).

Medical and civil rights groups declared that the incident exposed deep systemic failures in Sri Lanka’s drug regulatory framework, with critics warning that the collapse of quality assurance mechanisms is placing patients’ lives at grave risk.

The Medical and Civil Rights Professional Association of Doctors (MCRPA), and allied trade unions, accused health authorities of gross negligence and demanded the immediate resignation of senior NMRA and SPC officials.

MCRPA President Dr. Chamal Sanjeewa is on record as having said that the Health Ministry, NMRA and SPC had collectively failed to ensure patient safety, citing, what he described as, a failed drug regulatory system.

The controversy has taken an unexpected turn with some alleging that the NPP government, on behalf of Sri Lanka and India, in April this year, entered into an agreement whereby the former agreed to lower quality/standards of medicine imports.

Trouble begins with Ranwala’s resignation

The NPP suffered a humiliating setback when its National List MP Asoka Ranwala had to resign from the post of Speaker on 13 December, 2024, following intense controversy over his educational qualification. The petroleum sector trade union leader served as the Speaker for a period of three weeks and his resignation shook the party. Ranwala, first time entrant to Parliament was one of the 18 NPP National List appointees out of a total of 29. The Parliament consists of 196 elected and 29 appointed members. Since the introduction of the National List, in 1989, there had never been an occasion where one party secured 18 slots.

The JVP/NPP made an initial bid to defend Ranwala but quickly gave it up and got him to resign amidst media furor. Ranwala dominated the social media as political rivals exploited the controversy over his claimed doctorate from the Waseda University of Japan, which he has failed to prove to this day. But, the JVP/NPP had to suffer a second time as a result of Ranwala’s antics when he caused injuries to three persons, including a child, on 11 December, in the Sapugaskanda police area.

The NPP made a pathetic, UNP and SLFP style effort to save the parliamentarian by blaming the Sapugaskanda police for not promptly subjecting him for a drunk driving test. The declaration made by the Government Analyst Department that the parliamentarian hadn’t been drunk at the time of the accident, several days after the accident, does not make any difference. Having experienced the wrongdoing of successive previous governments, the public, regardless of what various interested parties propagated on social media, realise that the government is making a disgraceful bid to cover-up.

No less a person than President Dissanayake is on record as having said that their members do not consume liquor. Let us wait for the outcome of the internal investigation into the lapses on the part of the Sapugaskanda police with regard to the accident that happened near Denimulla Junction, in Sapugaskanda.

JVP/NPP bigwigs obviously hadn’t learnt from the Weligama W 15 hotel attack in December, 2023, that ruined President Ranil Wickremeinghe’s administration. That incident exposed the direct nexus between the government and the police in carrying out Mafia-style operations. Although the two incidents cannot be compared as the circumstances differ, there is a similarity. Initially, police headquarters represented the interests of the wrongdoers, while President Wickremesinghe bent over backwards to retain the man who dispatched the CCD (Colombo Crime Division) team to Weligama, as the IGP. The UNP leader went to the extent of speaking to Chief Justice Jayantha Jayasuriya, PC, and Speaker Mahinda Yapa Abeywardena to push his agenda. There is no dispute the then Public Security Minister Tiran Alles wanted Deshabandu Tennakoon as IGP, regardless of a spate of accusations against him, in addition to him being faulted by the Supreme Court in a high-profile fundamental rights application.

The JVP/NPP must have realised that though the Opposition remained disorganised and ineffective, thanks to the media, particularly social media, a case of transgression, if not addressed swiftly and properly, can develop into a crisis. Action taken by the government to protect Ranwala is a case in point. Government leaders must have heaved a sigh of relief as Ranwala is no longer the Speaker when he drove a jeep recklessly and collided with a motorcycle and a car.

Major cases, key developments

Instead of addressing public concerns, the government sought to suppress the truth by manipulating and exploiting developments

* The release of 323 containers from the Colombo Port, in January 2025, is a case in point. The issue at hand is whether the powers that be took advantage of the port congestion to clear ‘red-flagged’ containers.

Although the Customs repeatedly declared that they did nothing wrong and such releases were resorted even during Ranil Wickremesinghe’s presidency (July 2022 to September 2024), the public won’t buy that. Container issue remains a mystery. That controversy eroded public confidence in the NPP that vowed 100 percent transparency in all its dealings. But the way the current dispensation handled the Port congestion proved that transparency must be the last thing in the minds of the JVPers/NPPers holding office.

* The JVP/NPP’s much touted all-out anti-corruption stand suffered a debilitating blow over their failure to finalise the appointment of a new Auditor General. In spite of the Opposition, the civil society, and the media, vigorously taking up this issue, the government continued to hold up the appointment by irresponsibly pushing for an appointment acceptable to President Dissanayake. The JVP/NPP is certainly pursuing a strategy contrary to what it preached while in the Opposition and found fault with successive governments for trying to manipulate the AG. It would be pertinent to mention that President Dissanayake should accept the responsibility for the inordinate delay in proposing a suitable person to that position. The government failed to get the approval of the Constitutional Council more than once to install a favourite of theirs in it, thanks to the forthright position taken by its civil society representatives.

The government should be ashamed of its disgraceful effort to bring the Office of the Auditor General under its thumb:

* The JVP/NPP government’s hotly disputed decision to procure 1,775 brand-new double cab pickup trucks, at a staggering cost exceeding Rs. 12,500 mn, under controversial circumstances, exposed the duplicity of that party that painted all other political parties black. Would the government rethink the double cab deal, especially in the wake of economic ruination caused by Cyclone Ditwah? The top leadership seems to be determined to proceed with their original plans, regardless of immeasurable losses caused by Cyclone Ditwah. Post-cyclone efforts still remain at a nascent stage with the government putting on a brave face. The top leadership has turned a blind eye to the overwhelming challenge in getting the country back on track especially against the backdrop of its agreement with the IMF.

Post-Cyclone Ditwah recovery process is going to be slow and extremely painful. Unfortunately, both the government and the Opposition are hell-bent on exploiting the miserable conditions experienced by its hapless victims. The government is yet to acknowledge that it could have faced the crisis much better if it acted on the warning issued by Met Department Chief Athula Karunanayake on 12 November, two weeks before the cyclone struck.

Foreign policy dilemma

Sri Lanka moved further closer to India and the US this year as President Dissanayake entered into several new agreements with them. In spite of criticism, seven Memorandums of Understanding (MoUs), including one on defence, remains confidential. What are they hiding?

Within weeks after signing of the seven MoUs, India bought the controlling interests in the Colombo Dockyard Limited for USD 52 mn.

Although some Opposition members, representing the SJB, raised the issue, their leader Sajith Premadasa, during a subsequent visit to New Delhi, indicated he wouldn’t, under any circumstances, raise such a contentious issue.

Premadasa went a step further. The SJB leader assured his unwavering commitment to the full implementation of the 13th Amendment to the Constitution that was forced on Sri Lanka during President JRJ’s administration, under the highly questionable Indo-Lanka Accord of July, 1987, after the infamous parippu drop by Indian military aircraft over Jaffna, their version of the old gunboat diplomacy practiced by the West.

Both India and the US consolidated their position here further in the post-Aragalaya period. Those who felt that the JVP would be in a collision course with them must have been quite surprised by the turn of events and the way post-Aragalaya Sri Lanka leaned towards the US-India combine with not a hum from our carboard revolutionaries now installed in power. They certainly know which side of the bread is buttered. Sri Lanka’s economic deterioration, and the 2023 agreement with the IMF, had tied up the country with the US-led bloc.

In spite of India still procuring large quantities of Russian crude oil and its refusal to condemn Russia over the conflict in Ukraine, New Delhi has obviously reached consensus with the US on a long-term partnership to meet the formidable Chinese challenge. Both countries feel each other’s support is incalculably vital and indispensable.

Sri Lanka, India, and Japan, in May 2019, signed a Memorandum of Cooperation (MoC) to jointly develop the East Container Terminal (ECT) at the Colombo Port. That was during the tail end of the Yahapalana administration. The Gotabaya Rajapaksa administration wanted to take that project forward. But trade unions, spearheaded by the JVP/NPP combine, thwarted a tripartite agreement on the basis that they opposed privatisation of the Colombo Port at any level.

But, the Colombo West International Terminal (CWIT) project, that was launched in November, 2022, during Ranil Wickremesinghe’s presidency, became fully operational in April this year. The JVP revolutionary tiger has completely changed its stripes regarding foreign investments and privatisation. If the JVP remained committed to its previous strategies, India taking over CDL or CWIT would have been unrealistic.

The failure on the part of the government to reveal its stand on visits by foreign research vessels to ports here underscored the intensity of US and Indian pressure. Hope our readers remember how US and India compelled the then President Wickremesinghe to announce a one-year moratorium on such visits. In line with that decision Sri Lanka declared research vessels wouldn’t be allowed here during 2024. The NPP that succeeded Wickremesinghe’s administration in September, 2024, is yet to take a decision on foreign research vessels. What a pity?

The NPP ends the year on the back foot, struggling to cope up with daunting challenges, both domestic and external. The recent revelation of direct Indian intervention in the 2022 regime change project here along with the US underscored the gravity of the situation and developing challenges. Post-cyclone period will facilitate further Indian and US interventions for obvious reasons.

****

Perhaps one of the most debated events in 2025 was the opening of ‘City of Dreams Sri Lanka’ that included, what the investors called, a world-class casino. In spite of mega Bollywood star Shah Rukh Khan’s unexpected decision to pull out of the grand opening on 02 August, the investors went ahead with the restricted event. The Chief Guest was President Anura Kumara Dissanayake, who is also the Finance Minister, in addition to being the Defence Minister. Among the other notable invitees were Dissanayake’s predecessor Ranil Wickremesinghe, whose administration gave critical support to the high-profile project, worth over USD 1.2 bn. John Keells Holdings PLC (JKH) and Melco Resorts & Entertainment (Melco) invested in the project that also consist of the luxurious Nüwa hotel and a premium shopping mall. Who would have thought President Dissanayake’s participation, even remotely, possible, against the backdrop of his strong past public opposition to gambling of any kind?

Don’t forget ‘City of Dreams’ received a license to operate for a period of 20 years. Definitely an unprecedented situation. Although that license had been issued by the Wickremesinghe administration, the NPP, or any other political party represented in Parliament, didn’t speak publicly about that matter. Interesting, isn’t it, coming from people, still referred by influential sections of the Western media, as avowed Marxists?

By Shamindra Ferdinando

Midweek Review

The Aesthetics and the Visual Politics of an Artisanal Community

Published

5 days ago

2025/12/24

Sahan Weerasooriya

Through the Eyes of the Patua:

Organised by the Colombo Institute for Human Sciences in collaboration with Millennium Art Contemporary, an interesting and unique exhibition got underway in the latter’s gallery in Millennium City, Oruwala on 21 December 2025. The exhibition is titled, ‘Through the Eyes of the Patua: Ramayana Paintings of an Artisanal Community’ and was organized in parallel with the conference that was held on 20 December 2025 under the theme, ‘Move Your Shadow: Rediscovering Ravana, Forms of Resistance and Alternative Universes in the Tellings of the Ramayana.’ The scrolls on display at the gallery are part of the over 100 scrolls in the collection of Colombo Institute’s ‘Roma Chatterji Patua Scroll Collection.’ Prof Chatterji, who taught Sociology at University of Delhi and at present teaches at Shiv Nadar University donated the scrolls to the Colombo Institute in 2024.

The paintings on display are what might be called narrative scrolls that are often over ten feet long. Each scroll narrates a story, with separate panels pictorially depicting one component of a story. The Patuas or the Chitrakars, as they are also known, are traditionally bards. A bard will sing the story that is depicted by each scroll which is simultaneously unfurled. For Sri Lankan viewers for whom the paintings and their contexts of production and use would be unusual and unfamiliar, the best way to understand them is to consider them as a comic strip. In the case of the ongoing exhibition, since the bards or the live songs are not a part of it, the word and voice elements are missing. However, the curators have endeavoured to address this gap by displaying a series of video presentations of the songs, how they are performed and the history of the Patuas as part of the exhibition itself.

The unfamiliarity of the art on display and their histories, necessitates broader explanation. The Patua hail from Medinipur District of West Bengal in India. Essentially, this community of artisans are traditional painters and singers who compose stories based on sacred texts such as the Ramayana or Mahabharata as well as secular events that can vary from the bombing of the Twin Towers in New York in 2001 to the Indian Ocean Tsunami of 2004. Even though painted storytelling is done by a number of traditional artisan groups in India, the Patua is the only community where performers and artists belong to the same group. Hence, Professor Chatterji, in her curatorial note for the exhibition calls them “the original multi-media performers in Bengal.”

‘The story of the Patuas’ also is an account of what happens to such artisanal communities in contemporary times in South Asia more broadly even though this specific story is from India. There was a time before the 21st century when such communities were living and working across a large part of eastern India – each group with a claim to their recognizably unique style of painting. However, at the present time, this community and their vocation is limited to areas such as Medinipur, Birbhum, Purulia in West Bengal and Dumka in Jharkhand.

A pertinent question is how the scroll painters from Medinipur have survived the vagaries of time when others have not. Professor Chatterji provides an important clue when she notes that these painters, “unlike their counterparts elsewhere, are also extremely responsive to political events.” As such, “apart from a rich repertoire of stories based on myth and folklore, including the Ramayana and other epics, they have, over many years, also composed on themes that range from events of local or national significance such as boat accidents and communal violence to global events such as the tsunami and the attack on the World Trade Centre.”

There is another interesting aspect that becomes evident when one looks into the socio-cultural background of this community. As Professor Chatterji writes, “one significant feature that gives a distinct flavour to their stories is the fact that a majority of Chitrakars consider themselves to be Muslims but perform stories based largely on Hindu myths.” In this sense, their story complicates the tension-ridden dichotomies between ethno-cultural and religious groups typical of relations between groups in India as well as more broadly in South Asia, including in Sri Lanka. Prof Chatterji suggests this positionality allows the Patua to have “a truly secular voice so vital in the world that we live in today.”

As a result, she notes, contemporary Patuas “have propagated the message of communal harmony in their compositions in the context of the recent riots in India and the Gulf War. Their commentaries couched in the language of myth are profoundly symbolic and draw on a rich oral tradition of storytelling.” What is even more important is their “engagement with contemporary issues also inflects their aesthetics” because many of these painters also “experiment with novel painterly values inspired by recent interaction with new media such as comic books and with folk art forms from other parts of the country.”

From this varied repertoire of the Patuas’ painterly tradition, this exhibition focusses on scrolls portraying different aspects of the Ramayana. In North Indian and the more dominant renditions of the Ramayana, the focus is on Rama while in many alternate renditions this shifts to Ravana as typified by versions popular among the Sinhalas and Tamils in Sri Lanka as well as in some areas in several Indian states. Compared to this, the Patua renditions in the exhibition mostly illustrate the abduction of Sita with a pronounced focus on Sita and not on Ravana, the conventional antagonist or on Rama, the conventional protagonist. As a result, these two traditional male colossuses are distant. Moreover, with the focus on Sita, these folk renditions also bring to the fore other figures directly associated with her such as her sons Luv and Kush in the act of capturing Rama’s victory horse as well as Lakshmana.

Interestingly, almost as a counter narrative, which also serves as a comparison to these Ramayana scrolls, the exhibition also presents three scrolls known as ‘bin-Laden Patas’ depicting different renditions on the attack on New York’s Twin Towers.

While the painted scrolls in this collection have been exhibited thrice in India, this is the first time they are being exhibited in Sri Lanka, and it is quite likely such paintings from any community beyond Sri Lanka’s shores were not available for viewing in the country before this. Organised with no diplomatic or political affiliation and purely as a Sri Lankan cultural effort with broader South Asian interest, it is definitely worth a visit. The exhibition will run until 10 January 2026.