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Portrait of an old master

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by ECB Wijeyesinghe

Today (March 1980), on the eve of the Big Match, let us begin the week by raising a rousing cheer to the oldest Old Thomian alive who makes another big hit which brings him closer and closer to the Century of this Century.

You may not believe it when you see his sprightly walk and hear his witty talk, but the truth is that Gate Mudaliyar A. C. G. S. Amarasekara is 97 today, and by the Magic of his Art has contrived to keep the minions of Anno Domini at bay, while hundreds of his contemporaries have succumbed and gone the way of all flesh. He first saw the light of day at Dodanduwa, south of the Bentota River, and the Mudaliyar is possessed of many admirable qualities. One of them is his capacity for friendship. Like Michelangelo, he never forgets the face of an old acquaintance.

Hopes

When he was born on March 2, 1883, his father, the pious and scholarly padre, the Rev. A. S. Amarasekara, and his maternal uncle, Canon G. B. Ekanayake, M.A., D.D., the eminent Anglican theologian, had high hopes that one day he would follow in their footsteps. But Doctors of Divinity were not able to shape his ends in the way they wanted, and he drifted headlong into Art.

Young Abraham Christopher Gregory Suriarachchi preferred the roses and raptures of the paint-pot to the lilies and languors of the pulpit. When the family moved to Moratuwa from the South, little ACGS was admitted to the Prince of Wales College, then under the baton of J. G. C. Mendis. The Mudaliyar will tell you that one of his earliest recollections is drawing pictures with his fingers on the golden sands of the Moratuwa beach. At school, too, he filled his slate with sketches, but what fascinated him immensely was the calligraphy of the Sinhala script.

The story is also told that young ACGS who was fond of drawing on walls once accompanied his father while he was calling on one of his parishioners – a fat lady. The child, they say, is father of the man, and ACGS was mischievous even then and full of wholesome fun. In order to keep his son quiet, the kindly padre put him in a corner behind a tall chair. When it was time to leave, the chair was removed and, lo and behold!, on the wall was a drawing – of the fat lady.

The realistic quality of the lady’s picture on the wall has been the hall-mark of the Mudaliyar’s work. It is a realism that he has captured in the thousands of portraits he has since painted of men and women in every stratum of society in Ceylon. Two of India’s greatest sons, Mahatma Gandhi and Rabindranath Tagore, also sat for him and their portraits have won international acclaim.

Dr. Tagore is often described as the Serene Sage of Shantiniketan, but he used to become impatient and restless when he was asked to sit quietly for his portrait. It had happened in India. It happened in Ceylon, too, in 1934 when the Poet was a guest at the Kollupitiya residence of Mrs. Helena Wijewardene, the grandmother of President Jayewardene. The old mansion, Sri Ramya, is now the home of the American Embassy.

Though he was somewhat reluctant to pose at first, Tagore was gently persuaded by the Mudaliyar to sit, but the painting had to be done while the Poet was at work. And so the artist pitched his easel in a corner of the study while men, women and children filed past the Sage in veneration, giving the impression that they were in the presence of a deity. All the while, Tagore took no notice of his hero-worshipers, until one man, bolder than the rest, used a psychological gimmick to attract his attention.

“Sir, I saw your paintings at the Paris Exhibition”, said the admirer, and for the first time, Tagore looked up and straightened in his chair. According to the Mudaliyar that was just the posture he wanted for the portrait. A splendid likeness was the result and it was eventually acquired for the New York World’s Fair. The purchase was made on the recommendation of Sir William Rothenstein of the National Gallery to represent Ceylonese painting.

Immediately after that the fat was in the fire and there was the usual uproar. Some so-called Nationalists protested that representative Ceylon art should be done in the Sigiriya manner. The Mudaliyar referred to this incident at the historic felicitation dinner on his 84th birthday when he said: “Just imagine, Ladies and Gentlemen, my painting our lady-politicians like the Sigiriya pin-up girls. Why, none of them have even that shape like an hour-glass. Some of them look as if the sand in their hour-glass had run down to the bottom – to the bottom of the hourglass I mean!”

As a piece of post-prandial wit the Mudaliyar’s speech was a masterpiece and worthy of the occasion, because in the audience was everybody who was anybody in Ceylon, from the Governor-General downwards.

Pupils

It was at this dinner that the Mudaliyar revealed that Sir John Kotelawala was one of his earliest pupils. It somehow got bruited about that Art consisted in the Pursuit of the Beautiful, and young John Lionel Kotelawala promptly sought admission to the Mudaliyar’s school. Sir John, it may be added, did not take to Art as a profession, but he never ceased to pursue the Beautiful. And, according to reliable sources, the Beautiful have not ceased to pursue Sir John.

The list of the Mudaliyar’s pupils who have taken to Art as a profession is formidable. They include painters, commercial artists, Art teachers and inspectors, but there are also many competent amateurs who practice Art for Art’s sake’s and are emotionally moved by it, at least during the week-end.

Through the Atelier or Amarasekara School of Art have passed at various times, some of the finest painting talent in the country including Justin Deraniyagala, Harry Pieris, Reggie Candappa, Donald Ramanayake, G. S. Fernando, Paul Deraniyagala, A. J. Ranasinghe, Edmund Blacker, Russell Gonsal and Amarasekara’s brilliant son, the versatile Douglas.

Among the long list of women students who have made their mark not only in Art, but in other fields as well, are Mrs. Saraswathie Rockwood, Mrs. S. H. Moosajee, Lady Vaithianathan, Mrs. M.W. M. de Silva, Bertha Jansz and Lilian Amarasekara. Every picture of the Gate Mudaliyar, like the advertisement for a popular cure for rheumatism, tells a story. The one in connection with his portrait of Mahatma Gandhi has a flavour of its own.

The Mudaliyar once revealed it to my friend Neville Weeraratne, an old “Observer” galley-slave like myself. It all happened at a time of intense political activity in the late twenties when reforms were in the offing and the Mahatma had come here to promote his khaddar campaign. There was a public reception to Gandhi in Colombo at which S. W. R. D. Bandaranaike acted as Master of Ceremonies.

The Mahatma was seated cross-legged on a table, while the Donoughmore Commissioners, who were then in Ceylon, sat at his feet. The Mudaliyar meanwhile was stalking the great man, armed with his brush and box of many colours. Working under great stress he managed to secure a likeness of the Mahatma who was very pleased with it. But he agreed to autograph it only on condition that the Mudaliyar, too, got into khaddar, because the object of his visit to Ceylon was to do a bit of propaganda for his movement.

ACGS, whose sartorial tastes are well-known, managed to wriggle out of the difficulty by saying that, as Gate Mudaliyar, he had to wear specific insignia, but he promised to promote the khaddar campaign. This portrait, a water-colour, autographed by the Mahatma himself in English and Gujerati, was acquired for the British nation, and I believe was hung in the Horniman Gallery after it was exhibited in Paris.

Magic

Even if he did not paint a single picture, the Gate Mudaliyar will be remembered by posterity for his artistry as The Gay Deceiver. Age has not been able to wither nor custom stale the infinite variety of his bag of tricks. He has been the centre of the Sri Lanka Magic Circle for the past 50 years and some of the most enthusiastic members at the circumference have been R. Bodinagoda, Brigadier C. P. Jayawardana. Earle H. Nicholas and Linden de Alwis.

Bodinagoda was one of the prime movers along with Dr. M. V. P. Peiris and the late lamented L. P. Goonetilleke, in the production of the magnificent Felicitation Volume which was presented on his 84th birthday. On that occasion, N. K. Choksy QC one of his pupils sent this message to the doyen of Ceylon Painters. It aptly summarizes the sentiments that are surging today in the hearts of his friends and admirers.

If from life you take the best,

And in life you keep the jest,

And if love you hold,

No matter how the years go by

No matter how your birthdays fly,

You are not old

(Excerpted from The Good Among The Best first published in March 1980)



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Features

Oscars 2025: The list of winners from the 97th Academy Awards

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[pic BBC]

Anora, a screwball comedy-drama about a sex worker who marries a Russian oligarch’s son, walked away with the biggest prizes at the 97th annual Academy Awards. The film won the awards for Best Picture, Best Actress, Best Director, Best Editing and Best Original Screenplay.

The musical Emilia Perez, which had the highest total nominations with 13 nods,  scooped up wins for Best Original Song and Best Supporting Actress on Sunday night.

Adrien Brody won Best Actor for The Brutalist – his second Oscar. In 2003, Brody became the youngest person to win the Best Actor award for The Pianist at the age of 29. Mikey Madison won Best Actress for Anora.

Kieran Culkin bagged the Best Supporting Actor award for A Real Pain, and Paul Tazewell became the first Black man to win the award for Best Costume Design for Wicked.

No Other Land nabbed Best Documentary Feature for its stark portrayal of Israeli settler violence against Palestinians in the occupied West Bank.

Best picture

  • Anora – Winner
  • The Brutalist
  • A Complete Unknown
  • Conclave
  • Dune: Part Two
  • Emilia Perez
  • I’m Still Here
  • Nickel Boys
  • The Substance
  • Wicked

Best Actor

  • Adrien Brody, for The Brutalist – Winner
  • Timothee Chalamet, for A Complete Unknown
  • Colman Domingo, for Sing Sing
  • Ralph Fiennes, for Conclave
  • Sebastian Stan, for The Apprentice

Best Actress

  • Mikey Madison, for Anora – Winner 
  • Cynthia Erivo, for Wicked
  • Karla Sofia Gascon, for Emilia Perez
  • Demi Moore, for The Substance
  • Fernanda Torres, for I’m Still Here

Best Supporting Actress

  • Zoe Saldana for Emilia Perez – Winner
  • Ariana Grande, for Wicked
  • Monica Barbaro, for A Complete Unknown
  • Felicity Jones, for The Brutalist
  • Isabella Rossellini, for Conclave

Best Supporting Actor

  • Kieran Culkin for A Real Pain – Winner 
  • Yura Borisov, for Anora
  • Edward Norton, for A Complete Unknown
  • Guy Pearce, for The Brutalist
  • Jeremy Strong, for The Apprentice

International Feature Film

  • I’m Still Here – Winner 
  • The Girl with the Needle
  • Emilia Perez
  • The Seed of the Sacred Fig
  • Flow

Documentary Feature

  • No Other Land – Winner 
  • Black Box Diaries
  • Porcelain War
  • Soundtrack to a Coup d’Etat
  • Sugarcane

Original Song

  • El Mal from Emilia Perez – Winner
  • Never Too Late from Elton John: Never Too Late
  • Mi Camino from Emilia Perez
  • Like A Bird from Sing Sing
  • The Journey from The Six Triple Eight

Original Screenplay

  • Sean Baker for Anora – Winner
  •  Brady Corbet and Mona Fastvold for The Brutalist
  • Jesse Eisenberg for A Real Pain
  • Moritz Binder, Tim Fehlbaum, Alex David for September 5
  • Coralie Fargeat for The Substance

Adapted Screenplay

  • Peter Straughan for Conclave – Winner
  • Jay Cocks and James Mangold for A Complete Unknown
  • Jacques Audiard for Emilia Perez
  • RaMell Ross and Joslyn Barnes for Nickel Boys
  • Clint Bentley and Greg Kwedar for Sing Sing

Animated Feature Film

  • Flow – Winner
  • Inside Out 2
  • Memoir of a Snail
  • Wallace & Gromit: Vengeance Most Fowl
  • The Wild Robot

Visual Effects

  • Dune: Part Two – Winner 
  • Alien: Romulus
  • Better Man
  • Kingdom of the Planet of the Apes
  • Wicked

Costume Design

  • Paul Tazewell for Wicked – Winner 
  • Linda Muir for Nosferatu
  • Arianne Phillips for A Complete Unknown
  • Lisy Christl for Conclave
  • Janty Yates and Dave Crossman for Gladiator II

Cinematography

  • The Brutalist – Winner
  • Dune: Part Two
  • Emilia Perez
  • Maria
  • Nosferatu

Documentary Short Film

  • The Only Girl in the Orchestra – Winner 
  • Death by Numbers
  • I Am Ready, Warden
  • Incident
  • Instruments of a Beating Heart

Best Sound

  • Dune: Part Two – Winner
  • A Complete Unknown
  • Emilia Perez
  • Wicked
  • The Wild Robot

Production Design

  • Wicked – Winner 
  • The Brutalist
  • Dune: Part Two
  • Nosferatu
  • Conclave

Makeup and Hairstyling

  • The Substance – Winner
  • A Different Man
  • Emilia Perez
  • Nosferatu
  • Wicked

Film Editing

  • Sean Baker for Anora – Winner
  • David Jancso for The Brutalist
  • Nick Emerson for Conclave
  • Juliette Welfling for Emilia Perez
  • Myron Kerstein for Wicked

Live Action Short Film

  • I’m Not a Robot – Winner 
  • Anuja
  • The Last Ranger
  • A Lien
  • The Man Who Could Not Remain Silent

Animated Short Film

  • In the Shadow of the Cypress – Winner 
  • Beautiful Men
  • Magic Candies
  • Wander to Wonder
  • Yuck!

[Aljazeera]

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Nawaz Commission report holds key to government response at UNHRC

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Foreign Minister Vijitha Herath at the UNHRC

by Jehan Perera

The United Nations Human Rights Council (UNHRC) sessions in Geneva have regularly been a focal point of controversy for Sri Lanka. Since 2009, the year the thirty-year internal war ended, the country has been the subject of multiple resolutions aimed at addressing human rights violations and war crimes committed during and after the war. These resolutions have been met with strong resistance from successive Sri Lankan governments, which have accused the UNHRC of double standards and external interference in the country’s internal affairs. Nationalist political factions have often used the UNHRC’s actions as a rallying point to stir anger against the international community and ethnic minorities within Sri Lanka, further deepening divisions within the country.

However, the ongoing UNHRC sessions have seen a notable shift in Sri Lanka’s approach. Unlike in previous years, where government delegations clashed openly with UNHRC representatives, the government representatives delivered speeches that emphasised Sri Lanka’s commitment to international human rights norms. Foreign Minister Vijitha Herath reaffirmed Sri Lanka’s commitment to independent and credible domestic mechanisms within the constitutional framework to address post-war issues of national reconciliation. He emphasised that institutions such as the Office on Missing Persons (OMP), Office for Reparations (OR), and Office for National Unity and Reconciliation (ONUR) will be strengthened.

Foreign Minister Herath also said, “The Government led by President Anura Kumara Disanayaka is firmly and sincerely committed to working towards a unified Sri Lanka that respects and celebrates the diversity of its people with no division or discrimination based on race, religion, class and caste. We will not leave room for a resurgence of divisive racism or religious extremism in our country. The fundamental and longstanding principles of democracy and freedom enshrined in our Constitution will be fully respected and safeguarded while protecting the human rights of all citizens. Every citizen should feel free to practice their religion, speak their language, and live according to their cultural values without fear or discrimination. No one should feel that their beliefs, culture, or political affiliations will make them targets of undue pressure or prejudice.”

NAWAZ COMMISSION

However, while the speech did Sri Lanka proud, it largely revolved around broad commitments to human rights rather than addressing specific allegations of war crimes, enforced disappearances, and militarisation in the North and East of the country.  For instance, UNHRC Resolution 25/1, adopted in 2014, mandated the Office of the High Commissioner for Human Rights (OHCHR) to conduct an independent investigation into allegations of human rights violations during the final phases of the war. More recently, in 2021, a resolution was passed that granted the UN human rights office a mandate to collect and preserve evidence of war crimes for potential future prosecutions. Successive Sri Lankan governments have rejected these resolutions, viewing them as politically motivated and unfairly targeted at the country’s military and political leadership.

 Despite these criticisms, the international community has continued to push for accountability. The extension of the OHCHR’s Sri Lanka Accountability Project in October 2024 highlighted the international perception that Sri Lanka has not done enough to ascertain the truth of what happened in the past and to take action against those who perpetrated war crimes and gross human rights violations during the war period.  Foreign Minister Vijitha Herath’s response to this was to say in Geneva, “The contours of a truth and reconciliation framework, will be further discussed with the broadest possible cross section of stakeholders, before operationalization to ensure a process that has the trust of all Sri Lankans.”

The solution of a truth and reconciliation commission is a concept that has taken root and evolved from within the country. The recommendations of the Presidential Commission to Investigate Findings of Previous Commissions of Inquiry on Human Rights chaired by Supreme Court Justice A.H.M.D. Nawaz makes this clear.  This Commission was entrusted with the huge task of evaluating the findings of previous Presidential Commissions of Inquiry and assessing their implementation. The Commission’s interim reports, published in 2022 and 2023, and its final report, submitted in January 2024, provide a comprehensive analysis of Sri Lanka’s human rights landscape. The report provides a clear answer—Sri Lanka must establish a Truth and Reconciliation Commission to formally address past injustices, provide justice for victims, and prevent future conflict.

OVERCOMING MISTRUST

The pivotal recommendation from the Nawaz Commission is the formation of a Truth and Reconciliation Commission. As articulated in paragraph 1043 of the report: “Undoubtedly, the Truth and Reconciliation Commission can provide a historical record of serious violations of human rights and international humanitarian law, and influence institutional reforms in law and practice to promote and protect human rights. Critically, they assist in ensuring accountability for serious violations, which is fundamental in order to prevent potential violations, promote compliance with the law, and provide avenues of justice and redress for victims.” By establishing an authoritative historical record, the Truth and Reconciliation Commission can dispel misinformation, acknowledge the suffering of victims, and pave the way for meaningful reforms.

Sri Lanka’s history is replete with numerous commissions of inquiry, each established with the intent to investigate specific incidents or periods of unrest. The Nawaz report goes painstakingly into them. Notable among these are the Three Presidential Commissions of 1994, which investigated violations from 1987 to 1990 but were prematurely halted; the All-Island Presidential Commission of 1998, which built on the earlier inquiries and issued a report in 2002, calling for judicial action; The 2001 Presidential Truth Commission on Ethnic Violence (1981-84), which investigated the 1983 riots. While some victims received compensation in 2004, there was no accountability for perpetrators; The 2006 Udalagama Commission, which investigated cases like the Trincomalee five students and the 17 ACF humanitarian workers but lacked follow-through; The 2010 Lessons Learnt and Reconciliation Commission (LLRC), which reviewed events from 2002 to 2009 and made many recommendations that were not implemented; The 2013 Paranagama Commission, which examined missing persons and civilian casualties during the final years of the war and led to the setting up of the Office on Missing Persons (OMP) in 2016.

 The recurring theme across these commissions is a pervasive sense of disillusionment among victims and the broader populace. As the Nawaz Commission which went through them in detail poignantly observes, “Our island nation has had a surfeit of commissions. Many witnesses who testified before this commission narrated their disappointment of going before previous commissions and achieving nothing in return.”  This sentiment highlights the critical need for a Truth and Reconciliation Commission that not only investigates but also ensures the implementation of its recommendations, thereby restoring public trust in transitional justice mechanisms. The Nawaz commission being an internal one, entirely funded and supported by the Sri Lankan government, documented and analysed material that was also gathered by other national commissions. This would dispel any notion of an international conspiracy behind it.

IMMEDIATE ACTIONS

The government’s recent approach at the UNHRC suggests a willingness to engage diplomatically. However, for its credibility to grow and for trust to develop, this engagement must be backed by concrete action and be more inclusive in its scope to include key stakeholder groups. The government also needs to move beyond general statements and take tangible steps to address the concerns raised by the international community. Key steps could include Returning Land to Displaced Communities.  Many communities in the Northern and Eastern provinces remain displaced due to land occupied by the military. The government should expedite the process of returning these lands to their rightful owners to restore livelihoods and promote reconciliation.

This needs to be buttressed by Releasing Long-Term Detainees.  A significant number of individuals remain in detention under the Prevention of Terrorism Act (PTA), some without formal charges. Ensuring due process and releasing those against whom there is no credible evidence would demonstrate a genuine commitment to justice and human rights.  Finally, the government also needs to set about Reducing Military Presence in the North and East. The continued military presence in civilian areas fuels tensions and undermines reconciliation efforts. Demilitarization, along with empowering local governance structures, would be a crucial step toward normalizing life in these regions.

The government needs to back up its diplomatic engagement with the UNHRC and other international and national stakeholders with real, measurable actions. Addressing core issues such as land restitution, the release of detainees, and demilitarisation would not only help rebuild trust with the international community but also contribute internally to national unity and reconciliation.  This needs to be followed by the establishment of a Truth and Reconciliation Commission that is established in consultation with all stakeholders and is genuinely implemented.

Usually, stakeholders are limited to victims and survivor groups and some government institutions. Ideally, stakeholders should also include, the media and journalists, judiciary and legal institutions, CSOs, NGOs and religious and community leaders, who recognise the need for a Truth and Reconciliation process.  The Nawaz Commission Report has laid the groundwork for this vital initiative, and it is up to all of them to ensure its success. Sri Lanka has the potential to be the voice of conscience in a world that is increasingly troubled by the breakdown of international norms. Sri Lanka can do its part to contribute to healing processes in the world.

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Bassist Benjy…no more with Mirage

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Benjy Ranabahu is known for his bass playing prowess and is a drawcard wherever he performs.

I know of several who wait with great expectation, whenever they see Benjy, on stage, knowing that the moment he moves into action, he would light up the stage with his dynamism.

Yes, Benjy is no more with the group Mirage. The scene changed for him after he returned from the Seychelles, last month.

He hasn’t quit the music scene, he said, adding that at the moment he would like to take a break from the showbiz setup.

“I’m taking things easy at the moment…just need to relax and then decide what my future plans would be.

“I’ve already had offers coming my way but it would take a while before I finally decide whether my future would be as a member of another band or … I put together my own outfit.”

Where Benjy is concerned ‘practice makes perfect’ and he says if he decides to have his own outfit he would make sure that what he gives the public would be nothing short of ‘perfect.’

In fact, Benjy had his own band, not too long ago, and I’m sure music lovers would remember Aquarius.

Aquarius was extremely popular in the scene here, and overseas, as well.

They had contracts in the Middle East and were also seen in action in Europe.

Benjy’s own band Aquarius

Towards the latter stages, Aquarius had female vocalists, from the Philippines, doing the needful as upfront singers, and, together with Benjy, they certainly did mesmerize the audience.

Benjy loves to interact with the audience and is seen very often, down from the stage, and moving from table to table, entertaining, with his booming bass playing.

There have also been occasions where Benjy uses pyrotechnics (kind of fireworks emanating from his guitar) and the audience go ga-ga over such happenings.

Sadly, music lovers are going to miss this dynamic bassist … hopefully, for a short while.

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