Features
Japanese Digital Television Project: An informed choice?
by Shanthilal Nanayakkara
Retired Principal Engineer, Digital Transition Division, Australian Communications and Media Authority
A Japanese delegation recently announced the resumption of the previously stalled digital television project in Sri Lanka following a meeting with the newly-elected President Anura Kumara Dissanayake. The commencement of the digitisation project is now imminent.
Once terrestrial television transmissions are digitised in Sri Lanka, it will replace the old analogue terrestrial television forever. Therefore, it is critically important that the final outcome is better than the current analogue television, if not far superior. Setting such a goal prior to the implementation of the project is crucial for its fruitful completion.
To achieve this outcome, deficiencies in the current parameters in the Japanese Digital Plans need to be revisited and appropriately addressed for the benefit of all stakeholders. Otherwise, as it stands today, there is a high potential for rural and regional viewers in Sri Lanka to miss out on the digital coverage. (This is further illustrated below). Such an unwarranted outcome could become a highly ‘politically sensitive’ issue for the new government .
Why Digital
In analogue transmissions, radio waves encounter several problems. When radio waves are subjected to multipath, ghosting images appear on television screen. They are also subjected to cancellation of their own signals and interference.
Digital technology overcomes these analogue transmission weaknesses and, as a huge value addition, is able to carry more information than its analogue counterpart. As this capacity enhancement feature helps carry multiple programmes on one frequency or channel, digital television transmission technology is considered to be highly spectrum productive. Once analogue is switched off, the vacant spectrum that can be harnessed, commonly known as Digital Dividend (DD), becomes an income earner for the Government, as spare spectrum can be sold to Telcos for broadband internet use. Thus, this digitisation project is effectively a self-financing venture for the government and a win-win for all stakeholders.
Stakeholder benefits of digital
Many countries in the world have now moved or are in the process of moving to the digital domain.
Irrespective of the digital television transmission standard adopted in Sri Lanka, benefits of a conversion from analogue to digital television are many for the majority of stakeholders.
These are listed below against the various stakeholders:
* Government – a significant income from selling the vacant spare spectrum to Telcos, following full conversion to digital, provided appropriate modifications are made to the JICA plan;
* Broadcasters – increased television channels and scope for increase of advertising revenue;
* Viewers – increased number of television channels to facilitate a wider selection of content, with True High Definition (True HD) quality and potential 5.1 Surround Sound;
* Content providers – opportunity to produce a wide range of programmes that are in demand;
* Production houses – larger revenue from vastly increased niche productions;
* Creators of social media and other internet-based content – opportunities to develop novel visual and aural media content;
* Electronic Manufacturing/Testing – opportunities to manufacture digital television receivers and set up a receiver harmonisation/compatibility centre;
* Broadcast Towers (similar to Lotus Tower) – Opportunities to establish and operate consolidated broadcast towers in the country;
* Telcos- opportunity to purchase superior vacant spectrum for future fixed and mobile broadband applications.
Funding arrangements or self-financing
The current funding arrangement for digitisation of television in Sri Lanka is a ‘soft loan’ from the Japanese government, and it is tied up in ‘one bundle’ with loans for other projects. This loan is also based on the premise that the deployment of the Japanese digital television standard, Integrated Services Digital Broadcasting-Terrestrial (ISDB-T) is mandatory. As the vacant spectrum can be sold after Analogue Switch Off (ASO), the venture could also be a self-financing project, albeit with bridging finance.
Purpose of this essay
The main purpose of this article is to suggest ways of optimising the benefits of the digitisation project while retaining the support of the Japanese government. If the bulk of problems for viewers and broadcasters can be removed by making appropriate adjustments to the current plans at a minimal cost, with broadcasters becoming willing participants, the digitisation of television in Sri Lanka would no doubt be a success for all stakeholders, including the new government. Otherwise, there is an urgent need to review the bi-lateral agreement that was signed previously.
The broadcasting fraternity in Sri Lanka is fully aware that the Japanese system is not as efficient as the second generation European standard, Digital Video Broadcast-Terrestrial 2 (DVB-T2).
Understanding Digital
Simply put, digitisation of analogue vision and sound enables radio waves to carry more information within the same channel or bandwidth than in the analogue era. This allows producers of visual and aural content to be more creative than before. The technology also facilitates easy communication in both fixed and mobile environments and facilitates two-way communication more than in the analogue era. However, there are two main pitfalls that one needs to address in order to make the venture a success. They are as follows:
Cliff effect (sudden loss of signal): –
* to avoid the ‘cliff effect’ a robust signal (with higher reliability and availability at a receive location than in analogue era) is needed at the receiver to prevent momentary picture pixelation and/or sudden loss of signal; and
* it is also necessary to ensure that all television digital services reaching viewer locations are of the same signal strength to ensure equity of services and therefore must originate from ONE location such as the Lotus Tower.
* Absence of ‘graceful degradation’ and its effect on signal level – even with a degraded signal with ‘snowy pictures’, analogue signal is still watchable. It is not so with digital due to ‘cliff effect’. Therefore, there is a need to ensure that the digital coverage is the same or better than the existing watchable analogue coverage that is defined by a signal level of 43 dBuV/m in VHF Band III.
This limit was adopted for digitisation in Australia.
Deficiencies of the Japanese standard/plan
In planning to deploy the ISDB-T system in our country, everyone should aim for a cost-beneficial outcome as it is of paramount importance to all stakeholders. There are several issues in the Japanese documentation of 2014/2018, which should be addressed to suit the needs of the public/consumers, broadcasters and government. They range from policy issues at the outset, technical areas during planning and management issues during the proposed phases of ASO and Digital Switch On (DSO).
Spectrum for Digital: VHF/UHF issue
In particular, the proposal to use only a part of the available broadcast spectrum has an impact on the eventual DD income for the Government. The Japanese have deployed both VHF and UHF spectrum in Brazil, strangely not offered to Sri Lanka. In that context, it is not clear why the Japanese team has not proposed a VHF and UHF combined solution as deployed in Brazil. This was pointed out by the writer when a Japanese team, including a senior Embassy official Sato Takefumi, met him in 2017 in Colombo to discuss Lotus Tower issues (after his disclosure in an article in The Island about the Lotus tower) and digitisation in general. Their response was ‘no one asked for it’.
As it stands today in Sri Lanka, analogue television transmissions are based on frequencies using both VHF and UHF Bands, but the proposed Japanese digital conversion is not utilising the VHF Band. In particular, VHF Band III exhibits superior propagation characteristics, while contributing to lower the consumption of electricity by the transmitters. More importantly, VHF radio waves carry longer distances than UHF due to lower propagation losses, are able to travel around obstacles comparatively and therefore VHF is more suitable for wide coverage transmissions.
Currently, the VHF spectrum is occupied by three television broadcasting networks i.e. Rupavahini, ITN and TNL. These networks will lose their inherent wide coverage VHF Band advantage. They also have the additional burden of occupying a digital channel in the UHF spectrum, especially when the earmarked UHF channels for digital are almost at the bottom of the UHF Band V, where propagation losses are higher than in UHF Band IV.
ISDB-T New Coder H.265
It is a known fact that the Japanese ISDB-T standard, in payload capacity terms, is second to the second generation European Standard DVB-T2 that provides 45 Mb/s capacity. However, the Japanese standard can only carry about 1/2 of the European standard per channel at 23 Mb/s. But as the Japanese are now offering to change the content source coder to H.265, they will be able to provide HD at 1080P at a rate of 2-4 Mb/s. This change would now allow all HD TV ready broadcasters to provide True HD content at 1920 x 1080P and possibly can accommodate all television channels in Colombo. But the downside is that the receivers are going to be more complex with the new coder. This may then lead to more expensive ISDB-T receivers or STBs in Sri Lanka.
Vacant VHF Band III
The unused VHF Band III is likely to reduce the DD for the government though the Japanese strategy is to achieve some productivity by the use of single frequency networks in the UHF Band (SFNs-a technique to use the same frequency multiple times to improve spectrum productivity). However, in practice receiving of SFNs is not simplistic as the reception of SFN signals are subject to receiver complexities.
The Telecommunications Regulatory Commission (TRC) may be exclusively reserving the VHF band for future digital radio, but the same band could be co-shared with digital television without any problems. For example, Australia is co-sharing VHF Band III for both digital television and radio without any issues.
Once all analogue transmissions are switched off with the deployment of UHF band per se for digital, the unused VHF Band III spectrum, where 7 MHz bandwidth, 8 VHF Frequency channels exists, will become vacant.
This is clearly a waste of unused spectrum. Additionally, as Restacking [restack is the re-arrangement of frequencies ideally in the two bands of VHF and UHF, to maximise the spectrum productivity] is in the Japanese Plan, additional expenditure on broadcasting infrastructure is also on the cards. Where are the funds coming from?
There is no mention of new funding arrangements for Restacking of the spectrum, and it also raises questions about the STB/Receiver specifications as frequencies may need to change after Restacking.
If some broadcasters are not keen to use ISDB-T, they may canvass for the opportunity to use the vacant VHF Band for the potential deployment of DVB-T2 standard. This MUST be avoided at all costs! If this happens, there will be two digital systems in Sri Lanka. This issue, in particular, could become another potential headache for the government as it is likely to be under heavy pressure from commercial broadcasters to release the vacant VHF Band III for the more efficient DVB-T2. This issue, too, was pointed out by the writer when another Japanese team consisting of a Senior Engineer from Yacheo Engineering along with Sato Takefumi of the Japanese Embassy met him in 2017/2018.
Unless there are plans to use the vacant VHF Band III by Restacking the spectrum, this spectrum specifically allocated for broadcasting would go to waste.
Digital Signal Reliability & Availability
Unlike in the analogue domain, television signal reliability and its availability becomes crucial in digital reception. In the analogue era, television broadcasting service field strength was planned for 50% of the locations and 50% of the time at a receiving height of 10 m. But in digital this becomes 80%-95% of the locations and 90% of the time to ensure reliability and availability of the digital signal. Hence the planned field strength would need to be adjusted to ensure the required reliability and availability at a higher field strength. In Australia, field strength used was 50 dBuV/m for Band IV and 54 dBuV/m for Band V frequencies in a rural environment
However, it is not clear from the published documents of the Japanese plans 2014/2018 whether this issue had been addressed or otherwise. The signal level at 51 dBuV/m identified in the 2018 Japanese documentation is certainly not adequate for a rural grade of service in the UHF Band! It ought to be in the region of 54-74 dBuV/m in the UHF Band V. For example, the Australian Broadcasting Planning Handbook for Digital Television Broadcasting has clearly identified these requirements and provided information on how they were derived.
Duplication Parameter
The potential impact of the proposals for duplication of coverage is illustrated in the diagram. (See Figure 01)

The signal threshold of a planned analogue coverage is 50 dBuV/m for VHF Band III. However, some regional and rural viewers in Sri Lanka are currently receiving watchable analogue signals well below this value. If, as planned by the Japanese studies in 2014, the analogue coverage is converted at the planned cut-off level of 55 dBuV/m, then the majority of regional and rural viewers, who are currently watching the analogue television with no issues, will not be able to receive digital television coverage. This could potentially become a political nightmare for the new government. Therefore, the cut-off signal level, as illustrated above, should be lowered to 43 dBuV/m.
Though Single Frequency Networks (SFNs) are a solution to mitigate this difference in coverage, it is not easy to implement them at the receiver-end due to the variation in receiver profiles of Set-Top-Boxes (STBs) and complexities in receiver SFN signal detection.
The Japanese designers, while being aware of this issue, may have been heavily constrained due to the requirement for spectrum productivity. Most probably, given the limits of the available UHF spectrum for digital and the lower data efficacy of the Japanese ISDB-T standard, this higher limit of duplication may have been proposed by the designers in order to preserve some spectrum productivity.
One Network Operator for Digital
The advent of digital terrestrial television also signifies the end of individual transmission facilities for broadcasters, as several content feeds are carried on one frequency or the channel and the requirement to consolidate all transmissions at one site. A combined digital transmission service provider may, in the future, be an independent entity and the facilities may be offered to the broadcasters on a fee-levying basis, based on a pragmatic business plan. In a future digital broadcasting landscape, the broadcasters will essentially be ‘content’ providers. Perhaps, there ought to be some sort of protection provided to the existing broadcasters in the event new content providers also express a desire to use digital transmissions.
Cost to viewers and broadcasters
All consumer television sets require digital receivers to extract video and audio content from digital transmissions. Therefore, either in-built ISDB-T receivers or compatible STBs are required. For example, there are flat TVs that do not have in-built ISDB-T receivers. The cost of an STB for ISDB-T with H.265 decoders, is likely to be around US $ 50-100, depending on their complexity and economies of scale. If in the event, there is likely to be a Restack of frequencies including the VHF Band, two band STBs or receivers may be needed; one during the first phase and another after the Restack of channels with the ability to tune into the VHF Band. Additionally, at some household locations, there may also be a requirement for new receiver antenna installation to receive VHF/UHF channels. If so, this is also an additional cost to the viewer.
There is also a significant cost to the commercial television broadcasters to provide HD ready studios, Outside Broadcast (OB)/Electronic News Gathering (ENG) equipment, and content feeding arrangements. However, once the commercial television broadcasters elect to use consolidated broadcast towers, analogue era transmission costs would also disappear as their independent transmission networks are no longer needed, in a digital environment. It is noteworthy to highlight that the Japanese financial proposal for digitisation of television is primarily for Rupavahini, and limited to funding the analogue to digital transfer of Rupavahini facilities, including the provision of a True HD studio, OB unit, Transmission equipment and a Central Command centre for the proposed Digital Broadcast Network Operations (DBNO) at the Lotus Tower.
At this stage, there are no signs of any discussions with the broadcasters to develop a ‘road map’ to facilitate the smooth transition from analogue to digital of commercial channels. If Restack is to take place, there is likely to be additional costs but there is no mention of further Japanese funding for Restack of channels either.
As additional costs to the commercial television broadcasters are likely, strategic government policy initiatives to compensate for the additional capital expenditure in a highly competitive market are in order.
Way forward
It is heartening to note that the Japanese plan has now incorporated the more efficient coder in H.265 with an intention to maximise the use of limited payload capacity of an ISDB-T channel, which then will result in providing True HD transmission (1920 x 1080P) for ALL licensed television channels in Colombo.
If Japanese consultants can pay attention to the issues of using VHF Band III, changing receiving the field strength requirements to that of the ITU signal level requirements for UHF and address the duplication parameter issue, then ALL stakeholders including the government and broadcasters will no doubt look forward to the venture of digitisation of television in Sri Lanka.
Features
Viktor Orban, Benjamin Netanyahu and Donald Trump: The Terrible Threes of the 21st Century
In the autumn of 1956, Hungary staged the first uprising against the 20th century Soviet behemoth. Seventy years later, in the spring of 2026 Hungary has delivered the first electoral thrashing against 21st century right wing populism in Europe. The 1956 uprising was crushed after seven days. But the opposition scored a landslide victory in Hungary’s parliamentary election held on Sunday, April 12 and. Viktor Orban, Prime Minister since 2010 and the architect of what he proudly called “the illiberal state”, was resoundingly defeated. Orban who has been a pain in the neck for the European Union was a close ally of US President Donald Trump and Israeli Prime Minister Benjamin Netanyahu.
Trump even dispatched his Vice President JD Vance to Budapest to campaign for Orban. After Orban’s defeat, Trump and his MAGA followers may be having nightmares about the US midterm elections in November. Similarly, Orban’s defeat has reportedly caused “great concern in the halls of power in Jerusalem.” Netanyahu has lost his only ally in the European Union and the opposition victory in Hungary does not augur well for his own electoral prospects in the Israeli elections due in October.
Ceasefire Hopes
Trump and Netanyahu have bigger things to worry about in the Middle East and among their own political bases. Trump is going bonkers, blasphemously imitating Christ and badmouthing the Pope, launching a blockade in the Strait of Hormuz and strong arming more talks in Islamabad. Netanyahu has been forced to sit on his hands, pausing his fight against Iran while pursuing peace talks with Lebanon. The leaders and diplomats from Pakistan, Egypt and Turkey are shuttling around drumming up support for another round of talks in Islamabad and a prolonged extension of the ceasefire.
Further talks in Islamabad and potential extension of the ceasefire received a new boost by Trump’s announcement of a new 10-day ceasefire between Israel and Lebanon. The background to this development appears to be Iran’s insistence on having this secondary ceasefire, and Trump insisting on ceasefire abidance by Hezbollah in return for his ordering Netanyahu to stop his brutal ‘lawn mowing’ in Lebanon. All of this might seem to augur well for a potential extension of the primary ceasefire between the US and Iran. There are also reports of the narrowing of gap between the two parties – involving a potential moratorium on Iran’s uranium enrichment, the opening of the Strait of Hormuz, and Iran’s access to its frozen assets estimated to be $100 billion.
Meanwhile the IMF has released its latest World Economic Outlook with a grim forecast. “Once again, says the report, “the global economy is threatened with being thrown off the course – this time by the outbreak of war in the Middle East.” Before the war, the IMF was expected to upgrade its growth forecasts for the global economy. Now it is going to be weaker growth and higher inflation with oil price optimistically stabilizing around $100 a barrel in 2026 and $75 a barrel in 2027. In a worst case scenario, if the oil prices were to hit $110 in 2026 and $125 in 2027, growth everywhere will further weaken and inflation will go further up in countries big and small.
In a joint statement on the Middle East, the Finance Ministers of the United Kingdom, Australia, Japan, Sweden, Netherlands, Finland, Spain, Norway, Republic of Ireland, Poland and New Zealand have called on the IMF and World Bank “to provide a coordinated emergency support offer for countries in need, tailored to country circumstances and drawing on the full range and flexibility of their tool kits.” They have also welcomed “advice on domestic responses that are temporary, targeted, and effective, and encourage work to identify steps needed to protect long-term growth.”
Subversion from the Right
The two men, Trump and Netanyahu, who started the war and precipitated the current crisis are not being held accountable by anyone and they are still free to do what they want and as they please. The third man, Victor Orban, who did not have anything to do with the war but extended wholehearted ideological and political support as a faithful apprentice to the two older sorcerers, has been democratically defeated. Together, they formed the terrible threes of the 21st century, spearheading a subversion from the right of the emerging liberal status quo of the post Cold War world. Orban’s defeat is a significant setback to the illiberal right, but it is not the end of it.
The three emerged in the specific historical contexts of their own polities that are both vastly different and yet share powerful ingredients that have proved to be politically potent. The broader context has been the end of the Cold War and the removal of the perceived external threat which opened up the domestic political space in the US, for locking horns over primarily cultural standpoints and climate politics. This era began with the Clinton presidency in 1992 and the election of Barack Obama 16 years later, in 2008, created the illusion of a post-racial America.
In reality, the right was able to push back – first with the younger Bush presidency (2000-2008) pursuing compassionate conservatism, and later with the foray of Trump (2016-2020) threatening to end what he called the “American Carnage.” Of the 32 years since the election of Bill Clinton, Democrats have controlled the White House for 20 years over five presidential terms (Clinton – two, Obama – two, and Biden -one), while the Republicans won three terms (Bush – two, Trump – one) spanning 12 years.
Trump has since won a second term for another four years, but already in his five+ years in office he has issued executive orders to roll back almost all of the liberal advancements in the realms of civil rights, equality, diversity and inclusion. All that the celebrated acronym DEI (Diversity, Equality and Inclusion) stands for has been executively ordered to be banished from the state, its agencies and its programs.
In Europe, the European Union became the champion and bulwark of liberalism and subsidiarity, which in turn provoked the rise of right wing populism in every member country. Brexit was the loudest manifestation against what was considered to be EU’s overreach, but after Britain’s bitter Brexit experience the populists in the European countries gave up on demanding their own exit and limited themselves to fighting the EU from their national bases.
Viktor Orban became the face and voice of anti-EU nationalists. But he and his political party, the Christian Nationalist Fidesz – Hungarian Civic Alliance, are not the only one. Nigel Farage’s Reform UK in Britain and Marine Le Pen’s National Rally Party in France are becoming real electoral contenders, while right wing presidents have been elected in Argentina and Chile.
The rise and fall of Viktor Orban
Of the three terribles, Orban is the youngest but with the longest involvement in politics. Born in 1963, Viktor Orban became a political activist as a 15-year old high schooler, becoming secretary of a Young Communist League local. He continued his activism while studying law in Budapest, visiting Poland and writing his thesis on the Polish Solidarity movement, giving lectures in West Germany and the US as a potential future Hungarian leader, and undertaking research on European civil society at Pembroke College, Oxford.
At the age of 26, Orban gained national prominence with a speech he delivered on June 16, 1989 in Budapest’s Heroes’ Square to mark the reburial of Imre Nagy and other Hungarians killed in the 1956 uprising. Imre Nagy was the leader of the 1956 Hungarian uprising against the puppet Soviet Union outpost in Budapest.
To digress and make a local connection – the pages of Sri Lanka’s parliamentary Hansard of 1956, contain an impressive record of the political debate in Sri Lanka over the events in Hungary. The LSSP’s Colvin R de Silva eloquently led the Trotskyite prosecution of the Soviet invasion of Hungary and the suppression of its freedoms. Pieter Keuneman of the Communist Party used his wit and debating skills to defend the indefensible. GG Ponnambalam, the unrepentant anti-communist, used the opportunity to take swipes on both sides. Finally, for the government, Prime Minister SWRD Bandaranaike deployed his own oratorical skills to empathize with the uprising without condemning the USSR. The four men were Sri Lanka’s foremost verbal gladiators and they used the occasion to put on quite a display of their talents.
Back to Hungary, where Orban began his political vocation identifying himself with Imre Nagy and demanding the withdrawal of the Soviet army from Hungary and calling for free elections in that country to elect a new government. That same year in 1989, Fidesz was recognized as a political party; Orban became its leader four years later in 1993 and led the party and its allies to their first victory and formed a new government in 1998. At age 35 Orban became the second youngest Prime Minister in Hungary’s history.
During his first term, Orban started well on the economy, reducing inflation and the budget deficit, was welcomed to the White House by President George W. Bush, and led Hungary to join NATO overruling Russian objections. But the slide into authoritarianism and corruption was just as quick, including the attempt to replace the two-thirds parliamentary majority requirement by a simple majority. By the end of the term the ruling coalition disintegrated and Orban lost the 2002 election and became the leader of the opposition over the next two terms till 2010.
Orban returned to power with a two-thirds majority in 2010 and immediately introduced a new constitution that set the stage for ushering in the illiberal state. What had been previously a communist state now became a Christian state where ‘traditional values’ of gender rights, sexuality, and exclusive nationalism were constitutionally enshrined. The electoral system was changed reducing the number parliamentarians from 386 to 199 – with 103 of them directly elected and 93 assigned proportionately. Orban went on to win three more elections over 16 years – in 2014, 2018 and 2022 – each with a two-thirds majority, and used the time and power to transform Hungary into a conservative fortress in Europe.
The new constitution and its frequent amendments were used to centralize legislative and executive power, curb civil liberties, restrict freedom of speech and the media, and to weaken the constitutional court and judiciary. It was his opposition to non-white immigration that made him “the talisman of Europe’s mainstream right”. He described immigration as the West’s answer to its declining population and flatly rejected it as a solution for Hungary. Instead, he told his compatriots, “we need Hungarian children.” His ‘Orbanomics’ policies restricted abortion and encouraged family formation – forgiving student debt for female students having or adopting children, life-long tax holiday for women with four or more children, and sponsoring fixed-rate mortgages for married couples.
Orban wanted to make Hungary an “ideological center for … an international conservative movement”. Orban heaped praise on Jair Bolsonaro for making Brazil the best example of a “modern Christian democracy.” He endorsed Trump in every one of Trump’s three presidential elections, the only European leader to do so. In return, Orban has been described by US MAGA ideologue Steve Bannon as “Trump before Trump.” Orban’s attack on universities for being the citadels of liberalism have found their echoes in Trump’s America and Modi’s India.
For all his efforts in making Hungary a conservative ideological centre, Viktor Orban’s undoing came about because of Hungary’s growing economic crises and the depth of corruption and systemic nepotism that engulfed the government. The economy has tanked over the last three years with rising prices and the national debt reaching 75% of the GDP – the highest among East European countries. Orban’s critics have exposed and the people have experienced systemic corruption that enabled the siphoning of public wealth into private accounts, the creation of a ‘neo-feudal capitalist class’, and the enrichment of family and friends. Orban’s corruption became the central plank of the opposition platform that Peter Magyar and his Tisza Party presented to the voters and caused his ouster after 16 years.
The Prime Minister elect is not a dyed in the wool liberal, but a member of a conservative Budapest family, and a politician cut from the old Orban cloth. Magyar (literally meaning “Hungarian”) was once a “powerful insider” in the Fidesz government – notably active in foreign affairs, while his ex-wife was once the Minister of Justice in Orban’s cabinet. Mr. Magyar may not fully roll back all of Orban’s illiberalism, but he has committed himself to eliminating corruption, increasing social welfare spending, limiting the prime ministerial tenure to two terms, and being more pro-European, EU and NATO.
EU and European leaders have openly welcomed the change in Hungary, and may be looking for the new government to change Orban’s vetoing of a number of EU initiatives, especially those involving assistance to Ukraine. In return, the new government in Hungary will be expecting the unfreezing of as much as $33 billion funds that the EU extraordinarily chose to freeze as punishment for Orban’s illiberal initiatives in Hungary. For Trump and Netanyahu, the defeat of Viktor Orban removes their only ally and supporter in all of Europe.
by Rajan Philips
Features
ICONS:A Dialogue Across Centuries
Sky Gallery of the Fareed Uduman Art Forum is dedicated to bringing audiences, cultures, and time periods together through meaningful and accessible art experiences to create the closest possible encounters with the world’s greatest paintings. Previous exhibitions include, Gustav Klimt, Frida Kahlo, Paul Gauguin, Vincent Van Gogh, Salvador Dali.
ICONS is conceived as “a dialogue across centuries” bringing together over a dozen artistic geniuses whose works span the Renaissance to the modern era. These works at their original scales of creation changes the conversation. You can finally stand in front of a life-size Vermeer or a monumental Monet and feel the dialogue between artists who never met but shaped each other across time. Each exhibit is meticulously presented on canvas, hand-framed, and finished at the exact dimensions of the original masterpieces, preserving the integrity of composition, texture, brushwork, color and scale.
At the heart of the exhibition is Jan van Eyck’s ‘Arnolfini Portrait’, a work that epitomizes the detail, symbolism, and human intimacy that have inspired generations of artists. Alongside it, visitors will encounter paintings that shaped the renaissance, impressionism, modernism, and the evolution of visual storytelling by Munch, Matisse, Monet, Degas, Da Vinci, Renoir, Vermeer, Rembrandt, Cézanne, Caravaggio, and more. The exhibition invites audiences to experience a rare conversation across centuries of artistic brilliance.
By bringing together works that are geographically and historically dispersed, ICONS creates a compelling space for comparison, reflection, and discovery. Visitors are invited to move beyond passive viewing into a more engaged encounter—tracing artistic influence, identifying stylistic shifts, and uncovering unexpected connections between artists who never shared the same physical space, yet remain deeply interconnected across time.
Designed and curated for both seasoned art enthusiasts and first-time visitors, ICONS offers an experience that is at once educational, immersive, and accessible—removing many of the traditional barriers associated with global museum-going.
Exhibition Details:
Dates: April 24 – May 3
Time: 10:00 AM – 5:00 PM (Monday – Sunday)
Venue: Sky Gallery Colombo 5
Features
Our Teardrop
BOOK REVIEW
Ranoukh Wijesinha (2026)
Published by Jam Fruit Tree Publications.
82 pages. Softcover. ISBN 978-624-6633-81-3
The author is a graduate teacher at St. Thomas’ College, Mount Lavinia; his alma mater. On leaving school he read for a Bachelor of Arts Degree in English Language and English Literature at the University of Nottingham (Malaysia). On graduating, in 2024, he went back to his old school to teach these same disciplines. There seems to be a historic logic to this as his grandfather, a notable Thomian of his day, also started his working career as a teacher at the College before moving on to the world of publishing; as a newspaper journalist and sub-editor.
On his maternal side, Wijesinha’s grandfather was an accomplished journalist, thespian and playwright of his day, and his mother is also a much sought after teacher of English and English Literature and, as acknowledged by him, his first, and foremost, English teacher.
Though there are some well-written, almost lyrical, pieces of prose in this publication, it is the poetry that dominates. Written with a sensitivity to people and events he has either observed himself, or as described to him by those who did, it also encompasses all genres of poetic verse, from the classical to the modern, including sonnets, acrostics, haiku to free and blank verse, the latter more in vogue today. All in all, it presents as a celebration of English poetry and its ability to, sometimes, express depth of thought and feeling far better than prose.
Dedicated to his mentor at St. Thomas’, his Drama and Singing Master had been a great influence on Wijesinha His sudden, premature, death understandably came as a shock to the still developing student under his tutelage. The poems “The Man who Made Me” and “The Curtain Called” best demonstrate this. In addition, it is apparent that Wijesinha has endured much mental trauma in his young life. Spending much time on his own, the questions these moments have raised are expressed in “When No One is Listening”, “There was a Time”, “Midnight Walks” and the prose “A Ramble through Colombo”.
However, the majority of the poems concern ‘Our Teardrop’, Sri Lanka, for whom the writer has a great love. He explores its history, its natural wonders, its people, its tragedies, its corruption and the hope that things will get better for all its people. “Bala’ and “Dicky” address a time of violence from days gone by when there were few glories, just victims. “Easter Sunday” brings this almost to the present time.
There also is humour. “Ado, Machang, Bro, Dude” celebrates his friends and friendships in a way that will reverberate with all the present and previous generations of those who are, or were once, in their late teens and early twenties.
There is little to criticise in this first of the writer’s forays into published works except, as referred to previously, to re-state that the prose quails in the face of the power of the poetry. It is all well written, filled with passion and compassion, and gives comfort that there still are young Sri Lankan writers who can be this brave, and write so powerfully, and profoundly, in English. It is hoped that this is just the first of many from the pen of this young writer.
L S M Pillai
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