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INTERVIEW – ANNE RANI: Danish Superstar of Lankan descent

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BY Tharishi Hewavithanagamage

Music transcends time and borders. The variety of genres available today caters to everyone’s tastes in music, from classical music to rock, R&B, rap and more. Accessibility to songs today comes at the touch of a button, all provided by streaming giants like Spotify and Apple Music. But the 90s era was very different and produced many songs that are considered timeless classics today. Apart from hip-hop and rap, genres like R&B and urban music became extremely popular in the 90s. Ground-breaking and eclectic most songs from the era were outcomes of bold experimentation and creative fusions.

Trends picked up with teen-pop and dance-pop music from boy bands and girl bands such as ‘NSync, The Backstreet Boys, Spice Girls, TLC and Destiny’s Child to name a few. They topped charts around the world and their releases continue to transcend generations of avid listeners. Anne Rani— a successful singer, songwriter, producer and budding actress— spawned from the trendy 90s era. Sri Lankan by birth Anne was adopted by Danish parents in 1976, from an orphanage in Panadura at just eight months old. She was too young to have any recollection of her childhood and birth in Sri Lanka, she was fortunate enough to start her life in Denmark. Shooting to fame at a young age, Anne has seen and experienced it all. The Island was fortunate enough to speak to the Danish pop star who had very valuable insights to share based on her many experiences, especially as a female POC (person of color) making it big in the music industry. Her reputation in her native Denmark is based on her phenomenal success as a member of R&B trio “JUICE”.

Q. How did you get into the music scene?

From a very young age she was already gifted with the art of music. She started taking piano lessons at the age of six and looking back she says, “I loved music, and I was able to play by ear, so I often had trouble remembering notes.” She continues, “I was also part of the choir and I remember the teacher telling my parents that I should take singing classes”, which became the foundation for her career. Anne also went to America for eight months as an exchange student, which is where she was able to develop her English language skills. In the time she spent in America, she recalls the most amazing experiences that expanded her taste for music. She goes on, “In those eight months I had an amazing choir teacher. She was truly an inspiration and I still remember her to this day. She runs the most amazing choirs even today. To experience music like that, it was simply beautiful. I learned a lot about singing in harmony.”

She returned to Denmark to complete her education, but on the side, she would continue to make music. “After school I used to meet up with music producers, I would play in bands and go out performing too. I also used to make demo tapes with my producer back then”, Anne says. Her hard work paid off when, unbeknownst to her, one of her friends played her demo tapes for a producer from the leading record label in Denmark – EMI-Medley. “After hearing my demo, the producer contacted me, and that magical phone call completely changed my life”, Anne recalls.

The record label was already working on putting together a girl group and invited Anne to join. “I was only 19 years old at the time and I went to meet the team and the other girl who was chosen to join the project. I took the opportunity and my life changed in a flash.” Anne became a member of the Danish girl band JUICE alongside Lena Tahara and Maria Hamer. The group became very popular with their debut album and were instant chart toppers, both domestically and internationally. “We toured all over the world and performed at big venues like the Wembley arena in the UK. We also went on tour with the British boy band Five,” Anne says.

The group lasted for five years and released two albums in their active years. The trio also collaborated with songwriter Remee, S.O.A.P and Christina Undhjem on the song ‘Let Love Be Love’, which Anne says is ‘the biggest Christmas song in Denmark to this day’.

Q. What were your experiences like as a female artist and POC in the music industry?

While Anne considers herself very lucky to have received the opportunity to enter the music industry so early on in life, but also shared the less glamorous side to having so much fame at a very young age. “We were very young, and we didn’t know much about the industry. We were constantly traveling and promoting, and the experience was unique, but it was also hard. Not everyone gets to see the more difficult days we go through,” she says.

Going further, we discussed her experience as a female artist in the music industry and the difficulties she faced. “When I was young, I definitely had to prove that I was more than just a pretty face. Having a pretty face is said to be a good thing in showbiz, but sometimes you need to prove that there is more to you than just that. You need to carve out an identity for yourself and show that you are talented and capable of putting in the hard work and effort that goes into creating music. Regardless of gender people will always be quick to judge and question your abilities, so it’s important to prove yourself.” She was often told that as a female artist she had to work harder to ensure she could leave her mark in the industry.

The music industry has always wrestled with inclusion, diversity and gender disparity. Many POC musicians have been subject to marginalization, despite being highly talented and widely popular among listeners. In addition, female artists in particular have been treated differently in comparison to their male counterparts.

From big names like Missy Elliot and J-LO, to popular boy and girl bands, the music industry in the 90s saw an insane influx of music and a variety of artists. “In the 90s when R&B music broke through, artists like Missy Elliott and Jennifer Lopez, were thrust into the limelight. There was this explosion of Black and Latin music culture, All of a sudden, it became ‘cool’ and ‘trendy’ to be someone of color and people became swept up in it. This worked to my advantage as I actually had some skin color,” Anne says. Diversity played a key role in their group as well, seeing as the JUICE trio came from mixed cultures and backgrounds. “None of us looked Danish and we sort of became part of the trend. At the time we were truly fortunate as female artists from varying backgrounds to get our foot in the door,” Anne adds.

The changing times and ensuing digitalization has pushed topics of discrimination, gender disparity and lack of diversity in the industry to the forefront. Fans and critics have been vocal about such injustices via social media platforms. Anne agrees that people today are very socially aware and are having more open discussions about such subject matters, that would not have seen the light of day in the past.

Q. After bidding goodbye to your days as a group, was it difficult to find your footing as a soloist?

Although she had already formed an identity for herself and a reputation in the industry, as she embarked on her solo career, she found herself being too dependent on finding a producer to help construct her visions. “It is wonderful to work with others and as a team. But as an artist, being able to pen out what’s on your mind is important. Nobody can ever really understand what you mean until you show it yourself. Producers cannot read minds and how everyone experiences music is very different,” she says. “I grew up listening to artists like the late Prince, Michael Jackson and Madonna. I grew up dreaming of achieving such success. Artists like Prince were really inspirational, because he could play instruments, write and produce too. To be an artist capable of doing many things is exciting,” Anne adds.

With help from her friends in the industry and tons of YouTube tutorials she felt liberated as she was now able to create and manifest her own sketches before handing them to a producer who could fine-tune her work. Anne released her first debut single in 2009 called ‘Fall’. Since then, Anne has collaborated with various artists such as Andy Taylor (Duran Duran), performed at famous venues like Pacha Ibiza and even released five singles.

The music industry today has expanded, and the market has expanded greatly in comparison to the 90s. Bigger labels have more money involved and are taking on more chances of discovering talented individuals who can create unique pieces of music that will stick around for a long time. The digital age has also given people more access and options to create music and express themselves freely. Anne believes that it is a great opportunity for budding young talent to make their way into the industry

“Music can be enjoyed in many different ways, despite the changing times”, Anne concludes.

Q. Have you visited Sri Lanka? How have you approached the idea of reconnecting with your roots?

“To me everything Sri Lankan is interesting as I didn’t grow up there. I haven’t been able to make frequent visits, but I aim to do so in the future. I’m always looking to meet more Sri Lankans and experience the culture and learn more about its history as well,” Anne says. She also hopes to connect with her fans in Sri Lanka and welcomes the idea of working and collaborating with Sri Lankan musicians in the future.

Q. What are you up to these days?

While she isn’t currently working on any music, she is exploring the world of film and acting. “I played a small role in a Danish TV series and since then my curiosity has piqued. I’m enthusiastic about exploring the world of acting and I hope to see where it will take me. It’s refreshing to do something else,” Anne says.



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River of Life in Peril: Shantha Jayaweera’s Four-Decade Vigil in Boralugoda

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Shantha Jayaweera

In the quiet, rain-washed village of Boralugoda, where narrow streams slip silently through thick green undergrowth and the air carries the scent of wet earth, a remarkable story of science, persistence, and quiet resistance has been unfolding for decades.

At its centre is Research Scientist and artist Shantha Jayaweera—a man who has spent nearly 40 years studying, documenting, and defending one of the richest freshwater ecosystems in the island. His life’s work is not just about fish, but about a fragile world that exists beneath the surface of flowing water—often unseen, frequently misunderstood, and increasingly under threat.

“Sri Lanka holds a very special place in global freshwater biodiversity,” Jayaweera says, reflecting on decades of fieldwork. “But even within the island, there are pockets that are extraordinarily rich. Boralugoda is one of them.”

A Global Context, A Local Wonder

Sri Lanka is part of the Oriental region—one of the most biologically diverse freshwater zones in the world. Within the island, the lowland wet zone stands out as the most species-rich area, nurtured by year-round rainfall and dense vegetation.

But Boralugoda, located within this wet zone, is exceptional even by those standards.

“Out of about 94 true freshwater fish species recorded in the country, around 84 are found in the lowland wet zone,” Jayaweera explains. “What is remarkable is that Boralugoda alone supports 53 species. That is the highest number recorded in any inland location.”

He pauses before adding a sobering detail.

“Of those 53 species, 26 are endemic. And 23 are threatened—ranging from vulnerable to critically endangered. That’s a very serious signal.”

The Secret of the Maguru

Flowing through this biodiversity hotspot is the Maguru River—a relatively small river with an outsized ecological role. Originating in the rainforest-covered Morapitiya area, it carries with it the ecological signature of its pristine beginnings.

“What makes the Maguru unique is its clarity,” Jayaweera says. “Most rivers turn brown as they carry sediment downstream. But this river remains clear, which allows sunlight to penetrate and sustain aquatic life.”

The river’s structure adds another layer of ecological complexity.

“It starts with fast-flowing, rocky sections and then gradually shifts to sandy, slow-moving areas,” he explains. “Different species are adapted to each of these habitats. Some are highly specialised and cannot survive outside the rocky zones.”

This diversity of microhabitats is one of the key reasons for the area’s richness.

Banded mountain loach

Red neck goby – endangerd now extinct from the area due to sand mining

“Fish like certain gobies and barbs are restricted to fast-flowing rocky areas,” he notes. “If those habitats are disturbed, the species simply disappear.”

Streams That Sustain Life

Beyond the main river, Boralugoda is crisscrossed by an intricate network of streams—fed by rainfall, forest cover, and underground springs.

“This area has one of the highest stream densities in the Western Province,” Jayaweera says. “These streams act as nurseries, refuges, and migration pathways for many species.”

The surrounding landscape further enhances this ecological mosaic.

“You have a mix of rainforest patches, home gardens, tea estates, and cultivated lands,” he explains. “Each of these contributes in some way to the overall habitat diversity.”

However, this delicate balance is increasingly being pushed to its limits.

Sand Mining: A River Reshaped

One of the most destructive forces to hit the Maguru River has been large-scale sand mining, particularly since the early 2000s.

“The riverbed has been completely altered,” Jayaweera says, his tone turning grave. “We’ve lost aquatic plants, native riverbank trees, and entire habitats.”

The ecological consequences have been severe.

“The endangered Red Neck Goby has become locally extinct,” he reveals. “And the Ocellated Pipefish has not been recorded for years, largely due to the loss of specific aquatic plants it depends on.”

The physical damage to the river is equally alarming.

“Sand mining has deepened the river unnaturally,” he explains. “This leads to bank erosion, collapse, and long-term instability. It changes the entire character of the river.”

Although recent policy changes have halted new permits, the damage done over decades cannot be easily reversed.

Tea Expansion and Vanishing Buffers

Another major pressure comes from agricultural expansion—particularly the spread of lowland tea cultivation.

“Since the 1990s, we’ve seen a steady conversion of home gardens and even forest patches into tea plantations,” Jayaweera says. “In some cases, even rubber lands have been cleared.”

This transformation has not only reduced biodiversity on land but has also affected water systems.

“Riverbank vegetation is often cleared to make way for cultivation,” he explains. “But these trees are critical—they stabilise banks, filter runoff, and provide shade.”

What is particularly troubling is the disregard for existing environmental regulations.

“There are clear laws requiring buffer zones along rivers and streams,” he says. “But many local authorities are either unaware or do not enforce them. As a result, these protective areas are disappearing.”

A Life Dedicated to Observation and Action

For Jayaweera, these changes are not abstract trends—they are deeply personal.

“I’ve been observing this ecosystem for nearly four decades,” he says. “I’ve seen species decline, habitats shrink, and patterns change.”

But his work has never been limited to observation alone.

Through the Organisation for Aquatic Resources Management (OARM), he has led numerous conservation and restoration efforts.

“We’ve worked on replanting rainforest species in degraded areas, restoring stream banks, and raising awareness among local communities,” he explains. “In some places, we’ve seen encouraging signs of recovery.”

His approach combines science with grassroots engagement.

“Conservation cannot happen in isolation,” he says. “You need the community to be involved.”

Where Science Meets Art

What sets Jayaweera apart is his ability to translate science into art.

As an accomplished artist, he uses illustrations and visual storytelling to bring freshwater ecosystems to life.

“Art can reach people in ways that science sometimes cannot,” he says. “It creates an emotional connection.”

His paintings often depict the intricate beauty of fish species, aquatic plants, and flowing streams—capturing not just their form, but their essence.

“When people see what is at stake, they are more likely to care,” he adds.

A Community at a Crossroads

Despite decades of work, challenges remain at the community level.

“Some people still treat rivers as dumping grounds,” Jayaweera says with frustration. “Plastic and waste continue to find their way into these waters.”

Yet, there are also signs of hope.

“A group of committed individuals regularly organise clean-up campaigns,” he notes. “They collect waste and display it publicly to raise awareness. It’s a simple but powerful act.”

These grassroots efforts, he believes, are crucial.

“Real change begins at the local level,” he says.

A Fragile Future

For Jayaweera, Boralugoda is more than just a field site—it is a symbol of what is at stake.

“If we lose ecosystems like this, we lose something irreplaceable,” he warns. “These species are found nowhere else in the world.”

His message is both urgent and measured.

“We need stronger enforcement of environmental laws, better awareness, and a genuine commitment to conservation,” he says.

“Otherwise, the damage will become irreversible.”

As the clear waters of the Maguru River continue to flow through Boralugoda—past rocks, roots, and remnants of a once-pristine landscape—they carry with them a quiet story of resilience.

And alongside that flow stands Shantha Jayaweera—scientist, artist, and guardian of a hidden world—still watching, still working, and still hoping that it is not too late.

By Ifham Nizam

Pictures by Shantha Jayaweera

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Cheers to one year! Cinnamon Myst still casting its spell

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Perched in the heart of Sri Lanka’s hill capital, Kandy Myst by Cinnamon recently marked its first anniversary, celebrating a year of redefining modern hospitality in the historic City of Kandy. Since opening its doors on February 12, 2025, the hotel has quickly established itself as a vibrant lifestyle destination that blend contemporary comfort with the cultural charm of the region.

This property was designed to bring a fresh energy to the city’s hospitality scene with 215 modern rooms, the largest room inventory in Kandy. The hotel caters to both leisure and business travellers seeking comfort, convenience and stylish surrounding close to the city’s key attraction.

Within the first year, the hotel has achieved notable milestones, including become the first hotel in Kandy to receive Leed Gold Certificate reflecting its commitment to sustainable and responsible development. Beyond accommodation and dining, the property has also emerged as a hub for cultural events.

As Kandy Myst by Cinnamon enters its second year, the hotel continues to position itself as more than a place to stay. With its lively dining venues, social spaces and commitment to sustainability and community engagement, it is steadily shaping a new chapter in Kandy’s evolving hospitality landscape – one where tradition meets contemporary style.

Over the months the restaurant has hosted themed culinary events, special promotions and vibrant social evenings, further strengthening its place as a lively hub in Kandy’s hospitality scene. Guests have been drawn not only by the flavours on the plate but also by the inviting atmosphere that captures the essence of city’s elegance.

General Manager – Dhinal Perera

Kandy Myst by Cinnamon celebrates its first anniversary, marking a year as Kandy’s contemporary hospitality destination that brings energy, culture, and lifestyle experiences to the city. Opened through a partnership between Cinnamon Hotels & Resorts and Indra Traders (Pvt) Ltd, the hotel blends hospitality expertise with local insight to deliver a modern, energetic and lifestyle driven offering.

With the highest room inventory in Kandy, comprising 215 contemporary rooms, Kandy Myst by Cinnamon caters to both leisure and business travellers, offering modern comfort in close proximity to the city’s key attractions and transport routes. Its dynamic dining and social spaces; Grains Dining, Terra Lounge, and the rooftop Kosmos Sky Bar with heated infinity pool, invite guests and locals to engage, with panoramic city views, curated entertainment, and vibrant social experiences. Grains Dining, the buffet restaurant, serves an extensive selection of local and international cuisine, while Terra Lounge provides a welcoming café-style hub for casual meetups and social gatherings.

In its inaugural year, the hotel achieved significant milestones, becoming the first hotel in Kandy to receive LEED Gold certification, demonstrating a commitment to responsible, future-ready development. Reinforcing its culturally connected and globally relevant positioning, Kandy Myst by Cinnamon hosted globally celebrated icons such as Alpha Blondy and a series of high-profile local and international events, including the official trophy unveiling of the inaugural New Zealand U85kg Rugby Tour of Sri Lanka in May 2025.

Throughout the year, the hotel brought guests and the community together through seasonal activations, curated experiences, and loyalty-driven offers, contributing to strong engagement while supporting Kandy’s tourism economy through local partnerships and community initiatives.

As it enters its second year, Kandy Myst by Cinnamon continues to invite international and local guests alike to experience its vibrant dining, social, and lifestyle spaces, while reinforcing its role in shaping Kandy’s modern hospitality and cultural landscape. (Zanita )

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Montblanc launches Explorer Extreme in Sri Lanka

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From L - R - Ravin Hiru Surtani, President, Head of Fragrances - Exclusive Lines; Deshan Dias Bandaranayake, President, Head of Operations - Exclusive Lines; Hiru Surtani, Managing Director - Exclusive Lines & Apsara Hiru Surtani, President, Head of Beauty - Exclusive Lines

Internationally renowned luxury Maison Montblanc has introduced its latest fragrance, Montblanc Explorer Extreme, to the Sri Lankan market through Exclusive Lines, the sole authorised agent for the brand in the country.

The launch event was hosted at Virticle by Jetwing, where guests were invited to experience the newest addition to the bestselling Explorer line in a setting that reflected the Maison’s enduring themes of adventure, refinement and craftsmanship.

Montblanc Explorer Extreme represents a significant evolution of the Explorer franchise and is the first Parfum concentration within the collection. Conceived as an ode to vast landscapes and the world’s most remote desert terrains, the fragrance delivers a deeper, more intense interpretation of the original Explorer Eau de Parfum. Its woody, ambery and leathery composition is crafted to embody courage, ambition and the drive to push beyond limits.

Hiru Surtani, Managing Director and CEO of Exclusive Lines, said the launch reinforces the company’s commitment to bringing globally celebrated luxury brands to Sri Lanka. “Montblanc Explorer Extreme Parfum stands for courage, ambition and the determination to surpass boundaries, values that strongly resonate with us at Exclusive Lines. We are proud to present this remarkable fragrance to Sri Lanka’s discerning consumers, offering a scent that captures the essence of adventurous living,” he stated.

Inspired by dramatic desert landscapes such as Saudi Arabia’s AlUla, the fragrance reflects the bold spirit of modern exploration. It opens with fresh green notes of bergamot blended with clary sage, creating an immediate sense of vitality. The heart reveals patchouli layered with Ambrofix™, delivering warmth and depth, while the base combines rich amber, leather accords and refined vetiver to leave a powerful and lasting impression.

The bottle design draws inspiration from the Montblanc Extreme 3.0 Collection, echoing its distinctive textured motif associated with modern travel and dynamism. Crafted from fully black lacquered glass and topped with a polished black cap, the design underscores the intensity of the parfum. Production and assembly take place at Montblanc’s dedicated Pelleteria workshop in Florence, Italy, with elements crafted across Germany and France, a testament to the Maison’s European craftsmanship.

The global campaign features American actor, model and musician Justice Joslin as the contemporary Explorer, set against striking desert landscapes that symbolise ambition and achievement.

Montblanc Explorer Extreme joins Montblanc Explorer and Montblanc Explorer Platinum in the line-up and is now available exclusively in Sri Lanka through Exclusive Lines outlets and authorised retail partners nationwide.

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