Life style

INTERVIEW – ANNE RANI: Danish Superstar of Lankan descent

Published

3 years ago

2023/01/8

BY Tharishi Hewavithanagamage

Music transcends time and borders. The variety of genres available today caters to everyone’s tastes in music, from classical music to rock, R&B, rap and more. Accessibility to songs today comes at the touch of a button, all provided by streaming giants like Spotify and Apple Music. But the 90s era was very different and produced many songs that are considered timeless classics today. Apart from hip-hop and rap, genres like R&B and urban music became extremely popular in the 90s. Ground-breaking and eclectic most songs from the era were outcomes of bold experimentation and creative fusions.

Trends picked up with teen-pop and dance-pop music from boy bands and girl bands such as ‘NSync, The Backstreet Boys, Spice Girls, TLC and Destiny’s Child to name a few. They topped charts around the world and their releases continue to transcend generations of avid listeners. Anne Rani— a successful singer, songwriter, producer and budding actress— spawned from the trendy 90s era. Sri Lankan by birth Anne was adopted by Danish parents in 1976, from an orphanage in Panadura at just eight months old. She was too young to have any recollection of her childhood and birth in Sri Lanka, she was fortunate enough to start her life in Denmark. Shooting to fame at a young age, Anne has seen and experienced it all. The Island was fortunate enough to speak to the Danish pop star who had very valuable insights to share based on her many experiences, especially as a female POC (person of color) making it big in the music industry. Her reputation in her native Denmark is based on her phenomenal success as a member of R&B trio “JUICE”.

Q. How did you get into the music scene?

From a very young age she was already gifted with the art of music. She started taking piano lessons at the age of six and looking back she says, “I loved music, and I was able to play by ear, so I often had trouble remembering notes.” She continues, “I was also part of the choir and I remember the teacher telling my parents that I should take singing classes”, which became the foundation for her career. Anne also went to America for eight months as an exchange student, which is where she was able to develop her English language skills. In the time she spent in America, she recalls the most amazing experiences that expanded her taste for music. She goes on, “In those eight months I had an amazing choir teacher. She was truly an inspiration and I still remember her to this day. She runs the most amazing choirs even today. To experience music like that, it was simply beautiful. I learned a lot about singing in harmony.”

She returned to Denmark to complete her education, but on the side, she would continue to make music. “After school I used to meet up with music producers, I would play in bands and go out performing too. I also used to make demo tapes with my producer back then”, Anne says. Her hard work paid off when, unbeknownst to her, one of her friends played her demo tapes for a producer from the leading record label in Denmark – EMI-Medley. “After hearing my demo, the producer contacted me, and that magical phone call completely changed my life”, Anne recalls.

The record label was already working on putting together a girl group and invited Anne to join. “I was only 19 years old at the time and I went to meet the team and the other girl who was chosen to join the project. I took the opportunity and my life changed in a flash.” Anne became a member of the Danish girl band JUICE alongside Lena Tahara and Maria Hamer. The group became very popular with their debut album and were instant chart toppers, both domestically and internationally. “We toured all over the world and performed at big venues like the Wembley arena in the UK. We also went on tour with the British boy band Five,” Anne says.

The group lasted for five years and released two albums in their active years. The trio also collaborated with songwriter Remee, S.O.A.P and Christina Undhjem on the song ‘Let Love Be Love’, which Anne says is ‘the biggest Christmas song in Denmark to this day’.

Q. What were your experiences like as a female artist and POC in the music industry?

While Anne considers herself very lucky to have received the opportunity to enter the music industry so early on in life, but also shared the less glamorous side to having so much fame at a very young age. “We were very young, and we didn’t know much about the industry. We were constantly traveling and promoting, and the experience was unique, but it was also hard. Not everyone gets to see the more difficult days we go through,” she says.

Going further, we discussed her experience as a female artist in the music industry and the difficulties she faced. “When I was young, I definitely had to prove that I was more than just a pretty face. Having a pretty face is said to be a good thing in showbiz, but sometimes you need to prove that there is more to you than just that. You need to carve out an identity for yourself and show that you are talented and capable of putting in the hard work and effort that goes into creating music. Regardless of gender people will always be quick to judge and question your abilities, so it’s important to prove yourself.” She was often told that as a female artist she had to work harder to ensure she could leave her mark in the industry.

The music industry has always wrestled with inclusion, diversity and gender disparity. Many POC musicians have been subject to marginalization, despite being highly talented and widely popular among listeners. In addition, female artists in particular have been treated differently in comparison to their male counterparts.

From big names like Missy Elliot and J-LO, to popular boy and girl bands, the music industry in the 90s saw an insane influx of music and a variety of artists. “In the 90s when R&B music broke through, artists like Missy Elliott and Jennifer Lopez, were thrust into the limelight. There was this explosion of Black and Latin music culture, All of a sudden, it became ‘cool’ and ‘trendy’ to be someone of color and people became swept up in it. This worked to my advantage as I actually had some skin color,” Anne says. Diversity played a key role in their group as well, seeing as the JUICE trio came from mixed cultures and backgrounds. “None of us looked Danish and we sort of became part of the trend. At the time we were truly fortunate as female artists from varying backgrounds to get our foot in the door,” Anne adds.

The changing times and ensuing digitalization has pushed topics of discrimination, gender disparity and lack of diversity in the industry to the forefront. Fans and critics have been vocal about such injustices via social media platforms. Anne agrees that people today are very socially aware and are having more open discussions about such subject matters, that would not have seen the light of day in the past.

Q. After bidding goodbye to your days as a group, was it difficult to find your footing as a soloist?

Although she had already formed an identity for herself and a reputation in the industry, as she embarked on her solo career, she found herself being too dependent on finding a producer to help construct her visions. “It is wonderful to work with others and as a team. But as an artist, being able to pen out what’s on your mind is important. Nobody can ever really understand what you mean until you show it yourself. Producers cannot read minds and how everyone experiences music is very different,” she says. “I grew up listening to artists like the late Prince, Michael Jackson and Madonna. I grew up dreaming of achieving such success. Artists like Prince were really inspirational, because he could play instruments, write and produce too. To be an artist capable of doing many things is exciting,” Anne adds.

With help from her friends in the industry and tons of YouTube tutorials she felt liberated as she was now able to create and manifest her own sketches before handing them to a producer who could fine-tune her work. Anne released her first debut single in 2009 called ‘Fall’. Since then, Anne has collaborated with various artists such as Andy Taylor (Duran Duran), performed at famous venues like Pacha Ibiza and even released five singles.

The music industry today has expanded, and the market has expanded greatly in comparison to the 90s. Bigger labels have more money involved and are taking on more chances of discovering talented individuals who can create unique pieces of music that will stick around for a long time. The digital age has also given people more access and options to create music and express themselves freely. Anne believes that it is a great opportunity for budding young talent to make their way into the industry

“Music can be enjoyed in many different ways, despite the changing times”, Anne concludes.

Q. Have you visited Sri Lanka? How have you approached the idea of reconnecting with your roots?

“To me everything Sri Lankan is interesting as I didn’t grow up there. I haven’t been able to make frequent visits, but I aim to do so in the future. I’m always looking to meet more Sri Lankans and experience the culture and learn more about its history as well,” Anne says. She also hopes to connect with her fans in Sri Lanka and welcomes the idea of working and collaborating with Sri Lankan musicians in the future.

Q. What are you up to these days?

While she isn’t currently working on any music, she is exploring the world of film and acting. “I played a small role in a Danish TV series and since then my curiosity has piqued. I’m enthusiastic about exploring the world of acting and I hope to see where it will take me. It’s refreshing to do something else,” Anne says.

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Life style

The last kings of the wilderness: vanishing tuskers

Published

2 days ago

2026/05/24

Thilina Walpola

In the vast dry-zone wilderness of Sri Lanka, where ancient reservoirs mirror crimson sunsets and monsoon winds whisper through forests untouched for centuries, there still roams a giant who has become both legend and symbol.

His name is Mahasen — perhaps the most celebrated wild tusker Sri Lanka has ever known.

To wildlife enthusiasts, photographers, researchers, and villagers across the North Central Province, Mahasen is not merely an elephant. He is the living embodiment of Sri Lanka’s ancient wilderness, a reminder of a time when giant tuskers ruled the forests that surrounded the island’s great hydraulic civilisation.

Secretary and Chief Coordinator of Wild Tuskers of Sri Lanka, Chandika Lakmal, describes Mahasen as “one of the greatest living treasures of Sri Lanka’s natural heritage.”

“When people see Mahasen, they are not simply looking at a wild elephant,” he said.

“They are witnessing history, culture, ecology, and wilderness all combined into one magnificent animal. Tuskers like Mahasen are extremely rare, and losing such an elephant would mean losing a part of Sri Lanka’s identity itself.”

Sri Lanka has long shared a sacred bond with elephants. Ancient kings regarded tuskers as symbols of sovereignty and divine authority.

From the kingdoms of Anuradhapura and Polonnaruwa to the Kandyan era, elephants marched beside rulers during ceremonies and wars alike. Within Buddhist culture, elephants became revered symbols of strength, wisdom, and spiritual purity.

Yet among all elephants, the tusker has always occupied a special place.

Unlike African elephants, only a very small percentage of male Asian elephants develop tusks. This makes Sri Lankan tuskers exceptionally rare. Over centuries, they became deeply embedded in folklore, temple art, and village legends.

Mahasen stands today as perhaps the finest surviving example of that ancient legacy.

Mahasen, one of Sri Lanka’s most iconic wild tuskers, photographed during his majestic prime in 2014 and in 2025 as the ageing giant continues his struggle for survival in the island’s shrinking wilderness

The legendary tusker was first photographed in 2002 by renowned wildlife photographer Vajira Wijegunawardena. During those early years, wildlife enthusiasts referred to him as the “Somawathiya Tusker” because he was frequently sighted around the floodplains near Somawathiya before travelling towards Minneriya and Kaudulla during the season of the great elephant gathering.

Later, the giant elephant was named Mahasen in honour of the ancient King Mahasen, the visionary ruler who built the magnificent Minneriya Tank. The name reflected not only strength and majesty, but also a deep connection to the same historic landscape shaped by kings, forests, and elephants thousands of years ago.

Today, Mahasen is believed to be around 60 years old, making him one of the oldest surviving wild tuskers in Sri Lanka. Towering above most elephants, he possesses perhaps the largest pair of tusks ever documented among Sri Lanka’s wild elephants, stretching beyond six feet in length.

For decades, Mahasen became one of the greatest attractions of the famous elephant gathering at Minneriya National Park and Kaudulla National Park — one of the largest congregations of Asian elephants anywhere in the world.

Photographers from across the globe waited patiently for hours hoping to capture the old king emerging from the dusty grasslands, at dusk, his enormous tusks glowing beneath the golden evening light. For many wildlife lovers, witnessing Mahasen in the wild became an unforgettable experience.

“Mahasen carries an extraordinary presence,” Chandika Lakmal explained. “Even among large elephants, he stands apart. There is a certain calmness, confidence, and dignity in the way he moves. You immediately understand why ancient people considered tuskers sacred.”

Yet beyond his beauty and fame, Mahasen also represents the fragile future of Sri Lanka’s elephants.

Modern conservation science identifies elephants as “keystone species” and “umbrella species,” meaning their survival protects entire ecosystems. Elephants create pathways through forests, disperse seeds, maintain grasslands, and help sustain biodiversity across vast landscapes.

“Elephants are ecosystem engineers,” Chandika Lakmal said. “The forest itself depends on them. Without elephants, the structure of these ecosystems begins to change. Protecting tuskers, like Mahasen, means protecting entire habitats and countless other species.”

Sadly, Sri Lanka’s wild elephants now face mounting threats.

Habitat fragmentation, shrinking forests, electric fences, roads, railway accidents, illegal shootings, and human-elephant conflict continue to endanger their survival.

Nearly 60 percent of Sri Lanka’s wild elephants live outside protected national parks, surviving within fragmented forests and ancient tank ecosystems increasingly surrounded by human settlements.

Traditional elephant migration corridors that existed for centuries have now been blocked by agriculture and development projects. As elephants lose access to food and water, they are increasingly forced into villages and farmlands, creating dangerous encounters between humans and wildlife.

Even Mahasen has not escaped these pressures.

In recent years, the ageing tusker’s movements have become increasingly restricted. Wildlife observers believe the enormous weight of his tusks, combined with old age, has forced him into smaller forest patches between Kakirawa and Maradankadawala where food and water are available within shorter distances.

Several months ago, Mahasen was discovered with a serious wound on his back believed to have been caused either by a gunshot injury or a clash with another elephant. Wildlife officials intervened quickly and treated the giant tusker, offering hope that he would recover once again.

However, concern continues to grow among conservationists and wildlife enthusiasts as sightings of Mahasen have become increasingly rare in recent months.

For many Sri Lankans, the thought of losing Mahasen is deeply emotional.

“Mahasen is not just another elephant,” Chandika Lakmal said quietly. “He is one of the last living symbols of Sri Lanka’s ancient wilderness. Future generations deserve the chance to see such animals alive in our forests, not only in photographs or history books.”

Despite his immense ecological and cultural importance, many villagers living near elephant habitats still struggle with fear and economic hardship caused by crop raids and property damage.

Conservationists stress that long-term coexistence can only be achieved through proper land-use planning, protection of elephant corridors, community awareness, and sustainable conservation policies.

Across the forests of Yala National Park, Wilpattu National Park, Gal Oya National Park, and Wasgamuwa National Park, Sri Lanka’s remaining tuskers continue their silent struggle against an uncertain future.

But among them all, Mahasen remains special.

He is more than an old tusker wandering through fading forests.

He is the last king of a vanishing wilderness.

And as long as Mahasen still walks beneath the ancient trees of Sri Lanka’s dry zone, the spirit of the island’s wild heritage continues to survive majestic, untamed, and unforgettable.

By Ifham Nizam

Life style

Stars shine bright

Published

2 days ago

2026/05/24

Thilina Walpola

Leading figures from the industry graced the ‘Tharulya’ Muhurat ceremony

An auspicious beginning for ‘Tharulya’

The Muhurath ceremony of ‘Tharulya’ the newest teledrama directed by Sudarma Jayewardena, was held in a graceful setting at Waters Edge recently, bringing together artistes, television personalities and invited guests from the entertainment industry.

The auspicious occasion marked the official beginning of the much-awarded teleseries, with the lighting of the traditional oil lamp adding colour and glamour to the evening.

Cast members and crew joined Sudarma in celebrating the launch while industry well-wishers extended their support for the production.

Sudarma is known for her emotionally rich story telling and distinctive creative touch. When asked about her new tele-serial, she expressed optimism ‘Tharulya’ is expected to bring a fresh narrative to the local television audiences. For her ‘Tharulya’ can be described as a reflection of dreams, emotions and human relationships, woven into meaningful teledrama narratives. The word ‘Tharulya’ evokes a poetic sense of stars, hope and destiny, symbolising the journeys and emotional bonds explored through the story.

Sudarma Jayewardena is known for her work as a actress, director, producer and creative visionary behind several acclaimed teledramas. Over the years she has build a reputation for presenting emotionally layered stories that explore family dynamics, social realities, women’s experiences and human relationships with sensitivity and depth .

Her teledramas are known for strong story telling, refined casting and cinematic production.

The teledrama, ‘Ganga Adare’, directed by Sudarma, is among the well known television production.

This tele-series became popular on the small screen for its emotional story telling, strong character development and family centred narrative style that resonated with Sinhala TV audiences.

Sudarma’s involvement in musical events, like ‘Sonu Nigam,’ highlighted her versatility beyond teledramas, showcasing her ability to create large scale entertainment events that combined glamour, culture and audience appeal.

Sudharma, who is no stranger in the entertainment industry, is the Managing Director of Star Events. ‘Tharulya’ was produced by Saranga Mendis. This much talked about teleserial is all set to unspool on Derena TV.

Beyond teledramas , Sudarma also contributed to musical and entertainment programmes, expanding her influence within Sri Lanka’s media industry. Her productions are often noted for their polished presentation and emotional story telling. (Zanita) Pix by Thushara Attapathu

: Smile,glamour and anticipation for the young star

: Powerful performances expected as he steps into a key role

: Moments from the launch

: Soulful voice adds magic

: Creativity in motion as Director Sudarma Jayewardena leads the cast with her spouse

: Invited guests marked the launch

Life style

Sri Lanka and Viet Nam soar into a new era of co-operation

Published

2 days ago

2026/05/24

Thilina Walpola

Landmark visit celebrating diplomacy, connectivity and growing economic partnerships

Air Bridge of Friendship

The state visit of the Party Secretary and State President, To Lam of Viet Nam, to Sri Lanka, heralds a defining moment in bilateral relations, where diplomacy and aviation converge in a new era of connectivity. With the launch of Viet Nam air services, linking the two nations, the partnership soars behind traditional statecraft -opening a seamless corridors for tourism, trade and cultural exchange between South and South East Asia.

My interview with the Ambassador for Viet Nam in Sri Lanka, Trinh Thi Tam, went as follows:

(Q) How significant is the State visit to Sri Lanka by Party General Secretary and State President To Lam?

(A)Party General Secretary and State President To Lam’s visit to Sri Lanka is highly significant as it takes place when the two countries have just celebrated 55 years of diplomatic relations in 2025. Viet Nam is the first ASEAN members to visit Sri Lanka, and is also the first ASEAN country that President Anura Kumara Dissanayake visited after assuming office. More, importantly, both sides agreed to elevate bilateral ties to a Comprehensive Partnership on this occasion, opening a new chapter for cooperation in politics, trade, tourism, culture, education, and connectivity. The visit reflects the strong mutual trust and the shared determination to deepen cooperation in the years ahead.

(Q) Viet Nam and Sri Lanka share centuries old Buddhist links. How can these spiritual and cultural ties be transformed into stronger people-to-people tourism?

(A) Viet Nam and Sri Lanka share centuries-old Buddhist and cultural links, which create a very strong foundation for closer people-to-people relations. These spiritual ties can be transformed into stronger tourism cooperation through Buddhist pilgrimage tours, exchanges between temples and universities, cultural festivals, and tourism promotion programmes. Increased air connectivity and easier travel arrangements will also encourage more visitors to explore each other’s cultural heritage and strengthen mutual understanding between the two peoples.

(Q) Direct flights between Colombo and Ho Chi Minh City has generated great excitement in Sri Lanka. How important is this milestone for tourism and bilateral relations?

Proud moment for Ambassador Trinh Thi Tam

(A) The launch of direct flights between Colombo and Ho Chi Minh City by Viet Nam Airlines (national carrier) and Viet Jet (a private airline) is a historic milestone for bilateral relations. It not only shortens travel time but also creates new opportunities for tourism, trade, investment, business cooperation as well as people-to-people and cultural exchange. This achievement comes at a very meaningful moment, following the establishment of the Comprehensive Partnership, demonstrating the commitment of both countries to enhance practical cooperation and strengthen connectivity between Southeast Asia and South Asia.

(Q) Do you think this direct flight will significantly increase Vietnamese tourist arrivals to Sri Lanka within the next few years?

(A) Yes, we believe the direct flights will significantly increase Vietnamese tourist arrivals to Sri Lanka over the next few years. Sri Lanka is becoming increasingly attractive to Vietnamese travellers because of its beautiful beaches, Buddhist heritage, natural landscapes, and hospitality. Easier connectivity and tourism promotion activities will help more Vietnamese people discover Sri Lanka. We also expect stronger two-way tourism exchanges, contributing positively to economic cooperation and people-to-people relations between the two countries.

(Q) Do you see Colombo becoming a stronger regional hub connecting Viet Nam with the Indian Ocean region?

(A) Colombo has great potential to become a stronger regional hub connecting Viet Nam with South Asia and the Indian Ocean region. Sri Lanka’s strategic geographic location, combined with improving connectivity and growing economic cooperation, can help facilitate trade, tourism, logistics, and maritime cooperation. Following the establishment of the Comprehensive Partnership, Viet Nam sees many opportunities to work more closely with Sri Lanka in regional connectivity initiatives and strengthen economic links between Southeast Asia and the Indian Ocean region.

(Q) Viet Nam and Sri Lanka have enjoyed decades of friendly relations. What makes this partnership unique in Asia?

Proud moment for Ambassador Trinh Thi Tam

Trinh Thi Tam played a key role in celebrating the historic visit

(A) The Viet Nam–Sri Lanka partnership has been built on longstanding friendship, mutual trust, and deep cultural connections rather than only economic interests. The two countries have consistently supported each other over many decades and share common values regarding independence, peace, and international cooperation. President Ho Chi Minh, Viet Nam’s Nation Father, stopped over in Sri Lanka on three occasions. Vietnamese people has always treasured the strong, unconditional support offered by Sri Lankan people during our hard struggle against imperialism and colonialism. The recent elevation of bilateral ties reflects the maturity of this relationship and the shared vision to expand cooperation across many sectors in a sustainable and balanced manner.

(Q) How does Viet Nam view Sri Lanka’s role with South Asia and the Indian Ocean together?

(A) Viet Nam highly values Sri Lanka’s important role in South Asia and the Indian Ocean region. Sri Lanka’s strategic location and historical role as a maritime and commercial centre make it an important partner for regional connectivity and economic cooperation. With Sri Lanka’s keen interest in engaging more with ASEAN (Regional Comprehensive Economic Parnership ) Viet Nam believes Sri Lanka can play an even stronger role in connecting South Asia and Southeast Asia, especially in trade, tourism, logistics and maritime cooperation.

(Q) How would you describe the current diplomatic relationship between Viet Nam and Sri Lanka after the Party General Secretary and State President’s visit?

(A) Following the visit, the diplomatic relationship between Viet Nam and Sri Lanka can be described as stronger, more dynamic, and more future-oriented. The establishment of the Comprehensive Partnership demonstrates the high level of political trust and creates a solid framework for expanding cooperation in many important sectors, including trade, investment, tourism, education, digital transformation, agriculture, and cultural exchanges between the two countries.

(Q) After the Party General Secretary and State President, what is your vision for Viet Nam-Sri Lanka relations over the next decade?

(A) Over the next decade, we hope Viet Nam–Sri Lanka relations will develop into a stronger, broader, and more practical partnership under the framework of the Comprehensive Partnership. We expect deeper cooperation in trade, tourism, connectivity, digital economy, education, renewable energy, agriculture, and maritime cooperation. At the same time, people-to-people exchanges and cultural cooperation will continue to grow, creating a solid foundation for long-term friendship and mutual prosperity between the two countries.

(Q) What message does Viet Nam wish to send to Sri Lanka and South Asian Region through the visit?

(A) Through the Party General Secretary and State President’s visits to India and Sri Lanka, Viet Nam wishes to send a strong message of friendship, cooperation, and shared development to Sri Lanka and the wider South Asian region. The visits demonstrates Viet Nam’s commitment to strengthening partnerships in South Asia and promoting peace, stability, connectivity, and economic cooperation in the Indo-Pacific region.