Life style
How This Demon Dance Banishes Illnesses
in Sri Lanka’s Remote Jungles
by Zinara Ratnayake
The kankariya dance all started with a legendary demon queen named Kuweni. As dusk falls, the thumping sound of drums echoes through the jungles of central Sri Lanka. Elaborately dressed dancers spin and swirl as their ornate silver headpieces gleam and bright red ribbons trail behind them. Their chests rise and fall beneath silver-beaded breastplates and two large mango-shaped earrings adorn their ears. The dancers carry candle-lit, hollowed-out coconuts and chant verses inviting gods and demons to their ritual. Sweet-smelling smoke from jasmine incense fills the air, obscuring the view of a banana bark altar with pictures of various Buddhist deities. As hundreds gather, the dancers tell the sad tale of the mythic, magical queen Kuweni.
This is kohomba yak kankariya. Several times a year, often in April, Sri Lankans in the country’s mountainous, central region hold this ritual to cure illnesses, prevent diseases from spreading, and seek blessings from the supernatural world. While today the ceremony tells Kuweni’s story, whose name is sometimes spelled Kuveni or Sesapathi, in ancient times, the ritual was believed to have lifted the illness-causing curse Kuweni had placed on the province.
According to legend, Kuweni was born in the sixth century BC to a yakka king who ruled Sri Lanka. The Sinhala word yakka is derived from the Pali word yakkha (Pali is a liturgical language often used in Buddhist texts) and the Sanskrit term yaksha, which translates to “demon.” Dipavamsa, the oldest historical account of Sri Lanka, describes yakka as a disorderly tribe of demons who eat human flesh and fight with each other. Although her father was a demon, Kuweni may not have been one herself.
Then Prince Vijaya, a legendary Indian prince, and 700 of his followers invaded demon-controlled Sri Lanka. Kuweni appeared before the prince disguised as a hermit spinning cotton. Vijaya soon promised to marry Kuweni and make her his queen. Trusting him, she betrayed her father and demon brethren and helped the prince slaughter them. Only a few of the yakka escaped into the Sri Lankan jungles.

Queen Kuweni was said to stalk the nightmares of King Vijaya’s nephew, Panduwas, in the form of a powerful leopardess.
After Vijaya took power, he broke his promise to Kuweni and married a South Indian princess, establishing the Sinhalese people who today make up the majority of Sri Lanka’s population. Jilted and angry, Kuweni cursed Vijaya and his successors before the remaining yakka killed her out of revenge.
Later, when Vijaya’s nephew Panduwas arrived in Sri Lanka to take the throne as his uncle’s successor, Panduwas began to suffer from a mysterious illness. He couldn’t sleep. Night after night, Kuweni, in the form of a leopard, appeared in his dreams and tried to kill him. Sleep deprivation drove Panduwas insane. Kuweni finally had her revenge.
In his book Kohomba Kankariya: The Sociology of a Kandyan Ritual, social anthropologist Sarath Amunugama wrote that Kuweni’s leopard is “a symbolic representation of the fatal lie that was uttered by Vijaya to Kuweni to facilitate his conquest.” Panduwas suffered due to his uncle’s lie to the queen, wrote Amunugama.
When Lord Sakra, the ruler of heaven in Buddhist cosmology, sees Panduwas unjustly suffering for his uncle’s deceit, he tells an Indian king about a ritual that will cure the ailing Panduwas. The king performs the ritual, and Panduwas recovers. Later on, the king instructed a local prince named Kohomba to perform the ritual any time it was necessary to repel Kuweni’s illness-fueling ire. Since then, the ritual, called kohomba yak kankariya in honour of the prince, is performed any time a mysterious illness descends upon the community.
Today, folk priests—village priests who conduct ancient rites such as the kankariya—continue to perform the ritual dance whenever local communities are plagued with diseases, such as chickenpox. One such priest is 29-year-old Abheeth Shilpadhipathi, whose father and grandfather taught him the kankariya. Recently, when Shilpadhipathi drummed in a kankariya, it was to ward off the Covid-19 pandemic that plagued the country. Originally, the ceremony would’ve lasted for about seven days, but today it takes less than a day.
“Before [the kankariya] begins, the chief [folk] priest pledges to the gods their intention in conducting the ceremony,” Shilpadhipathi says. In the past, individual families performed a kankariya to cure diseases, but because it’s an elaborate, expensive event, families rarely host them anymore. Buddhist temples and large social groups now conduct them annually or seasonally both as a healing and fertility ritual and sometimes just to keep the tradition alive. “People do it to show their gratitude for a good harvest or good fortune,” says Shilpadhipathi.

A Hindu priest holds a lit coconut oil lamp in front of statues of Prince Vijaya (left) and Kuweni (right) at the Sri Subramaniam temple in the southern Sri Lankan town of Matara.
People also perform the kankariya ritual to bestow good health, wealth, and even good school grades, says Sanushki Athalage, choreographer at Thaala Asapuwa, a Sri Lankan Dance Academy in Victoria, Australia, where they teach the kankariya along with other traditional dances. “It is also about giving and being selfless in return for a prosperous life. It is a beautiful concept that brings larger communities together in a common goal,” Athalage says.
Buddhism in Sri Lanka is a complex system that incorporates “shrines, rituals, and priests” who negotiate with a vast pantheon of gods, deities, and demons, says Amunugama. Sri Lankan Buddhists believe that prayers and rituals, such as the kankariya, are a way to seek blessings and build good karma.
Religious ceremonies are also a way to prevent meddlesome demons from interfering in people’s lives. Kuweni isn’t the only entity that can cause illnesses. Local folklore is full of demons who hunt humans and make them ill. When someone becomes sick, local priests are called in to identify the specific demon causing the illness. Once identified, the priest summons and vanquishes the demon in a dance or ritual, similar to the kankariya.
One popular ritual performed in southern Sri Lanka is the Daha Ata Sanniya, which is sort of a catch-all ritual that can cure illnesses caused by 18 different demons.
Rituals like these are “performed to relieve anxieties around mysterious diseases,” says Athalage. “When families are anxious, they seek blessings and help from higher powers to cure something that they don’t understand.” For the villagers, this “excursion into the supernatural” will help them live a “relatively untroubled life,” wrote Amunugama in his book. These rituals are a way to understand the incomprehensible, like why a loved one falls ill.
Although Kuweni caused illnesses like other demons, Shashiprabha Thilakarathne, a folklore scholar at the University of Moratuwa in Sri Lanka who researches Kuweni, explains that the demon queen might’ve been human. “It’s difficult to say who she is. Folk literature tells us that she has supernatural powers. Sometimes she could even take the form of different animals,” Thilakarathne says, explaining that her “magic” made “Vijaya’s weapons fall on demons’ bodies.”
But in the last few decades, Kuweni has appeared as a character in pop culture, from television dramas to songs and plays. Kuweni has become relatable—her motives clearer. Today Vijaya is often recast as the villain and Kuweni as the maligned anti-hero. She has shifted from a female demon spawn who cursed Sinhalese people to an embodiment of the modern woman, Thilakarathne explains. She is a wife, daughter, and mother. While Kuweni shares many traits with traditional yakka, she also stands out from them. She’s demon-like, but not a demon herself.
“Kuweni, as I understand, is a model we can apply to our modern society. At one point, she’s a daughter, then a lover and parent. She goes through many different challenges in life,” Thilakarathne says, “she represents us.”(BBC)
Life style
From 1906 to today: Nestle’s 120-year journey in Sri Lanka
Bernie Stefan is the Chairman and Managing Director of Nestlé Lanka Limited, overseeing Nestlé’s operations in Sri Lanka and the Maldives. He assumed this role in March 2023. Under his leadership, Nestlé has strengthened its footprint in Sri Lanka, touching individuals and families, communities and spearheading sustainable development.
Since taking charge in 2023, Stefan has brought with him over two decades of international experiences, steering the company with a clear focus on sustainability, innovation and long term growth.
Bernie describes the anniversary as a moment of pride and reflection on over a century of commitment to Sri Lanka and its people.
Under his leadership, Nestle has expanded its footprint while staying true to its mission: to improve lives by providing nutrition and wellness for all Sri Lankans. Beyond the commercial success, the company has focused on community impact – supporting local farmers. promoting sustainable practices and contributing to public health initiatives.
(Q) Nestlé has been part of Sri Lankan homes for 120 years. How has the brand evolved alongside the changing lifestyles of Sri Lankan families?
(A) We at Nestlé are extremely proud of our 120 year journey of enriching Sri Lankan lives. It has been a journey guided by purpose and working together for good – touching individuals and families, the community, and the planet. As lifestyles and needs have evolved, so, too, have our products – offering convenient, tasty and nutritious solutions that meet everyday moments, whether it’s energy on the go or a quick and tasty meal. A true symbol of this legacy is our flagship brand, Nestomalt – synonymous with power, strength and energy – which today is enjoyed as the first cup of the day by a majority of Sri Lankan households.
(Q) Many Sri Lankans have grown up with Nestlé products at their breakfast table or during tea time. How does the company stay emotionally connected with generations of consumers?
(A) Our product range caters to the nutritional needs of consumers from birth to old age. We always ensure that the consumer is at the centre of everything we do. This deep understanding of consumer preferences, ensures not only that our products deliver taste and nutrition but also our communication is in tune to the local context. Our brands have been deeply rooted in the lives of the Sri Lankan community over many decades – be it through Milo school sports programmes or Nestomalt marathons. Being an organisation that has been present in Sri Lanka for such a long time, it also means that consumers hold many nostalgic memories from their childhood with our products.
(Q) From childhood treats to everyday beverages, Nestlé products often carry nostalgic memories. How important is this sense of nostalgia to the brand’s identity?
(A) Brands need to evolve with time and remain relevant. Nostalgia does bring a deep bond and connect with consumers. However, through product and packaging renovations, we have successfully ensured that our brands remain relevant to consumers. One of our oldest Nestlé brands in Sri Lanka, Milkmaid , today, has an online recipe platform with over 300 recipes. This is another example where we have ensured that our brands are able to connect with today’s consumers.
(Q) Has Nestlé adapted its products to suit modern lifestyles while still respecting local tastes?
(A) Our ability to cater to local taste preferences has been a crucial factor to the success of our brands. With the setting up of our local manufacturing operations in 1984, we now manufacture over 90% of Nestlé products sold locally. The deep consumer understanding our teams possess, combined with our global R&D expertise in the food and beverage sector, have given us the ability to tailor make our products to cater to the Sri Lankan taste palette while offering convenience. This is evident in the success of our Nescafe and Nestea 3-in-1 variants and the Ready-to-drink beverage range of Milo and Nescafe, that deliver convenience and great taste.
(Q) How is Nestlé aligning its practices to sustainability and mindful living?
(A) We are committed to reaching net zero carbon emissions by 2050. Promoting circularity is also a focus area in this journey. We have plans to be 100% plastic neutral this year. Our sustainability initiatives cover the entire value chain, from farm to fork. In Sri Lanka, we are focusing a lot on increasing yield and promoting regenerative agricultural practices across our dairy and coconut value chains. In our manufacturing operations, we have continuously striving towards reducing water and energy usage. We have also implemented numerous initiatives to reduce our carbon footprint in logistics, such as the adoption of rail transportation. We also focus on fostering behavioural change on responsible waste disposal amongst the youth through our School Waste Management Programme.
(Q) What moments or milestones best reflect its connection with everyday life in the country?
(A) Our ability to provide consumers with good food moments each and every day is something that I and the team are extremely passionate about. Also, the deep connect we have with the community, be it our dairy and coconut farmers, the numerous suppliers and trade partners, has been built on trust over the years. Today, we have farmers, suppliers and even employees from across generations and this speaks volumes about our business practices and the trust we have built in Sri Lanka for over a century.
(Q) Nestlé is known globally for innovation. How do you balance global expertise with the unique lifestyle and culinary culture of Sri Lanka?
(A) As I mentioned, understanding the taste palette, nutritional needs and the lifestyles of Sri Lankan consumers and ensuring our products fulfill these needs is key. Having access to one of the world’s leading R&D facilities gives us the unique ability to ensure our products deliver to these consumer needs and preferences. Further, it enhances our ability to ensure the freshness and bio-availability of certain nutrients contained in our products. We’ve also made significant strides in packaging innovation, where we use less plastic and materials that are better suited for recycling. The introduction of Coconut Milk Powder in 1986 was a first for Sri Lanka, and this is another great example of the deep understanding we have of local culinary culture.
(Q) How is the younger generation engaged with the brand today?
(A) Appealing to the discerning youth population will be key to ensuring the future success of our brands. Understanding the nuances of each generation is important. It is also evident that consumption patterns and lifestyles across generations are evolving rapidly. Staying abreast of these changes is something we are deeply committed to. In addition to delivering on taste and nutrition, being trendy and youthful – the purpose for which our brands stand for – is equally important. NESCAFÉ and MAGGI PAPARE BLAST are two brands that have developed a strong connect with Sri Lankan youth.
(Q) What vision do you have for the next chapter in Sri Lanka, especially in shaping lifestyle trends?
(A) Looking ahead, our vision is to continue enriching Sri Lankan lives by providing tasty and nutritious products and promoting healthier and active lifestyles. We will keep innovating to meet evolving consumer needs, while strengthening local sourcing and reducing our environmental impact. The next chapter is about deepening our positive impact – supporting communities, empowering youth and contributing to a resilient food system.
(Q) As the head of Nestlé Sri Lanka, what does celebrating 120 years personally mean to you?
(A) Celebrating 120 years in Sri Lanka is deeply meaningful to us, as it reflects the trust generations of Sri Lankan families have placed in Nestlé. This milestone is a testament to the dedication of our people and the strong partnerships we have built across the country. For me personally, it is both a moment of pride and a responsibility – to honour this legacy while continuing to work together for good, doing what is right for our consumers, our communities, and Sri Lanka.
By Zanita Careem
Life style
A hat-trick for knowledge: Saranga’s triple triumph at Raigam Tele’es
At a time when entertainment often overshadows education on television, K.C. Saranga has rewritten the script—securing a remarkable third consecutive win for Best Educational Programme at the Raigam Tele’es 2025.
His flagship programme, Jeevithayata Vidyawa (Science for Life), aired on Ada Derana, has not only dominated its category but also elevated the standards of educational broadcasting in Sri Lanka.
Reflecting on the milestone, Saranga described the win as more than a personal achievement. “Maintaining an award ceremony of this magnitude for 22 years is no small feat. Raigam Tele’es plays a pivotal role in uplifting the industry. By consistently recognising and rewarding Sri Lankan creators, it provides the necessary oxygen for television to evolve as a professional craft,” he said.
A veteran with over 25 years in the industry, Saranga—currently General Manager (News and Current Affairs) at TV Derana and Head of the Ada Derana News Channel—has seamlessly transitioned from hard news to impactful educational programming. His success underscores a broader vision: to harness television’s full potential as an audio-visual learning tool.
“There is a significant void in Sri Lankan television when it comes to high-quality educational productions,” he noted. “Television is an audio-visual medium; its true power lies in its ability to show, not just tell. We use multimedia elements—graphics, animation, and dynamic presentation—to grip the viewer’s attention.”
Saranga emphasised that his goal was to match global benchmarks. “If world-class science documentaries are available in English, our mission was to bring that same global standard to the Sinhala-speaking audience,” he said.
Through Jeevithayata Vidyawa, complex scientific concepts—from aerodynamics to cyclones—are presented in a manner that is both accessible and engaging, redefining the notion of “edutainment” in local television.
Expressing gratitude, Saranga credited his team and network for the continued success.
“This achievement is a result of a shared vision. My deepest gratitude goes to the management of Ada Derana. In an industry often driven by conventional ratings, they have consistently provided a sanctuary for creative freedom, allowing ‘out-of-the-box’ ideas to flourish,” he said.
He added: “To my incredible production team—this trophy belongs to you. Your technical skill and commitment have transformed simple ideas into a national standard. Finally, thank you to our viewers; your curiosity is our ultimate motivation. We will continue to prove that learning is an inspiring journey.”
Saranga’s hat-trick stands as a testament to the power of innovation in educational broadcasting—proving that knowledge, when presented with creativity and purpose, can captivate audiences just as effectively as mainstream entertainment.
By Ifham Nizam
Life style
‘Style Surge’ blends glamour with a cause
The event “Style Surge,” organised by the Lions Club Elevate, was an evening filled with glamour, leadership and purpose collided in a spectacular fusion. The grand Ballroom at Galle Face Hotel became a canvas of fashion; every detail, from the floral centrepiece to the curated lighting, whispered elegance, while glamour set the stage, purpose was the back bone.
The show featured a curated selection of Sri Lankan designers, each bringing their signature styles to the stage.
The designers captivated the audience with bold, contemporary silhouettes that fused modern trends with traditional influence, creating pieces that were both sophisticated and wearable.
The batik ensembles by doyen of Batiks, Eric Suriyasena, were masterpieces, demonstrating the designer’s mastery in balancing artistry and practicality. Each piece told a story, highlighting the cultural nuances of Sri Lanka, while contributing to the glamour of the event.
The hair and make up for the models were curated by Salon Avra by Thushari de Silva and was nothing short of perfection,
From sleek, modern looks to elegant textured styles, Salon Avra ensured every model complemented the designer’s vision, highlighting the intricate details of each ensemble. The artistry on stage reflected a seamless collaboration between fashion beauty and presentation.
Style Surge unfolded an evening of elegance, creativity and purpose. It brought together Colombo style conscious crowd, social leaders and fashion enthusiasts and transformed the venue into a vibrant celebration of couture and compassion.
As the lights dimmed,the runaway came alive with a striking showcase of designs, ranging from contemporary chic to timeless sophistication, by designers like Eric Suriyasena, Anushko, Azeena Sulaiman and Jaywanthi Panibharatha. Leading fashion brands showcased were Aluminium, Disala, Eriq and Elegant Closet, and they presented a blend of contemporary and traditional fashion. Jewellery for the show was designed and sponsored by Blue Majestara Ceylon, . The Chief Guest was District Governor Lion Mahesh Borolugoda and his wife Lion Lady Sunethra Borolugoda.
Beyond glamour, this event, Style Surge, carried a meaningful mission to help rennovate two schools and improve educational facilities for future students
Lions Club of Colombo Elevate district 306D6, the organisers of this event, have been long synonymous with community development .The event underscores the power of fashion as a force of good.
Proceeds and awareness generated though the evening will be directed towards the clubs ongoing humanitarian initiatives, reinforcing its commitment to uplifting communities while engaging the public in an inspiring way.
In every sense, the event was more than a fashion show, it was a statement. This event reaffirms that glamour can also carry a purpose, creativity can spark compassion, and a runaway that can become a powerful platform for social change. This fashion show was graced by distinguished guests of honour , including designers Aseka Wijewardena, Michael Wijesuriya, Yolande Aluwihare, and Shyara Mendis
This event was organised by Lion Diana Nilanthi, Shen, Lion Thushari de Silva and Lion Shashika Hettiarachchi, whose commitment to creativity and attention to detail transformed the event into a truly memorable evening. They were the driving force that brought the vision of the show to life. Their meticulous planning, conceptualising the theme, coordinating the designers ensured the show ran seamlessly, from start to finish Pix by Thushara Attapathu
By Zanita Careem
- Thushari de Silva
- Kamal Addiarachchi
- Azeena with a guest
- Enjoying the Kamal Addiarachchi night of style
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