Features
For children, by children, about children
Virtual arts festival that examines pandemic’s effects on children
By Sajitha Prematunge
The Children in Lockdown Arts Festival 2021, to be held from November 26 to 28, 2021, live on Zoom, and livestreamed on Facebook and YouTube in parallel, will bring together artists, children, and adults to reflect on the treatment and experiences of children in Sri Lanka during the COVID-19 pandemic. The Festival is the culmination of a six-month programme curated by Stages Theatre Group (STG) and supported by Kindernothilfe (KNH), through which 20 artworks, addressing the challenges faced by children during the pandemic, were commissioned. They include theatre performances, art installations, puppet shows, short-film screenings, and artist talks.
On the guidance of Festival Director Piumi Wijesundara, the festival will unfold under six themes, vulnerable children, digital wellbeing, health and wellbeing, families, schooling and abuse during the pandemic, and each segment will have a viewing of related artwork and an artiste talk, including child artistes, followed by a panel discussion. The Festival will also provide a platform for communities to meet, discuss, debate, and communicate on the issues faced by children during the pandemic, through talks, panel discussions, workshops, and forums led by children, adults, artists, and professionals working with children. The purpose of the Children in Lockdown Arts Festival is to bring together children, artists, educators, families, and communities to understand and creatively address the impact of the pandemic on children in Sri Lanka.
Freedom to work
“As a theatre company, STG always believes that artists should be commissioned and be given the freedom to work,” said Curator Ruwanthie de Chickera. She pointed out that there aren’t many commissioning programmes in Sri Lanka and artistes have to struggle to fund their own projects. “Or artists are told what to do too often. There is a lot of meddling and micromanaging by patrons. We wanted to let artistes exercise their own individuality, offer them freedom and responsibility, with regard to their artform.” But with the pandemic, doing productions was next to impossible. STG found this the ideal situation to curate a festival on behalf of artists who were going through a rough time due to the pandemic. “There was no money, opportunity or motivation for artists to work because of the pandemic,” said De Chickera. The German organisation KNH was more than happy to provide funding.
De Chickera is an artistic director and founder member of STG, an ensemble theatre company producing socially and politically conscious original Theatre. She works with students, teachers, and schools to help strengthen and introduce creative processes into formal and informal learning. Her co-curator, Malith Hegoda is a filmmaker who began his career as a photographer and a publicist for theatre and film. His directorial debut feature won awards locally and was officially selected for several international film festivals, including the prestigious BFI London Film Festival in 2014. Between De Chickera’s experience in live performance and Hegoda’s experience in film, they were able to cover a vast area in terms of artistic skill. Out of 80 applicants, 20 works of art were selected for the festival. The festival was curated to represent artists of different capacities and experience, to allow children also to participate. In fact, six of the 20 artworks commissioned were proposed by child artists. The open-source art exhibition features the artworks of over 140 children and is curated by two child artists: Acsah Kulasingham and Amani Naeemullah. In order to ensure maximum accessibility to and participation of children and communities, island-wide, all digital interactive sessions will be facilitated in Sinhala, Tamil, English, and Sign Language.
Pressing issues of children
De Chickera said that the objective of the festival was to address the most pressing issues for children, one of the most vulnerable groups and perhaps the most overlooked during the pandemic. “The public is oblivious of the impact the pandemic has on children. Staying at home, away from school, is just the tip of the iceberg,” said De Chickera. She said that, from the turbulence of family life, the digital world they’ve suddenly been thrust into, bereavement, domestic violence to addiction, all contribute to the suffering of children. “Even children with special needs, children seeking asylum and children from the estate sector are represented in the festival. If the needs of the general population of children are neglected, then the public is most certainly oblivious to the needs of these children. In fact, some of the suicides over the past two years is directly connected to the pandemic.” De Chickera blames the Education Ministry for failing the children. “At a time when most of the children didn’t have access to education, the Ministry was not considerate enough to postpone any of the examinations.”
On a lighter vein, Mahadenamuththa and his cohorts are attempting a zoom rehearsal and everything is falling apart. Puwak Badilli’s grandsons and granddaughters are bawling their eyes out; Polbemooni’s husband, Polbemoona, complains that his dinner is late; Usiamma, from the North, has to climb on to the roof to get better reception and complains that she can’t dance on the roof for fear of falling. Rabbada Ayya’s wife has declared strike action, so he is forced to take part in the Zoom rehearsal while doing laundry. The play, ‘Mahadenamuththayi Coronawayi’ (Mahadanamuththa and Corona), another highlight of the festival, sheds light on how the pandemic has thrown the work-life balance off kilter.
‘Mahadenamuththayi Coronawayi’ is the brainchild of Sulochana Dissanayake, Founder and Artistic Director of Power of Play, a company that specialises in performing arts for communication, reconciliation and development, with a special focus on theatre and puppetry. Flanked by rod puppets Rama, Sita, Ravana and Hanuman, Dissanayake said that Power of Play’s goal is to drive home the fact that our folklore and traditional arts are still relevant in the 21st century. “In fact, we can solve most of our existing issues with a pointer or two from Mahadenamuththa and Andare stories. Power of Play is based on this very concept.” Dissanayake has a bachelor in theatre and economics from the UK. She later travelled to South Africa and Indonesia on a Watson Fellowship by IBM Corporation. In Indonesia, she was introduced to rod puppets.
Virtual production
‘Mahadenamuththayi Coronawayi’ was supposed to be a live show. Ironically, due to the pandemic and resulting health regulation, they had to settle for a virtual production. Its focus was on the pandemic’s effects on families, across all age groups. “And also how phoney the concept of working from home is. We are expected to carry on as if nothing has changed, one has to look perfect on-screen, with the appropriate background, when in reality everything is going haywire.” Because you are working from home while forced to deal with everything from bawling children, pets, high-pitched chirping of squirrels to the choon-pan version of Beethoven’s 1810 classic Für Elise. As a wife, mother of two very young children and an entrepreneur, Dissanayake knows first-hand how stressful working from home can be. “I have performed internationally and have done extensive tours across the country, but I can’t manage one zoom workshop flawlessly.”
It is this mismatch between reality and expectations that Dissanayake hopes to highlight in her adapted version of Mahadenamuththa. Dissanayake has introduced a more equitable and race and gender-equal, albeit modernized, concept of Mahadenamuththa. “The satire factor of the Mahadenamuththa stories play a major role in the current context,” said Dissanayake. “Traditionally satire was used to expose social issues.” In the new Power of Play version, Mahadenamuththa has come to realise that contemporary issues cannot be solved with the help of men. So, the modern ‘golayas’ (apprentices) are Muslim, Tamil, Burgher men and women, the descendants of Mahadenamuththa’s original golayas.
“Theatre artistes are one of the most affected groups by the pandemic because theatres are closed and even when they weren’t, people were reluctant to expose themselves at public events. So any form of collaboration was welcome,” said Dissanayake. She said that what appeals to her most about the Children in Lockdown Festival is that it is the first united effort to shed light on the realities, of a diverse cross section of communities, during the pandemic. “The festival features creative works from children, teenagers, women, men, both rural and urban communities, married and single people. The LGBT community is also represented. This diversity is unique to the festival,” said Dissanayake. “It will be interesting to note, through the various performances, workshops and discussions, how challenging the pandemic has been irrespective of one’s socio-economic, ethnic or religious background.”
Creative work
With a PhD in robotics, academic Maleen Jayasuriya also dabbles in creative work. His group of concerned citizens, the ‘Digital Wellbeing Initiative’, is anxious about technology related issues. He elaborated that smartphones are pretty cheap and just about anyone can afford one and apps are coming out of the woodwork. Smart tech, such as Virtual Reality, has revolutionised the field so much so that they have rendered the usual safeguard ineffectual. “Because the field is moving at such breakneck speed policy is unable to catch up. Because of the generation gap parents have not been able to address these issues either and even schools have all but neglected digital wellbeing,” said Jayasuriya. He pointed out that the pandemic was the tipping point. The Digital Wellbeing Initiative’s project featured in the festival, #RECONNECTUS, which also happens to be their maiden project, brings these issues into focus.
“The best way to resolve digital wellbeing issues is to raise awareness early on. Kids these days are smarter than we give them credit for, they are more aware than we were at their age.”
Jayasuriya reiterated the importance of making kids understand basic information such as how algorithms and addiction work, how it affects one’s well being, all of which were discussed during the workshops that lead to the project. Another issue discussed is how to tackle misinformation. He explained that the main product of social media is data gathered from users, which is sold to advertising companies, who are their actual customers. “Users are not the actual customers of social media platforms, the advertising companies are. They don’t have your best interest at heart.”
Jayasuriya pointed out that social media bypasses gatekeepers such as journalists, scientists and academics, as opposed to traditional media such as newspapers or journals. According to him such conditions are ripe for misinformation. “As such, the young generation has to be taught necessary skills such as journalistic and research skills because they interface directly with these new technologies.”
Next on their list were cyberbullying and privacy. “Cyberbullying affects one’s self-esteem and there are considerable threats to personal information. Once personal information is in the public domain, there is no taking it back. Consequently, it is vital for the younger generation to be aware of these concerns.”
The end result of the workshops was a set of Public Service Announcement (PSA) videos, a digital wellbeing campaign researched, created, and performed by children. In all 21 kids with various artistic inclinations took part in the project. Aptly titled #RECONNECTUS, it signifies the younger generations’ need to connect with technology in a healthier way. “One of our guiding philosophies is that this technology is not inherently harmful. It can be a tool, as long as we can balance the negatives and accentuate the positives.”
‘quaranTEEN’ is a solo performance by 19-year-old Leeth Singhage, wherein a teenager stuck with the bleakness of university applications, on-line life, and poor judgement, investigates how others navigate the pandemic. It is based on interviews conducted with teenagers on their experiences of the lockdown.
“From a policy perspective, if our collective efforts can snowball into some kind of tangible change that could affect policy, that’s a huge achievement in itself,” said Jayasuriya. Dissanayake said that there is a strong connection between art and mental wellbeing. “Art is an outlet for stress. It has huge potential to regulate emotions. Therefore we must find creative outlets that are COVID-19 safe, to release all those pent up energies. Art allows one to pull oneself out of the constant state of negativity.” Dissanayake suggested that people make the festival a family affair. De Chickera believes that the three-day, not to mention free of charge, festival would surely rekindle a sense of community if more people participated.
Official festival webpages:
https://www.stages.lk/curation
https://www.stages.lk/arts-festival
https://fb.me/e/1SSyIyKWT
Features
Disaster-proofing paradise: Sri Lanka’s new path to global resilience
iyadasa Advisor to the Ministry of Science & Technology and a Board of Directors of Sri Lanka Atomic Energy Regulatory Council A value chain management consultant to www.vivonta.lk
As climate shocks multiply worldwide from unseasonal droughts and flash floods to cyclones that now carry unpredictable fury Sri Lanka, long known for its lush biodiversity and heritage, stands at a crossroads. We can either remain locked in a reactive cycle of warnings and recovery, or boldly transform into the world’s first disaster-proof tropical nation — a secure haven for citizens and a trusted destination for global travelers.
The Presidential declaration to transition within one year from a limited, rainfall-and-cyclone-dependent warning system to a full-spectrum, science-enabled resilience model is not only historic — it’s urgent. This policy shift marks the beginning of a new era: one where nature, technology, ancient wisdom, and community preparedness work in harmony to protect every Sri Lankan village and every visiting tourist.
The Current System’s Fatal Gaps
Today, Sri Lanka’s disaster management system is dangerously underpowered for the accelerating climate era. Our primary reliance is on monsoon rainfall tracking and cyclone alerts — helpful, but inadequate in the face of multi-hazard threats such as flash floods, landslides, droughts, lightning storms, and urban inundation.
Institutions are fragmented; responsibilities crisscross between agencies, often with unclear mandates and slow decision cycles. Community-level preparedness is minimal — nearly half of households lack basic knowledge on what to do when a disaster strikes. Infrastructure in key regions is outdated, with urban drains, tank sluices, and bunds built for rainfall patterns of the 1960s, not today’s intense cloudbursts or sea-level rise.
Critically, Sri Lanka is not yet integrated with global planetary systems — solar winds, El Niño cycles, Indian Ocean Dipole shifts — despite clear evidence that these invisible climate forces shape our rainfall, storm intensity, and drought rhythms. Worse, we have lost touch with our ancestral systems of environmental management — from tank cascades to forest sanctuaries — that sustained this island for over two millennia.
This system, in short, is outdated, siloed, and reactive. And it must change.
A New Vision for Disaster-Proof Sri Lanka
Under the new policy shift, Sri Lanka will adopt a complete resilience architecture that transforms climate disaster prevention into a national development strategy. This system rests on five interlinked pillars:
Science and Predictive Intelligence
We will move beyond surface-level forecasting. A new national climate intelligence platform will integrate:
AI-driven pattern recognition of rainfall and flood events
Global data from solar activity, ocean oscillations (ENSO, MJO, IOD)
High-resolution digital twins of floodplains and cities
Real-time satellite feeds on cyclone trajectory and ocean heat
The adverse impacts of global warming—such as sea-level rise, the proliferation of pests and diseases affecting human health and food production, and the change of functionality of chlorophyll—must be systematically captured, rigorously analysed, and addressed through proactive, advance decision-making.
This fusion of local and global data will allow days to weeks of anticipatory action, rather than hours of late alerts.
Advanced Technology and Early Warning Infrastructure
Cell-broadcast alerts in all three national languages, expanded weather radar, flood-sensing drones, and tsunami-resilient siren networks will be deployed. Community-level sensors in key river basins and tanks will monitor and report in real-time. Infrastructure projects will now embed climate-risk metrics — from cyclone-proof buildings to sea-level-ready roads.
Governance Overhaul
A new centralised authority — Sri Lanka Climate & Earth Systems Resilience Authority — will consolidate environmental, meteorological, Geological, hydrological, and disaster functions. It will report directly to the Cabinet with a real-time national dashboard. District Disaster Units will be upgraded with GN-level digital coordination. Climate literacy will be declared a national priority.
People Power and Community Preparedness
We will train 25,000 village-level disaster wardens and first responders. Schools will run annual drills for floods, cyclones, tsunamis and landslides. Every community will map its local hazard zones and co-create its own resilience plan. A national climate citizenship programme will reward youth and civil organisations contributing to early warning systems, reforestation (riverbank, slopy land and catchment areas) , or tech solutions.
Reviving Ancient Ecological Wisdom
Sri Lanka’s ancestors engineered tank cascades that regulated floods, stored water, and cooled microclimates. Forest belts protected valleys; sacred groves were biodiversity reservoirs. This policy revives those systems:
Restoring 10,000 hectares of tank ecosystems
Conserving coastal mangroves and reintroducing stone spillways
Integrating traditional seasonal calendars with AI forecasts
Recognising Vedda knowledge of climate shifts as part of national risk strategy
Our past and future must align, or both will be lost.
A Global Destination for Resilient Tourism
Climate-conscious travelers increasingly seek safe, secure, and sustainable destinations. Under this policy, Sri Lanka will position itself as the world’s first “climate-safe sanctuary island” — a place where:
Resorts are cyclone- and tsunami-resilient
Tourists receive live hazard updates via mobile apps
World Heritage Sites are protected by environmental buffers
Visitors can witness tank restoration, ancient climate engineering, and modern AI in action
Sri Lanka will invite scientists, startups, and resilience investors to join our innovation ecosystem — building eco-tourism that’s disaster-proof by design.
Resilience as a National Identity
This shift is not just about floods or cyclones. It is about redefining our identity. To be Sri Lankan must mean to live in harmony with nature and to be ready for its changes. Our ancestors did it. The science now supports it. The time has come.
Let us turn Sri Lanka into the world’s first climate-resilient heritage island — where ancient wisdom meets cutting-edge science, and every citizen stands protected under one shield: a disaster-proof nation.
Features
The minstrel monk and Rafiki the old mandrill in The Lion King – I
Why is national identity so important for a people? AI provides us with an answer worth understanding critically (Caveat: Even AI wisdom should be subjected to the Buddha’s advice to the young Kalamas):
‘A strong sense of identity is crucial for a people as it fosters belonging, builds self-worth, guides behaviour, and provides resilience, allowing individuals to feel connected, make meaningful choices aligned with their values, and maintain mental well-being even amidst societal changes or challenges, acting as a foundation for individual and collective strength. It defines “who we are” culturally and personally, driving shared narratives, pride, political action, and healthier relationships by grounding people in common values, traditions, and a sense of purpose.’
Ethnic Sinhalese who form about 75% of the Sri Lankan population have such a unique identity secured by the binding medium of their Buddhist faith. It is significant that 93% of them still remain Buddhist (according to 2024 statistics/wikipedia), professing Theravada Buddhism, after four and a half centuries of coercive Christianising European occupation that ended in 1948. The Sinhalese are a unique ancient island people with a 2500 year long recorded history, their own language and country, and their deeply evolved Buddhist cultural identity.
Buddhism can be defined, rather paradoxically, as a non-religious religion, an eminently practical ethical-philosophy based on mind cultivation, wisdom and universal compassion. It is an ethico-spiritual value system that prioritises human reason and unaided (i.e., unassisted by any divine or supernatural intervention) escape from suffering through self-realisation. Sri Lanka’s benignly dominant Buddhist socio-cultural background naturally allows unrestricted freedom of religion, belief or non-belief for all its citizens, and makes the country a safe spiritual haven for them. The island’s Buddha Sasana (Dispensation of the Buddha) is the inalienable civilisational treasure that our ancestors of two and a half millennia have bequeathed to us. It is this enduring basis of our identity as a nation which bestows on us the personal and societal benefits of inestimable value mentioned in the AI summary given at the beginning of this essay.
It was this inherent national identity that the Sri Lankan contestant at the 72nd Miss World 2025 pageant held in Hyderabad, India, in May last year, Anudi Gunasekera, proudly showcased before the world, during her initial self-introduction. She started off with a verse from the Dhammapada (a Pali Buddhist text), which she explained as meaning “Refrain from all evil and cultivate good”. She declared, “And I believe that’s my purpose in life”. Anudi also mentioned that Sri Lanka had gone through a lot “from conflicts to natural disasters, pandemics, economic crises….”, adding, “and yet, my people remain hopeful, strong, and resilient….”.
“Ayubowan! I am Anudi Gunasekera from Sri Lanka. It is with immense pride that I represent my Motherland, a nation of resilience, timeless beauty, and a proud history, Sri Lanka.
“I come from Anuradhapura, Sri Lanka’s first capital, and UNESCO World Heritage site, with its history and its legacy of sacred monuments and stupas…….”.
The “inspiring words” that Anudi quoted are from the Dhammapada (Verse 183), which runs, in English translation: “To avoid all evil/To cultivate good/and to cleanse one’s mind -/this is the teaching of the Buddhas”. That verse is so significant because it defines the basic ‘teaching of the Buddhas’ (i.e., Buddha Sasana; this is how Walpole Rahula Thera defines Buddha Sasana in his celebrated introduction to Buddhism ‘What the Buddha Taught’ first published in1959).
Twenty-five year old Anudi Gunasekera is an alumna of the University of Kelaniya, where she earned a bachelor’s degree in International Studies. She is planning to do a Master’s in the same field. Her ambition is to join the foreign service in Sri Lanka. Gen Z’er Anudi is already actively engaged in social service. The Saheli Foundation is her own initiative launched to address period poverty (i.e., lack of access to proper sanitation facilities, hygiene and health education, etc.) especially among women and post-puberty girls of low-income classes in rural and urban Sri Lanka.
Young Anudi is primarily inspired by her patriotic devotion to ‘my Motherland, a nation of resilience, timeless beauty, and a proud history, Sri Lanka’. In post-independence Sri Lanka, thousands of young men and women of her age have constantly dedicated themselves, oftentimes making the supreme sacrifice, motivated by a sense of national identity, by the thought ‘This is our beloved Motherland, these are our beloved people’.
The rescue and recovery of Sri Lanka from the evil aftermath of a decade of subversive ‘Aragalaya’ mayhem is waiting to be achieved, in every sphere of national engagement, including, for example, economics, communications, culture and politics, by the enlightened Anudi Gunasekeras and their male counterparts of the Gen Z, but not by the demented old stragglers lingering in the political arena listening to the unnerving rattle of “Time’s winged chariot hurrying near”, nor by the baila blaring monks at propaganda rallies.
Politically active monks (Buddhist bhikkhus) are only a handful out of the Maha Sangha (the general body of Buddhist bhikkhus) in Sri Lanka, who numbered just over 42,000 in 2024. The vast majority of monks spend their time quietly attending to their monastic duties. Buddhism upholds social and emotional virtues such as universal compassion, empathy, tolerance and forgiveness that protect a society from the evils of tribalism, religious bigotry and death-dealing religious piety.
Not all monks who express or promote political opinions should be censured. I choose to condemn only those few monks who abuse the yellow robe as a shield in their narrow partisan politics. I cannot bring myself to disapprove of the many socially active monks, who are articulating the genuine problems that the Buddha Sasana is facing today. The two bhikkhus who are the most despised monks in the commercial media these days are Galaboda-aththe Gnanasara and Ampitiye Sumanaratana Theras. They have a problem with their mood swings. They have long been whistleblowers trying to raise awareness respectively, about spreading religious fundamentalism, especially, violent Islamic Jihadism, in the country and about the vandalising of the Buddhist archaeological heritage sites of the north and east provinces. The two middle-aged monks (Gnanasara and Sumanaratana) belong to this respectable category. Though they are relentlessly attacked in the social media or hardly given any positive coverage of the service they are doing, they do nothing more than try to persuade the rulers to take appropriate action to resolve those problems while not trespassing on the rights of people of other faiths.
These monks have to rely on lay political leaders to do the needful, without themselves taking part in sectarian politics in the manner of ordinary members of the secular society. Their generally demonised social image is due, in my opinion, to three main reasons among others: 1) spreading misinformation and disinformation about them by those who do not like what they are saying and doing, 2) their own lack of verbal restraint, and 3) their being virtually abandoned to the wolves by the temporal and spiritual authorities.
(To be continued)
By Rohana R. Wasala ✍️
Features
US’ drastic aid cut to UN poses moral challenge to world
‘Adapt, shrink or die’ – thus runs the warning issued by the Trump administration to UN humanitarian agencies with brute insensitivity in the wake of its recent decision to drastically reduce to $2bn its humanitarian aid to the UN system. This is a substantial climb down from the $17bn the US usually provided to the UN for its humanitarian operations.
Considering that the US has hitherto been the UN’s biggest aid provider, it need hardly be said that the US decision would pose a daunting challenge to the UN’s humanitarian operations around the world. This would indeed mean that, among other things, people living in poverty and stifling material hardships, in particularly the Southern hemisphere, could dramatically increase. Coming on top of the US decision to bring to an end USAID operations, the poor of the world could be said to have been left to their devices as a consequence of these morally insensitive policy rethinks of the Trump administration.
Earlier, the UN had warned that it would be compelled to reduce its aid programs in the face of ‘the deepest funding cuts ever.’ In fact the UN is on record as requesting the world for $23bn for its 2026 aid operations.
If this UN appeal happens to go unheeded, the possibilities are that the UN would not be in a position to uphold the status it has hitherto held as the world’s foremost humanitarian aid provider. It would not be incorrect to state that a substantial part of the rationale for the UN’s existence could come in for questioning if its humanitarian identity is thus eroded.
Inherent in these developments is a challenge for those sections of the international community that wish to stand up and be counted as humanists and the ‘Conscience of the World.’ A responsibility is cast on them to not only keep the UN system going but to also ensure its increased efficiency as a humanitarian aid provider to particularly the poorest of the poor.
It is unfortunate that the US is increasingly opting for a position of international isolation. Such a policy position was adopted by it in the decades leading to World War Two and the consequences for the world as a result for this policy posture were most disquieting. For instance, it opened the door to the flourishing of dictatorial regimes in the West, such as that led by Adolph Hitler in Germany, which nearly paved the way for the subjugation of a good part of Europe by the Nazis.
If the US had not intervened militarily in the war on the side of the Allies, the West would have faced the distressing prospect of coming under the sway of the Nazis and as a result earned indefinite political and military repression. By entering World War Two the US helped to ward off these bleak outcomes and indeed helped the major democracies of Western Europe to hold their own and thrive against fascism and dictatorial rule.
Republican administrations in the US in particular have not proved the greatest defenders of democratic rule the world over, but by helping to keep the international power balance in favour of democracy and fundamental human rights they could keep under a tight leash fascism and linked anti-democratic forces even in contemporary times. Russia’s invasion and continued occupation of parts of Ukraine reminds us starkly that the democracy versus fascism battle is far from over.
Right now, the US needs to remain on the side of the rest of the West very firmly, lest fascism enjoys another unfettered lease of life through the absence of countervailing and substantial military and political power.
However, by reducing its financial support for the UN and backing away from sustaining its humanitarian programs the world over the US could be laying the ground work for an aggravation of poverty in the South in particular and its accompaniments, such as, political repression, runaway social discontent and anarchy.
What should not go unnoticed by the US is the fact that peace and social stability in the South and the flourishing of the same conditions in the global North are symbiotically linked, although not so apparent at first blush. For instance, if illegal migration from the South to the US is a major problem for the US today, it is because poor countries are not receiving development assistance from the UN system to the required degree. Such deprivation on the part of the South leads to aggravating social discontent in the latter and consequences such as illegal migratory movements from South to North.
Accordingly, it will be in the North’s best interests to ensure that the South is not deprived of sustained development assistance since the latter is an essential condition for social contentment and stable governance, which factors in turn would guard against the emergence of phenomena such as illegal migration.
Meanwhile, democratic sections of the rest of the world in particular need to consider it a matter of conscience to ensure the sustenance and flourishing of the UN system. To be sure, the UN system is considerably flawed but at present it could be called the most equitable and fair among international development organizations and the most far-flung one. Without it world poverty would have proved unmanageable along with the ills that come along with it.
Dehumanizing poverty is an indictment on humanity. It stands to reason that the world community should rally round the UN and ensure its survival lest the abomination which is poverty flourishes. In this undertaking the world needs to stand united. Ambiguities on this score could be self-defeating for the world community.
For example, all groupings of countries that could demonstrate economic muscle need to figure prominently in this initiative. One such grouping is BRICS. Inasmuch as the US and the West should shrug aside Realpolitik considerations in this enterprise, the same goes for organizations such as BRICS.
The arrival at the above international consensus would be greatly facilitated by stepped up dialogue among states on the continued importance of the UN system. Fresh efforts to speed-up UN reform would prove major catalysts in bringing about these positive changes as well. Also requiring to be shunned is the blind pursuit of narrow national interests.
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