Features
Charles Ambrose Lorenz: an unsung artist of the 19th century
by Avishka Mario Senewiratne
“Every child is an artist; the problem is staying an artist when you grow up” – Pablo Picasso
Though forgotten by the present generation, it is no understatement to say that Charles Ambrose Lorenz was Ceylon’s most beloved son of the 19th century. The whole colony mourned his premature death in his prime in 1871. He was loved by people from all walks of life. This most accomplished and colourful personality wore several hats in lifetime.
He was well-known as one of the earliest Ceylonese appointed to the Legislative Council where he fulfilled his duties with zeal and integrity. Being a lawyer, he stood for justice, never compromising his principles for glory or monetary gain. Though Burgher by race, the Sinhalese called him as Lorenz Hâmuduruwwô, for he stood for all irrespective of caste, creed and race. A pioneering journalist, he founded The Ceylon Examiner. A prolific writer of letters and articles his was a fine balance of intellect, emotion, knowledge and virtue. Among the few who may have heard of him, not many are aware of what a fine illustrator, artist and musician he was in his day.
Lorenz hailed from Matara, where many Burghers had settled during their heyday. His father, Prussian-born Johan Freiderick Lorenz (1772-1845) was a traveller with little money when he settled in Ceylon and was fortunate be be appointed Magistrate of Matara by the colonial power. When Lorenz was born in 1829, Ceylon was going through a new phase under the British with the recommendations of the Colebrooke-Cameron Commission under implementation.
This was a much-needed change in a colony that was spending much more than it earned. Charles Lorenz was the youngest (ninth) child of Johan. Anna Petronella Smith, Lorenz’s mother was Johan’s third wife. Lorenz and his big family lived in a spacious house called ‘Lodge Harmony’ by the banks of the Nilwala River. ‘Lodge Harmony’ was said to be so named because of the various musical instruments played by the Lorenz family. The whole of Matara was aware of the musical talents of the Lorenz’.
Johan Lorenz, who was an accomplished scholar himself, taught English, Latin and Euclid (Mathematics) to young Charles. The late Justice Percy Colin-Thome reveals that Johan taught each of his children the rudiments of poetry, painting, music, dancing and amateur theatricals. By the tender age of 12, young Lorenz was an accomplished musician, able to play the violin and flute. Similarly, Lorenz loved to do skits and caricatures of himself and the people he adored.
Musicians of ‘Lodge Harmony’
One of the earliest surviving sketches by Lorenz is that of a musical group of his family in Lodge Harmony. In this illustration, Lorenz depicts his sister, Henrietta Agnes (to be married to John Drieberg in a week) seated in the centre playing the spinet. On her left, John Fredrick Lorenz (Charles’ elder brother) is seated playing the violoncello. On Henrietta’s right and slightly behind her, standing and playing the flute is the 12-year-old Lorenz, while tapping his foot on the floor, to the beat. On the right of Lorenz is his other sister, Nancy Catherine Louise, sitting right-angled to the harpsichord, working her fingers through its fine strings. In the foreground of this illustration are their parents; Johan standing at ease on the left and the mother watching seated on the right. Truly this sketch is illuminating.
This kind of illustration of casual family gatherings of this era in Ceylon is very rare. Glancing through the fine details of the work of Lorenz, many intricate details are revealed. ‘The picture of the Lodge Harmony’ writes the author of Lorenz’s Centenary Monograph, “is not without some historic value, as illustrating the interior and furnishing of a room of the period…”. (Quoted from Blaze p. 14) Apart from the different styles of the chairs and the piano stool, a square window with glass panes and short draped curtains is depicted. Though Johan Lorenz was an art enthusiast, the Lodge Harmony walls are bare. Perhaps it was because paintings were expensive or that he may have not been fond of displaying art. The floor is red brick or tiled squares marked out with white lime, a classic feature of old Dutch Houses in the South.
A lot can be observed by the style of dress depicted by Lorenz. The costumes of the boys were long trousers and a jacket. Evidently the customary schoolboy attire at the time. Johan Lorenz, lacking the wig, pigtail and three-cornered hat of the Dutch Burgher gentlemen of his day, seems to be quite modern for the 1830s. The gowns of the ladies illustrated are full skirts gathered tightly at the waist, billowing out towards the ankles. The sleeves are puffed and gathered at the elbows and tapers down to the wrist. A shawl is drawn over the mother’s shoulder. The older two ladies wear a day cap, covering their hair.
Rising musician of Colombo
After the Colebrooke-Cameron reforms, education in Ceylon made strong headway. The founding of many English medium schools took place during the time of Governor Robert Wilmot Horton. The Colombo Academy (Royal College) was the most important of these at the time. Realising this was the best opportunity for his multi-talented son, Johan Lorenz enrolled young Charles in the Academy in 1841. Leaving Matara, he lived with his brother-in-law, John Drieberg, an upcoming lawyer and his sister, Henrietta.
At the Academy, his many skills developed from strength to strength as did his talents in art and music. It was during this time that he met Hippolyte Silvaf, the art and music master, who had his own school not far from where Lorenz lived in Pettah. One day, the Driebergs with the young Lorenz accompanying, went to dine with the Prins family. As music was a must at Colombo dinners, Mrs. Prins played the piano, entertaining the guests. Soon she was accompanied by Silvaf (Violin), and young Lorenz (flute). This was the first time that Lorenz came to be known as a skilled musician. Unlike in Matara, the Harpsichord/Spinet was found to be old-fashioned in Colombo. Piano was the trend and Lorenz mastered playing it as well.
He would later start his own amateur band. Silvaf’s son, Napolean was its tenor/violinist. Other prominent young men in the band were Fredrick Kriekenbeek (second flute), Louis Nell (cornet), and the de Waas brothers (Soprano/violins). J. B. Siebel played second fiddle to Lorenz both then and later. The bass was provided by Gabriel Johannes Ohlmus, a music teacher. The group trained in Lorenz’s long room in John Drieberg’s House near Hulftsdorp. This band came to be in high demand in Colombo circles for socials, birthday parties and silver jubilee weddings. This was how Lorenz made his public debut, long before venturing into journalism, law and politics.
The performing artist
Lorenz, though serious and brilliant in his work, was known to play the fool more often than not. He was a great comic and creative punster who did not fail to leave his audience in fits of laughter. The famous Colonial Secretary, Sir James Emerson Tennant was one of his victims. Tennant had visited the Academy on one occasion and interviewed Lorenz, offering him a job for £48 a year. Here he reverently bowed to the Secretary multiple times saying “I’ll come back when I want £48 a year” (Blaze, p. 50). Soon his friends encourage Lorenz to pursue serious acting on stage.
Patronised by the educated youth of Colombo, especially the alumni of the Academy, the Grandpass Theatre was the best of its day. Encouraged by friends, Lorenz played his part acting and directing. B.R. Blaze, the biographer of Lorenz states: “Lorenz’s share was not limited to music. His bent for acting had full scope, as well as his gift for leadership and his organizing ability”.
It took hardly any time for those who were regulars at the plays to notice that Lorenz was the standout performer. One of his friends commented: “Lorenz was the life and soul of our Theatrical Company”. His musical prowess also came into good use as he later composed his own musicals and directed them. Blaze comments: “He was Stage Manager, scene-painter, actor; and leader of the Orchestra besides”. His popularity continued to expand as his versatility made him one of a kind. Even at that young age, he had by all standards reached the rank of pre-eminence.
One of Lorenz’s plays, George Barnwell, was a popular three-act play starring Lorenz (Rich Banker), his friend from the Academy: Bernard Edwin Alvis (George Barnwell – spendthrift nephew of the rich banker) and Owen Morgan. The latter played a female part. This play revolves around the prodigal folly of young George Barnwell, who spends lavishly and gets into severe debt. Later, he forges his uncle’s signature and swindles hundreds of pounds. Riotous in his spending, he goes bankrupt in no time. However, after this downfall, he makes ample amends and gets back on his feet. George Barnwell was well received in Colombo.
(To be continued next week)
Features
‘Lord Edgware Dies’
It has been some time since I read an Agatha Christie, the plot of which I cannot remember. So, I was delighted to find on the shelves of a friend Lord Edgware Dies, which I had a vague memory of, but no certainty about who had done it.
When I read it, I found that my memory of who was probably the killer was correct, but I could not be certain and the red herrings Christie threw in were so diverting that until almost the very end I wondered if I had been wrong.
The plot is very simple. Jane Wilkinson, who is married to Lord Edgware, tells him that she is desperate for a divorce since she is in love with a very proper Anglo-Catholic peer, Lord Melton, but Edgware refuses to divorce her. She asks Poirot to talk to him, which he does, and is surprised to find that Edgware has told Jane he is prepared to give her a divorce. This was, after he had categorically refused, through a letter, which Jane said she had not received.
That night Edgware is murdered, after Jane had been to see him, or so the butler said, and also Edgware’s secretary. But Jane had been that evening at a grand dinner many miles away, where a dozen fellow guests could swear to her presence.
There was a solution however to the mystery of two Jane Wilkinsons, namely a skilful impersonator called Carlotta Adams who, in the opening chapter had impersonated Jane Wilkinson, who had also been at the performance. But when Poirot goes to see her, he finds that she had been found dead on the morning after Edgware had been killed, of an overdose. And in her bag was a gold case, with a strange inscription, that contained the drug, along with a pair of pince-nez.
Her maid said she had written a letter to her sister in America and posted it the previous night. Poirot asks Inspector Japp to get the letter, and a transcript is received from America, and in it the name of Edgware’s nephew Ronald Marsh is mentioned; he had taken Carlotta to dinner after her performance, with which the book opens, and had then set her a challenge. Japp arrests Marsh, but Poirot is not happy and asks for the original of the letter, which the sister sends him. That shows that a page is missing, and the tear is obvious, though that raises the question as to why it had not simply been cut.
Matters are further complicated by the fact that Marsh had gone in a taxi to the Edgware house, along with Edgware’s daughter Geraldine, in the interval of an opera which had previously seemed to provide them with cast iron alibis. Geraldine had gone in to fetch her pearls so that Marsh could raise money he needed, and thus had an opportunity to kill Edgware, as did Marsh, for the driver said he had got out of the taxi while waiting and gone into the house.
Marsh explained why he had gone to the house on the night of the murder as having followed Bryan Martin, an American actor, who had been in love with Jane, whom he saw go into the house with a key. But there was no one visible when he entered, and Geraldine almost immediately came down and they left together. And Martin too has become an object of suspicion to Poirot, for he had been to see him before the murders were discovered with a story of being followed by a man with a gold tooth – a story Poirot immediately realized was false when he was asked how old the man was, and was told he was young, for young people did not have gold teeth.
A heap of French money Edgware had got for a trip to Paris was missing, but since Marsh had no need for it after his cousin’s offer of help, Poirot deduces that it must have been taken by the butler, who has disappeared. Christie has stressed that he is astonishingly handsome, unusual in a butler, and Poirot notes a resemblance to Martin, so he thinks the mysterious man going into the house must have been him.
Incidentally, later Poirot assumes that Edgware’s change of mind was because he was involved in some scandal, and I believe Christie intends us to see the cause of this in his handsome butler, though this is not specified.
Meanwhile, Poirot has asked Japp to find out the provenance of the case found in Carlotta’s handbag, and it turns out to have been made in Paris, specially commissioned, and collected by a woman with pince-nez.
But then another murder occurs—that of another guest at the grand dinner, which provided Jane with her alibi. The victim is an actor who had been bemused when Jane, at a lunch, thought the Judgment of Paris referred to the city. He told Hastings he wanted to see Poirot, but was killed before he could get to the appointment. Poirot had rushed there when told about his request, but it was too late.
Meanwhile, Poirot has tried out the pince-nez on Edgware’s secretary, but she could not see through these. It was only a chance remark heard outside the theatre that led him to try them out on Wilkinson’s maid Ellis, a spare pair that had been appropriated for the night of the murders.
Poirot then lays things out, having summoned Martin and told him that he probably suppressed Edgware’s letter, as he had been dropped by then and he did not want Jane to marry another. But after teasing Martin, Poirot says that Jane was in fact the murderer, and she got Carlotta to impersonate her at the dinner while she went to the house and killed her husband. After meeting Carlotta later and checking with her through a call that she had
not been rumbled, Jane had gone ahead with the murder – she put veronal into her drink and the case with veronal into the handbag. She forgot to take out the pince-nez she had used earlier to imitate an American. Carlotta had registered as the American in a hotel and Jane had gone to see her, and there they exchanged identities. After seen the letter, she made use of it by tearing off the page that referred to her, and the S of She, so that the person who had challenged Carlotta to impersonate her seemed to be a man.
There is a coda in which Jane, condemned to death, writes to Hastings, still full of pride at her ingenuity hoping she will be remembered.
Features
Desilt reservoirs, learn from our ancient irrigation systems
by Prof. O. A. Ileperuma
Silting of reservoirs is a major problem today affecting our hydropower production and irrigation systems. The main Mahaweli reservoirs are silted to a considerable extent reducing the water holding capacity of them. Due to poor soil management practices, floodwaters deposit large amounts of silt in these reservoirs. When the Polgolla reservoir was fully drained about two years back, one could see mountains of silt in the lower reaches of the reservoir. A rough estimate is that 50% of the total capacity of these reservoirs has been lost to siltation. This is a serious issue which affects not only power and agriculture but also flood control.
Our ancient irrigation systems ensured that desilting of reservoirs took place under royal decree where all users of the reservoirs were ordered to carry out desilting of reservoirs during the dry season. The clay thus collected was used in making bricks for the construction of great stupas which dot the landscape of our ancient kingdoms. This ensured that the reservoirs had their full capacity filled with water for the next cultivating season. Our ancient kings were clever enough not to construct reservoirs by blocking main rivers such as the Mahaweli. A classic example is the Minipe left canal where they tapped only the surface water of Mahaweli. Even the bigger tanks such as Nuwara Wewa and Parakrama Samudraya were fed with minor rivulets. There were also other ingenious features in the cascade irrigation systems built by the ancient kings, such as mud sluice canals and forest reservations between the reservoirs in the cascade system. These reservations helped trap silt and remove excess nutrients, which could otherwise contribute to increasing salinity as water flowed from one reservoir to another.
- Parakrama Samudraya
- Kalawewa
- Kotmale
A classic engineering marvel is the former Yoda Ela, which carries water from Kalawewa to Nuwara Wewa and Tissa Wewa. It is 87 km long although the straight distance between these points is only about 40 km. The gradient of this canal is about 10 cm per km or 6 inches per mile. Yodha Ela functions as a moving reservoir and feeds about 4,600 hectares of paddy lands. It is a winding canal with about 120 smaller reservoirs on its way. It was constructed during the reign of King Dhatusena around 459 AD and later expanded by King Parakramabahu by connecting more reservoirs to the network. Unfortunately, during the Mahaweli project our modern-day engineers constructed a concrete canal replacing the winding path of this Yoda Ela also called Jaya Ganga. This effectively removed the ability of the old Yoda Ela to remove silt and nutrients. The bank of this Ela has wet zone trees such as jak and areca nut growing well. They take up the nutrients from the flowing stream making the water suitable for irrigation later.
Ancient Mesopotamian civilisations depended on dams constructed along the two main rivers, Euphrates and Tigris. After continuous irrigation of their fields over several thousand years, salinity of the irrigated lands increased making them unsuitable for agriculture. People died due to famine and this clearly illustrates the danger of blocking main rivers for agriculture. There is scientific evidence that the salinity of paddy soils in the Mahaweli C area is increasing.
We saw the devastation caused by Cyclone Ditwah. The sluice gates of the Kotmale Reservoir were opened, and Kandy and Peradeniya were flooded. If the reservoir had had greater storage capacity, couldn’t the opening of the gates have been delayed? This may not be an argument that modern-day engineers would readily accept, and I am not an irrigation expert. These ideas may well be naïve. But most of us tend to think of reservoirs mainly in terms of hydropower generation and irrigation, while their role in flood control receives much less attention. The question therefore deserves serious consideration. Could restoring lost reservoir capacity through desilting help improve our ability to manage extreme rainfall and reduce flood risks?
Desilting our reservoirs should be considered a national priority.
Features
Losing out to Ethiopia
Export diversification – Missing the wood for the trees – Part III
by Gomi Senadhira
In Sri Lanka, the word “Ethiopia” is often used as disparaging slang to describe individuals or areas experiencing extreme poverty, starvation, or severe economic hardship. This linguistic habit originated in the 1980s with the Western media coverage of the devastating Ethiopian famine of 1983-85. That media coverage shocked the world but also left an outdated and offensive global stereotype that the country is permanently starving. Much has changed since then. By now, with an annual growth rate of around 9%, it is the fastest-growing economy in sub-Saharan Africa. Ethiopia has also emerged as a highly competitive exporter and is challenging not only its competitors in the region but also countries like Sri Lanka. This article is on how Sri Lanka has lost ground to Ethiopia (and a few other countries) in the GCC markets for agricultural and floricultural products.
Sri Lanka – A Pioneer in the Agriculture and Floricultural Market in the GCC
As discussed in Part II of this article, by the mid-1980s Sri Lanka had established a strong foothold in the GCC’s fruit, vegetable, and floricultural market. Geographical proximity and well-established shipping and air links gave Sri Lanka a strong comparative advantage over Southeast Asian and African nations. Thailand, Vietnam, and Kenya were not even in the market. At that time, Ethiopia was experiencing (as BBC news reports described) “a biblical famine”.
The market was not very large, but it was lucrative and growing. Trade Minister Lalith Athulathmudali as well as the Chairman of the Export Development Board, Victor Santiapillai, who visited Kuwait (and the GCC countries), recognised the market potential for these products and encouraged us to continue with our work. The minister was particularly keen to further develop links between the market for these products, exporters, and his Export Production Villages (EPVs). So, it was becoming a successful case not only for export diversification but also for transferring gains from exports directly to rural households.
From Trailblazer to Tailender
As a result, even by the beginning of this century Sri Lanka had a larger market share than most of its competitors from Asia or Africa. But since then, our competitiveness has weakened significantly. The tables below provide a comparative snapshot of Sri Lanka’s performance vis-à-vis Thailand, Vietnam, Kenya and Ethiopia in the GCC market for vegetables, fruits and floricultural products. As illustrated therein, in 2001 Sri Lanka was ahead of Thailand, Kenya and Ethiopia in this small but rapidly growing market. Since then, we have fallen behind Thailand, Kenya and many other countries in that lucrative market. If this trend continues, Sri Lanka will fall behind Ethiopia within the next few years. (See Table 1)
In the GCC market for vegetables (covered in HS chapter 07), Sri Lanka was ahead of most other competitors in 2001. As illustrated in Table 1 , Sri Lanka had failed to develop this market, while Thailand, Kenya, and even Ethiopia had very efficiently increased their market shares. The GCC is a market to which Sri Lanka can supply some vegetables, like cabbages, by sea. It appears Sri Lanka had also failed to exploit this mode of supply.
We can see a similar trend in the market for fruits. Vietnam, Kenya, and Thailand have emerged as major players, while exports from Sri Lanka have staggered on slowly. In this segment, Vietnam has emerged as a leading player during the last twenty years and the GCC imports from Viet Nam have shot up from US$44 thousand in 2001 to US$346 million by 2024. In part one of these articles, I discussed the remarkable increase of jackfruit exports from Vietnam “…just $3 million in 2015 to an impressive $236.8 million in 2023” while most of our jackfruit production rots under the trees. This explains how countries develop their markets, geographically and product-wise. (See Table 2)
Sri Lanka’s performance has been weakest in the market for floricultural products (HS Chapter 06), which groups live trees, cut flowers, and ornamental foliage. When we first entered the market in the 1980s, the market was dominated by the Netherlands, and Kenya and Ethiopia were not even in the market. At that time, we identified the Gulf states as a market where Sri Lanka could have a dominant presence due to geographical proximity. Even in 2001, Sri Lanka was ahead of Kenya, Ethiopia, and Thailand. But by now, Kenya has emerged as the dominant supplier. Ethiopia is also expanding its market share and is the third-largest exporter. (See Table 3)
Missing the Wood for the Trees
In the mid-1980s, Sri Lanka first established its foothold in the GCC market. Since then, Thailand, Vietnam, Kenya, and even Ethiopia have moved well ahead of us and have become leading players. Why did we lag behind in our export diversification efforts in general and, more particularly, in the GCC market?
The reasons are very clear. After the initial attempts in the 1980s and early 1990s, Sri Lanka has not been proactively involved in identifying, developing, and promoting new products and markets, or protecting and further developing new markets already established. The focus has simply been on traditional exports: tea, coconut, cinnamon, and garments, while other products were almost ignored. In essence, we have been and continue to focus intensely on a narrow group of products and markets, and we have lost sight of the bigger picture.
(The writer can be reached at senadhiragomi@gmail.com)
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