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Chai is tea, tea is Chai: India’s favorite hot drink

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Painting of Majuli Tea Estate, Assam by Bibek Kr Das

Indians took the tea the British were marketing to them, added spices, milk and sugar, and transformed it forever.

Chai can be enjoyed alone, but it excels in company
By Nupur Roopa

I remember jumping up to sit on the kitchen counter one afternoon. My five-year-old self wants to watch my mother making chai. She pushes me away from the gas stove but I am indignant and refuse to hop down, although I do move away a bit.The water bubbles. She adds sugar, then takes a flat steel grater, balances it on the edge of the pot and grates in adrak (ginger).

“Why do we add this?” I ask, watching the shreds fall into the bubbling water.

“Child, I have to hurry I don’t have time for your questions,” she says. I sulk but I know that, being a doctor, she has to get to the hospital on time. I will ask grandma, I tell myself.

The ginger threads dance in the water. Then she adds the tea leaves, turning the contents of the pot brown. Stirring, she adds milk and lets it simmer over a low flame, still stirring. After a few minutes, she removes it from the heat and covers it. I hop down to watch the next step. She strains it in cups, puts them on a tray, and carries it to the dining table.

I run out. I have no interest in tasting it but am proud, boasting to my friends: “I know how to make chai.” By the end of the day, I have memorized the process forever.I don’t want to ask to taste it because I know if I do, she will dilute it with more milk. “Children should not drink tea,” she would say. I hated that pale milky liquid.

The first time I tasted real chai, I was in grade three. I had scored good marks on a maths test and ran home that August afternoon to share the news with my mother and grandparents as they were having their chai. Basking in the appreciation and pats on my back, I asked if I could have chai. Mother refused, but grandfather smiled and poured some into a cup. I took it and breathed the aroma in deeply. I took one sip, then the second. The creamy, rich beverage warmed my heart and spirit and at that precise moment, I became a chai lover.

I yearned to make chai but wasn’t allowed. “What if you spill the boiling water and get burned,” my grandmother would fret. Finally, when I was in grade five, she reluctantly allowed me to make it under her supervision and soon I was making it alone.

Prerna Kumar and her family enjoy a mug of steaming chai on a chilly day

I felt so accomplished, measuring water, grating ginger, and scooping sugar and tea leaves to add to the boiling water. Watching the tea leaves spinning with the ginger. Then adding the milk and watching it lighten the chai and simmer, steeping the flavours. “A good cup of chai needs a slow fire,” I was told, something I follow to this day.

Fast forward a few years, and I am on my way home on a bitterly cold January evening in Indore. The sun is on leave and the wind drills into my bones. I enter a silent, cold apartment – my mother isn’t back from the hospital yet and my grandmother has moved to live with my uncle since my grandfather passed away.

I need chai. Soon, I’m sitting with a hot, steaming cup, sipping it slowly. I close my eyes, savouring the sweet milk, sharp ginger and cinnamon. By then, I was experimenting with spices and adding what felt right at the moment – cinnamon, fennel, green cardamom and more. I would add lemongrass, holy basil and peppercorns if I had a cold or sore throat.

Chai can be enjoyed alone,but it excels in company

Chai is tea, tea is chai

Chai in India is a drink for no reason and for every reason, morning, afternoon, evening and night. It lifts your spirits while studying for the maths paper or learning chemistry formulas. It spices college gossip and fans rumours. A welcoming or parting drink, to convince friends and family to stay longer to share more stories.

It brings everyone together. It is served in homes, board meetings, college canteens, cafes and at weddings. “Chalo chai ho jaye,” (Let’s have tea) is heard every day.

Tea is chai in India. When, where, and how the first cup of chai was brewed is still up for debate, it is our elders who gives us an idea about the evolution of this delicious, addictive beverage.

Prerna Kumar, founder of ChaiVeda and purveyor of medicinal blends, says: “The early reference to tea is found in the Buddhist texts where the monks drank some kind of tea while fasting and meditating.

“They made tea from foraged tea leaves and perhaps added certain flowers to the decoction to help them feel calmer.”

But how did tea become chai and give birth to chaiwallahs (chai sellers) and chai drinkers?

I remember sitting with my grandfather and a history book in grade 10. He could make history dance in front of your eyes but I wasn’t enthusiastic about that day’s lesson. It wasn’t about kings or queens or battles, but the dull history of the everyday drink. How interesting could it be?

Grandfather pushes the book away and tells me to just listen.

“Tea,” he began, “comes from China.”

With that, he launched a history

lesson replete with scenes of Britishers drinking tea, tea traders at seaports and expansive green tea plantations in Assam.

India is the largest consumer of tea in the world, the second-largest producer and the fourth-largest exporter – about 80 percent of its production is for domestic consumption

The English were introduced to tea when the Dutch East India Company began to import it into Europe in the 17th century, and its popularity gradually grew. By the 18th century, the English East India Company was importing enough tea from China that it was considered one of the company’s main assets. But there was worry over China refusing to renew the English trade

monopoly and a search for alternatives began.

English botanist Sir Joseph Banks suggested that the English in Assam grow tea there in 1778 after it was discovered that the Singpho tribe in Assam and Arunachal Pradesh drank a wild tea plant. But there was little interest until China broke the monopoly in 1833; two years later, tea growing in Assam began, food historian Mohsina Mukadam from Mumbai elaborates.

The Assam Tea Company was formed in 1839 and started marketing in Europe. Tea wasn’t a widely known beverage in India and it wasn’t until the start of the Great Depression in 1929 that the company looked at the Indian market to move its perishable stock, Mukadam added.

They started mandatory tea breaks in factories; tea-making demonstrations in markets and in homes where women could watch from the purdah (a screened enclosure); film screenings in villages to dole out free tea samples. Free tea on the purchase of saris. Tea sold at railway stations. But tea still wasn’t becoming as popular as hoped.

“The British were overconfident about changing our food habits,” grandfather smiled. Indians were wary of this new beverage. “We took it, added spices, milk, and sugar, transforming tea-making forever.”

Now I’m completely fascinated with the tea lesson.

Author and chef Sadaf Hussain, a lover of food history and stories, tells me later: “Britishers gave us the habit of tea but … we Indianised the recipe to suit our taste.

“We were used to drinking ‘kadha’ [herbal decoctions] for ages and we innovated tea into something similar by using spices, milk, and sugar. The addition of milk was … to increase the quantity as tea leaves were expensive and, India being an agricultural country, milk was easily available.”

Today, India is the largest consumer of tea in the world, the second-largest producer and the fourth-largest exporter. According to Tea Board India, the country produced 1.34 million tonnes of tea in 2021, about 80 percent of it for domestic consumption.

The best chai is inspired by the masala dabba, a quintessential presence in Indian kitchens

Masala chai

Basic masala chai is tea boiled in a mixture of milk, water, sugar, and any or all spices, like cardamom, cinnamon, clove, ginger or black pepper.

Every family has a special chai recipe. “Some like a mild version, others enjoy it strong,” chai-making is personal, Sadaf says. Some like ginger or cardamom, or both or neither, he explains.”There are around 20,000 ingredients that have been added to tea around the world,” shares Prerna. “It is mind-boggling … Anything that can be added to food can be added to tea.”

Masala chai can include herbs, spices and flowers – black pepper, cardamom, cinnamon, cloves, fennel, ginger, holy basil, liquorice, nutmeg, rose petals and more. The best chai is inspired by the masala dabba (box of spices), a quintessential presence in Indian kitchens. Ginger and black pepper are good for digestion and warming. Cloves, with their antiseptic properties, are good for sore throats and cardamom can elevate your mood.

I will never forget my Mumbai neighbour Sumathy Aunty’s masala chai. A new bride, I had reached Mumbai early that morning and was taking my stuff upstairs when the apartment next door opened and a lady draped in a sari dashed out, smiling over her shoulder in the way people in Mumbai do when they need to get somewhere.

I was new to Mumbai and wasn’t aware of what a feat it was to catch the trains crisscrossing the city. Every second counted and could delay you. That evening around seven, Sumathy Aunty knocked and asked me over for tea. What blossomed thereafter was a unique friendship between me, recently married and in my early twenties, and Sumathy Aunty, who was in her late fifties.

We would sip chai with farsan or chivda (fried lentil and flat rice spiced snacks) and sometimes, on rainy days, I would make mangodis (spiced lentil fritters), a speciality of central India, where I’m from. We exchanged recipes and cooking tips from our home states and she shared life skills to survive in Mumbai, a city that, for a small-town girl like me, was quite stressful.

Her chai was a caramel brew that always made me crave more. It had ginger, fennel seeds, cardamom and lemongrass, but there was more to it. When asked how she got it to taste this way, she attributed it to a mantra she chanted.

No two chais are the same, even the process and the mindset of the person making chai play a huge role, according to Prerna. “My husband is able to discern a difference if I am unhappy with him for some reason while making tea,” she laughs.

‘If you’re Indian, you must like tea’

South India has been a coffee stronghold for many years but things are starting to change as the humble chai made its way into people’s hearts and chai shops serving a variety ranging from ginger to masala and lemon hold pride of place along with “Kumbakonam coffee” houses, writer Chandrika R Krishnan shares.Every day is Chai Day. May 21 was declared International Tea Day in 2019 by the United Nations, but every day is Chai Day in India.

– Al Jazeera



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Life style

Jetwing Expands Organic Tea Footprint 

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Biodiversity Survey at Jetwing Uva Ben Head Estate

Jetwing acquired the Uva Ben Head Tea Estate in Welimada in 2022 with a mandate to produce premium artisanal teas while safeguarding the environment through organic farming and biodiversity conservation. The Uva Ben Head Estate, a 100-acre expanse previously reliant on inorganic farming methods, is undergoing a transformative journey under Jetwing’s guidance. The estate is now a beacon of organic farming, with Jetwing introducing mixed cropping and phasing out chemical fertilizers and pesticides.

The estate management has been committed to eliminating the use of chemical fertilizers and pesticides through a phased reduction, since acquisition in 2022, with the final application of these chemicals occurring in August 2023. The transformation includes the production of organic liquid fertilizers, composting, and the planned introduction of biochar. Additionally, the estate is optimizing water usage through rainwater harvesting.

To inform future decisions, the estate is conducting comprehensive soil and leaf analyses in collaboration with the Tea Research Institute. Furthermore, a biodiversity survey is being undertaken led by Prof. Devaka Weerakoon, Head, Department of Zoology and Environment Sciences, University of Colombo, to evaluate the impact of organic farming and to develop strategies for resource optimization and biodiversity enhancement.

Jetwing’s vision extends beyond agriculture to community development. The estate supports a vibrant community of over 300 individuals, providing employment opportunities and comprehensive training programmes. Health initiatives and financial assistance programmes reflect Jetwing’s commitment to the well-being of its associates and their families.

Currently, the harvested tea leaf is sold to third-party processors; however, plans for an on-site tea processing facility are underway, promising to enhance quality control and minimize environmental impact. The company’s circular approach to sustainability is further exemplified by initiatives that support dairy farming among estate residents, fostering a symbiotic relationship between agriculture and animal husbandry.

Nestled within the estate are the Jetwing Uva Ben Head Villa and Jetwing Welimada Villa, two homely planter’s bungalows, offering guests an immersive experience in Sri Lanka’s renowned tea country and providing employment opportunities for the local community. These villas are a testament to Jetwing Hotels’ esteemed reputation for providing serene retreats that harmonize luxury with nature.

The acquisition of the Uva Ben Head Estate and its subsequent conversion to organic cultivation represents a strategic expansion of Jetwing’s involvement in the tea industry. The estate complements the company’s inaugural venture, producing organic artisanal teas at Jetwing Warwick Gardens in Ambewela.

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The MMCA Sri Lanka Opens ‘Total Landscaping’ Rotation 1

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The Museum of Modern and Contemporary Art Sri Lanka (MMCA Sri Lanka) opened Rotation 1 of their new exhibition ‘Total Landscaping’ on 12 September. Curated by Sandev Handy and Thinal Sajeewa, ‘Rotation 1 of ‘Total Landscaping’ is open to the public until 1 December 2024. Entry to the exhibition is free and the museum is located on the ground floor of Crescat Boulevard, Colombo 03.

‘Total Landscaping’ explores the broad, dramatic, and stirring ways in which land has been transformed in Sri Lanka. The exhibition brings together 29 contemporary artists whose works go beyond traditional illustrations of landscapes. Instead, their works register the different ways in which perceptions of land have been constructed and contested. ‘Total Landscaping’ unfolds as a sequence of changing displays that elicit an all-out renegotiation of our relationships to land.

“This exhibition comes at a crucial time when concerns about land occupation, what land belongs to us, and how we belong to these lands have animated conversations both locally and globally,” said Handy, Senior Curator at the MMCA Sri Lanka. He added, “This is not a new conversation by any means; rather, this exhibition identifies what has long been an underlying preoccupation for contemporary artists over the past few decades. How might we understand the ways in which land has always coded the story of this nation, and conversely, how political, social, and cultural relationships have coded the land?”

Rotation 1 of ‘Total Landscaping’ features artists Anomaa Rajakaruna (b.1965), Arulraj Ulaganathan (b.1992), Barbara Sansoni (1928–2022), Chandraguptha Thenuwara (b.1960), Danushka Marasinghe (b.1985), Dominic Sansoni (b.1956), Hanusha Somasundaram (b.1988), Jagath Weerasinghe (b.1954), Jasmine Nilani Joseph (b.1990), Jesper Nordahl (b.1969), Pradeep Thalawatta (b.1979), Sebastian Posingis (b.1975), Stephen Champion (b.1959), Suntharam Anojan (b.1991), Thavarasa Thajendran (b.1987), and Thisath Thoradeniya (b.1975).

Sajeewa, Assistant Curator at the MMCA Sri Lanka said that,”The works in ‘Total Landscaping’ collectively explore the critical issues regarding land and how these in turn have shaped these landscapes.” He added, “The visual identity designed by Nia Thandapani, and the exhibition design led by Jonathan Edwards and Raeesah Samsudeen, were conceived in relation to the curatorial narrative of the show. Their designs function alongside the curatorial narratives of the exhibition and how audiences will experience ‘Total Landscaping’ across each Rotation.”

He further noted that “The artwork production was taken on by Nishantha Hettiarachchi and Rajendran Soniya, which includes the creation of Danushka Marasinghe’s living paddy field installation titled ‘Walk(er)’ (2016). We are excited for our visitors to see a work that challenges perceptions of contemporary art as well as the idea of landscape.”

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Tiesh Jewellery shines at Galle Fort Hotel

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Stephani Siriwardene in a beautifully crafted necklace from Tiesh-Blue Sapphire pendent perfect for special occasions

Tiesh Jewellery, The Ropewalk, and Fig & Maple come together for an exclusive showcase of luxury, art, and fine dining

In an exquisite blend of luxury, culinary mastery, and timeless craftsmanship, Tiesh Jewellery recently collaborated with The Ropewalk at Galle Fort Hotel and Fig & Maple, India for an exclusive evening of dining, cocktails, and a stunning showcase of Tiesh’s ‘Timeless Elegance’ jewellery collection. This unforgettable event brought together a select group of Tiesh’s clientele amidst the historic grandeur of the iconic Galle Fort Hotel.

Tiesh, renowned for its meticulously crafted jewellery that embodies luxury and elegance, presented a curated selection of necklaces, earrings, pendants, and rings. The ‘Timeless Elegance’ collection, celebrated for its larger, statement pieces perfect for special occasions, captivated guests with its exceptional craftsmanship and use of finest sapphires, diamonds, rubies and emeralds.

Director of Tiesh, Ayesh de Fonseka stated, “We are thrilled to partner with the Galle Fort Hotel and Fig & Maple for this unique collaboration. As a jeweller hailing from Kandy, it is a privilege to be part of such a prestigious event at one of Sri Lanka’s most historic hotels at Galle. The ‘Timeless Elegance’ collection celebrates the art of jewellery design, with each piece offering an exquisite reflection of beauty, craftsmanship and heritage.”

Set in the heart of the Galle Fort, a UNESCO World Heritage site, The Ropewalk is Sri Lanka’s first arrack-specialty bar, located within the 300-year-old Galle Fort Hotel. Known for its exceptional culinary experiences and innovative cocktails, Ropewalk has garnered accolades from prestigious publications such as Condé Nast Traveller India.

The evening’s festivities featured bespoke cocktails crafted by Ravish Bhavnani of Fig & Maple and The Ropewalk’s talented mixologists, followed by a multi-course dinner prepared by celebrated Chef Radhika Khandelwal, founder of the Delhi-based, zero-waste restaurant, Fig & Maple. Chef Khandelwal, recognised as one of India’s top 40 under 40 chefs by Condé Nast Traveller, delighted guests with a sustainable and seasonal menu using locally sourced produce.

Managing Director of Galle Fort Hotel and The Ropewalk Amrit Rajaratnam expressed, “We are honoured to have hosted this collaborative event with Tiesh, one of Sri Lanka’s most esteemed jewellers. The evening was a perfect fusion of culinary excellence and timeless artistry, offering our guests a truly unique experience.”

Throughout the evening, guests were treated to an elegant display of Tiesh’s jewellery collection, modelled by Maya and Diandra, allowing them to experience the beauty and craftsmanship of each piece up close.

Timeless Elegance

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