Life style
Best Fashion Photographer
by Zanita Careem
Raffealla (an internationally recognized photographer) believes art is how you want to see the world. Passionate about art since her school days in St. Bridget’s Convent Colombo, Raffaella Fernando was a woman who always wanted ‘to do something unique and create art with her innovative ideas. She said with pride “From a my young age, my paint:ings and art were extraordinary, and nothing could stop me once I received a camera as a gift from my father.’ With a motivation to pursue a career of my own, I started photography and designing and reached success at a very young age due to my creative talent and enthusiasm.
Raffealla Fernando Photography is Raffaella’s photography brand, under which her most popular brand, the Raffealla Fernando Celebrity Calendar (RFCC). RFCC has been annually published, featuring multiple celebrities across Sri Lanka. Raffealla has been closely working with an interesting team of celebrities while collaborating with makeup artists, designers, etc. Her luxury designer brand is known as ‘Raffealla’, which she claims to define herself the most, and her more affordable designer brand is ‘Mermaidish’. She has also collaborated with a few other designers while contributing to the above brands.
A highlight of her career was when she became the “Best Fashion Photographer of the Year” at the 5th International Achievers Award 2017 London out of 310 contestants across the globe. She has also made us proud with her World Ranking of the 8th best photographer of the world, competing with 150 other photographers at the BEFTA Awards UK. Another wonderful milestone of her career life is being invited to design for the 69th and 71st Cannes Film Festivals where she could showcase her talent to the world as the first Sri Lankan designer of all. Raffealla also showcased in the London Fashion Week, where her designs were cherished among all. She also reminisces the opportunity she got to showcase one of her collections to the Prince Charles Charity Trust 41st Anniversary as well as becoming a finalist on the New York Fashion Week, bringing pride to Sri Lanka.
Can you tell us about yourself and how you got into photography?
Fashion designing came first, I started off as a fashion designer and after 3 years I started my journey as a fashion Photographer. I was very much passionate about Photography since I was a school girl, I was part of the school photographic society and has also won few interschool photography competitions. When I was about 14 years old I won an Art competition and my father asked me what I need as a gift and I said I want a camera, I still remember my first camera was the F25 lumix SLR camera, my passion and interest grew from there and gradually I found the interest for fashion photography through my fashion background.
How do you describe your individual style?
I have dark twist to my style, not particularly a signature look but I like more black so I mix black with all most all my clothes. I try a lot of looks, makeup and hair styles, I am person who explores and experiment a lot with style and fashion.
When comes to my Photography I have conceptualized style, I love to tell stories I also look at myself as story teller sometimes because a lot of thinking goes into my thought process when it comes to my concept shoots.
To summarize it’s dark, conceptualized and creative.
How do account for your fearless approach to the fashion world?
I’ve always been myself and I let it flow seamlessly. Fashion industry in the only place I always wanted to work since I started dreaming from a right mind. I don’t know if it was fearless because I was very young when I entered the Industry, the excitement was way much that all I can remember is that I worked very hard to do new things in the industry also to have my own place and stay.
As an award winning photographer? What is your first preference?
Fashion a photography?
It’s very hard to pick from both because I started as a designer and then got in to Photography. But if I speak honestly I love taking photographs more because I get to create a whole new different world for my creative eye.
What made you to name your brand Raffealla?
I think My name itself does the best Branding for me , that’s why I using my name as my brand name as well…. I grew up disliking my name so much thinking it is so different and now I think it works in my favor. Also I have a fond memory with my grandmother who is no more with us, she named me Raffealla and I used to ask her ” why did you name me Raffealla , it’s such an ugly name ” and she use to always tell me ” no its such a unique name, thank me later when you grow up “
Why did you change your career from film direction and journalism?
well I’m very new to film direction, at the moment I’m planning on my very first film direction and that is something I’m really looking forward to.
I started to work as a fashion journalist at the age of 18 I continued for 5 years and gradually and sadly I had to stop because I couldn’t find the time to continue.
Actually didn’t change but my direction from it I changed my direction towards it.
DO you have any signature styles?
Not particularly but creating concepts and stories are more of my style and kind of work.
Difference between art photography and fashion photography?
I would like to call both “art” , but there is a whole world of difference between conceptualized photography and fashion photography, because it’s so different to each of the style the line itself is created I feel.
In fashion photography we always want to keep it trendy,fashionable , styling and what we always highlight is the fashion, but in conceptualized photography we highlight the concept, the story, the expressions it’s the soul of the concept we try to highlight. Art Photography is more of an abstract style.
What are your plans for this year with the endemic spreading?
Fashion photography is an incredibly competitive niche what steps
you have taken to be above the rest
Consistency is definitely the key of success, as women we sometimes have to work as twice as hard as a man, it is a good thing I am not complaining about it because it helps us a lot to grow. So I always feel consistency is the key just be consistent and do what you do, continue even when you fall and fail. It is a beautiful industry to work , of course like any other industry we do have a different side , it is very competitive like you said and cut throat. I try to be constant as much as I can, do new projects, explore and experiment with myself and I do a lot of work on me to make myself a better and a fuller artist.
What according to you is fashion?
Fashion is the form of clothing, accessories, and furniture. It can be used by everyone. It is related to culture,
style is such a personal thing it does not change with seasons, for an exams Micheal jackson , queen and etc they had such unique style.
The above was the technical part of fashion and style, for me fashion is a language, helps to understand people and also feelings. If you are happy you dress well and when you aren’t you dress down and bad sometimes.
What do feel most challenging/interesting?
Every single working day is challenging and interesting especially these days as we all push more to create, we work a lot on the virtual platforms and I find it the most interesting.
Like last year I conducted Sri lankas very first solo virtual photography exhibition, we launched it online during the second lockdown period. I found it interesting how we make use of platform we previously didn’t consider.
What do you think are the most important traits a fashion model should have?
Understanding of fashion, light and camera. A conscious mind of movement to move with the camera and lights, I appreciate a lot when models listen.
A little bit on jewellery designing
I Have a higher national diploma in Jewellery designing and something I always enjoyed applying for my designs and styling. I create a lot of jewellery with throwing away material and create recycle and upcycled jewellery for my collections.
Life style
The last kings of the wilderness: vanishing tuskers
In the vast dry-zone wilderness of Sri Lanka, where ancient reservoirs mirror crimson sunsets and monsoon winds whisper through forests untouched for centuries, there still roams a giant who has become both legend and symbol.
His name is Mahasen — perhaps the most celebrated wild tusker Sri Lanka has ever known.
To wildlife enthusiasts, photographers, researchers, and villagers across the North Central Province, Mahasen is not merely an elephant. He is the living embodiment of Sri Lanka’s ancient wilderness, a reminder of a time when giant tuskers ruled the forests that surrounded the island’s great hydraulic civilisation.
Secretary and Chief Coordinator of Wild Tuskers of Sri Lanka, Chandika Lakmal, describes Mahasen as “one of the greatest living treasures of Sri Lanka’s natural heritage.”
“When people see Mahasen, they are not simply looking at a wild elephant,” he said.
“They are witnessing history, culture, ecology, and wilderness all combined into one magnificent animal. Tuskers like Mahasen are extremely rare, and losing such an elephant would mean losing a part of Sri Lanka’s identity itself.”
Sri Lanka has long shared a sacred bond with elephants. Ancient kings regarded tuskers as symbols of sovereignty and divine authority.
From the kingdoms of Anuradhapura and Polonnaruwa to the Kandyan era, elephants marched beside rulers during ceremonies and wars alike. Within Buddhist culture, elephants became revered symbols of strength, wisdom, and spiritual purity.
Yet among all elephants, the tusker has always occupied a special place.
Unlike African elephants, only a very small percentage of male Asian elephants develop tusks. This makes Sri Lankan tuskers exceptionally rare. Over centuries, they became deeply embedded in folklore, temple art, and village legends.
Mahasen stands today as perhaps the finest surviving example of that ancient legacy.

Mahasen, one of Sri Lanka’s most iconic wild tuskers, photographed during his majestic prime in 2014 and in 2025 as the ageing giant continues his struggle for survival in the island’s shrinking wilderness
The legendary tusker was first photographed in 2002 by renowned wildlife photographer Vajira Wijegunawardena. During those early years, wildlife enthusiasts referred to him as the “Somawathiya Tusker” because he was frequently sighted around the floodplains near Somawathiya before travelling towards Minneriya and Kaudulla during the season of the great elephant gathering.
Later, the giant elephant was named Mahasen in honour of the ancient King Mahasen, the visionary ruler who built the magnificent Minneriya Tank. The name reflected not only strength and majesty, but also a deep connection to the same historic landscape shaped by kings, forests, and elephants thousands of years ago.
Today, Mahasen is believed to be around 60 years old, making him one of the oldest surviving wild tuskers in Sri Lanka. Towering above most elephants, he possesses perhaps the largest pair of tusks ever documented among Sri Lanka’s wild elephants, stretching beyond six feet in length.
For decades, Mahasen became one of the greatest attractions of the famous elephant gathering at Minneriya National Park and Kaudulla National Park — one of the largest congregations of Asian elephants anywhere in the world.
Photographers from across the globe waited patiently for hours hoping to capture the old king emerging from the dusty grasslands, at dusk, his enormous tusks glowing beneath the golden evening light. For many wildlife lovers, witnessing Mahasen in the wild became an unforgettable experience.
“Mahasen carries an extraordinary presence,” Chandika Lakmal explained. “Even among large elephants, he stands apart. There is a certain calmness, confidence, and dignity in the way he moves. You immediately understand why ancient people considered tuskers sacred.”
Yet beyond his beauty and fame, Mahasen also represents the fragile future of Sri Lanka’s elephants.
Modern conservation science identifies elephants as “keystone species” and “umbrella species,” meaning their survival protects entire ecosystems. Elephants create pathways through forests, disperse seeds, maintain grasslands, and help sustain biodiversity across vast landscapes.
“Elephants are ecosystem engineers,” Chandika Lakmal said. “The forest itself depends on them. Without elephants, the structure of these ecosystems begins to change. Protecting tuskers, like Mahasen, means protecting entire habitats and countless other species.”
Sadly, Sri Lanka’s wild elephants now face mounting threats.
Habitat fragmentation, shrinking forests, electric fences, roads, railway accidents, illegal shootings, and human-elephant conflict continue to endanger their survival.
Nearly 60 percent of Sri Lanka’s wild elephants live outside protected national parks, surviving within fragmented forests and ancient tank ecosystems increasingly surrounded by human settlements.
Traditional elephant migration corridors that existed for centuries have now been blocked by agriculture and development projects. As elephants lose access to food and water, they are increasingly forced into villages and farmlands, creating dangerous encounters between humans and wildlife.
Even Mahasen has not escaped these pressures.
In recent years, the ageing tusker’s movements have become increasingly restricted. Wildlife observers believe the enormous weight of his tusks, combined with old age, has forced him into smaller forest patches between Kakirawa and Maradankadawala where food and water are available within shorter distances.
Several months ago, Mahasen was discovered with a serious wound on his back believed to have been caused either by a gunshot injury or a clash with another elephant. Wildlife officials intervened quickly and treated the giant tusker, offering hope that he would recover once again.
However, concern continues to grow among conservationists and wildlife enthusiasts as sightings of Mahasen have become increasingly rare in recent months.
For many Sri Lankans, the thought of losing Mahasen is deeply emotional.
“Mahasen is not just another elephant,” Chandika Lakmal said quietly. “He is one of the last living symbols of Sri Lanka’s ancient wilderness. Future generations deserve the chance to see such animals alive in our forests, not only in photographs or history books.”
Despite his immense ecological and cultural importance, many villagers living near elephant habitats still struggle with fear and economic hardship caused by crop raids and property damage.
Conservationists stress that long-term coexistence can only be achieved through proper land-use planning, protection of elephant corridors, community awareness, and sustainable conservation policies.
Across the forests of Yala National Park, Wilpattu National Park, Gal Oya National Park, and Wasgamuwa National Park, Sri Lanka’s remaining tuskers continue their silent struggle against an uncertain future.
But among them all, Mahasen remains special.
He is more than an old tusker wandering through fading forests.
He is the last king of a vanishing wilderness.
And as long as Mahasen still walks beneath the ancient trees of Sri Lanka’s dry zone, the spirit of the island’s wild heritage continues to survive majestic, untamed, and unforgettable.
By Ifham Nizam
Life style
Stars shine bright
An auspicious beginning for ‘Tharulya’
The Muhurath ceremony of ‘Tharulya’ the newest teledrama directed by Sudarma Jayewardena, was held in a graceful setting at Waters Edge recently, bringing together artistes, television personalities and invited guests from the entertainment industry.
The auspicious occasion marked the official beginning of the much-awarded teleseries, with the lighting of the traditional oil lamp adding colour and glamour to the evening.
Cast members and crew joined Sudarma in celebrating the launch while industry well-wishers extended their support for the production.
Sudarma is known for her emotionally rich story telling and distinctive creative touch. When asked about her new tele-serial, she expressed optimism ‘Tharulya’ is expected to bring a fresh narrative to the local television audiences. For her ‘Tharulya’ can be described as a reflection of dreams, emotions and human relationships, woven into meaningful teledrama narratives. The word ‘Tharulya’ evokes a poetic sense of stars, hope and destiny, symbolising the journeys and emotional bonds explored through the story.
Sudarma Jayewardena is known for her work as a actress, director, producer and creative visionary behind several acclaimed teledramas. Over the years she has build a reputation for presenting emotionally layered stories that explore family dynamics, social realities, women’s experiences and human relationships with sensitivity and depth .
Her teledramas are known for strong story telling, refined casting and cinematic production.
The teledrama, ‘Ganga Adare’, directed by Sudarma, is among the well known television production.
This tele-series became popular on the small screen for its emotional story telling, strong character development and family centred narrative style that resonated with Sinhala TV audiences.
Sudarma’s involvement in musical events, like ‘Sonu Nigam,’ highlighted her versatility beyond teledramas, showcasing her ability to create large scale entertainment events that combined glamour, culture and audience appeal.
Sudharma, who is no stranger in the entertainment industry, is the Managing Director of Star Events. ‘Tharulya’ was produced by Saranga Mendis. This much talked about teleserial is all set to unspool on Derena TV.
Beyond teledramas , Sudarma also contributed to musical and entertainment programmes, expanding her influence within Sri Lanka’s media industry. Her productions are often noted for their polished presentation and emotional story telling. (Zanita) Pix by Thushara Attapathu
- Smile,glamour and anticipation for the young star
- Powerful performances expected as he steps into a key role
- Moments from the launch
- Soulful voice adds magic
- Creativity in motion as Director Sudarma Jayewardena leads the cast with her spouse
- Invited guests marked the launch
Life style
Sri Lanka and Viet Nam soar into a new era of co-operation
Air Bridge of Friendship
The state visit of the Party Secretary and State President, To Lam of Viet Nam, to Sri Lanka, heralds a defining moment in bilateral relations, where diplomacy and aviation converge in a new era of connectivity. With the launch of Viet Nam air services, linking the two nations, the partnership soars behind traditional statecraft -opening a seamless corridors for tourism, trade and cultural exchange between South and South East Asia.
My interview with the Ambassador for Viet Nam in Sri Lanka, Trinh Thi Tam, went as follows:
(Q) How significant is the State visit to Sri Lanka by Party General Secretary and State President To Lam?
(A)Party General Secretary and State President To Lam’s visit to Sri Lanka is highly significant as it takes place when the two countries have just celebrated 55 years of diplomatic relations in 2025. Viet Nam is the first ASEAN members to visit Sri Lanka, and is also the first ASEAN country that President Anura Kumara Dissanayake visited after assuming office. More, importantly, both sides agreed to elevate bilateral ties to a Comprehensive Partnership on this occasion, opening a new chapter for cooperation in politics, trade, tourism, culture, education, and connectivity. The visit reflects the strong mutual trust and the shared determination to deepen cooperation in the years ahead.
(Q) Viet Nam and Sri Lanka share centuries old Buddhist links. How can these spiritual and cultural ties be transformed into stronger people-to-people tourism?
(A) Viet Nam and Sri Lanka share centuries-old Buddhist and cultural links, which create a very strong foundation for closer people-to-people relations. These spiritual ties can be transformed into stronger tourism cooperation through Buddhist pilgrimage tours, exchanges between temples and universities, cultural festivals, and tourism promotion programmes. Increased air connectivity and easier travel arrangements will also encourage more visitors to explore each other’s cultural heritage and strengthen mutual understanding between the two peoples.
(Q) Direct flights between Colombo and Ho Chi Minh City has generated great excitement in Sri Lanka. How important is this milestone for tourism and bilateral relations?
(A) The launch of direct flights between Colombo and Ho Chi Minh City by Viet Nam Airlines (national carrier) and Viet Jet (a private airline) is a historic milestone for bilateral relations. It not only shortens travel time but also creates new opportunities for tourism, trade, investment, business cooperation as well as people-to-people and cultural exchange. This achievement comes at a very meaningful moment, following the establishment of the Comprehensive Partnership, demonstrating the commitment of both countries to enhance practical cooperation and strengthen connectivity between Southeast Asia and South Asia.
(Q) Do you think this direct flight will significantly increase Vietnamese tourist arrivals to Sri Lanka within the next few years?
(A) Yes, we believe the direct flights will significantly increase Vietnamese tourist arrivals to Sri Lanka over the next few years. Sri Lanka is becoming increasingly attractive to Vietnamese travellers because of its beautiful beaches, Buddhist heritage, natural landscapes, and hospitality. Easier connectivity and tourism promotion activities will help more Vietnamese people discover Sri Lanka. We also expect stronger two-way tourism exchanges, contributing positively to economic cooperation and people-to-people relations between the two countries.
(Q) Do you see Colombo becoming a stronger regional hub connecting Viet Nam with the Indian Ocean region?
(A) Colombo has great potential to become a stronger regional hub connecting Viet Nam with South Asia and the Indian Ocean region. Sri Lanka’s strategic geographic location, combined with improving connectivity and growing economic cooperation, can help facilitate trade, tourism, logistics, and maritime cooperation. Following the establishment of the Comprehensive Partnership, Viet Nam sees many opportunities to work more closely with Sri Lanka in regional connectivity initiatives and strengthen economic links between Southeast Asia and the Indian Ocean region.
(Q) Viet Nam and Sri Lanka have enjoyed decades of friendly relations. What makes this partnership unique in Asia?
(A) The Viet Nam–Sri Lanka partnership has been built on longstanding friendship, mutual trust, and deep cultural connections rather than only economic interests. The two countries have consistently supported each other over many decades and share common values regarding independence, peace, and international cooperation. President Ho Chi Minh, Viet Nam’s Nation Father, stopped over in Sri Lanka on three occasions. Vietnamese people has always treasured the strong, unconditional support offered by Sri Lankan people during our hard struggle against imperialism and colonialism. The recent elevation of bilateral ties reflects the maturity of this relationship and the shared vision to expand cooperation across many sectors in a sustainable and balanced manner.
(Q) How does Viet Nam view Sri Lanka’s role with South Asia and the Indian Ocean together?
(A) Viet Nam highly values Sri Lanka’s important role in South Asia and the Indian Ocean region. Sri Lanka’s strategic location and historical role as a maritime and commercial centre make it an important partner for regional connectivity and economic cooperation. With Sri Lanka’s keen interest in engaging more with ASEAN (Regional Comprehensive Economic Parnership ) Viet Nam believes Sri Lanka can play an even stronger role in connecting South Asia and Southeast Asia, especially in trade, tourism, logistics and maritime cooperation.
(Q) How would you describe the current diplomatic relationship between Viet Nam and Sri Lanka after the Party General Secretary and State President’s visit?
(A) Following the visit, the diplomatic relationship between Viet Nam and Sri Lanka can be described as stronger, more dynamic, and more future-oriented. The establishment of the Comprehensive Partnership demonstrates the high level of political trust and creates a solid framework for expanding cooperation in many important sectors, including trade, investment, tourism, education, digital transformation, agriculture, and cultural exchanges between the two countries.
(Q) After the Party General Secretary and State President, what is your vision for Viet Nam-Sri Lanka relations over the next decade?
(A) Over the next decade, we hope Viet Nam–Sri Lanka relations will develop into a stronger, broader, and more practical partnership under the framework of the Comprehensive Partnership. We expect deeper cooperation in trade, tourism, connectivity, digital economy, education, renewable energy, agriculture, and maritime cooperation. At the same time, people-to-people exchanges and cultural cooperation will continue to grow, creating a solid foundation for long-term friendship and mutual prosperity between the two countries.
(Q) What message does Viet Nam wish to send to Sri Lanka and South Asian Region through the visit?
(A) Through the Party General Secretary and State President’s visits to India and Sri Lanka, Viet Nam wishes to send a strong message of friendship, cooperation, and shared development to Sri Lanka and the wider South Asian region. The visits demonstrates Viet Nam’s commitment to strengthening partnerships in South Asia and promoting peace, stability, connectivity, and economic cooperation in the Indo-Pacific region.
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