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Best Fashion Photographer

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by Zanita Careem

Raffealla (an internationally recognized photographer) believes art is how you want to see the world. Passionate about art since her school days in St. Bridget’s Convent Colombo, Raffaella Fernando was a woman who always wanted ‘to do something unique and create art with her innovative ideas. She said with pride “From a my young age, my paint:ings and art were extraordinary, and nothing could stop me once I received a camera as a gift from my father.’ With a motivation to pursue a career of my own, I started photography and designing and reached success at a very young age due to my creative talent and enthusiasm.

Raffealla Fernando Photography is Raffaella’s photography brand, under which her most popular brand, the Raffealla Fernando Celebrity Calendar (RFCC). RFCC has been annually published, featuring multiple celebrities across Sri Lanka. Raffealla has been closely working with an interesting team of celebrities while collaborating with makeup artists, designers, etc. Her luxury designer brand is known as ‘Raffealla’, which she claims to define herself the most, and her more affordable designer brand is ‘Mermaidish’. She has also collaborated with a few other designers while contributing to the above brands.

A highlight of her career was when she became the “Best Fashion Photographer of the Year” at the 5th International Achievers Award 2017 London out of 310 contestants across the globe. She has also made us proud with her World Ranking of the 8th best photographer of the world, competing with 150 other photographers at the BEFTA Awards UK. Another wonderful milestone of her career life is being invited to design for the 69th and 71st Cannes Film Festivals where she could showcase her talent to the world as the first Sri Lankan designer of all. Raffealla also showcased in the London Fashion Week, where her designs were cherished among all. She also reminisces the opportunity she got to showcase one of her collections to the Prince Charles Charity Trust 41st Anniversary as well as becoming a finalist on the New York Fashion Week, bringing pride to Sri Lanka.

Can you tell us about yourself and how you got into photography?

Fashion designing came first, I started off as a fashion designer and after 3 years I started my journey as a fashion Photographer. I was very much passionate about Photography since I was a school girl, I was part of the school photographic society and has also won few interschool photography competitions. When I was about 14 years old I won an Art competition and my father asked me what I need as a gift and I said I want a camera, I still remember my first camera was the F25 lumix SLR camera, my passion and interest grew from there and gradually I found the interest for fashion photography through my fashion background.

How do you describe your individual style?

I have dark twist to my style, not particularly a signature look but I like more black so I mix black with all most all my clothes. I try a lot of looks, makeup and hair styles, I am person who explores and experiment a lot with style and fashion.

When comes to my Photography I have conceptualized style, I love to tell stories I also look at myself as story teller sometimes because a lot of thinking goes into my thought process when it comes to my concept shoots.

To summarize it’s dark, conceptualized and creative.

How do account for your fearless approach to the fashion world?

I’ve always been myself and I let it flow seamlessly. Fashion industry in the only place I always wanted to work since I started dreaming from a right mind. I don’t know if it was fearless because I was very young when I entered the Industry, the excitement was way much that all I can remember is that I worked very hard to do new things in the industry also to have my own place and stay.

As an award winning photographer? What is your first preference?

Fashion a photography?

It’s very hard to pick from both because I started as a designer and then got in to Photography. But if I speak honestly I love taking photographs more because I get to create a whole new different world for my creative eye.

What made you to name your brand Raffealla?

I think My name itself does the best Branding for me , that’s why I using my name as my brand name as well…. I grew up disliking my name so much thinking it is so different and now I think it works in my favor. Also I have a fond memory with my grandmother who is no more with us, she named me Raffealla and I used to ask her ” why did you name me Raffealla , it’s such an ugly name ” and she use to always tell me ” no its such a unique name, thank me later when you grow up “

Why did you change your career from film direction and journalism?

well I’m very new to film direction, at the moment I’m planning on my very first film direction and that is something I’m really looking forward to.

I started to work as a fashion journalist at the age of 18 I continued for 5 years and gradually and sadly I had to stop because I couldn’t find the time to continue.

Actually didn’t change but my direction from it I changed my direction towards it.

DO you have any signature styles?

Not particularly but creating concepts and stories are more of my style and kind of work.

Difference between art photography and fashion photography?

I would like to call both “art” , but there is a whole world of difference between conceptualized photography and fashion photography, because it’s so different to each of the style the line itself is created I feel.

In fashion photography we always want to keep it trendy,fashionable , styling and what we always highlight is the fashion, but in conceptualized photography we highlight the concept, the story, the expressions it’s the soul of the concept we try to highlight. Art Photography is more of an abstract style.

What are your plans for this year with the endemic spreading?

Fashion photography is an incredibly competitive niche what steps

you have taken to be above the rest

Consistency is definitely the key of success, as women we sometimes have to work as twice as hard as a man, it is a good thing I am not complaining about it because it helps us a lot to grow. So I always feel consistency is the key just be consistent and do what you do, continue even when you fall and fail. It is a beautiful industry to work , of course like any other industry we do have a different side , it is very competitive like you said and cut throat. I try to be constant as much as I can, do new projects, explore and experiment with myself and I do a lot of work on me to make myself a better and a fuller artist.

What according to you is fashion?

Fashion is the form of clothing, accessories, and furniture. It can be used by everyone. It is related to culture,

style is such a personal thing it does not change with seasons, for an exams Micheal jackson , queen and etc they had such unique style.

The above was the technical part of fashion and style, for me fashion is a language, helps to understand people and also feelings. If you are happy you dress well and when you aren’t you dress down and bad sometimes.

What do feel most challenging/interesting?

Every single working day is challenging and interesting especially these days as we all push more to create, we work a lot on the virtual platforms and I find it the most interesting.

Like last year I conducted Sri lankas very first solo virtual photography exhibition, we launched it online during the second lockdown period. I found it interesting how we make use of platform we previously didn’t consider.

What do you think are the most important traits a fashion model should have?

Understanding of fashion, light and camera. A conscious mind of movement to move with the camera and lights, I appreciate a lot when models listen.

A little bit on jewellery designing

I Have a higher national diploma in Jewellery designing and something I always enjoyed applying for my designs and styling. I create a lot of jewellery with throwing away material and create recycle and upcycled jewellery for my collections.

 



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Fashion

Maathra- A Tribute to National Culture

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By Anura Gunasekera

Lyceum International Schools delivered its 13th edition of “Maathra“, a composite of opera, dance and theatre, at the BMICH premises, on October 12. It was an in-house creation, produced by Lyceum teachers specializing in dance, theatre and allied disciplines, and performed entirely by students selected from of the Lyceum group of schools.

When the first edition of the event was displayed to the public in 2008, it is unlikely that the organizers would have envisaged its impact on viewers, and the sense of anticipation it would go on to create in the minds of the public, year after year; nor that it would re-invent itself with each performance, reaching new levels of excellence with each successive year. That is an aspect the writer can personally vouch for, not having missed a performance since its inception.

Maathra is a rich, multi-faceted tapestry, an auditory and visual feast, woven from local narratives, folk tales, traditional dances, myths and legends, values and beliefs, and segments of the country’s rich history. It is a composite of the cultural and historical diversity that is Sri Lanka.

Maathra showcases and promotes this enchanting variety, exploring through each individual performance, the aesthetic and rhythmic elements that distinguish Sri Lankan art forms, whilst projecting the historical content. By engaging with such a broad spectrum of cultural aspects, Maathra makes a significant contribution to the broader conversation about our national identity, and inculcates in the performers and viewers, pride in that identity, and the cultural and historical wealth this country has to offer.

In a highly globalized society, connected by instant communication which indiscriminately transmits, and glamorizes, both the vulgar and the tasteful, Maathra reminds viewers that, in meaning and value, what this country possesses is absolutely unique in richness and depth. Maathra is a performance which helps all those involved, audience and participants, to re-anchor themselves to that cultural wealth, which constitute our national roots and foundation. Maathra is not just about dance, theatre and music, but also about who we Sri Lankans are. The performances cut across racial, religious and cultural divides, and embraced the national community as a whole.

The selection of themes of the latest edition was clearly designed with the above in view.

Sigiri“, the story of the parricide king, Kashyapa, celebrated the matchless grandeur of the fortress in the sky and the cloud-maidens who adorned it, whilst “Devadasi” introduced to the audience, an ancient temple service tradition with South Indian roots. “Gaadi”, recreated vignettes of the life-style of the diminished Hulawaly community, decades ago very much part of our national landscape, whilst “Andare”, the court jester of the Sinhala kings, evoked much laughter.

Hiru Kule” revived a fascinating legend of our roots and depicted king Ravana at his menacing best and “Tikiri Kumaru”, took the audience back to the youth of warrior king, Rajasinghe the First. “Hansa” , recalled the brilliant literary tradition of “Sandesa” poetry and “Siri Dalada”, paid homage to the sacred Tooth Relic. ‘Manikyabhiman,was a tribute to the treasure-laden land and the gem-mining tradition of Sabaragamuwa, and “Isurumuni”, a special performance by the Lyceum alumni, brought to life the ancient lovers cast in stone.

“Nertha Yaathra” traced the evolution of traditional dance forms in Sri Lanka, and its enrichment through other influences, especially the gradual inclusion of women performers in a previously male-dominated tradition. “Siv Hela Rakun” was an accolade to the legendary origins of our nation, from the ” Yakka, Naga, Deva and Raksha”

Each item did not last more than a few minutes but the illustration of the themes, through song, dance and music, in a brilliant fusion of traditional dance styles and contemporary balletic forms, offered to the audience, vivid and unmistakable depictions of each theme.

This production of ‘Maathra” brought together 68 dedicated teachers and 762 students. A feature of the production was the wide age range of the performers. Each item constituted of at least 40 performers, ranging in age from pre-teens to late teens. Some of the performers had grown and matured in dance with the event itself, participating in at least seven to eight consecutive performances over a decade.

The event, in its totality, was conceived and led by the dynamic duo, Rasika and Nisha Kotalawela, under the guidance of Dr.Mohan Lal Grero and Dr. Mrs Kumari Grero. In fact, it is the Kotalawela duo, who have been responsible for the Maathra production from the very first instance.

The beautiful melodies which accompanied each item had been produced by renowned artists, whilst the glittering costumes, inspired by strictly traditional motifs, crafted by leading designers.

A production, involving over a 1.000 people, mostly high-spirited children, requires intricate planning, which actually begins anew, immediately, on completion of each show ! The seamless progression of items, moving from one to the other with hardly a break, with clock-work precision, despite the complex choreography, was testament to the competence of the organizing group, and the discipline of the performers themselves. The fluid coordination within and between performances, belies the fact that the cast had been assembled, just for this event, from eight Lyceum branches across five provinces.

The performance was graced by many prominent figures from the cultural, dance and theatre communities of the island. Undoubtedly, the proudest would have been the parents of the performers, watching their children displaying such virtuosity.

Lyceum International takes pride in providing appropriate platforms for its students to showcase their talents and skills. As ‘Maathra” has demonstrated each year, despite an international school’s customary detachment from national educational curricula, disciplines rooted in national culture clearly receive priority attention at Lyceum. This ensures that wherever they are as adults, the children of Lyceum remain firmly anchored to the culture which bred them.

The significance of Maathra transcends its attraction as a colourful pageant. It has a much deeper meaning and an impact. Whilst receiving an international education which prepares them for higher education abroad, the students of Lyceum, as ambassadors of our national culture, take with them, to other universities, to other lands, and to other nations, the message of our rich national heritage. That is Lyceum International School’s service to the nation.

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Life style

Scholarships To Sri Lankan Students

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Pakistan High Commission Awards

Pakistan High Commission, Colombo in collaboration with Higher Education Commission, Pakistan held Allama Iqbal Scholarship Award distribution ceremony rcently.The scholarship is named after Allama Muhammad Iqbal, one of the greatest philosophers and visionary also known as “Poet of the East”. Allama Iqbal inspired countless individuals through his profound thoughts and unwavering commitment to education.

The Allama Iqbal scholarship program for the deserving Sri Lankan students was started in 2019. This year, for the 6th Batch of the programme 200 fully funded scholarships have been awarded to the students. At present, around 500 students are already pursuing their academic degrees at graduate, postgraduate and PhD level. The next intake will start in February 2025.

High Commissioner of Pakistan, Maj. Gen. (R) Faheem Ul Aziz, HI (M), in his remarks stated that awarding these scholarships to Sri Lankan students is yet another testament to the excellent brotherly relations between Pakistan and Sri Lanka. He urged the students to embrace this opportunity with determination and resilience. He further added: “As you pursue your studies, remember that you are ambassadors of your country and your culture. Engage with your peers, share your experiences, and be a bridge between our nations. The knowledge and understanding you gain will be invaluable as we work together to address the challenges we face in our ever-changing world.”

General Shavendra Silva WWV RWP RSP VSV USP ndc psc MPhil, Chief of Defense Staff (CDS) was the Chief Guest of the event which was attended by prominent personalities from various walks of life including businessmen, academicians, and government officials. The Chief Guest, the High Commissioner and other notable dignitaries distributed the scholarship awards among the students.

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Life style

Sun Siyam Pasikudah offers sustainable luxury stays in the scenic Eastern Sri Lanka

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Sri Lanka is home to some of the world’s most breathtaking coastal destinations, and Sun Siyam Pasikudah stands out as an extraordinary resort offering a unique experience on the island’s eastern coast. Having undergone a transformative renovation, creating an idyllic blend of opulent comfort and eco-conscious living, the 34 pavilions are surrounded by lush tropical greenery combined with locally crafted cane furnishings.

At the resort, you’ll find yourself in a tropical oasis known for its serene coastline. With spacious villas that open up to breathtaking ocean views, the resort offers the perfect beachfront escape for those seeking peace and relaxation. At Sun Siyam Pasikudah, luxury doesn’t come at the expense of the environment. The resort is designed with sustainability in mind, featuring local materials and an eco-friendly design.

The villas are adorned with handcrafted furnishings made by local artisans, giving each space a unique touch that reflects the rich culture of Sri Lanka. Plus, the resort is committed to reducing its carbon footprint by utilizing solar energy and implementing water conservation practices

By choosing to stay here, you contribute to their ongoing commitment to preserving the stunning natural landscape of Pasikudah. Sun Siyam Pasikudah recently launched the CarePhant project, supporting the well-being of a young elephant named Kalo at the Elephant Transit Home in Udawalawe, Sri Lanka.

Celebrate the flavors of Sri Lanka with expertly curated menus that combine traditional dishes with modern flair. The resort’s dining options serve locally sourced ingredients, from fresh seafood to exotic spices, delivering an authentic gastronomic experience. You’ll also have the chance to learn more about Sri Lankan cuisine with interactive cooking sessions hosted by the resort’s top chefs.

Dive deep into the vibrant culture of Sri Lanka with the unique experiences offered at Sun Siyam Pasikudah. From guided tours of nearby historical sites, such as the ancient ruins of Polonnaruwa and the famed Sigiriya Rock Fortress, to engaging storytelling sessions with local elders, your stay will be enriched with cultural insights. The resort also hosts regular traditional dance performances, showcasing the rhythms and stories that have shaped Sri Lankan heritage.

For the adventurous local traveler, the resort offers a variety of exciting water sports. From jet skiing to windsurfing and kayaking, the calm waters of Pasikudah Bay are perfect for thrilling activities. Discover the underwater world with a snorkeling or scuba diving excursion, where you can explore colorful coral reefs and marine life. For the thrill-seekers, consider a guided kite surfing lesson, or explore the nearby nature reserves to spot exotic wildlife.

Recharge your mind, body, and spirit at the resort’s tranquil spa, which offers a range of treatments inspired by ancient Sri Lankan wellness practices. Indulge in a signature herbal massage or a rejuvenating facial using locally sourced ingredients like coconut oil and spices. The resort also provides daily yoga classes on the beach.

. For families, the resort provides ample accommodation with luxurious two-bedroom pavilions, ensuring privacy and convenience for everyone. Many villas feature private pools, allowing them to unwind in style. Whether it’s a romantic getaway or a family retreat, Sun Siyam Pasikudah’s accommodations provide the ultimate combination of luxury, space, and relaxation.

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