Life style
A synthesis of native craft and European design
Colombo National Museum’s new Furniture Gallery which displays a fine collection from the Kandyan kingdom and the colonial times, is soon to be opened to the public. We had a sneak-peak at the new gallery’s intricately designed ebony almirahs, four-posters, palanquins from the Kandyan times, cradles and Burgomaster chairs from the Dutch times and much more…
BY RANDIMA ATTYGALLE
The first impression of the Colombo National Museum’s new Furniture Gallery is that it’s a synthesis of the indigenous craft and that of the European genus. The 17th century Dutch grandfather clock which stands tall at the entrance to the gallery is juxtaposed with the traditional Kandyan laaksha-embelished centre tables. The richly ornamented Kandyan palanquins and finely crafted chairs inspired by the Dutch tradition, equally speak for the skills of the Lankan artisan who could navigate different schools of art with ease.
A luxury of the nobility
Until the mid-20th century, the use of furniture in Lankan homes was minimal. Except for small three-legged benches, there were hardly any pieces of furniture found in ordinary households. Even guest seating was arranged by laying a mat on the outside verandah. The use of furniture was accepted as a luxury by the royalty, nobility and the priests. Ananda Coomaraswamy in his work Mediaeval Sinhalese Art notes that, ‘none but the king was allowed to sit upon a chair with a back.’ The chairs that we are familiar with today did not exist here at home in the early 16th century. Coomaraswamy further writes of a beautiful chair dedicated by Kirti Sri Raja Sinha preserved in the Asgiriya pohoya-ge which is painted and inlaid with ivory. Paintings at Degaldoruwa also depict a number of types of stools and chairs. ‘Ordinary tables, were not in general use, though mentioned by Knox (Robert Knox) among the King’s private treasures, most of which he had obtained from wrecks or were gifts brought by ambassadors,’ says Coomaraswamy.
Colonial influence
Most of the furniture we are familiar with today such as chairs, tables, bedsteads and wardrobes were first introduced to the island by the Portuguese in the 16th century. The native words putuwa and almariya (derived from the Portuguese word armario) are of Portuguese origin. Later, the Dutch colonization of the coastal areas of the island gave birth to a rich furniture-making legacy.
In the article, ‘Colonial Dutch Furniture’ by E. Reimers published in the Journal of the Ceylon Branch of the Royal Asiatic Society (RAS) of 1937 (Vol XXXIV), the writer states that the ‘Dutch with their characteristic caution and attention to details should have provided for their domestic needs in their Eastern colonies’ and have probably brought some of their master carpenters to the island. Local carpenters probably became their understudies.
R . L Brohier in his book, Furniture of the Dutch Period in Ceylon documents: ‘Large number of Porto-Sinhalese and others from the Sinhala community whose ancient trade was carpentering found employment in the Dutch winkels or workshops in Ceylon. It was from the Dutch that the ‘Moratuwa Carpenter’ and the Low country Sinhalese generally learnt the art of furniture-making and even up to the British period of occupation in Ceylon duplicated the genuine Dutch models and preserved many of the Dutch patterns.’
Superior Ceylonese furniture
Brohier further notes that, ‘the period which the Dutch were in Ceylon synchronized with this golden age of furniture development in Europe-claimed by authorities to have been a period of artistic activity never equaled before or since in the history of furniture.’ The assortment of chairs, settees, book cases and wardrobes found in the Colombo Museum’s new gallery is a testimony to this legacy the Dutch.
The Burgomaster chair type which was first made in the Netherlands in about 1650 and the subsequent Queen Anne Style type and those of the rococo style (which are found in the Wolvendaal Church in Colombo) are among the interesting chairs found in the gallery. Jan Veenendaal in his book, Furniture from Indonesia, Sri Lanka and India during the Dutch Period, observes the distinction between the chairs from Sri Lanka and Indonesia in the 1740s. ‘The difference between chairs from Sri Lanka and Indonesia is very marked during this period. In Sri Lanka, the Dutch style was followed more assiduously, Chinese and of course Indonesian influences on methods of ornamentation are completely absent.’ Dr. Joseph Pearson in his writing in RAS (Ceylon) Vol XXXI, 1938 makes a distinction between old Javanese and Ceylonese furniture: ‘Generally speaking, the types of old furniture in Java has characters of its own…. The furniture is frequently overloaded with rough carving and as a rule is inferior to Ceylon furniture which is dignified in style and restrained in motif.’
Clock of the last Dutch Governor
The grandfather clock in the gallery is indeed a show-stealer. Brohier in his work provides an extensive account of it. Dating back to 1710, the clock it claimed to have been the property of the last Dutch Governor of Ceylon, John Gerard van Angelbeek. Subsequently, it passed into the possession of Leslie de Saram who was a connoisseur of antiques in 1936. He then gifted it to the University of Ceylon in memory of his mother. Brohier recalls having seen this iconic article on a visit to the university in 1963 when the clock was still intoning ‘tick-tock’. This valuable antique was ‘indecorously destroyed beyond repair together with other articles of furniture in the student riots of December 1965,’ records the historian.
Local timber and art
The laaksha or traditional Sri Lankan lacquer work has a deep-rooted history. Matale is the best-known region in the island for this art. The legend has it that this art was introduced to the island with the arrival of Theri Sangamitta who brought the sapling of the sacred ‘Sri Maha Bodhi’ tree, accompanied by numerous artisans who introduced their respective traditions to the island. Ananda Coomaraswamy describes the Sinhalase lac-work to be of ‘great brilliancy and gaiety of colouring.’ He also notes that most of the work is from a decorative point of view. The laaksha-adorned centre tables found in the gallery mirror this brilliance and add colour to the place.
In the selection of material for their earliest 17th century furniture, the Dutch appear to have shown a marked preference for dark or coloured woods, mainly ebony, records E. Reimers in his contribution to RAS (Ceylon) of 1937 (Vol XXXIV). ‘We may imagine that the Hollander’s imagination ran riot when he first came out to the East and saw rich varieties of woods which the virgin forests of Ceylon and Mauritius afforded.’ Among the other local timbers sought after by the Dutch were Calamander, (which was found in the wet forests of the Southern provinces and in the wilderness of Sri Pada, recklessly felled by the Dutch and the British and is almost extinct today), Nedun, Satinwood, Tamarind, Kumbuk, Jak, Halmilla, Suriya, Kohomba and Mara.
Public participation
The soon to be opened new Furniture Gallery at the Colombo National Museum is a fine representation of the cultural intersection of Sri Lanka, says the Director General of the Department of National Museums, Sanuja Kasthuriarachchi. “The fine collection of furniture we have as exhibits ranging from the Kandyan era to the British period in the island reflects not merely the colonial influence on the furniture-making in the island but also the fact that our traditional carpenters and artisans were naturally endowed with the skill, given their long-standing association with wood crafts.
“The Kandyan Kingdom in particular is associated with an architecture and crafts dominated by wood. This inherent skill would have probably driven our carpenters of the colonial times to ably grasp the European styles,” remarks Kasthuriarachchi who invites history-lovers to enjoy the exhibits and revisit a rich tradition. “We also welcome unique articles of furniture as gifts from the public to the gallery as means of enabling a richer experience to museum visitors,” she added.
(Pic credit: Department of National Museums)
Life style
Nanda Malini Ascocenda: A flower that carries the name of a legendary voice
By Ifham Nizam
A flower named after one of Sri Lanka’s most celebrated voices has become a unique tribute to the country’s cultural heritage, with the Nanda Malini Ascocenda orchid carrying the name of veteran singer Dr. Nanda Malini.
The orchid was named in honour of Nanda Malini, recognising her outstanding contribution to Sri Lankan music and culture. She is among the country’s most acclaimed singers, with a career spanning several decades and a repertoire deeply rooted in Sri Lankan social and cultural experiences.
The striking illustration, released by the Ministry of Environment on August 21, features the veteran singer surrounded by colourful orchids and musical notes, bringing together two important elements of Sri Lankan identity — the country’s rich natural heritage and its musical tradition.
The Nanda Malini Ascocenda is particularly significant because it represents an unusual meeting point between art and nature. Orchids have long been associated with Sri Lanka’s botanical wealth, while the naming of individual hybrids after distinguished personalities provides a lasting link between the country’s natural and cultural heritage.
According to published accounts, the Nanda Malini Ascocenda was named in 2004 in recognition of the singer.
A recent profile described her as possibly the only Sri Lankan artiste to have an orchid named after her by the Orchid Circle of Sri Lanka.
Nanda Malini’s contribution to music has been recognised through numerous awards. She has also performed internationally and remains one of the most recognised figures in Sri Lankan music.
Her association with songs reflecting social realities, human emotions and national identity has given her a special place in the country’s cultural landscape.
The orchid, therefore, represents more than a botanical curiosity. It is a living tribute to an artiste whose voice has accompanied generations of Sri Lankans.
The Ministry of Environment’s presentation also serves as a reminder that conservation is not limited to forests, wildlife and ecosystems. Sri Lanka’s natural heritage is closely intertwined with its history, culture, art and the people who have enriched the nation’s identity.
As the colourful blooms of the Nanda Malini Ascocenda evoke the beauty of Sri Lanka’s orchid heritage, the name attached to them ensures that the contribution of one of the country’s most distinguished musical voices continues to live on in an entirely different form — through nature itself.
Life style
The Best of Malkoha celebrates half a century of Sri Lankan ornithological writings
By Ifham Nizam
The launch of The Best of Malkoha: Half a Century of Ornithological Writings marked a significant milestone in Sri Lanka’s birdwatching and conservation history, as the Field Ornithology Group of Sri Lanka (FOGSL) celebrated its Golden Jubilee at the Faculty of Science, University of Colombo.
The book, drawn from five decades of writings published in Malkoha, the FOGSL newsletter, brings together a rich record of observations, discoveries and experiences that helped shape modern field ornithology in Sri Lanka.
The launch formed part of FOGSL’s first-ever Founders’ Day, held on August 22, a date chosen to coincide with the 76th birthday of Vidyajothi Emeritus Professor Sarath Kotagama, one of the Organisation’s founding figures and its enduring source of inspiration.
The occasion brought together academics, conservationists, naturalists, birdwatchers, students, young birders and members of FOGSL, reflecting the broad community that the organisation has cultivated since its establishment in 1976.
Biodiversity expert Dr. Rohan Pethiyagoda, delivering the Golden Jubilee Founders’ Day Oration, used the occasion to reflect on five decades of biodiversity research and conservation in Sri Lanka, while paying tribute to Professor Kotagama and the role played by FOGSL in taking birdwatching beyond a small circle of specialists.
Pethiyagoda said the organisation’s greatest achievement had been its ability to make knowledge of birds and nature accessible to ordinary people.
He recalled how, in the early 1990s, Professor Kotagama had proposed producing an affordable field guide so that birdwatching would no longer be restricted by the high cost of existing publications.
That resulted in the publication of A Field Guide to the Birds of Sri Lanka in 1994, which Pethiyagoda published and which subsequently became a bestseller.
The collaboration later produced Sri Lanka Kurulu in Sinhala, making serious bird identification and knowledge available to an even wider audience.
Pethiyagoda recalled a particularly emotional encounter that demonstrated the lasting impact of that work.
During a recent visit to Talangama to accompany Australian birdwatchers, he encountered two boys, aged around 12 and 14, carrying a battered copy of Sri Lanka Kurulu and using it to identify birds.
“I just started crying,” Pethiyagoda said, describing the moment as evidence of how knowledge had been passed from one generation to another.
- Prof Nihal Dayawansa
- Dr. Pethiyagoda
- Prof Kotagama
- Birthday celebration
He said the achievements of the past 50 years should not be underestimated. Sri Lanka has witnessed major advances in health, education, infrastructure and conservation, while the country’s protected-area network has expanded considerably.
At the same time, however, he warned that biodiversity research and conservation continue to face serious institutional challenges.
Pethiyagoda pointed to habitat fragmentation, climate change, inadequate scientific research and restrictions on field research as major challenges facing the next generation of conservationists.
He said climate change would increasingly force species to move towards cooler, higher elevations, but fragmented habitats could prevent them from making such movements.
“Our challenge now is to connect up those little fragments so that plants and animals can migrate across these landscapes,” he said, stressing the importance of restoring ecological connectivity.
He also called for greater investment in ex-situ conservation for species facing extinction and urged the establishment of conservation facilities across Sri Lanka’s different climatic zones.
Pethiyagoda placed particular emphasis on citizen science, arguing that Sri Lanka possessed an enormous reservoir of public enthusiasm for biodiversity.
He noted that more than 20,000 Sri Lankans were now involved in citizen science through platforms such as iNaturalist, with Sri Lankan users generating significant biodiversity data.
“The appetite for science, the appetite for conservation, for exploration, for discovery is there in the people,” he said.
Pethiyagoda also paid an emotional tribute to Professor Kotagama, describing him as the constant force behind much of Sri Lanka’s modern conservation movement.
“In future generations, we will talk of conservation in this country as before Kotagama and after Kotagama,” he said.
He also acknowledged Professor Kotagama’s wife, Namali, for being the “bedrock” of his household and for supporting his decades-long contribution to conservation.
The Golden Jubilee celebrations also looked back at the origins of FOGSL.
The Organisation was founded on October 10, 1976, when four passionate bird enthusiasts—the late P. B. Karunaratne, Professor S.U.K. Ekaratne, Professor Sarath Kotagama and Rex I De Silva —came together with a shared objective of making birdwatching accessible beyond the relatively exclusive group that had traditionally dominated the field.
FOGSL was subsequently formally recognised by the University of Colombo and developed as a platform bringing together birdwatchers, researchers, students, educators and nature enthusiasts.
Its philosophy was simple: one did not need an academic qualification to become a member. Enthusiasm, careful observation, recording and sharing knowledge were enough.
That principle continues to define the Organisation.
FOGSL has since become Sri Lanka’s BirdLife International partner and has played an important role in bird research, conservation, environmental education, field studies, school programmes and citizen science.
Its work has extended from research on endemic birds and migratory species to biodiversity monitoring, conservation education and programmes aimed at children and young people.
Speaking at the event, FOGSL President Professor Nihal Dayawansa said the organisation’s founding vision remained relevant even after half a century.
The Organisation, he noted, was created not simply as a birdwatching club but as a platform through which people could study and conserve Sri Lanka’s birds while inspiring the wider public to appreciate nature.
The Founders’ Day itself was described as an opportunity to honour those who established and shaped the Organisation while celebrating the contribution of generations of members.
Professor Mayuri Wijeyasinghe, Head of the Department of Zoology and Environmental Sciences, said FOGSL had given ornithology a new meaning in Sri Lanka by taking birdwatching beyond an elite community and making it accessible to ordinary people and schoolchildren.
She noted that Sri Lanka, as a tropical island with a remarkable diversity of birds and a high level of endemism, had a special responsibility to understand and conserve its avifauna.
The Dean of the Faculty of Science, Professor I.M.K. Fernando, meanwhile, said that although his own field was physics, he recognised the common foundation shared by all branches of science—curiosity.
He congratulated FOGSL on reaching 50 years and praised its contribution to research, education, student development, wetland conservation, public awareness and science-based advice on development projects.
“The work goes far beyond publishing,” he said, noting the Organisation’s lectures, school programmes, research projects and conservation initiatives.
He also paid tribute to Professor Kotagama, describing him as a legend whose influence had extended well beyond ornithology.
Professor Kotagama, speaking after receiving tributes from colleagues and friends, said the Organisation’s foundations had been laid with a belief that people could make a difference.
He stressed the importance of taking decisions based on scientific knowledge and criticised excessive bureaucratic barriers that, in his view, prevented scientists from carrying out important field research.
Reflecting on his own period as Director of Wildlife Conservation, he said he had sought to transform the Department into a scientific institution.
“For me and for us who were working in the Mahaweli environment programme at that time, we knew that if not for science, you cannot go forward in conservation,”
Professor Kotagama said, stressing that conservation required both natural and social sciences.
He recalled the challenges faced by the Department, including inadequate staffing structures and poor career progression for wildlife officers, and said efforts had been made to introduce a more professional and scientifically grounded system.
The 50-year journey of FOGSL is closely intertwined with the development of modern field ornithology in Sri Lanka.
From the early days when birdwatching was largely confined to a small group of specialists, the Organisation helped create a culture in which students, schoolchildren, amateur birdwatchers and citizen scientists could contribute to the understanding of the country’s biodiversity.
The launch of The Best of Malkoha, therefore, served as more than the unveiling of another publication. It was a record of that transformation.
The writings collected in the volume represent five decades of observations and experiences, documenting how Sri Lankan field ornithology evolved through the work of generations of birdwatchers, researchers and conservationists.
As theOorganisation enters its next half century, the message emerging from the Golden Jubilee celebrations was clear: the future of conservation will depend not only on institutions and scientists but also on an informed and empowered public.
FOGSL’s enduring motto—”Once a member, always a member”—perhaps best captures that legacy: a lifelong connection with birds, nature, scientific observation and the responsibility to protect Sri Lanka’s extraordinary natural heritage.
Life style
Heart that beats for humanity
Dr. Rajitha de Silva
By Zanita Careem
Dr. Rajitha Y. de Silva, Consultant Cardiothoracic Surgeon and Consultant at Sri Jayewardenepura General Hospital, has built a distinguished career around one of medicine’s most demanding discipline – surgery of the heart. With his expertise, precision and pioneering spirit, he has become closely associated with the advancement of Minimally Invasive Cardiac surgery in Sri Lanka. He joined Sri Jayewardenpura General Hospital in 2013 and is today recognised as a pioneer of Minimally Invasive Cardiacs procedures in the country.
He is particulary recognised as a pioneer of mimimallyinvasive surgery in Sri lanka,with experience in procedures including minimally invasive coronary surgery and mitral valve repair. He is recognition as a leading figure in the advancement of modern cardiac surgery in the country. With years of specialised training and experience behind him, Dr de Silva has built a reputation in cardiothoracic surgery while remaining deeply conscious of the human story behind every patient who enters the operating theatre. For him, the beating heart is more than an organ to be repaired – it represents a life, a family, a future and a second chance.
His commitment to patients extends well beyond the operating theatre. Having witnessed the financial hardships faced by heart patients who desperately needed surgery but could not afford it. Dr de Silva, together with Senior Cardiologist Dr. Ruwan Ekanayake, co-founded the Heart to Heart Trust Fund.
The initiative was created with a powerful objective, that no patient should be denied life saving cardiac treatment simply because of financial difficulties.
Perhaps one of the most striking aspects of Dr de Silva’s personality is that his concern for patients does not end when the operation is over. His vision has included creating initiatives that make the difficult journey of cardiac patients more humane, giving them encouragement, dignity and hope during a period when they are often at their most vulnerable. Abayadhana was born from a simple but powerful conviction that every patient deserves a chance to live.
Through the Abayadhana programme, he represents his compassionate approach to caring for people who need not only medical attention, but also understanding, encouragement and support. What makes this initiative particularity meaningful is the personal commitment behind it. It reflects his belief that healing is not only about medicine, but about reaching out to people when they are most vulnerable.
Away from the intensity of the operating theatre, Dr. Rajitha de Silva finds another kind of joy – his passion for cricket over the years; he has taken the field in numerous matches, playing alongside and against many well known personalties.
Dr. Rajitha de Silva’s journey is guided by compassion and success anchored in humanity. From pioneering milestones in cardiac surgery to the Heart to Heart Trust Fund and the Abayadhana initiative, he has continued to give back to the people whose lives he touches. His love for cricket, his warmth and generosity reveal the heart behind the healing hands.
A surgeon by profession, a humanitarian by choice and a cricketer by heart, Dr. Rajitha’s greatest legacy may not be measured only by the operations he has performed, but by the lives he has changed, the hope he has restored and the hearts he has touched.
The trustees of the Heart to Heart Trust Fund stand united behind the mission of saving lives and giving hope. Their collective commitment helps turn the Trust’s vision into meaningful support for patients and families in need
The Executive Director, Heart to Heart Trust Fund, Shanti Fernando, plays a hands on role in turning the Trust’s vision into action, coordinating efforts, and bringing hope where it is needed.
Behind Dr. Rajitha de Silva’s demanding life is his wife, Dr. Arunie, and children, who has been his strength and support.
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