Midweek Review
THE POWER OF POETIC METER
Ven. Tirikunamale Ananda Mahanayaka Thera, the author of the book, and Prof. Dissanayake.
By Prof. Wimal Dissanayake
The Venerable Tirikiunamale Ananda Maha Nayaka Thera has written a reverential commemorative poem, titled Guru Dev Samara, celebrating the life and times of his teacher the Reverend Ampitiye Rahula Maha Thera. It is a poem that deserves the critical attention of discerning readers primarily because of the dexterity with which the author has handled his chosen poetic meter and commanded it to perform a number of functions related to the vitality of the poetic text
Guru Dev Samara consists of 130 stanzas written in conformity to the drutha vilambitha meter. As I will explain later, the choice of this meter is indeed a happy one. It serves to enhance the willed intensity of the poetic text. Guru Dev Samara in clearly modelled on Munidasa Cumaratinga’s celebrated poem the Piya Samara. The title of the Reverend Ananda’s poem is reminiscent of Munidasa Cumaratunga’s poem the Piya Samara. Moreover, both poems can be termed biographical poems. The Reverend Ananda Thera has stated that he regards Munidasa Cumaratunga’s poem as an inspirational model for his own work.
Guru Dev Samara is both a lyrical poem and a narrative poem. It consists of 130 stanzas that are more or less independent, and therefore work as lyrics. On the other hand, the various incidents of the Reverend Ampitiye Rahula’s life that the author has selected for poetic representation are connected by a faint narrative outline. However, it is as a lyric poem that I value it more and hence that will be the focus of my short article.
The lyric is an expansive and inclusionary concept that shelters a number of sub-genres such as sonnets, elegies and ballads. Originally, this term signified songs performed to the accompaniment of the lyre. the music generated by sonic means and the music of ideas are vital to the ambitions of the lyric. Moreover, we can identify several other features associated with the lyric genre. The unmistakable presence of the subjectivity of the poet, the intensity of the produced emotion, the frequent deployment of apostrophe as a privileged rhetorical stratagem, the idea of performativity and the poetic articulations inhabiting a constantly unfolding present are chief among them. While these features are common across cultures, it is also important to bear in mind the fact that there are different cultural emphases and inflections as well. Reverend Ananda Thera’s Guru Devi Samara, contains many of these features linked to the lyric genre.
Throughout the poem, the author has deployed the drutha vilambitha meter with remarkable skill. It is not currently a popular meter among modern Sinhala poets; it gained wide circulation during the Matara period. It is indeed a highly demanding meter that all but the most self-assured of poets venture to harness. Gunadasa Amarasekera claims that this meter exudes an intimacy and sonic allure that is perfectly consonant with the aims of Reverend Ananda. I find this meter highly appropriate to the intentions of this poetic text. The dualism of absence and presence that courses though the poem is incarnated in the metrical movement. The Reverend Rahula, the protagonist of the poem, is dead, but he is also vitally present through the evocations of memory. As deconstructionists would find interesting, this duality is upended by generating a semiotic immortality. The movement of the drutha vilambitha meter with its interplay of speediness (drutha) and measuredness (vilambitha) aids in this effort. The focus on Time and the reflexive transcending of Time are suggested through the sonic collocation of the meter.
Few modern Sinhala poets would be able to handle this meter with the dexterity that Reverend Ananda has. It needs a great power of discipline and mastery over language. Guru Devi Samara is an exemplification of poetic discipline at its best. This is important in that the authority of discipline indexes the inordinate self-discipline that the hero pf the poem, the Reverend Ampitiye Rahula displayed in his life. Here the form enacts the theme. Gunadasa Amarasekera asserts that this poem stands out from the general run of modern Sinhala poetry. One reason for this is the extreme competence with which the poet has handled the drutha vilambitha meter in the way that Munidasa Cumaratunga had a few decades ago in his Piya Samara.
Jonathan Culler, who is one of the most consequential theorists of the lyric, has demonstrated how meter, rhythm, alliteration, assonance and other sonic effects are central to the power of the lyric. I wish to quote a passage from his book Theory of the Lyric which points this out. ‘there seems widespread agreement among poets and theorists about the centrality of rhythm to lyrics. Valery, like other poet, evokes rhythm as the key element in the genesis of a poem. It was born like most of my poems, from the unexpected presence in my mind of a certain rhythm. T S Eliot concurs, observing that a poem may tend to realize itself first as a particular rhythm before it reaches expression in words, and that this rhythm may bring to life the ides of an image. We know poetry is rhythm writes Yeats, distinguishing the rhythms that pick up and spectrally convey a tradition from the mechanistic cadences of music hall verse it is the rhythm of a poem that is the principal part of art. Statements about the fundamental character of rhythm, such as Nicolas Abraham’s claim that rhythm produces in the reader the fundamental effect of the entire poem, come from poets, critics, and historians of all stripes’. The Venerable Ananda Thera is fully aware of this fact as evidenced in the texture of his poem.
A distinguishing feature of the lyric is the frequent use of apostrophe. Jonathan Culler argues that this is a defining feature of the lyric. In poetry, an apostrophe designates a figure of speech in which the poet addresses an individual, mostly absent, an abstract idea or a thing. One of the clearest example is a nursery rhyme that we all learned in our childhood.
Twinkle, twinkle, little star
How I wonder what you are
Up above the sky so high
Like a diamond in the sky.
There are very powerful lyrics whose power derives from the deployment of apostrophe. This is evident in the following sonnet by John Donne, titled Death, Be Not Proud.
Death, be not proud, though some have called thee Mighty and dreadful, for thou art not so
For those whom thou think’st thou dost overthrow
Die not, poor death, nor yet canst thou kill me
Poets in general are lured to this trope, though some like Pablo Neruda find it compellingly attractive. He has written 225 odes, addressing a broad array of subjects ranging from abstract concepts like time, poverty and happiness to mundane things like scissors, a pair of socks and a cake of soap. This is a poem addressing a cake of soap.
That’s what
You are
Soap, pure delight
Fleeting smell
That slips
And sinks like a
Blind fish
In the depths of the bathtub.
As I stated earlier the eminent theorist Jonathan Culler has made the apostrophe a cornerstone of his theory of the lyric. The Reverend Ananda has made in his poem made use of poetic apostrophe with great sensitivity. The object, the hero, of the poem is the Venerable Ampitiye Rahula Thera. He is now dead. However, the poet, throughout the poem addresses him in the unfolding present as ‘oba’ (you) as if he were alive. This plays into theme of presence and absence that animates the poetic text which I identified earlier. Munidasa Cumaratunga, too, displayed a laudable ability to press into service this rhetorical strategy to great effect.
Guru Dev Samara displays a remarkable congruence of form and vison. Although this is a slim volume consisting of 130 strophes, there is a copiousness to it that grows out of the author’s desire to select the dynamism of Buddhist culture as his chosen province. The Nobel prize winning Irish poet Seamus Heaney once made the following astute observation, ‘Technique, as I would define it, involves not only a poet’s way with words, his management of meter, rhythm and verbal texture; it involves also a definition of his stance towards life…it involves…a dynamic alertness that mediates between the origin of feeling in memory and experience and the formal ploys that express these in a work of art..,it is the whole creative effort.to bring the meaning of experience within the jurisdiction of form.’
Ven. Ananda validates this broad notion of technique and he is very skillful in bringing his experience within the jurisdiction of form. For example, his syntax is supple and persuasive; it negotiates the dictates of meter in a way that the thematic meaning is unobtrusively reinforced. Earlier I alluded to the fact that the temporal structure of this poem serves to enact its theme. The metrical energy of the poem propels the narrative and theme forward reassuringly. So Reverend Ananda is employing the idea poetic technique in the way that Seamus Heaney envisaged and promoted.
As a consequence of the able ways in which the experience and concept of Guru Dev Samara are brought under the jurisdiction of form, we see how Reverend Ananda’s deeper sub-text of affirming Buddhist values though the lived life of his poetic hero is achieved. Jonathan Culler has maintained- quite rightly in my view- that although there is an ostensible person or object that is overtly addressed by the poet, his or her real intention is to address the reader. The reader becomes a part, a character, of the communicative event. In this poem, the real and deeper intention of the poet is to convey to the reader and affirm the importance of Buddhist humanistic values. This desire to address the reader stealthily is regarded by Culler and others as a hallmark of the lyric.
Finally, I wish to touch upon a topic that I had discussed a few weeks ago under the title The Lyric as a Communicative Event in the pages of the Midweek Review. In it I asserted that the quadrangular relationship between the poet, persona, text and reader leads to a dynamic communicative event and that envisioning this is a most productive way of conceptually framing the lyric. Revered Ananda Thera’s poem is illustrative of this fact. The poet has established a vital relationship between the poet, his poetic persona, the text and reader whom he addresses as he persuades him or her to appreciate the relevance of Buddhist humanist values.
The distinguished literary critic Helen Vendler once remarked that that, ‘lyric is not narrative or drama, it is not primarily concerned to relate events, or to reify contesting issues. Rather, its act is to present, adequately and truthfully, through the mans of temporally prolonged symbolic form, the private mind and heart caught in the changing events of a geographical place and a historical epoch.’ She also claims that ‘the fundamental aim of lyric is to grasp and perpetuate by symbolic form, the self’s volatile and transient here and now. To my mind, Helen Vendler’s remarks are too restrictive. Scholars like Culler have pointed out the need to consider lyric as public discourse which derives its authority from sonic devices such as meter and rhyme. An interesting feature of reverend Ananda’s Guru Devi Samara is that it reaffirms the importance of this line of thinking.
This poem is by no means flawless; it has its own share of weaknesses and deficiencies. Some of the stanzas are too prosaic and close to reportage to carry an emotional charge. Some of the strophes are too laden with didacticism and consequently unable to lift themselves off the page. It would have been more productive to depict the protagonist of the poem in more complex terms focusing on inner tensions and the intricate workings of heart and mind. Despite these deficiencies, this is a poem that merits close attention. The poet’s indubitable gifts and his firm discipline are evident throughout. His language, for the most part, recognizes the richness of lucidity. The aspect that I wish to focus on in this article is the poet’s adroit use of a demanding meter. This poem serves to promote a useful discussion on the being of a lyric, especially the functionality of meter. As one reads Tirikunamale Ananda Maha Nayaka Thera’s poem, one is inexorably drawn into a multi-faceted conversation regarding the ontology of the lyric.
Midweek Review
Squeaky clean image of JVP in tatters
During the recent debate on the No-Confidence Motion (NCM) against Energy Minister Kumara Jayakody, Illankai Thamil Arasu Kadchi (ITAK) Batticaloa District lawmaker, Shanakiyan Rajaputhiran Rasamanickam, warned that the next NCM would be moved against Fisheries Minister Ramalingham Chandrasekaran. Rasamanickam accused the National List member of corruption, a charge vehemently denied by the NPPer. The NPP/JVP needs to initiate an internal inquiry before corruption allegations overwhelm the party that received the full advantage of Aragalaya to transform the outfit from just a three-member parliamentary group, in 2024, to a staggering 159, a year later. The UNP and SLFP led alliances were dealt harshly by the electorates for want of action to curb corruption. Today, the UNP and SLFP are not represented in Parliament, while the SLPP, that secured 145 seats at the 2020 general election, was reduced to just three with its parliamentary group leader Namal Rajapaksa entering Parliament through the National List. Rajapaksa junior obviously feared to face the Hambantota electorate at the last general election. That is the undeniable truth.
By Shamindra Ferdinando
The ongoing controversy over Agriculture, Lands, Irrigation and Livestock Minister K.D. Lal Kantha’s three-storeyed luxury house has intensified pressure on the Janatha Vimukthi Peramuna (JVP)-led National People’s Power (NPP) government struggling to cope-up with the devastating coal scam, blamed on Energy Minister Kumara Jayakody forcing him to resign.
Jayakody, one of those who financed the NPP/JVP campaign in the run-up to the 2024 national polls ,resigned on 17 April, along with Prof. Udayanga Hemapala, Secretary to the Energy Ministry. Their resignations happened eight months after the Frontline Socialist Party (FSP), a breakaway faction of the JVP, revealed the alleged coal scam. The Lal Kantha affair received significant public attention though the primary issue at hand is the massive coal scam that ripped through the government.
Jayakody will continue as a National List member of the ruling party. The NPP/JVP won an unprecedented 159 seats, including 18 National List slots at the November 2024 parliamentary elections.
The Opposition dismissed government claims that the resignations were meant to facilitate the Presidential Commission of Inquiry into the procurement of coal, since the commissioning of the country’s only coal-fired power plant during the onset of Mahinda Rajapaksa’s second term. In the wake of the much delayed resignations, NPP/JVP heavyweight Foreign Minister Vijitha Herath, addressing the media at the Information Department, pathetically vouched for Jayakody’s integrity.
Let us discuss the accusations directed at Lal Kantha who had served the SLFP-led Cabinet for a short period, years ago, in terms of an agreement between the SLFP and the JVP. Lal Kantha had never been accused of corruption and was, in fact, one of those lawmakers who raised the issue both in and outside Parliament. Political parties may have forgotten that the UNP got rid of Lacille de Silva, Director General of Administration, Parliament, during Ranil Wickremesinghe’s premiership, in the 2001-2003 period, alleging he passed on information to Lal Kantha to attack the government.
The NPP Executive Committee member, as well as JVP politburo and Central Committee heavyweight, has publicly defended his right to own a luxury house amidst a section of the social media pushing for police investigation into the lawmaker’s wealth.
Unlike the owner/owners of the mysterious Malwana mansion, built on a 16-acre land overlooking the Kelani river, Lal Kantha didn’t try to disclaim the house ownership at Jusse Road, Welivita, in the Kaduwela area. The Malwana house was built towards the end of Mahinda Rajapaksa’s second term as the President. The hullabaloo over the ownership of the Malwana mansion, and construction costs, dominated the 2015 presidential election campaign. On the basis of the Malwana mansion, the UNP and the JVP built a strong case against the Rajapaksas, accusing the family of corruption.
It would be of pivotal importance that the JVP backed Maithripala Sirisena’s 2015 presidential polls candidature. The campaign was built on an anti-corruption platform that earned the appreciation of the public who disregarded the unprecedented development work successfully carried out by the Rajapaksas, while also fighting a war to defeat the most ruthless terrorist organisation that was out to break up the country.
During a US-India backed violent protest campaign, in March-July 2022, an organised gang set the stately Malwana mansion ablaze. The general consensus was that the Malwana mansion belonged to Basil Rajapakasa, though he vehemently denied having anything to do with it.
Yahapalana Justice Minister Dr. Wijeyadasa Rajapakshe, PC, is on record as having declared that the Malwana mansion would be renovated and used to accommodate a state institution. Lal Kantha’s newly acquired wealth has to be examined and discussed, taking into consideration his long standing claim that as a fulltime member of the JVP he entirely depended on his wife’s monthly salary and help provided by friends and associates. If that was the case, Lal Kantha couldn’t have ended up among the richest group of politicians, within less than two years after the last presidential election, held in September 2024.
Lal Kantha couldn’t have been unaware of the possibility of the Opposition, particularly the Sri Lanka Podujana Peramuna (SLPP), attacking him and the NPP/JVP over his Kaduwela house. Responding to critics, the Anuradhapura District lawmaker has claimed, on YouTube, that he sold a property he owned in Anuradhapura and used that money to acquire the Jusse Road land.
The outspoken Minister is also on record as having said that the existence of his new house, to which he moved in late 2024, was disclosed by him. However, incisive Youtuber Dharma Sri Kariyawasam has claimed that he made the revelation on 01 October, 2025, while another You-Tuber, Abeetha Edirisinghe, rammed up pressure on the NPP by lodging a complaint with the police, via the special number 1818. Edirisinghe’s SL Leaders YouTube posted a video of him lodging the complaint.
What made the complaint really interesting was Edirisinghe’s declaration based on ‘Dark Room’ YouTube allegations that wealthy businessman Nissanka Senadhipathi, who had been one of the closest associates of the Rajapaksas, provided the wherewithal required to acquire land, build and then furnish the Jusse Road mansion. Defending his position, Lal Kantha claimed that he acquired a piano for his daughter, about 15 years ago, while declaring he enjoyed the capacity to raise large sums of funds if necessary. A smiling Lal Kantha explained how he could effortlessly collect Rs 500,000 each from 100 associates/friends. Programmes posted by Dharma Sri Kariyawasam and Abeetha Edirisinghe are must-watch for those genuinely interested in knowing the explosive story, from different angles.
Close on the heels of debates on Lal Kantha’s mansion, the media reported the Minister’s last available asset declaration, sent to the Commission to Investigate Allegations of Bribery or Corruption (CIABOC), dealt with over Rs 80 mn worth of property, vehicles and gold, etc. The JVP heavyweight’s annual income has stunned even the staunchest supporters of the ruling party. Lal Kantha, through his lawyer, demanded Rs 10 bn in damages from ‘Hiru’ for wrongly estimating his properties, etc., at Rs 460 mn.
Both Dharma Sri Kariyawasam and Abeetha Edirisinghe propagated that police wanted the public to complain to special the number 1818, created to accept such complaints in case they felt suspicious about newly acquired property, regardless of who owned them.
Unexpected disclosure of Lal Kantha’s unprecedented wealth obviously stunned the public who genuinely believed in the unshakable NPP/JVP stand on corruption. Lal Kantha, who had joined the JVP in 1982, before becoming a full time member, in 1987, had no qualms in defending his new lifestyle, having repeatedly and bitterly complained about the difficulties experienced by him and his family.
In his defence, Lal Kantha emphasised that he hadn’t been accused of robbing the taxpayer or public sector corruption. However, the NPP/JVP all-out attack on all previous governments, over waste, corruption, irregularities and mismanagement, and branding all their MPs corrupt, cannot adopt such a stance. The Kaduwela mansion has sent shockwaves through the electorate. Dharma Sri Kariyawasam, in his response to Lal Kantha, repeatedly stressed that his wealth was being questioned by those who exercised their franchise in support of the NPP/JVP at the national elections and Local Government polls, in 2025.
Growing public resentment over what various interested parties, including the NPP/JVP called ill-gotten wealth of members and henchmen of previous governments fuelled Aragalaya (31 March-14 July 2022). Those who set houses and other property, belonging to various then government politicians and their associates ablaze, operated on the presumption that they were beneficiaries of ill-gotten wealth. The NPP/JVP powered the campaign, alongside the breakaway JVP faction, styled as Peratugami Pakshaya (Frontline Socialist Party) as well as the UNP.
Ranwala and others
Against the backdrop of Auditor General Samudrika Jayarathne’s devastating report on coal procurement for the 2025/2026 period and Lal Kantha’s declaration that he owned a three-storeyed house, the resignation of Asoka Ranwala, as the Speaker of Parliament, over his failure to prove his declared academic qualifications seemed uncalled for. Jayarathne signed that report on behalf of the National Audit Office (NAO).
The Gampaha District MP resigned on 13 December, 2024, just 22 days after being appointed the Speaker. The main Opposition Samagi Jana Balawegaya (SJB) relentlessly attacked Ranwala over his fabricated or unverified educational qualifications, specifically a Ph.D. from a Japanese university and a degree from the University of Moratuwa.
The NPP/JVP tried to defend Ranwala but quickly succumbed to SJB pressure. We never managed to establish whether Ranwala resigned on his own accord or the NPP/JVP asked him to resign to save the party. Similarly, the resignations of Energy Minister Jayakody and Prof. Hemapala, who cut a sorry figure before the Committee on Public Enterprises (COPE) recently, must have been demanded by the ruling party. Had the NPP bosses acted prudently, much earlier, after he was indicted before the Colombo High Court on a previous corruption case, they could have easily asked Jayakody to resign his ministerial portfolio before the Parliament debated the no-confidence motion against him.
Another case that really embarrassed the ruling party was accusations directed at Dr. Jagath Wickremeratne, who succeeded Ranwala as House Speaker. The Polonnaruwa District MP was the next to face fire, following a dispute with the Deputy Secretary General of Parliament Chaminda Kularatne who is also the Chief of Staff of the House. Kularatne hit back hard after Parliament sacked him over alleged irregularities. In a petition, dated 2 February, 2026, sent to CIABOC, Kularatne disclosed the circumstances the Speaker reacted angrily after he brought to the NPPer’s notice illegal actions and corruption, as well as his (Kularatne) recommendation in his capacity as the Right to Information (RTI) officer, to release certain information sought by civil society activists. Kularatne further claimed that the situation deteriorated further over an incident that happened on 18 June, 2025, or a date closer to that date, in the room where Speaker Wickremeratne had his lunch. Kularatne refrained from revealing the incident.
There hadn’t been a previous instance of a senior parliamentary official moving the CIABOC against the Speaker. The allegations directed at the Speaker, in respect of abuse of vehicles, taking two fuel allowances, misuse of equipment belonging to the Media Unit of Parliament, inadequate payment for lunch obtained for Chameera Gallage, Speaker’s private secretary, who had lunch with him, illegal payments made to retired Ministry Additional Secretary S.K. Liyanage, who was appointed to inquire into Kularatne’s conduct, suppression of release of information in terms of RTI, and uncalled for interventions in administration.
Kularatne’s complaint to the CIABOC failed to result in an expeditious inquiry, though a complaint lodged against a sacked parliamentary official appeared to have received much more attention. The NPP has responded cautiously to Kularatne vs Wickremeratne battle as pressure mounted on the ruling party over the coal scam that threatened to cause further increase in already unbearable electricity tariffs. The Auditor General’s report, in no uncertain terms, has implicated the Energy Ministry and Lanka Coal Company in the sordid operation that resulted in low-grade coal ending up at the Lakvijaya coal-fired power plant that earlier met about 30 to 40% percent of the country’s power requirements at essentially low cost, barring hydroelectricity.
The report declared that the term tender for the supply of coal was awarded to Trident Champhar, an Indian company that hadn’t been registered at the time it bid for Sri Lanka’s largest tender and procedures in respect of loading and unloading the cargo. To make matters worse, Minister Jayakody, who had been implicated in the coal scam, was recently indicted on corruption charges in the High Court of Colombo. There hadn’t been a previous instance of a sitting member of the Cabinet being indicted for corruption. Therefore, the NPP government cannot be happy over its steamroller majority in Parliament having defeated the no-confidence motion moved against Jayakody who remained confident in the parliamentary group’s support at the behest of the top party leadership.
The NPP/JVP finds itself in an extremely embarrassing and pitiful situation over the coal scam. The damning report issued by the Auditor General pertaining to the coal scam has to be examined taking into consideration the failure on the part of the government and the Constitutional Council to reach a consensus on filling the vacant Auditor General’s post in 2025. The post of Auditor General remained vacant from early April 2025 to early February 2026.
Role of NAO
The NAO functions as an independent body answerable to Parliament. The recent NAO report that dealt with coal procurement exposed the utterly corrupt system in place, regardless of assurances given by the government. The report proved that irregularities can be perpetrated and corrupt practices continued, regardless of assurances given by the current dispensation.
Over the past several years, tangible measures were taken to strengthen the NAO. Parliament certified the National Audit (Amendment) Act, No. 19 of 2025 on 22 September, 2025. That act introduced reforms meant to enhance public sector accountability, enforce audit findings, and streamline the surcharge process. The no nonsense report proved that in spite of interference and undue influence exerted on the NAO, those responsible did their job without fear or favour.
SJB lawmaker Mujibur Rahman, during the debate on the no-confidence motion against Minister Jayakody, alleged in Parliament that COPE (Committee on Public Enterprises) Chairman Dr. Nishantha Samaraweera directly intervened when the NAO was in the process of finalising the report. The former UNPer called for an investigation to establish whether the Galle District NPP MP visited the NAO on several days to meet those handling the investigation.
We are not aware whether the COPE Chief, who called for the NAO to inquire into allegations in respect of coal procurement, visited the NAO.
However, the NAO report on the coal scam, now available online for all to study, underscores the pivotal importance of the anti-corruption fight.
In September 2025, the SJB asked the CIABOC to probe how some NPP/JVP Ministers amassed so much property. The SJB raised the issue with the focus on Trade, Commerce, Food Security and Cooperative Development Minister Wasantha Samarasinghe (like Lal Kantha, he, too, represents the Anuradhapura District) amassed Rs 275 mn. The SJB’s complaint to CIABOC sought investigations on Ministers Sunil Handunetti, Bimal Rathnayake, Dr. Nalinda Jayathissa and Kumara Jayakody, and Deputy Minister Sunil Watagala.
Lal Kantha, who has now acknowledged having as much as Rs 80 mn worth property, was not among the lawmakers targeted by the SJB. Having falsely propagated an anti-corruption campaign to deceive the public, the NPP/JVP stand literally exposed before the public. The coal scam and Lal Kantha fiasco have caused irreparable damage to such an extent, their anti-corruption campaigns may not carry any weight with the public at future elections.
Midweek Review
Some languages confine you; some languages free you
‘… where the world has not been broken up into fragments by narrow domestic walls; ….
Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit;
Where the mind is led forward….into ever-widening thought and action…’
With wide apologies, I am going to put snatches of that poem into more dreary uses, though not quite desert sand.
What are those narrow domestic walls which break up the world into fragments? Languages.
Amiya reads the Gitanjali but does not read the Tirukkural. Hong Li reads Kong Fut Ze’s Analects but not Plato’s Republic. Paul reads Miton’s Paradise Lost but not Njal Saga. Sarath Kumara reads Wickremasinghe’s satva santatitya but not Darwin’s Origin of the Species. Ngidi does not read Thomas Picketty’s Capital in the 20th Century or Anthony Atkinson’s Inequality at all. Hirono uses Large Language Models to do homework but Rasolomanana has not seen a computer. And so on and so forth. The world is broken into fragments by languages, but not by languages alone. The daughter of a rich black man living in Howard County in Maryland goes to Stanford but a brown dweller in Dharavi cannot enter Jawaharlal Nehru University. The lesson is that it is not only languages or orthodoxies that break up the world into ‘fragments’ but also many other barriers, about one of which Tagore sang.
Language is a marvellous ‘invention’ of nature well cultivated by humans. No other species has the faculty to use language to know. Ludwig Wittgenstein expressed it epigrammatically, ‘whereof one cannot speak, thereof one must be silent.’ It is language that carries forth knowledge. It is not only language that carries forth knowledge: mathematics, in its own right, is a powerful carrier of knowledge. One can write something simple like if x-y=0, then x=y, as well as whole pages of complex and complicated arguments using mathematical notations. Mathematics may and often does write nature and about nature; it also writes about things that exist only in the mind. That is not different from languages: heaven and Vishnu exist in some minds but not in others or elsewhere. Galileo Galilei learnt ‘Nature is an open book but it is written in mathematics’. Much of nature is a closed book to those to whom mathematics is alien territory. But today, I am interested in how some languages ‘break the world into fragments by domestic walls’, while a few others fly about regardless. When a team from India played cricket with a team from Pakistan a few weeks back, the commentary was broadcast in India in 14 languages and in Nigeria national news is read in several languages. That same game of cricket also was broadcast to the rest of the world in one language: English.
When and how do some languages come to ‘lead the mind forward into ever widening thought and action’? The transformation occurs when users of one language become conquerors and rulers of peoples using other languages and when the users of a language become generators of new knowledge which are eagerly sought after by users of other languages. Greek, Latin and Arabic contributed mightily to the vocabulary of modern Western European languages. When new ideas in law, government, philosophy, medicine and science had to be expressed, they went to Greek, Latin or Arabic. Consequently, you will bump into Greek terms the moment you begin thinking about those disciplines. The serious study of Greek was introduced to England by Erasmus (of Rotterdam) about 1500 AC. The use of Latin began with the Roman Empire but took on new functions when Latin became the vehicle carrying Christianity east and north (of Europe) and elsewhere later. Until about the 18th century AC Latin was the language of learning in most of Europe. At its inception, Manchester Grammar School was a Latin school and the Boston Latin School which started in 1635 still thrives in that name. The two medieval universities in England were mostly seminaries teaching in Latin well into the 19th century. A wide swathe of languages is written with the Latin alphabet: European languages from the Black Sea to the Atlantic and from the North Sea to the Mediterranean, America from Canada to Chile, sub-Saharan Africa including Togo, and Indonesian, Malaysian and several others. The exodus of Jewish, Arabic and other scholars, after the fall of Constantinople (1453) to the Ottomans, brought Greek and Arabic to Western Europe including England. From about the 14 to the 18th century, European indigenous vernaculars grew to be carriers of new knowledge, especially in sciences. Luther’s reformation and the development of German had much in common. Gutenberg’s new printing press (1450 AC) helped the growth of European vernaculars and the spread of reformed Christianity.
Four western European languages stood out as both conquerors and carriers of new knowledge: Portuguese, Spanish, French and English. Arabic performed the same function from about 800 AC to the 13 AC when that language carried a new religion and new knowledge in mathematics, astronomy and medicine. Arabic replaced the indigenous languages in the entire Maghreb. The language of governance and learning from Mexico south to Chile is Spanish with Brazil using Portuguese and are collectively called Latin America, because Portuguese, Spanish, French, Italian and Romanian are Romance or Latin Languages. French is the language of governance and learning in several parts of West Africa. English was a phenomenon in itself. It destroyed the use of hundreds of languages in North America. It conquered almost half the world and English is the language of governance and higher education in a good part of the land it once ruled. As a language carrying new knowledge, English excels all others. As the collapse of four European empires, including the Ottoman, went on from about 1915 to about 1960, English, which produced new knowledge faster than any other, began to break ‘domestic walls’, the world over. China, which had little love for the English-speaking world, had millions of its citizens schooled in the US, the UK, Canada and Australia during the last 30 years and continues to do so, to date. In contrast, during that time how many rushed to Niger to learn Fulfulde or to Lanka to study Sinhala? The prominence of English was promoted by two other processes: one was translation into English of major works in other languages and the other the growth of a class of indigenous writers and readers in the conqueror’s language. One reads Oblomov, Gilgamesh and, indeed, Gitanjali translated into English. India now probably has more readers in English than any other single country. Persons in Western African countries have crafted in French and English, masterpieces in fiction, poetry and drama. Modern European languages have been both conquerors’ languages and carriers of new knowledge.
Several people recently have written in The Island and in Lankadeepa about the importance of using the ‘mother tongue’. They have stressed the importance of the ‘mother tongue’ in creative writing. As with observations regarding empirical phenomena, it is necessary to test those generalisations against reality. Samskrt is a language not entirely unfamiliar to many in this land. Samskrt was nobody’s mother tongue. (After all, it is deva bhaashitam.) There is not a shred of evidence that Kalidasa’s mother talked to him in Samskrt. But Kalidasa wrote rtusmahara and shakuntalam.. The vedas and upanishads were first spoken and later written in samskrt. Pali is nobody’s mother tongue but Theravada writings are almost entirely in that language. Isaac Newton wrote Principia Mathematica in Latin; we have no evidence that baby Isaac babbled in Latin. Paul Dirac wrote about particle physics in mathematics rather than in his father’s beloved French. Leopold Senghor’s mother tongue was not French nor Chinua Achebe’s English. More casually, check your own libraries. I had a collection of about 2,300 books until last year. There weren’t even 200 written in Sinhala and that 200 included editions of works from the 13th century. Check how many books written in Sinhala and English you bought in the last two years. There were far too many writers and scientists who brought forth highly acclaimed work in languages other than their mother tongue, contradicting the argument that the mother tongue was essential or even desirable for original work, in science or in literature.
Most languages ‘break the world into narrow fragments’. A few coagulate them into large masses: 900 million people speak Mandarin and 325 million, Bengali. A half dozen bind themselves together speaking a conqueror’s language. Four languages stand out as having ‘led the ‘mind forward into ever-widening thought and action’: Greek, Latin, Arabic and English. English, so far, is unrivalled.
by Usvatte-aratchi
Midweek Review
Saying ‘I Do’ in a Green Haven
There was this elevating sight,
Of a young woman and man,
Tying the reverential ‘knot’,
With the registrar and retinue in tow,
Amid the silently pulsating beauty,
Of the suburban ‘Diyasaru Park’,
Famous as the Concrete Jungle’s lung,
Where microbes take the long journey,
To jousting, snarling animal life,
And they kept it small, simple and smart,
With a practical sense on saving rupees,
Combining with the drive to unite as one.
By Lynn Ockersz
-
News7 days agoRs 13 bn NDB fraud: Int’l forensic audit ordered
-
News5 days agoLanka faces crisis of conscience over fate of animals: Call for compassion, law reform, and ethical responsibility
-
News4 days agoWhistleblowers ask Treasury Chief to resign over theft of USD 2.5 mn
-
News4 days agoNo cyber hack: Fintech expert exposes shocking legacy flaws that led to $2.5 million theft
-
News16 hours agoBIA drug bust: 25 monks including three masterminds arrested
-
News5 days agoUSD 2 mn bribe: CID ordered to arrest Shasheendra R, warrant issued against ex-SriLankan CEO’s wife
-
Business2 days agoNestlé Lanka Announces Change in Leadership
-
News2 days agoHackers steal $3.2 Mn from Finance Ministry

During the recent debate on the No-Confidence Motion (NCM) against Energy Minister Kumara Jayakody, Illankai Thamil Arasu Kadchi (ITAK) Batticaloa District lawmaker, Shanakiyan Rajaputhiran Rasamanickam, warned that the next NCM would be moved against Fisheries Minister Ramalingham Chandrasekaran. Rasamanickam accused the National List member of corruption, a charge vehemently denied by the NPPer. The NPP/JVP needs to initiate an internal inquiry before corruption allegations overwhelm the party that received the full advantage of Aragalaya to transform the outfit from just a three-member parliamentary group, in 2024, to a staggering 159, a year later. The UNP and SLFP led alliances were dealt harshly by the electorates for want of action to curb corruption. Today, the UNP and SLFP are not represented in Parliament, while the SLPP, that secured 145 seats at the 2020 general election, was reduced to just three with its parliamentary group leader Namal Rajapaksa entering Parliament through the National List. Rajapaksa junior obviously feared to face the Hambantota electorate at the last general election. That is the undeniable truth.