Connect with us

Features

The 95th Oscar Awards for 2022 films

Published

on

The 95th awards by the Academy of Motion Picture Arts and Sciences for 2022 films were on March 12 at the Dolby Theatre in Los Angeles. The event was produced by Ricky Kirshner and Glenn Weiss. Nominations were announced on January 24. BBC had much on the awards ceremony and awards.

The American film Everything, Everywhere All at Once swept the boards as it were, garnering 11 nominations and winning seven, which is surely a great achievement. More praiseworthy is it that three Asians won top awards: Best Film – Daniel Kwan (who co-produced with Daniel Scheinert with the pair named collectively as the ‘Daniels’); Best Actress – Michelle Yeoh; Best Supporting Actor Ke Huy Quan. Awards for Best Director and Best Writing – best original screenplay – were both won by the ‘Daniels’. The sixth Oscar was won by Jamie Lee Curtis as Best Supporting Actress and seventh for Best Editing to Paul Rogers.

Best Actor was Brendan Fraser acting the main role in The Whale. Best International Feature Film was the German movie All Quiet on the Western Front.

The winning 2022 film Everything. Everywhere All At Once now conveniently referred to as EEAAO, is classified in several genres: sci fi, absurdist action comedy drama; futuristic too I read somewhere. The plot centers on Evelyn Wand, a Chinese-American immigrant who, while being audited by the IRS. “discovers that she must connect with parallel universe versions of herself to prevent a powerful being from destroying the multiverse.” The New York Times labeled the film “a swirl of genre anarchy with elements of surreal comedy. sci fi, martial arts, fantasy, animation. (I may be the only person who is not keen to see the film. I need reality and down to earth emotion. Maybe that labels me mundane and plebian!).

Kwan and Scheinert started work on the screenplay and film project in 2010. The production was announced in 2018 and photography ran from January through March 2020. It premiered at a minor venue and then began a limited theatrical release in the US on March 25, 2022, before a wider release. The film turned out to be a commercial success and grossed $108 million worldwide, becoming A24’s first film to cross the $100m mark and surpassing Hereditary 2018 as the period’s highest grossing film. (A24 is an American independent entertainment company founded in 2012 by three persons in the film business that specializes in film and television production as well as distribution, and is based in Manhattan. It assisted in the production and distribution of the film EEAAO).

Critics seem to be all in praise of the film. I quote from Wikipedia: “Critics lauded its originality, screenplay, direction, acting (particularly of Yeoh, Hsu, Quan and Curtis); visual effects, costume design, action sequences, musical score, and editing, Its portrayal of philosophical concepts like existentialism, nihilism and absurdism, as well as its approach to themes such as neuro-divergence, depression, generational trauma and Asian American identity.”

Such high praise was justifiably showered on Shehan Karunatillake by the Booker Prize judges for his difficult-to-get-through The Seven Moons of Maali Almeida. I cannot help but comment that film successes at present, like books, are very complex and multi themed; complicated in short. Gone are the days of simple love affairs and plain, ordinary, everyday emotions. Remember Roman Holiday and so many other films you could sit back and enjoy; Pride and Prejudice included. No heavy brain work was necessary and disturbing emotions were not evoked. So I ask: is it goodbye to Jane Austen, the Bronté sisters, Charles Dickens, Vikram Seth, Shyam Selvadurai and even Michael Ondaatje?

Harry Shum Jr., Stephanie Hsu, Michelle Yeoh, and Ke Huy Quan pose with the Best Picture award for “Everything Everywhere All at Once” at the 28th annual Critics Choice Awards in Los Angeles, California, U.S., January 15, 2023

The Great Asian Actress

Michelle Yeoh Choo Kleng, better known as Michelle Yeoh and formerly as Michelle Khan, was born in Ipoh, Perak, Malaysia in 1962 to a Chinese Malaysian family. Her mother was a lawyer. The family moved to the UK when she was 16 years and she joined the Rose Academy of Dance.

Her ambition was to be a professional dancer but was thwarted by a bad back. In 1993 she won Malaysia’s beauty contest and went on to compete in the Miss World contest. She was married to a HK entrepreneur in 1988-92. Then she was engaged to an American cardiologist; in 2004 to Jean Todt with whom she lives in Geneva with homes in other world cities. Her favourite authors are Shakespeare and Stephen King.

She first starred in Hong Kong films and performed her own stunts. Then she moved to the US and gained accolades in films such as the 1997 James Bond Tomorrow Never Dies and Ang Lee’s Crouching Tiger, Hidden Dragon – 2000, which shot her to fame winning the BAFTA Best Actress award for that year. And now she has won the Academy Award for Best Actress for 2022 for her highly praised performance in Everything……

She is the first Asian and second woman of colour after Halle Berry’s win in 2002 to win the most coveted film award – the Oscar. She will surely win many more international film awards in the future.In 2011 she portrayed Aung San Suu Kyi in the film The Lady. In 1997 she was voted one of 50 Most Beautiful People in the world and in 2009 one of 35 All-time Screen Beauties by People Magazine. TIME magazine named her one of the 100 most influential people in 2022.

India bags two Oscars

It was good to have India winning two Academy Awards: one to M M Keeravan for Best Original Song – Naatu Naatu from the film RRR. It seemed to have been a catchy popular song sung all over LA. A video I watched had him singing a snatch of it. The second Oscar was for the best Documentary Short Film – Elephant Whisperers – BBC assisted and produced by Guneet Monga, directed by Kartiki Gonsalves as a tribute to his parents.

The film is set in a Tiger Reserve in Tamil Nadu where orphaned baby elephants are cared for and trained to fend for themselves to be sent back to the forest. I was pleasantly surprised to find it on Netflix and watched it. It centers on two baby elephants – the first Raghu and then Ammu – adopted and nurtured by a very caring man named Bomman who is assisted by an efficient woman – Bellie –who had lost her husband and adopts the first baby elephant as a substitute for her daughter who also died. Details of the caring is documented, also glimpses of village life. The two elephants get married in a village-celebrated ceremony. One festival shown in detail is the elephants being decorated with chalk drawn patterns on their faces mostly, garlanded, and led in procession to pay pooja to God Ganesha. Raghu when fairly grown is taken away by a Wild Life official, much against its will and greatly saddening the man and woman who cared for him.

Photography is excellent depicting the forest during the rains and hot and dry during summer months. The narration is in Tamil, (I supposed), heard slightly in the background with an English commentary and the man and woman detailing their experiences with the baby elephants and loving them dearly.

A friend phoned just as I completed my article and asked me whether I had watched the Oscar ceremony. That got me talking! Then he posed the question: is this awarding political; are they moving now with the times and slanting towards Asians and coloured people? I insisted this year’s Best Actress is truly gifted, beating nominated and multi Oscar winner Cate Blanchett in Tar. Also Elephant Whisperers was a true documentary, sensitively made. Yes, there may be slants.

But weren’t the Academy Awards hugely slanted to Anglo Saxons all these long years preceding ‘Black Lives Matter’ and Asian countries rising to project the superiority of Asians? With all the excellent black stars, the first non-white man to win the Best Actor award was Sidney Poitier in 1964. The Oscars were inaugurated in 1929. Thus 35 years had to lapse before a coloured person won an Oscar. It is high time true ability and skill were singled out regardless of colour or country of origin.



Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Features

Coercive laws recipe for future misrule

Published

on

by Jehan Perera

The NPP government is going after powerful figures from the past and present who have engaged in corruption, fraud and criminal activity in a way that no previous government in Sri Lanka has done. Former ministers, politicians and senior state officials are among those facing investigations and legal proceedings. The government has placed before Parliament a document listing 50 cases involving corruption, fraud and other crimes. These include not only financial offences but also cases relating to the Easter Sunday attacks, the killings of Lasantha Wickrematunge and Wasim Thajudeen, the disappearance of Prageeth Ekneligoda and attacks on journalists Keith Noyahr and Upali Tennakoon.

The significance of this effort is that it can demonstrate that nobody is above the law, regardless of political connections or social standing, which will help restore public confidence in institutions that have long been distrusted. It could also recover public resources, improve the investment climate and strengthen the foundations for a more prosperous and just Sri Lanka. When criticised for focusing on the past and not the present, the government position is that these investigations were initiated under earlier governments, particularly between 2015 and 2019, and that it is now allowing investigators to proceed to deal with the backlog without political interference.

But there is an aspect of the government’s approach that is less justifiable. While pursuing past wrongdoing by powerful individuals, it is also advancing a triumvirate of draft laws that could give the state sweeping powers over citizens, organisations and dissent in the present and future. The draft Prevention of Terrorism legislation, the Prevention of Organised Crimes Bill and the NGO Registration and Supervision Bill raise serious questions about the over-centralisation of power. Each of these laws strengthens the powers of the state while weakening the rights and safeguards that protect people from their misuse and thus questions the basic rights of people in democracy where ‘the power of the people is vested in the government’. This is a recipe for future misrule rather than the rule of law. As the well-known saying goes, power corrupts and absolute power corrupts absolutely.

Proposed Laws

The real test of system change, for which the government obtained an overwhelming mandate, requires not only a government willing to hold others accountable, but one prepared to subject itself to the same principles of legality, transparency and restraint. The three proposed laws that are particularly important in this regard are the Protection of the State from Terrorism Bill, the Prevention of Organised Crimes Bill and the NGO Registration and Supervision Bill. Each of these draft laws has been presented as serving a legitimate purpose. Preventing terrorism, combating organised crime and ensuring that NGOs do not facilitate money laundering or terrorist financing are proper responsibilities of the state. Sri Lanka has international obligations in these areas, and no responsible government can disregard them. However, the existence of a legitimate objective does not justify every means adopted to achieve it.

The proposed Protection of the State from Terrorism Bill illustrates the problem. Although its definition of terrorism draws on a model developed by a former United Nations Special Rapporteur, the Human Rights Commission of Sri Lanka has warned that the definition of terrorism extends beyond the model and could bring legitimate political protest, trade union action and civil disobedience within the scope of counter-terrorism legislation. Its concerns also include prolonged detention, inadequate judicial oversight and restrictions on access to legal counsel. These are objections that go to the heart of the relationship between the citizen and the state. The government cannot credibly promise to protect democratic freedoms while creating powers that could be used to restrict them. It is necessary for the government to reassess the draft through transparent consultation and revise provisions that could criminalise legitimate dissent.

The Prevention of Organised Crimes Bill raises similar concerns. It is presented as giving effect to the United Nations Convention against Transnational Organised Crime, which Sri Lanka ratified in 2006. The Centre for Policy Alternatives (CPA) has argued that the convention does not require many of the bill’s provisions. The proposed law extends to a broad range of offences, permits detention orders lasting up to a year, makes confessions to police admissible for purposes of legal evidence, and introduces extensive surveillance powers. A law intended to dismantle criminal networks should not create a parallel system of exceptional powers that could be applied far beyond organised crime. Nor should safeguards developed through years of experience with abuses under the Prevention of Terrorism Act be weakened through legislation bearing a different name. The government should review whether or not existing laws could be used effectively to control these crimes or whether each exceptional power is necessary.

Civil Society

The proposed NGO Registration and Supervision Bill presents another test of the government’s intentions. The government may reasonably seek transparency in the finances of organisations receiving public or foreign funds, including measures to prevent money laundering and terrorist financing. It seeks to justify its overreach on the grounds of meeting the internationally mandated requirements of the Financial Action Task Force (FATF) for the Asia-Pacific region. But these objectives do not justify placing civil society and NGOs under excessive administrative control when even the FATF ranks them as low to medium risks. The draft bill would require registration and renewal, impose extensive obligations on organisations and empower authorities to suspend or deregister them on broadly framed grounds. It is important to redraft provisions that confer excessive discretion over registration, renewal, suspension and deregistration of NGOs.

Among the concerns raised by United Nations human rights special rapporteurs with regard to the draft NGO law are provisions requiring organisations to align with government policies and restrictions that could affect advocacy, dissent and freedom of association. The implications extend well beyond organisations that engage directly with the government. Community groups, human rights organisations, independent researchers and organisations working on reconciliation or accountability could find their activities constrained by uncertainty over how these provisions might be interpreted. Organisations that criticise government policies are not thereby working against the country. Their freedom to do so is part of what distinguishes a democracy from a system in which the government determines which opinions and activities are acceptable.

The government has generated considerable public goodwill through its pursuit of corruption and criminality. It should not assume that this goodwill gives it an unlimited mandate to strengthen the coercive powers of the state. The NPP knows from its own history that governments can treat dissent as a threat and use the machinery of the state against their opponents. There is still time to correct the drafts through transparent public consultation, narrow definitions of offences, meaningful judicial control over detention and surveillance, and effective remedies against arbitrary decisions. A government that pursues corruption while weakening safeguards against state abuse risks undermining its own achievements. Besides bringing to light the abuse of power by previous governments, the NPP government needs to build a system in which no future government can abuse power in the belief they can get away with it.

Continue Reading

Features

Quality assurance without quality enhancement: The irony of university QA

Published

on

By Ramya Kumar

According to the Quality Assurance Council (QAC) of the University Grants Commission (UGC), quality assurance (QA) refers to “the means (i.e. the policies, attitudes, actions, procedures, etc.), by which an institution can guarantee with confidence and certainty, that the standards and quality of its educational provision are being maintained and enhanced”.

An expansive structure has been in place since 2005 to govern and implement QA processes within the state university system. The QAC is the focal point at the UGC that implements external reviews of state universities and institutes. Each university has its own Centre for Quality Assurance (CQA) tasked with performing QA in line with QAC directives. Faculties, in turn, have Internal Quality Assurance Cells (IQAC) performing their own QA; they are answerable to the CQA.

The big question is whether this all-encompassing top-down QA system, that in many ways undermines the internal dynamics of university governance, actually supports universities to enhance the quality of education. This article highlights some concerns.

Top-down check-box activities

The QAC conducts external reviews of universities and degree programmes. A review team appointed by the UGC (who may or may not have experience in the institution/programme in question) examines the self-evaluation report submitted by the said institution/programme. The team then conducts a site visit to verify the claims made in the university’s self-evaluation report, clarify issues identified during the desk review, and examine how QA procedures operate in practice. The team holds meetings with the university administration, members of the Council and Senate, Deans, Heads of Departments, academic and non-academic staff, students, and others. Following the visit, a draft report is submitted to the relevant institution/programme for comment before final publication. The reviewed institution/programme then prepares and publishes an action plan addressing the recommendations, with subsequent monitoring of progress.

There are some worthy QA initiatives under implementation, such as improving facilities for students with disabilities and strengthening mechanisms to address sexual- and gender-based violence. However, for the most part, QA activities have little to do with improving the quality of education. They are mostly preoccupied with monitoring faculty and department websites, digital transformation, student feedback, subject evaluation, course evaluation, peer evaluation, and, more recently, staff appraisal. These activities, which consume an inordinate amount of time—so precious at understaffed universities—have become check-box activities completed to generate evidence for the next review. Below is an excerpt of a conversation between two academics (1 and 2) that conveys how QA plays out at universities (reproduced with permission).

1: … .it’s like social media you know, like posting things on Facebook or twitter or Instagram. When people do a lot of social media, everything they do, they do thinking, “okay I’m going to post it in this way… this I have to put on my Instagram.” QA is a little like that… everything is considered in light of, “ah we can use this for the review, as evidence… for example very recently we were encouraged to have all the things that we do in our department in the faculty newsletter so then they can put in the review. Every little thing has to be noted down….

2: And with pictures and all…

1: At the very least it has to be written so that you have written evidence .. you can’t be doing something for the sake of doing something or because it is good for the department … and sometimes people tell me “oh yea that’s a good idea we can fit that under this x, y section of the review..”

2: Yea, and nobody really thinks about the actual outcome… whether it’s actually helping anyone..

1: I also find that a lot of the words that we used in different ways have now been co-opted to the QA discourse ..including quality.. I can’t actually say what I want as an “outcome”, for example, that the outcome of this workshop is that my students “think about” … then I am told “ah but no that’s not one of the Bloom’s taxonomy words, “think about”.…

2: And the worst part is these medical and agriculture people, these types of people go around spreading it like some kind of gospel!

1: Yea, this cookie cutter way of doing things, they think is the height of innovativeness or creativity, when actually it is so mundane … for me the most awful thing about it is like some fungus of mundanity has taken over through QA reviews.

2: yea, when you say QA, my mind closes off immediately and I stop listening…

Auditing everything but power

QA leaves out crucial aspects of university governance. For instance, there is no review or assessment of the “quality” of university administrations under Criterion 1 or the integrity of procedures governing the promotion of academic staff under Criterion 6 of the institutional reviews.

The majority in the Council—the university’s executive and governing body, which is responsible for selecting the Vice-Chancellor (VC)—are appointed in ad hoc fashion. Apart from the Ex-Officio members in the Council (VC, Deans, etc.), and the two members elected by the Senate, the remainder are appointed by the UGC with no formal consultation or vetting procedure. The VC appointment process described in UGC Circular No. 03/2023 exemplifies how an ostensibly technical process can become entangled in political sycophancy. The Registrar invites applications for the position of VC through advertisement. Applicants must submit a curriculum vitae, a statement of vision for the university and supporting documents. The University Council appoints a three-member Search Committee of senior academics to encourage “eminent persons” to apply, while the UGC appoints a former VC from another university to “observe” the selection process.

A Special Meeting of the University Council is convened. Candidates are interviewed and must make a presentation to the Council Members, followed by questions. Each Council member “gives marks” for seven prescribed criteria: strategic focus (20%), effective leadership (20%), holistic thinking/conceptual skills (10%), academic and research excellence (15%), personal integrity (10%), professional communication (10%) and managerial competence (15%). Marks are averaged, and the Council recommends three candidates to the UGC in rank order. The UGC-appointed observer separately submits a confidential report on the selection process.

This procedure is expected to guarantee quality, but does it? Applications are submitted to the Council Members, who have been appointed on questionable bases, and who are expected to review the applications and give scores, based on objective assessments. But, in reality, most Council Members are manipulated by VC candidates, who often have personal ties with them. The UGC-appointed observer usually has no genuine interest in the outcome. And there is no way for anyone to actually question the Council’s decision once it is made. Although the highest-ranked candidate may ultimately be appointed, the selection remains a political decision made by the President, who retains the discretion to appoint any one of the three.

External reviews also do not look into the promotions of academic staff, except to scrutinise whether there are policies and procedures in place to govern promotion. Academic staff may apply for promotion to Professor once they satisfy the prescribed eligibility requirements, which typically include the period of service, academic qualifications, research and publication achievements, teaching experience, and contributions to the university and wider community. Applications are evaluated against specified criteria, with research output and academic contributions assessed through documentary evidence and expert evaluation. Under the UGC’s scheme for Professors, two experts from outside the applicant’s institution assess specified aspects of research and knowledge dissemination. Again, beneath this technical process, which is externally evaluated, lies a problematic points-based scheme that can be manipulated and abused with impunity.

Rethinking university QA

Like the VC election process and the schemes of promotion for academic staff, QA reviews are open to manipulation. Before a review, there is a chaotic rush to complete evidence gathering and reporting. Academics leave all other work aside, including at times their teaching, to focus on completing documentation and preparing reports. The standardised criteria in the review manuals and scoring sheets often do not reflect differences in disciplines and institutional contexts. But this does not really matter because any serious problems experienced by institutions or programmes are hastily brushed under the carpet to conceal any evidence that could taint the review. The goal is to obtain an A or at least a B grade at whatever cost.

QA may result in positive change if it moves beyond top-down check-box activities towards internally designed and owned processes encompassing all aspects of university governance, led by departments and faculties, and supported by adequate resources. The current QA system needs to be dismantled and replaced by procedures that are accountable, not to the UGC, but to our students and the communities we serve.

(Ramya Kumar is attached to the Department of Community and Family Medicine, Faculty of Medicine, University of Jaffna)

. Kuppi is a politics and pedagogy happening on the margins of the lecture hall that parodies, subverts, and simultaneously reaffirms social hierarchies.

Continue Reading

Features

Down Memory Lane — the Grand 20th Edition!

Published

on

Down Memory Lane: Ready to sing again

Yes, Down Memory Lane, the beloved Sing-Along concert series that first struck a chord, way back in 1997, returns for its landmark 20th edition this Saturday, 17th October, at the beautiful Bolgoda Grand Resort, Moratuwa town centre.

Having celebrated its glorious 25th anniversary with the show in 2023, this milestone 20th concert promises to be even more special.

The organisers, the ever-popular Moratuwa Arts Forum, are pulling out all the stops to present yet another unforgettable evening, brimming with camaraderie, fellowship, and pure nostalgia.

Get ready for two-and-a-half hours of non-stop singing as veteran vocalists, from the Moratuwa Arts Forum, will take the stage to lead and inspire the happy audience to sing, sing and sing to their hearts’ content.

The repertoire? Absolutely magical, according to the organisers.

Veteran Arun Dias Bandaranaike: Will handle the evening’s proceedings / Priya Peiris: Event Conceptor

Around 40 golden oldies — from timeless English vintage evergreens and hits from the 50s to the 90s, to toe-tapping calypsos, soulful American plantation melodies, rousing cowboy and Dixieland favourites, aa well as cherished Sinhala standards. All to be sung with much gusto!

This year’s dedicated organising committee comprises Brian Coorey (Chairman), Priya Peiris (Event Conceptor), Hiran Fernando, Suranga Fernando, Viranjan Perera, Hemka Fernando and Neelesh Silva. Guidance and support comes from Moratuwa Arts Forum President Sarana Guneratne and Secretary Chandani Silva.

Adding his signature charm to the evening, as Master of Ceremonies, will be the veteran Arun Dias Bandaranaike.

Don’t miss this landmark celebration of music and memories!

For further details, contact Hiran Fernando on 0772636446 or WhatsApp 0783636446.

Continue Reading

Trending