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The 30th Year of Kala Pola, Sri Lanka’s open Air Art Fair, a resounding success

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Visitors strolling through

The 30th year of Kala Pola, Sri Lanka’s Open Air Art Fair, was celebrated recently in a riot of colour along Ananda Coomaraswamy Mawatha, Colombo 7. A long-term collaboration of the George Keyt Foundation and John Keells Group, Kala Pola is Sri Lanka’s largest and longest-running platform for artists and sculptors to showcase their talent and connect with buyers, industry professionals and the local art community. As the first art fair held since the COVID pandemic, the event drew a tremendous response, attracting 312 adult artists and 358 child artists and an estimated 33,000 visitors.

Gayani Perera, a first-time artist participating at Kala Pola, said: “This event was a good opportunity for me to network and interact with other artists and visitors. Now I know the preferences of the visitors and can prepare better. I brought around 36 paintings and sold 22 of them. I want to thank the George Keyt Foundation as well as John Keells Foundation for this opportunity!”

The official ceremony was graced by His Excellency Paul Stephens, the Australian High Commissioner to Sri Lanka and Maldives, as the chief guest together with The George Keyt Foundation Chairman, Malaka Talwatte and other Trustees and the Chairperson of the John Keells Group, Krishan Balendra accompanied by the senior management of the John Keells Group.

Addressing the audience, H.E. Paul Stephens said, “Art and Culture are a critical component of any society and are important in aiding social development and inclusion. They are also important sectors that contribute to economic growth and development, which are of particular importance to Sri Lanka, right now.”

Krishan Balendra, the Chairperson of John Keells Holdings PLC, said “Kala Pola has evolved over the years to be the primary platform for artists from all over the country to showcase and promote their work and support their livelihoods. Art & Culture is one of the six CSR pillars of the John Keells Group under the vision of ‘Empowering the Nation for Tomorrow’. We’re very proud to partner with The George Keyt Foundation as the sponsor and organiser of Kala Pola.”

Thanuja Jayawardena, a visitor to Kala Pola, shared, “It’s not an easy feat to bring together artists from all over the country, and the people who come for this event get a chance to experience and enjoy a variety of different art and styles in one stretch! I’m someone who has come to Kala Pola almost every year and made sure to find time to attend this year as well”

The 30th year of Kala Pola was a resounding success for artists and visitors alike, generating sales estimated at Rs. 35 million excluding commissioned art. Meanwhile, 110 children were hosted at the Children’s Art Corner managed by Elephant House where budding artists could experiment with paints and clay under the guidance of Cora Abraham teachers. The event was supported by 150 John Keells Group volunteers. In addition to its focus on visual art, Kala Pola also showcased a kaleidoscope of Sri Lankan performing arts including dance, drumming and folk singing in a carnival-like atmosphere.

As a 30th year commemoration, Kala Pola 2023 featured a “Top Five Artists Award” adjudged by a panel of art experts. The winners, in no particular order, Aloka Bandara, Chaminda Bandara, Kasun Manoj, Ruwan Mahindapala and Sandeepa Vithanage were awarded trophies and certificates at the official ceremony under the sponsorship of Nations Trust Bank, Private Banking.

The street fair is complemented by https://www.srilankanartgallery.com, the digital platform hosted by John Keells Foundation to showcase Sri Lanka’s visual artists throughout the year.

Art and Culture are one of the six focus areas of John Keells Foundation – the CSR entity of John Keells Holdings PLC (JKH), Sri Lanka’s largest listed conglomerates in the Colombo Stock Exchange operating over 70 companies in 7 diverse industry sectors. With a history of over 150 years, John Keells Group provides employment to over 14,000 persons and has been ranked as Sri Lanka’s ‘Most Respected Entity’ for the last 17 Years by LMD magazine. JKH has placed first for the third consecutive year in the ‘Transparency in Corporate Reporting Assessment’ by Transparency International Sri Lanka. Whilst being a full member of the World Economic Forum and a participant of the UN Global Compact, JKH drives its CSR vision of “Empowering the Nation for Tomorrow” through John Keells Foundation and through the social entrepreneurship initiative, ‘Plasticcycle’, which is a catalyst in significantly reducing plastic pollution in Sri Lanka.



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Sri Lanka’s first generative AI‑powered, trilingual insurance assistant

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Sri Lanka Insurance Corporation General Limited (SLICGL) unveiled Beechat, the country’s first generative AI‑powered insurance assistant, heralding a milestone for Sri Lanka’s insurance industry and move towards digital services.

Beechat is designed to transform the customer experience. Available through the SLICGL website (https://www.slicgeneral.com/) and customer portal, the Assistant offers customers instant access to policy information, real-time claim status updates, and insurance-related help 24 hours a day, seven days a week.

For customers, Beechat makes insurance simpler and always available. Instead of waiting in queues, calling hotlines, or being limited to business hours, customers can check policies, track claims, and receive instant answers in Sinhala, Tamil, or English, empowering every customer, whatever their language, to manage their insurance with ease.

The inclusivity ensures every customer, regardless of language preference, can engage with insurance services seamlessly. The AI‑driven platform reduces complexity, eliminates delays, and builds trust. Ultimately, Beechat transforms insurance from a process often seen as slow and complicated into a smooth digital journey that fits modern lifestyles.

The launch of SLICGL Beechat is strategically important for the organization because it strengthens its position as a leader in innovation within Sri Lanka’s insurance industry. Introducing the country’s first generative AI‑powered, trilingual insurance assistant, SLICGL demonstrates a commitment to digital transformation and technology‑driven service excellence.

The initiative reaffirms the company as forward‑thinking and customer‑centric and differentiating from competitors who still rely on traditional service models. It signals to industry stakeholders that SLICGL is setting new standards for accessibility, efficiency, and convenience in insurance.

Pioneering AI‑driven customer engagement, the company sets a new benchmark. Beechat demonstrates how technology can elevate insurance from a traditional service into a dynamic, futuristic experience, strengthening SLICGL’s relationship with the people it services. (SLICGL)

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‘Lanka Tractors returns with a historic Colombo 11 showroom’

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Lanka Tractors Limited officially reopened its original showroom in Colombo 11, marking the return of one of Sri Lanka’s most recognised agricultural machinery companies and the official launch of the ACE Tractor brand in the country.

Located at 343 Olcott Mawatha, Colombo 11, the showroom was ceremonially declared open by Chief Guest Dudley Sirisena, Chairman of the Araliya Group of Companies, in the presence of Upul Jayasuriya, Chairman of Lanka Tractors Limited, Thilina Abeysuriya, Managing Director, Nishantha Yapa, Head of Business, and Rajiv Gunawardena, CEO of Asia Asset Finance PLC.

Originally established in 1971 as the State Trading (Tractor) Corporation, Lanka Tractors was restructured in 1991 and became one of Sri Lanka’s largest importers and distributors of agricultural machinery. Over the decades, the company represented internationally renowned brands including Massey Ferguson, Kubota and TAFE, earning the trust of generations of Sri Lankan farmers through quality products, technical expertise and dependable after-sales support. The reopening of its original Colombo 11 showroom, first established in 1982, marks the revival of an institution that has played a pivotal role in the mechanisation of Sri Lankan agriculture for more than five decades.

The company’s revival commenced in late 2025 through an exclusive partnership with ACE Tractors, the agricultural division of Action Construction Equipment (ACE) Limited, one of India’s leading engineering and manufacturing companies. ACE manufactures tractors, agricultural machinery, construction equipment and industrial equipment, with annual production capacity exceeding 9,000 tractors, exports to more than 37 countries, and a dealer and service network spanning over 100 locations worldwide.

Prior to the commercial launch, Lanka Tractors adopted an extensive validation programme to ensure the products were ideally suited to Sri Lankan farming conditions. Three introductory models—the ACE VEER 3000 (26 HP 4WD), ACE DI 350 NG (40 HP 2WD) and ACE DI 450 NG (45 HP 4WD)—underwent rigorous field testing across multiple agricultural regions under the supervision of ACE technical specialists. Following several product refinements based on local operating conditions, the tractors were introduced to the market in April 2026.

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Akurugraphy exhibition opens at Geoffrey Bawa Space in Colombo

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The desire to communicate and be understood is at the heart of what it is to be human. In contemporary life, digital infrastructure underpins how we work, live, and share information, but the letterforms that carry our languages are rarely neutral.

Arkurugraphy, a new exhibition at the Geoffrey Bawa Space, explores the history, culture, and future of letterforms across Sri Lanka’s three official languages. Presenting the decade-long practice of Colombo-based type foundry Mooniak, it examines how decisions about the digitisation of Sinhala, Tamil, and Latin scripts impact legibility and carry deep consequences for who is seen, who is heard, and whose language endures.

Writing systems carry human thought and knowledge across time and space. Letterforms can become a form of cultural artefact, unique graphic symbols representing identity and belonging. Today, these inherited letterforms often take shape as digital fonts, their design demanding fluency across history, aesthetics, linguistics, and technical standards. Akurugraphy asks audiences to look at letterforms beyond the act of reading: to appreciate their form, trace their past, and consider the decisions that impact their future.

Akurugraphy brings together typographic specimens, archival material, and software development spanning Mooniak’s full body of practice. It is a celebration of letterforms as art and an examination of the technical and political stakes of designing scripts for the digital age. As part of the exhibition, the Geoffrey Bawa Space will host a programme of monthly talks, curatorial tours, workshops, and children’s programmes.

Akurugraphy is open Wednesday through Sunday, 10:30 a.m. – 5:30 p.m., and will be on view until 8 November 2026. The exhibition is designed to be accessible and welcoming to all visitors. The Geoffrey Bawa Space offers step-free access and wheelchair accessible facilities. Tactile elements are available throughout the exhibition. More information is available at geoffreybawa.com/akurugraphy .

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